All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Wilhelm Backhaus: The Virtuoso (1908-1940)
Albéniz: | Triana (from Iberia, book 2) | Brahms: | Variations on an Original Theme in D major, Op. 21, No. 1 Variations on a theme by Paganini in A minor, Op. 35 | Chopin: | Piano Concerto No. 1 in E minor Op. 11: Romance Impromptu No. 4 in C sharp minor, Op. 66 'Fantaisie-Impromptu' Berceuse in D flat major, Op. 57 Waltz No. 6 in D flat major, Op. 64 No. 1 'Minute Waltz' | Delibes: | Naila: Waltz | Kreisler: | Liebesleid | Liszt: | La leggierezza - Étude de concert No. 2, S144 A Midsummer Night’s Dream: Wedding March & Dance of the Fairies (after Mendelssohn), S410 Liebestraum, S541 No. 3 (Nocturne in A flat major) Hungarian Rhapsody, S244 No. 2 in C sharp minor Waldesrauschen, S145 No. 1 | Mendelssohn: | A Midsummer Night's Dream: Scherzo | Moszkowski: | Caprice espagnole, Op. 37 | Mozart: | Piano Concerto No. 26 in D major, K537 'Coronation' Deh! vieni alla finestra (from Don Giovanni) | Pick-Mangiagalli: | La Danza di Olaf | Rachmaninov: | Prelude Op. 3 No. 2 in C sharp minor | Schubert: | Marche Militaire, D733 No. 1 | Strauss, R: | Ständchen, Op. 17 No. 2 | Weber: | Piano Concerto No. 1 in C major, J. 98, Op. 11: Rondo - moto perpetuo |
Wilhelm Backhaus (piano, piano-roll) Berlin Municipal Orchestra, Berlin Stadtischen Opera Orchestra, Fritz Zaun This CD showcases Backhaus’s great virtuosity. “revelatory: instead of the stern Beethovenian we are used to, the young pianist who emerges courtesy of piano-roll recordings from the 1920s is full of fire and flamboyance.” BBC Music Magazine, February 2013 ***** | 
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| |  | Matthias Goerne Sings German Arias
‘Operatic justice’, writes J.B. Steane in his informative and amusing note for this album, ‘is a law unto itself, and the baritone has been prominent among its victims. Unlucky in love, he is seen in the most favourable light as a father-figure and is otherwise all too often the villain of the piece. He may be manly but is rarely heroic. He will have his arias, his moments of glory, yet (uncannily, it must seem to him) their place is rarely at the centre of the opera, or for that matter, part of its last-act climax.’ Beginning with a bracket of Mozart arias, this colourful recital, recorded by Matthias Goerne in 2000, takes us through the terrains of mid- and late-19th century opera – Wagner, Humperdinck, Richard Strauss – to the early 20th-century with the moving ‘Mein Sehnen, mein Wähnen’ from Korngold’s Die tote Stadt, to two brief excerpts from Berg’s Wozzeck. Matthias Goerne both works within the tradition and extends it. Like his predecessors, from Schlusnus to Fischer-Dieskau, he has developed his careers in opera and song side by side, though it is true that his fame and hitherto his work as a recording artist have centred less on opera than on Lieder and oratorio. His operatic recording debut was spotted by Gramophone magazine and described as ‘an impressive appearance’, as Prometheus in the large cast of Braunfels’s Die Vögel. “he is heart-rending in the Tannhauser extracts, dancing in the Korngold and moving as Berg's Wozzeck.” BBC Music Magazine, December 2012 **** “[Goerne’s] powerful Count [makes for] a strong, wilful presence … Faust's solo from the end of the second part of Schumann's work, the Spielmann's lovely piece from the close of the Humperdinck and the aria from Die tote Stadt are all sung with feeling and beauty, especially the Korngold, which is wholly beguiling, the real piece of gold in this programme.” Gramophone Magazine “This is a voice with a honeyed, mellow beauty right through its range, and considerable power when needed’” MusicWeb International | | | (Sorry, download not available in your country) | In stock - usually despatched within 1 working day. |
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| |  | Dietrich Fischer-Dieskau sings Opera Arias
Beethoven: | Ha! Welch ein Augenblick! (from Fidelio) Chorus and Orchestra of Bavarian State Opera, Ferenc Fricsay | Mozart: | Der Vogelfänger bin ich, ja (from Die Zauberflöte) RIAS Berlin Symphony Orchestra, Ferenc Fricsa Ein Mädchen oder Weibchen (from Die Zauberflöte) RIAS Berlin Symphony Orchestra, Ferenc Fricsa Fin ch'han dal vino (from Don Giovanni) RIAS Berlin Symphony Orchestra, Ferenc Fricsa Deh! vieni alla finestra (from Don Giovanni) RIAS Berlin Symphony Orchestra, Ferenc Fricsa | Verdi: | In braccio alle dovizie (from I Vespri Siciliani) Berliner Philharmoniker, Alberto Erede Pari siamo! (from Rigoletto) Berliner Philharmoniker, Alberto Erede Cortigiani, vil razza dannata (from Rigoletto) Berliner Philharmoniker, Alberto Erede Il balen del suo sorriso (from Il Trovatore) Berliner Philharmoniker, Alberto Erede Alla vita che t'arride (from Un ballo in maschera) Berliner Philharmoniker, Alberto Erede Alzati…Eri tu che macchiavi quell'anima (from Un Ballo in Maschera) Berliner Philharmoniker, Alberto Erede Per me giunto è il di (from Don Carlo) Berliner Philharmoniker, Alberto Erede Ehi! Paggio! ... L'onore! Ladri! (from Falstaff) Berliner Philharmoniker, Alberto Erede Eh! Taverniere … Mondo ladro (from Falstaff) Berliner Philharmoniker, Alberto Erede | Wagner: | Als du in kuhnem Sange uns bestrittest (from Tannhäuser) Philharmonia Orchestra, Wilhelm Schüchter O du, mein holder Abendstern (from Tannhäuser) Orchestra of the Bayreuth Festival, André Cluytens Die Frist ist um (from Der fliegende Holländer) Orchestra of the Berlin State Opera, Franz Konwitschny |
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| |  | José van Dam: 30 Years at la Monnaie/De Munt
Berlioz: | Une puce gentille 'Flea Song' (from La damnation de Faust) Recorded in 2002 Antonio Pappano | Debussy: | Pelléas part ce soir (from Pelléas et Mélisande) Recorded in 1999 Juanita Lascarro (Mélisande), Donald McIntyre (Arkel) George Benjamin | Mozart: | Deh! vieni alla finestra (from Don Giovanni) Recorded in 1987 Sylvain Cambreling La ci darem la mano (from Don Giovanni) Recorded in 1987 Joana Kozlowska (Zerlina) Sylvain Cambreling | Mussorgsky: | Boris Godunov: Coronation Scene Recorded in 1986 Michael Schønwandt Oy, dušno, dušno! - Prošcay, moy sïn (from Boris Godunov) Recorded in 1986 Bart Ravache (Fiodor) Michael Schønwandt | Offenbach: | Scintille, diamant (from Les Contes d'Hoffmann) Recorded in 1985 Sylvain Cambreling | Rossini: | Il turco in Italia 'Credete alle femmine' Recorded in 1995 Tiziana Fabbricini (Fiorilla) Iván Fischer | Strauss, R: | Wo ist er, dessen Sündenbecher jetzt voll ist? (from Salome) Recorded in 1992 Catherine Malfitano (Salome), Scot Weir (Narraboth) Antonio Pappano | Verdi: | Ella giammai m'amò (from Don Carlo) Recorded in 1981 Sir John Pritchard Il Grande Inquisitor! ... Son io dinanzi al Re? (from Don Carlo) Recorded in 1981 Jules Bastin (Grand Inquisitor), Arnaud Dufrasne (Lerma) Sir John Pritchard Plebe! Patrizi! Popolo! (from Simon Boccanegra) Recorded in 1990 Nancy Gustafson (Amelia), Carlos Krause (Pietro), William Stone (Paolo), Alberto Cupido (Gabriele), David Pittsinger (Fiesco) Sylvain Cambreling L'onore! Ladri! (from Falstaff) Recorded in 1987 Sylvain Cambreling Eh! Taverniere … Mondo ladro (from Falstaff) Recorded in 1987 Sylvain Cambreling | Wagner: | Die Frist ist um (from Der fliegende Holländer) Recorded in 1984 Sylvain Cambreling Nein, Lasst ihn unenthüllt (Parsifal) Recorded in 1989 Sylvain Cambreling Was duftet doch der Flieder (from Die Meistersinger von Nürnberg) Recorded in 1985 Sir John Pritchard Wahn! Wahn! Überall Wahn! (from Die Meistersinger von Nürnberg) Recorded in 1985 Sir John Pritchard |
José van Dam (bass-baritone) La Monnaie/De Munt Symphony Orchestra and Choir This world famous singer was Belgian, yet only appeared at La Monnaie on the 20th anniversary of his career. After returning from exile, he took many roles and has worked with some of the greatest conductors. This CD includes works by Wagner, Strauss, Mussorgsky, Verdi, Mozart, Rossini, Debussy, Berlioz and Offenbach. These CDs contain a fragment of history. | | | In stock - usually despatched within 1 working day. |
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| |  | The Best of Thomas Quasthoff
Bach, J S: | St John Passion, BWV245: Eilt, ihr angefochten Seelen St John Passion, BWV245: Betrachte, meine Seele St John Passion, BWV245: Mein teurer Heiland, lass dich fragen | Mozart: | Pa-pa-pa-pa-Papagena (from Die Zauberflöte) with Montserrat Caballe (soprano) Mentre ti lascio, K513 Deh! vieni alla finestra (from Don Giovanni) Madamina, il catalogo è questo (from Don Giovanni) Der Vogelfänger bin ich, ja (from Die Zauberflöte) Ein Mädchen oder Weibchen (from Die Zauberflöte) In diesen heil'gen Hallen (from Die Zauberflöte) | Schubert: | Erlkönig, D328 Prometheus, D674 (Goethe) Der Lindenbaum (No. 5 from Winterreise, D911) Der Leiermann (No. 24 from Winterreise, D911) Der Musensohn, D764 (Goethe) | Schumann: | Waldesgesprach (No. 3 from Liederkreis, Op. 39) Mondnacht (No. 5 from Liederkreis, Op. 39) Im wunderschönen Monat Mai (No. 1 from Dichterliebe, Op. 48) Allnächtlich im Traume (No. 14 from Dichterliebe, Op. 48) Belsazar, Op. 57 |
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| |  | Divos and Divas
Bellini: | Casta Diva (from Norma) Cecilia Bartoli (mezzo) Orchestra La Scintilla, Adam Fischer | Bizet: | La fleur que tu m'avais jetée (from Carmen) Plácido Domingo (tenor) London Philharmonic Orchestra, Georg Solti | Capua: | O sole mio José Carreras (tenor) English Chamber Orchestra, Edoardo Muller | Catalani: | Ebben? Ne andrò lontana (from La Wally) Angela Gheorghiu (soprano) Orchestra del Teatro Regio di Torino, John Mauceri | Charpentier, G: | Depuis le jour (from Louise) Nicole Cabell (soprano) London Philharmonic Orchestra, Andrew Davis | Donizetti: | Una furtiva lagrima (from L'elisir d'amore) Juan Diego Flórez (tenor) Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza Quanto è bella, quanto è cara! (from L'Elisir d'amore) Roberto Alagna (tenor) Orchestre de l'Opera National de Lyon, Evelino Pidò | Dvorak: | Mesícku na nebi hlubokém 'Song to the Moon' (from Rusalka) Renée Fleming (soprano) London Symphony Orchestra, Georg Solti | Glinka: | Vdali ot milogo (from Ruslan and Lyudmila) Anna Netrebko (soprano) Kirov Orchestra & Chorus, Valery Gergiev | Handel: | Lascia la spina (from Il Trionfo del Tempo e del Disinganno) Cecilia Bartoli (mezzo) Les Musiciens du Louvre, Marc Minkowski Semele: Endless Pleasure Danielle de Niese (soprano) Les Arts Florissants, William Christie | Lara, Augustin: | Granada Juan Diego Flórez (tenor) Fort Worth Symphony Orchestra, Miguel Harth-Bedoya | Lehár: | Dein ist mein ganzes Herz (from Das Land des Lächelns) Plácido Domingo (tenor) Orchestra del Teatro dell'Opera di Roma & Orchestra del Maggio Musicale Fiorentino, Zubin Mehta | Mozart: | Deh! vieni alla finestra (from Don Giovanni) Bryn Terfel (bass-baritone) London Philharmonic Orchestra, Georg Solti Non piu andrai, farfallone amoroso (from Le Nozze di Figaro) Erwin Schrott (bass-baritone) Orquestra de la Comunitat Valencian, Riccardo Frizza Porgi amor (from Le nozze di Figaro) Kiri Te Kanawa (soprano) London Philharmonic Orchestra, Georg Solti | Puccini: | Che gelida manina (from La Bohème) Jonas Kaufmann (tenor) Prague Philharmonic Orchestra, Marco Armiliato Firenze è come un albero fiorito (from Gianni Schicchi) Roberto Alagna (tenor) Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti Addio, fiorito asil (from Madama Butterfly) Joseph Calleja (tenor) Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly O mio babbino caro (from Gianni Schicchi) Renée Fleming (soprano) London Philharmonic Orchestra, Charles Mackerras Vissi d'arte (from Tosca) Montserrat Caballé (soprano) Orchestra of the Royal Opera House, Covent Garden, Colin Davis Signore, ascolta! (from Turandot) Montserrat Caballé (soprano) London Philharmonic Orchestra, Zubin Mehta Quando me'n vo (from La Bohème) Nicole Cabell (soprano) London Philharmonic Orchestra, Andrew Davis E lucevan le stelle (from Tosca) José Carreras (tenor) Orchestra of the Royal Opera House, Covent Garden, Colin Davis | Saint-Saëns: | Mon cœur s'ouvre à ta voix (from Samson et Dalila) Olga Borodina (mezzo) Orchestra of the Welsh National Opera, Carlo Rizzi | Schönberg, C-M: | Stars (from Les Misérables) Bryn Terfel (bass-baritone) Orchestra of the Welsh National Opera, Paul Gemignani | Strauss, J, II: | Nun's Chorus from Casanova Kiri Te Kanawa (soprano) The Mormon Tabernacle Choir, Utah Symphony, Julius Rudel | Verdi: | La donna è mobile (from Rigoletto) Joseph Calleja (tenor) Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly Pace, pace mio Dio! (from La forza del destino) Angela Gheorghiu (soprano) Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | Wagner: | Morgenlich leuchtend im rosigen Schein 'Prize Song' (from Die Meistersinger von Nürnberg) Jonas Kaufmann (tenor) Prague Philharmonic Orchestra, Marco Armiliato |
The greatest opera stars in the world - together in one 2-CD set. A unique collection of all the great genuine opera stars appearing on the world's stages today. A galaxy of great names performing opera's best-loved arias and classic melodies. CD 1 ("The Divos") features celebrated performances from Roberto Alagna, Juan Diego Flórez, Jonas Kaufmann, Plácido Domingo, Bryn Terfel, José Carreras, Josef Calleja and Erwin Schrott CD 2 ("The Divas") features outstanding recordings by Cecilia Bartoli, Renée Fleming, Anna Netrebko, Angela Gheorghiu, Montserrat Caballé, Nicole Cabell, Olga Borodina, and Kiri te Kanawa A fabulous showcase of today's top vocal talent 2 CDs for the price of one | | | In stock - usually despatched within 1 working day. |
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| |  | Mozart: Werke für Oboe und OrchesterAlles fühlt der Liebe Freuden
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| |  | Erwin Schrott
Uruguayan bass-baritone, Erwin Schrott, joins Decca with a deliciously charismatic, seductive and witty debut album. This album showcases his portrayals of some of opera's most famous roles, and which have wowed both audiences and critics across the world's greatest opera houses. Erwin Schrott has astonished audiences and critics across Europe, the US and south America with his sensuous, dark bass-baritone and onstage magnetism. This album shows off Erwin at his best, singing the wide range of roles that have made him famous. His charismatic portrayals have won him global acclaim, and for the Mozart roles in particular he is now first choice at the world's greatest opera houses, including the Met, La Scala, the Royal Opera House and Vienna's Staatsoper. Schrott's debut disc is the perfect disc to showcase his distinctive, chocolatey voice and his wonderful talents for characterisation. Amongst the arias are his favourite Mozart roles as well as repertoire from the great 19th-century opera composers such as Verdi, Meyerbeer, Berlioz, and Gounod. “…has an exceptionally beautiful voice, which he uses to fine effect in some of these arias. Philippe's great aria from Don Carlos is impressive, so is Procida's from Les vêpres siciliennes, and his Berlioz, Gounod and Meyerbeer are striking too.” BBC Music Magazine, August 2008 **** “Here, in all probability, is the basso cantante par excellence missing since the heyday of Samuel Ramey. The fine, resonant voice, wide in range, firm and even in delivery, is at home in a variety of styles.” Gramophone Magazine, Awards Issue 2008 “Schrott is suave and honeyed in the serenades from Don Giovanni and Gounod’s Faust” Sunday Times, 27th July 2008 *** “ Half the disc is devoted to Mozart and the three Da Ponte roles that made Schrott's name...But he often fares better in the quieter, more beguiling moments than in full flow - not usually the case on stage...three arias from Berlioz, Gounod and Meyerbeer bring out the dynamic devil in him.” The Observer, 3rd August 2008 “Schrott knows how to change his voice’s colour, phrase by phrase, sometimes word by word, especially if the word is “Susanna”. As Figaro in the Mozart selections he’s attractively light and dancing; he can also drip with honey (Voici des roses from La Damnation de Faust) and scowl himself black (Meyerbeer’s Bertram, bound for Hell). Intimacy comes as easily, too, as the loud address: Philip’s monologue from Don Carlos (sung in French) conveys with unusual penetration the sense of someone thinking out loud, quiet and fearful.” The Times, 25th July 2008 **** | | | In stock - usually despatched within 1 working day. |
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| |  | Cesare Siepi
“Arguably the finest Italian bass of his time and acclaimed as the leading exponent of Don Giovanni, Cesare Siepi is heard here in roles central to his repertoire and lighter songs in which his sensitivity is to the fore.” BBC Music Magazine, January 2008 **** | | | In stock - usually despatched within 1 working day. |
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| |  | Thomas Quasthoff - A PortraitWorks by Schubert, Bach, Beethoven and Mozart
Bach, J S: | St John Passion, BWV245: Eilt, ihr angefochten Seelen St John Passion, BWV245: Mein teurer Heiland, lass dich fragen | Mozart: | Hai gia vinta la causa! (from Le nozze di Figaro) Madamina, il catalogo è questo (from Don Giovanni) Deh! vieni alla finestra (from Don Giovanni) Der Vogelfänger bin ich, ja (from Die Zauberflöte) Ein Mädchen oder Weibchen (from Die Zauberflöte) Pa-pa-pa-pa-Papagena (from Die Zauberflöte) In diesen heil'gen Hallen (from Die Zauberflöte) | Schubert: | Der Zwerg, D771 (Collin) Prometheus, D674 (Goethe) Erlkönig, D328 Der Lindenbaum (No. 5 from Winterreise, D911) | Schumann: | Mondnacht (No. 5 from Liederkreis, Op. 39) Im wunderschönen Monat Mai (No. 1 from Dichterliebe, Op. 48) Belsazar, Op. 57 |
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