This page lists all recordings of Cantata BWV82 'Ich habe genug', by Johann Sebastian Bach (1685-1750) on CD. Generally, more recent CDs are listed first, but with priority given to items that are in stock. |
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See Terms & Conditions for p&p rates. | |  | Bach - Cantatas Volume 38Solo Cantatas
Carolyn Sampson (soprano), Peter Kooij (bass) & Gerd Türk (tenor) Bach Collegium Japan, Masaaki Suzuki The four cantatas on this recording come from 1726-1727, Bach’s fourth year of service at the Thomaskirche in Leipzig. During this time Bach showed a preference for solo cantatas, entrusting the text to a single solo voice. Three of these cantatas are of this type, while the fourth (BWV58) is scored for two voices. “The wonderfully trim and naturally expressive period band and choir, underpinned by an exceptional group of continuo players…. High-quality Bach singing and playing.” The Guardian | 
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| |  | Bach - Cantatas Vol. 3
Elisabeth Hermans (soprano), Petra Noskaiová (alto), Christoph Genz (tenor), Jan van der Crabben (baritone) La Petite Bande, Sigiswald Kuijken | | | In stock - usually despatched within 1 working day. |
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| Bach: Cantatas
Thomas Quasthoff Berliner Barock Solisten, Rainer Kussmaul | | | In stock - usually despatched within 1 working day. |
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| |  | Hans Hotter
Bach, J S: | Cantata BWV82 'Ich habe genug' | Brahms: | Vier ernste Gesänge, Op. 121 Feldeinsamkeit, Op. 86 No. 2 Wie Melodien zieht es mir, Op. 105 No. 1 Sonntag, Op. 47 No. 3 Minnelied Op. 71 No. 5 Wir wandelten, wir zwei zusammen Op. 96/2 Wie bist du, meine Königin Op. 32,9 (Daumer) Sapphische Ode, Op. 94 No. 4 Botschaft, Op. 47 No. 1 Ständchen, Op. 106 No. 1 Heimweh, Op. 63, No. 8 Auf dem Kirchhofe, Op. 105 No. 4 Verrat, Op. 105 No. 5 |
Hans Hotter (bass-baritone) Recorded 1950, 1951 & 1956, mono | | | In stock - usually despatched within 1 working day. |
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| |  | Johann Sebastian Bach - Cantatas
Bach Ensemble, Joshua Rifkin | | | In stock - usually despatched within 1 working day. |
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| |  | Bach Wedding Cantatas
Emma Kirkby Academy Of Ancient Music Chamber Ensemble, Christopher Hogwood | | | In stock - usually despatched within 1 working day. |
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| |  | J S Bach: Bass Cantatas
Peter Kooy Chapelle Royale Orchestra, Philippe Herreweghe | | | In stock - usually despatched within 1 working day. |
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Karina Gauvin (soprano), Daniel Taylor (countertenor) Les Violons du Roy, Bernard Labadie | | | In stock - usually despatched within 1 working day. |
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Emma Kirkby, Karl Kaiser, Katharina Arfken Freiburg Baroque Orchestra, Gottfried von der Goltz | | | In stock - usually despatched within 1 working day. |
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| |  | Bach - Solo Cantatas for Bass
Klaus Mertens (bass) Amsterdam Baroque Orchestra & Choir, Ton Koopman The cantatas in this selection, which have been taken from Ton Kooman’s award-winning series of Bach recordings, feature a single bass voice alongside the choral ensemble. The solo cantata “Ich will den Kreuzstab gerne tragen” BWV 56 was first performed on 27 October 1726, the 19th Sunday after Trinity. The author of the text is unknown, but he was apparently inspired by Erdmann Neumeister‘s “Ich will den Kreuzweg gerne gehen” from the latter’s cantata text collection of 1711.
“Ich habe genung” BWV 82 was composed for the Feast of the Purification of the Virgin Mary on 2 February 1727. The author of the text is also onknown. The cantata “Der Friede sei mit dir” BWV 158 survives with designations for two liturgical occasions (Purification/Third Day of Easter) in a manuscript copied by a reliable scribe shortly after Bach‘s death. The origins of the work are therefore uncertain, but
most likely it represents an expansion of a solo cantata originally written (like BWV 82) for the Marian Feast of Purification on 2 February. “Amore traditore” BWV 203, in the typical format (aria-recitative-
aria) of the Italian secular solo cantata, is based on an anonymous text that was also set by the Neapolitan composer Nicola Fago. |
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