This page lists all recordings of Au bord de l'eau, Op. 8 No. 1 (Prudhomme), by Gabriel Urbain Fauré (1845-1924) on CD. Generally, more recent CDs are listed first, but with priority given to items that are in stock. |
All recordingsEx. VAT prices will be applied automatically for non-EU delivery addresses.
See Terms & Conditions for p&p rates. | |  | French Songs
Ian Bostridge, Julius Drake, Leon Bosch Belcea Quartet | | | In stock - usually despatched within 1 working day. |
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| |  | Fauré - The Complete Songs - 1
Felicity Lott, Jennifer Smith, Geraldine McGreevy, Stella Doufexis (soprano), John Mark Ainsley (tenor), Christopher Maltman, Stephen Varcoe (baritone), Graham Johnson (piano) | | | Usually despatched in 2 - 3 working days. |
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| |  | Melodies françaises
Chausson: | La Caravane Le temps des lilas Les Heures La Chanson perpétuelle | Debussy: | Ariettes Oubliées - six songs Cinq poèmes de Baudelaire Trois Chansons de Bilitis | Fauré: | Le papillon et la fleur, Op. 1 No. 1 Mai Op. 1 No. 2 Chanson du pêcheur Op. 4 No. 1 Lydia, Op. 4 No. 2 Rêve d'amour, Op. 5 No. 2 Tristesse, Op. 6 No. 2 Après un rêve, Op. 7 No. 1 Au bord de l'eau, Op. 8 No. 1 (Prudhomme) Nell, Op. 18 No. 1 Automne, Op. 18 No. 3 Poème d'un jour Op. 21 3 Songs, Op. 23 Aurore, Op. 39 No. 1 Les roses d'Ispahan Op. 39 No. 4 Nocturne, Op. 43 No. 2 Clair de Lune, Op. 46 No. 2 Spleen, Op. 51 No. 3 (Verlaine) Cinq Melodies ‘de Venise', Op. 58 Prison, Op. 83 No. 1 | Poulenc: | Montparnasse | Ravel: | Histoires naturelles |
Nathalie Stutzmann (contralto) | | | Usually despatched in 4 - 5 working days. |
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| |  | Gérard Souzay
Falla: | Siete Canciones populares españolas | Fauré: | C'est l'extase langoureuse, Op. 58 No. 5 (Verlaine) Green, Op. 58 No. 3 (Verlaine) Mandoline, Op. 58 No. 1 (Verlaine) Prison, Op. 83 No. 1 Spleen, Op. 51 No. 3 (Verlaine) Tristesse, Op. 6 No. 2 Au bord de l'eau, Op. 8 No. 1 (Prudhomme) Après un rêve, Op. 7 No. 1 Clair de Lune, Op. 46 No. 2 (Verlaine) Arpège, Op. 76 No. 2 (Samain) En sourdine, Op. 58 No. 2 (Verlaine) L'horizon chimérique, Op. 118 | Ravel: | Histoires naturelles |
Gérard Souzay (baritone), Jacqueline Bonneau & Dalton Baldwin (piano) Recorded 1950-55 | | | Usually despatched in 2 - 3 working days. |
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| |  | Mischa Maisky - Après un rêve
Mischa Maisky (cello) & Daria Hovora (piano) | | | Usually despatched in 2 - 3 working days. |
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| |  | Nuit d'étoiles
Véronique Gens (soprano) & Roger Vignoles (piano) | | | Usually despatched in 3 - 4 working days. |
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| |  | Great Performances from the Library of Congress, Vol. 19Leontyne Price and Samuel Barber in Concert
Leontyne Price (soprano) and Samuel Barber (baritone and piano) The 1953 recording features the spectacular twenty-six year old Leontyne Price, accompanied by Samuel Barber at the Library of Congress. The duo's entire recital is issued whole for the first time. In this recital the soprano and composer give the world premiere performance of Barber's "Hermit Songs", and perform Henri Sauguet's "La Voyante" (The Fortune Teller) and other songs by Barber, Poulenc and Fauré.
This remarkable 1938 recording, released to the public for the first time, gives us the 28 year old baritone, Samuel Barber in 12 songs, accompanying himself at the piano. These little known performances reveal Barber as a singer/player of uncommonly deep communicative power. The performances (issued in cooperation with Mr. Barber's estate and the Curtis Institute in Philadelphia) include folk songs from England, America, the Tyrol and Tuscany as well as lieder by Schumann, Brahms, Mendelssohn, C.P.E Bach and Schubert. | | | Usually despatched in 2 - 3 working days. |
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Jan Van der Crabben (baritone), Inge Spinette (piano) | | | Usually despatched in 2 - 3 working days. |
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| |  | Fauré - Chansons Vol. 2
Sarah Walker & Malcolm Martineau (piano) | | | Usually despatched in 2 - 3 weeks. |
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| |  | Mélodies
Duparc: | Chanson triste Soupir L'Invitation au voyage Élégie Extase Le Manoir de Rosemonde Phidylé Lamento | Fauré: | Lydia, Op. 4 No. 2 Au bord de l'eau, Op. 8 No. 1 (Prudhomme) Après un rêve, Op. 7 No. 1 Nell, Op. 18 No. 1 Automne, Op. 18 No. 3 Aurore, Op. 39 No. 1 Les roses d'Ispahan Op. 39 No. 4 Les présents Op. 46 No. 1 Clair de Lune, Op. 46 No. 2 Spleen, Op. 51 No. 3 (Verlaine) Cinq Melodies ‘de Venise', Op. 58 La Bonne Chanson, Op. 61 Prison, Op. 83 No. 1 Soir Op. 83 No. 2 Le parfum impérissable Op. 76 No. 1 Le plus doux chemin Op. 87 No. 1 Mirages, Op. 113 L'horizon chimérique, Op. 118 |
Marin Isepp (piano), Geoffrey Parsons (piano) It was in 1972, when he was singing at Glyndebourne, that Cuenod began recording for Nimbus. In these records he leaves a unique and precious account of French song, which, incidentally, he taught every year in Europe and the United States. This album of Fauré and Duparc has never previously been released. Hugues Cuenod was between seventy and seventy-six at the time and the result is miraculous. Hear how skilfully he 'speaks' the text like an actor, with perfect diction and clarity. His style is admirably simple and natural, which is the most difficult thing to achieve in the very special art of the French 'mélodie'. He never descends into sentimentality or over-interpretation, temptations to which many singers of both sexes too often succumb. | | | Usually despatched in 4 - 5 working days. |
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