Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Edward Elgar: Go, song of minePart-Songs and Choral Works
Drawn from across the composer's lengthy career, this collection of Part-Songs and Choral-Works explores the great variety and range within Elgar's work for choir and voices. Along with more well-known works such as 'Love' and 'Deep in my Soul' there are early pieces such as 'O Salutaris hostia' (composed for small amateur choirs) that give hints of his later mature style, through to the 1928 piece 'I sing the Birth' – a work that shows Elgar's ability to adapt to more contemporary styles of 20th-century choral composition. The Rodolfus Choir have established themselves as one of the leading youth choirs in Britain, made up of singers aged from 16 to 25 who have been chosen from past and present members of the Eton Choral Courses for prospective choral scholars. Many members of the Choir are choral scholars, some are at music college, and most hope to make a career in music. The Rodolfus Choir and Ralph Allwood are well-known for imaginative programming, and for presenting new music. The Rodolfus Choir’s recent CD recordings with Signum include music as diverse as Howells, Monteverdi, Grier, Tallis and the German Romantics. “The strength and major appeal of this disc will surely be the opportunity it presents to discover just how much Elgar could be an explorer … Elgarians and others tempted by the works assembled in this new collection can be assured that it is on a par with the best of them” International Record Review, March 2013 “The Rodolfus Choir shine strongly in these well-loved Elgar part-songs choral works.” MusicWeb International, April 2013 “The delicacy (and occasional fragility) of the Rodolfus's young voices make the effect [in 'Owls'] even more poignant...[Give unto the Lord] rounds off this hugely enjoyable disc with aplomb.” Gramophone Magazine, April 2013 “The combination of Ralph Allwood and the Rodolfus Choir usually means quality. It does again here in this excellently sung recital of Elgar choral pieces. It's hard, in fact, to imagine 'Go, song of mine', the opening item, done better...When simplicity of utterance is necessary, the Rodolfus deliver it unfussily.” BBC Music Magazine, May 2013 **** | 
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| |  | Early One Morning: Parry, Delius, ElgarFirst release on CD
Delius: | Midsummer Song The Louis Halsey Singers On Craig Dhu (An impression of nature) The Louis Halsey Singers To be sung of a summer night on the water, Nos. 1 & 2 The Louis Halsey Singers The splendour falls on castle walls The Louis Halsey Singers | Elgar: | As torrents in summer The Louis Halsey Singers My Love Dwelt in a Northern Land Op. 18 No. 3 The Louis Halsey Singers Go, song of mine, Op. 57 The Louis Halsey Singers O Wild West Wind The Louis Halsey Singers The Shower The Louis Halsey Singers Love's tempest, Op. 73 No. 1 The Louis Halsey Singers Owls The Louis Halsey Singers The Fountain The Louis Halsey Singers There is sweet music, Op. 53 No. 1 The Louis Halsey Singers Deep in my soul The Louis Halsey Singers | Parry: | Songs of Farewell The Louis Halsey Singers | Stanford: | Heraclitus (Callimachus, trs William Cory) Op. 110 No. 4 (1910, arr 1918) The Louis Halsey Singers Sweet love for me The Louis Halsey Singers My love's an arbutus (Old Irish air) The Louis Halsey Singers Veneta The Louis Halsey Singers Chillingham The Louis Halsey Singers Shall we go dance The Louis Halsey Singers | trad.: | Captain Bover Owen Brannigan (bass) & Wilfrid Parry (piano) Elizabethan Singers A fair maid Owen Brannigan (bass) & Wilfrid Parry (piano) Elizabethan Singers Matthew, Mark, Luke and John Owen Brannigan (bass) & Wilfrid Parry (piano) Elizabethan Singers I sowed the seeds of love Owen Brannigan (bass) & Wilfrid Parry (piano) Elizabethan Singers Wassail Song Owen Brannigan (bass) & Wilfrid Parry (piano) Elizabethan Singers Bushes and Briars Owen Brannigan (bass) & Wilfrid Parry (piano) Elizabethan Singers O Waly, Waly ('The Water is Wide') Owen Brannigan (bass) & Wilfrid Parry (piano) Elizabethan Singers Dance to your Daddy Owen Brannigan (bass) & Wilfrid Parry (piano) Elizabethan Singers Bobby Shaftoe Owen Brannigan (bass) & Wilfrid Parry (piano) Elizabethan Singers Adam Buckham O! Owen Brannigan (bass) & Wilfrid Parry (piano) Elizabethan Singers I love my Love Owen Brannigan (bass) & Wilfrid Parry (piano) Elizabethan Singers The Sailor and Young Nancy Owen Brannigan (bass) & Wilfrid Parry (piano)
Wilfrid Parry, piano Elizabethan Singers Our Captain calls all hands Owen Brannigan (bass) & Wilfrid Parry (piano)
Wilfrid Parry, piano Elizabethan Singers Bonny at Morn Owen Brannigan (bass) & Wilfrid Parry (piano)
Wilfrid Parry, piano Elizabethan Singers Soul Cake Owen Brannigan (bass) & Wilfrid Parry (piano)Wilfrid Parry, piano Elizabethan Singers Down among the dead men Owen Brannigan (bass) & Wilfrid Parry (piano)
Wilfrid Parry, piano Elizabethan Singers Brigg Fair Owen Brannigan (bass) & Wilfrid Parry (piano)
Wilfrid Parry, piano Elizabethan Singers Early One Morning Owen Brannigan (bass) & Wilfrid Parry (piano)
Wilfrid Parry, piano Elizabethan Singers Derwentwater’s Farewell Owen Brannigan (bass) & Wilfrid Parry (piano) Elizabethan Singers |
During the 1960s, Louis Halsey, together with the Elizabethan Singers and The Louis Halsey Singers made a number of recordings of British choral music for Decca. Three LPs devoted to the music of Parry, Elgar, Stanford and Delius and of folk song settings by a range of British composers, are here collected on this 2CD set, all of this material released on CD for the first time. Though his magnificent choral piece Jerusalem eclipses much of his other work, the beautiful Songs of Farewell, written during the last three years of his life must be counted among the masterpieces of English choral music. Diana McVeagh describes the Elgar choral songs as ‘elaborate, expansive, and gorgeous as sheer sound’ and so they are in these wonderful performances. All but one of Delius’s partsongs were recorded for the original LP and the disc of folk songs arranged by Tippett, Williamson, Grainger, Vaughan Williams, Holst and other front-rank British composers is charming and amusing. Original LP notes (including a very persuasive one by Louis Halsey himself) are reprinted in the booklet. “admirable performances and recording. Louis Halsey's choir, with its almost boy-like sopranos, is just right for these motets, while the recording sets them resonantly, as if in a cathedral. The choir sings its magnificently singable lines with evident appreciation of their moving beauty, obviously inspired by Halsey, whose heart is in the music” Gramophone Magazine (Parry, Stanford) “Louis Halsey is obviously much in sympathy with both composers and gets most responsive singing from his choir, with excellent diction” Gramophone Magazine (Elgar, Delius) “Halsey has helped to set a new standard in such choral singing, one of the splendid bonuses of the King's tradition, from which Halsey stems. Recording first-rate as one would expect from Argo” Gramophone Magazine (Folk songs) | | | (Sorry, download not available in your country) | In stock - usually despatched within 1 working day. |
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| |  | Traditional Glees & Madrigals
Barnby: | Sweet and low The Kiss | Beale: | Come let us join the roundelay | Bishop, H R: | Foresters sound the cheerful horn | Bridge, Frederick: | The Goslings Two Snails | Byrd: | Though Amaryllis dance in green | Cavendish: | Come, gentle swains | Cooke, B: | Epitaph On A Dormouse | Cooke, T: | Strike The Lyre | Elgar: | As torrents in summer | Gibbons, O: | Ah, dear heart O That The Learned Poets | Morley: | Fyre! Fyre April is in My Mistress' Face My bonny lass she smileth | Paxton, W: | Breathe Soft, Ye Winds | Pearsall: | There is a paradise on earth O who will o'er the downs so free Waters of Elle | Ramsey, R: | Sleep, fleshy birth | Smart, G T: | The Squirrel | Sullivan, A: | The long day closes | Tomkins: | Music divine, proceeding from above | Vautor: | Sweet Suffolk Owl | Weelkes: | Hark All Ye Lovely Saints Thus Sings My Dearest Jewel |
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| |  | Elgar - Part-Songs
“These commendably disciplined and infectiously spirited performances are sure to give pleasure. A tempting price, too! ” Gramophone Magazine, June 2008 “Under the experienced Christopher Robinson, the young singers of the Cambridge University Chamber Choir make the most of this treasure-trove, with secure pitching, clear enunciation, and a bright well-balanced sound.” BBC Music Magazine, May 2008 **** “Christopher Robinson's survey of English choral music for Naxos…has been hailed as perhaps the finest ever conducted on disc” The Observer “Plaudits to Christopher Robinson and the Cambridge University Chamber Choir for their keenly prepared and fervent exploration of this still under-appreciated repertoire. And what an absorbing creative portrait of the composer they give us, stretching from 1889 and 'My love dwelt in a northern land' to 1925 and the delectably assured setting of Walter de la Mare's 'The Prince of Sleep'. Other bewitching gems along the journey include 'As torrents in summer'(from the epilogue of the 1896 cantata King Olaf), 'Evening Scene' (1905) and 'Go, song of mine' (1909). In the five items (Opp 71-73) from 1914 Elgar's treatment of the a cappella medium acquires an extra confidence (the writing at once dark, rich and penetrating), though perhaps the most sheerly gripping and diverse inspiration on this well filled anthology is to be found within the four Op 53 songs of 1907: sample the eartickling bitonality of 'There is sweet music' or ghostly gloom of 'Owls' (Elgar at his most daring and inscrutable). One might hope for a fractionally tighter focus to what is an otherwise tonally true sound-picture (the words are not always ideally clear – Naxos does, thankfully, supply full texts). Otherwise, these commendably disciplined and infectiously spirited performances are sure to give pleasure. A tempting price, too!” Gramophone Classical Music Guide, 2010 | | | (also available to download from $6.00) | This item is currently out of stock at the UK distributor. You may order it now but please be aware that it may be six weeks or more before it can be despatched. (Available now to download.) |
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| |  | The Long Day ClosesEnglish Romantic Part-songs
Barnby: | Sweet and low | Coleridge-Taylor: | Summer is gone | Elgar: | As torrents in summer My Love Dwelt in a Northern Land Op. 18 No. 3 Go, song of mine, Op. 57 | MacFarren, G: | When daisies pied | Parry: | My soul, there is a country (No. 1 from Songs of Farewell) O love, they wrong thee You gentle nymphs Love is a sickness Music, when soft voices die My delight and thy delight | Pearsall: | Lay a garland Who shall have my lady fair Sweet and low | Stanford: | Heraclitus (Callimachus, trs William Cory) Op. 110 No. 4 (1910, arr 1918) The Blue Bird, Op. 119 No. 3 Full fathom five | Sullivan, A: | The long day closes Echoes | Walmisley: | Music, all powerful | Wesley, S: | O Sing unto my roundelay |
Canzonetta, Jeffrey Wynn Davies | | | Usually despatched in 2 - 3 working days. |
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| |  | All in the April EveningFavourites from the repertoire of the Glasgow Orpheus Choirs
‘It’s a delightful disc … if there was a ‘Critics’ Fancy’ it would be there sure enough’ (Gramophone) | | | Usually despatched in 2 - 3 working days. |
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| |  | English Landscapes
“The Hallé's exceptional leader, Lyn Fletcher, delivered a fleetingly evanescent account of Vaughan Williams's The Lark Ascending. Best of all, however, was a mistily evocative performance of Gerald Finzi's autumnal tone poem The Fall of the Leaf - a fittingly seasonal homage in the 50th anniversary year of a composer who had a keen interest in English varieties of apple. This one, however, was a peach.” (The Guardian, 8th November 2005, reviewing the live performance on 3rd November) | | | Usually despatched in 4 - 5 working days. |
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| |  | English Classics
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