All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | The Very Best of Nicolai Gedda
Adam: | Mes amis, écoutez l'histoire (from Le Postillon de Lonjumeau) | Beethoven: | Adelaide, Op. 46 | Bellini: | Prendi l'anel ti dono (from La Sonnambula) | Berlioz: | La gloire etait ma seule idole (from Benvenuto Cellini) | Bizet: | Au fond du temple saint (from Les Pêcheurs de Perles) La fleur que tu m'avais jetée (from Carmen) | Donizetti: | Quanto è bella, quanto è cara! (from L'Elisir d'amore) Una furtiva lagrima (from L'elisir d'amore) Fra poco a me ricovero...Tu che a Dio spiegasti l'ali (from Lucia di Lammermoor) | Flotow: | Ach, so fromm (from Martha) | Glinka: | Souvenir | Goldmark: | Magische Töne, berauschender Duft (from Die Königin von Saba) | Gounod: | L'amour, l'amour... Ah, lève-toi soleil (from Roméo et Juliette) | Lehár: | Gern hab' ich die Frau'n geküßt (from Paganini) Dein ist mein ganzes Herz (from Das Land des Lächelns) | Massenet: | Pourquoi me reveiller (from Werther) Instant charmant … En fermant les yeux (from Manon) | Mozart: | Il mio tesoro intanto (from Don Giovanni) Dies Bildnis ist bezaubernd schön (from Die Zauberflöte) | Mussorgsky: | Boris Godunov: Dmitry! Tsarevich | Offenbach: | Va pour Kleinzach...Il était une fois à la cour (from Les Contes d'Hoffmann) | Puccini: | Donna non vidi mai (from Manon Lescaut) | Rachmaninov: | Sing not, O lovely one (Ne poi, krasavitsa, pri mne), Op. 4 No. 4 How fair this spot, Op. 21 No. 7 | Rossini: | Asile héréditaire (from Guillaume Tell) | Strauss, J, II: | Ja, das alles auf Ehr' (from Der Zigeunerbaron) | Strauss, R: | Heimliche Aufforderung, Op. 27 No. 3 Ständchen, Op. 17 No. 2 | Tchaikovsky: | Kuda, Kuda 'Lensky's Aria' (from Eugene Onegin) In this moonlight, Op.73, No.3 Sred' shumnogo bala (Amid the din of the ball), Op. 38 No. 3 Serenada Don-Zhuana (Don Juan's Serenade), Op. 38 No. 1 | Thomas, Ambroise: | Elle ne croyait pas, dans sa candeur naïve (from Mignon) | Verdi: | Di' tu se fedele (from Un ballo in maschera) La donna è mobile (from Rigoletto) | Wagner: | In fernem Land (from Lohengrin) |
Nicolai Gedda, the most recorded tenor in history, is an exceptionally versatile artist who has excelled in a wide variety of operatic roles as well as in the art song. With a magnificent lyric tenor voice and extraordinary range, Gedda makes the notorious top D at the end of ‘Mes amis, écoutez l’histoire’ sound positively effortless. This collection offers a wealth of repertoire that has helped to cement Gedda’s reputation as one of the greatest tenors of his generation. | 
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| |  | Klaus Florian Vogt: Helden
Klaus Florian Vogt is Bayreuth´s leading tenor – he has a unique voice, perfect technique and last but not least the perfect look for a leading man in the works of Wagner. He had a triumphant breakthrough success as "Lohengrin" at the world famous Bayreuth Wagner festival in the Summer of 2011. Major media acclaimed his singing as "the third wonder of Bayreuth" and the "...best Lohengrin ever". Klaus Florian Vogt sings in all major opera houses of the world. In 2012, he will star in new productions in Tokyo (Lohengrin), Munich (Valkyrie) and Barcelona (Florentine Tragedy). He will also feature in roles at Bayreuth. Helden ("Heroes") is Vogt´s first album for Sony Classical, where he is exclusively signed, and is his first recital recording. The CD shows major pieces linked with him, of course Wagner and the famous "Grahlserzählung" in Lohengrin, but there are also beautiful arias by Weber, Flotow, Korngold and Lortzing – and last not least also by Mozart. “Vogt has an attractive if slender voice, and for him to sing on this album called Heroes seems a bit odd, since he is more suited to tender regrets than to thrilling outbursts of tone. He shows a Lieder singer's sensitivity to words, and is almost ideally suited to Lohengrin's narration, perhaps the high-point of his recital.” BBC Music Magazine, July 2012 *** “[Vogt] offers the gentlest presentation of [Siegmund's] music that I've heard, and notably touching it is. He impresses even more with Lohengrin's narrative, where stage experience pays dividends...Vogt phrases exquisitely, and though the gentleness of sound is again evident, the strength of the character's convictions throughout is clear.” International Record Review, July/August 2012 “his Siegmund, naive and ecstatic rather than virile and forceful, is striking. Vogt's vocal ease and cleanness of line is appealing in Weber and Wagner, and he proves an accomplished, elegant Mozartian.” The Guardian, 12th April 2012 *** | | | In stock - usually despatched within 1 working day. |
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| |  | Fritz Wunderlich: Arias
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| |  | A Night at the Opera
Bright cantabile – virtuoso fire: Joachim Kaiser once called Sabine Meyer’s playing “a revelation”; the German music critic praised her wealth of nuance. And A Night at the Opera again bears witness to the artistic earnest of this remarkable musician: the unerring brilliance of her presentation conceals a reflection on the history, the abilities and the limits of her instrument. | | | In stock - usually despatched within 1 working day. |
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| |  | Fritz Wunderlich: Live on StageUnreleased arias from Vienna and Munich
Mozart: | Dies Bildnis ist bezaubernd schön (from Die Zauberflöte) Orchester der Bayerischen Staatsoper Soll ich dich, Teurer, nie mehr sehn? (from Die Zauberflöte) with Anneliese Rothenberger, Karl Kohn Orchester der Bayerischen Staatsoper, Fritz Rieger Wie stark ist nicht dein Zauberton (from Die Zauberflöte) Orchester der Bayerischen Staatsoper Mich schreckt kein Tod (from Die Zauberflöte) Orchester der Bayerischen Staatsoper Tamino mein! – Wir wandelten durch Feuergluten – Triumpf (from Die Zauberflöte) with Claude Heater, Albrecht Peter, Anneliese Rothenberger Orchester der Bayerischen Staatsoper, Fritz Rieger Hier soll ich dich denn sehen (from Die Entführung aus dem Serail) Orchester der Wiener Staatsoper, Josef Krips Konstanze, Konstanze...O wie ängstlich (from Die Entführung aus dem Serail) Orchester der Wiener Staatsoper, Josef Krips Dalla sua pace (from Don Giovanni) Il mio tesoro intanto (from Don Giovanni) | Rossini: | Ecco, ridente in cielo (from Il Barbiere di Siviglia) Sung in German as 'Sieh schon die Morgenröte' Orchester der Wiener Staatsoper, Karl Böhm All'idea di quel metallo (from Il barbiere di Siviglia) Sung in German as 'Strahlt auf mich der Blitz des Goldes' with Eberhard Wächter Orchester der Wiener Staatsoper, Karl Böhm | Strauss, R: | Addio, mia vita (from Capriccio) with Lucia Popp, Lisa Della Casa, Robert Kerns, Waldemar Kmentt, Walter Berry Orchester der Wiener Staatsoper, Georges Prêtre Leukippos, du? (from Daphne) with Hilde Güden, Vera Little Wiener Symphoniker, Karl Böhm Di rigori armato il seno (from Der Rosenkavalier) with Kurt Böhme, Josef Knapp Orchester der Bayer. Staatsoper, Rudolf Kempe Du süssester Engel! (from Die schweigsame Frau) with Ingeborg Hallstein, Kurt Böhme Orchester der Bayerischen Staatsoper, Heinz Wallberg |
“The ‘sudden’ impact of this artist’s singing is so spontaneous, so dead right, we just dispense with all the analytical microscopy, sit back and delight in the forceful combination of a sunlit Mediterranean voice quality blended with a Central European musical and dramatic intelligence that only a truly charismatic tenor can provide. Amongst his amazing achievements he certainly proved that Mozart could be done with directness and clarity without sacrificing any of the interpretive sophistication that composer demanded, and he showed a whole generation that Richard Strauss did not present insurmountable vocal challenges to tenors who know what they’re doing.” Joseph Calleja Fritz Wunderlich, Germany's greatest tenor in the 20th century - and one of the greatest tenors of all time - would have celebrated his 80th birthday on 26th September 2010. We commemorate the occasion with an exceptional album of Magic Moments - arias and scenes, almost all first-time releases, taken from live performances at the Vienna State Opera and the Bavarian State Opera, recorded between 1963 and 1966, the year of Wunderlich's death. The music is by Mozart (The Magic Flute, The Abduction from the Seraglio, Don Giovanni), Rossini (The Barber of Seville - sung in German!) and Richard Strauss (Capriccio, Der Rosenkavalier, Daphne, Die schweigsame Frau) - full details above. The live quality of the recordings - meticulously remastered by our engineers at the Emil Berliner Studios - gives an extra frisson to Wunderlich's calling-card, the Portrait Aria from Magic Flute (Dies Bildnis ist bezaubernd schön), to the high jinks of The Barber, and the Italian Tenor's Aria from Rosenkavalier. Also present on the recording: the great Anneliese Rothenberger, who died just recently (Pamina) and Lucia Popp in Strauss's Capriccio Conductors include Herbert von Karajan, Karl Böhm, Josef Krips and Georges Prêtre. Many of the performances are the from the premières of the productions in question. “The pearl of great price...the Mozart tenor who could sound both elegant and manly...His 'Il mio tesoro' drops not a semiquaver and takes the long phrases with confident ease. At all times he makes his voice an instrument of feeling...he even makes us believe that Don Ottavio is at heart a man of action” Gramophone Magazine, January 2011 “Live performances demand more from a singer than those made in the studio, particularly how their voices strike an accommodation with the auditorium size. We can hear what Wunderlich really sounded like in various theatres and it becomes even more evident what a loss his premature death meant to the operatic world.” MusicWeb International, January 2011 “the golden-toned Strauss items — the duet from the famous recording of Daphne with Gueden, the Italian opera singers number from Capriccio and the glorious tenor showpiece from a Kempe-conducted Rosenkavalier — are incomparable.” Sunday Times, 12th December 2011 *** | | | In stock - usually despatched within 1 working day. |
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| |  | The Very Best of Placido Domingo
Boito: | Dai campi, dai prati (Mefistofele) Vergini muse ... Quando al soave anelito (from Nerone) | Gounod: | Quel trouble inconnu me pénètre… Salut! Demeure chaste et pure (from Faust) | Handel: | Svegliatevi nel core (from Giulio Cesare) | Lehár: | Gern hab' ich die Frau'n geküßt (from Paganini) Da geh' ich zu Maxim (from Die Lustige Witwe) Dein ist mein ganzes Herz (from Das Land des Lächelns) | Massenet: | Ah! Tout est bien fini... O souverain (from Le Cid) | Meyerbeer: | Pays merveilleux... Ô paradis (from L'Africaine) | Mozart: | Il mio tesoro intanto (from Don Giovanni) Un'aura amorosa del nostro tesoro (from Così fan tutte) Dies Bildnis ist bezaubernd schön (from Die Zauberflöte) La ci darem la mano (from Don Giovanni) Susan Graham (Zerlina) | Puccini: | Donna non vidi mai (from Manon Lescaut) Ah, Manon mi tradisce (from Manon Lescaut) Recondita armonia (from Tosca) E lucevan le stelle (from Tosca) Ch'ella mi creda libero e lontano (from La Fanciulla del West) | Rodrigo: | En Aranjuez con tu amor | Strauss, J, II: | Ach, wie so herrlich zu schau'n (from Die Fledermaus) | Tchaikovsky: | None but the lonely heart, Op. 6 No. 6 Kuda, Kuda 'Lensky's Aria' (from Eugene Onegin) | Verdi: | Se quel guerrier io fossi!…Celeste Aida (from Aida) Di' tu se fedele (from Un ballo in maschera) Ma se m'è forza perderti (from Un ballo in maschera) O tu che in seno agli angeli (from La Forza del Destino) Io la vidi e al suo sorriso (from Don Carlo) Niun mi tema (from Otello) | Wagner: | O sink hernieder, Nacht der Liebe (from Tristan und Isolde) Violeta Urmana (Isolde) Hoho! Hoho! Hohei! Schmiede, mein Hammer, ein hartes Schwert! (from Siegfried) David Cangelosi (Mime) | Zeller: | Schenkt man sich Rosen in Tirol (from Der Vogelhändler) |
and zarzuela arias from Los Gavilanes, La Rosa Del Azafrán, La Tabernera del Puerto, Coplas De Ronda, Copillas de Belen, Coplas del Pasto, Jealousy Tango, La Golondrina
“Mozart to zarzuela, Handel to Wagner - this generous collection confirms that our greatest tenor is also our most versatile and musically rewarding whatever style.” BBC Music Magazine, November 2011 ***** | | | In stock - usually despatched within 1 working day. |
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| |  | Jonas Kaufmann sings Mozart, Schubert, Beethoven & Wagner
Jonas Kaufmann is now established as the most successful and versatile tenor of his generation, attracting rave reviews for his live performances and recordings. Following the international success of Romantic Arias, Jonas Kaufmann returns with this album of outstanding arias from German opera; music of his homeland which he grew up hearing. The great opera conductor Claudio Abbado directs the Mahler Chamber Orchestra and Arnold Schoenberg Chor in his first ever vocal recital recording for Decca, and his first Decca recording for almost 40 years. The album cover shows Jonas Kaufmann as 'Wanderer' - inspired by the much-loved painting by German Romantic artist Caspar David Friedrich. Jonas Kaufmann's recording of Schubert's great German song cycle Die Schöne Müllerin with pianist Helmut Deutsch, will be released in 2010. This album will be packaged as a 'sister product' to this album of German arias. “This disc, which has the luxury of Claudio Abbado's magisterial, refined conducting, shows that Kaufmann is at least as fine a Mozart singer as a Wagner one… His outburst from Act II of Parsifal… is a thrilling foretaste of things to come… In Florestan's great aria from Fidelio we have a perfectly controlled expression of agony and exaltation. Everything here makes you crave to listen to this major artist in complete recordings, preferably, given his acting, on DVD.” BBC Music Magazine, November 2009 ***** “…Fidelio, is the centrepiece of this disc: it receives a powerful performance from both tenor (his opening "Gott" is heart-piercing) and conductor. Kaufmann ends where he began, with Wagner. …his beautiful phrasing and controlled singing in the "Winterstürme" shows why he has become the most sought-after tenor of his generation, and is a highlight of this exciting new release.” Gramophone Magazine, Awards Issue 2009 “No other compilation that has crossed my path comes within striking distance of this collection...The baritone-like richness to his singing in the Wagner extracts is especially compelling. That Kaufmann has Claudio Abbado and the superlative Mahler Chamber Orchestra to accompany him only makes the project even more special.” The Guardian, 27th November 2009 ***** “Aside from the smooth, warm masculinity...he has enormous versatility, helped by a voice that, whilst tenor, has the deep tone and resonance of a baritone...These qualities also make Kaufmann the perfect Wagnerian tenor, his voice soaring above Wagner’s lush orchestral textures, and dramatically upping the ante for the many heart-on-sleeve climaxes.” Charlotte Gardner, bbc.co.uk, 24th September 2009 “Kaufmann is slowly but surely demonstrating that he may be the next hot tip. A calling card to be treasured.” Classic FM Magazine, November 2009 **** | | | In stock - usually despatched within 1 working day. |
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| |  | Mozart: Werke für Oboe und OrchesterAlles fühlt der Liebe Freuden
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| |  | Sternstunden einer glanzvollen Sängerkarriere
All tracks sung in German | | | In stock - usually despatched within 1 working day. |
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| |  | Fritz Wunderlich in Recital
Capua: | O sole mio | Clewing: | Alle Tage ist kein Sonntag | Curtis, E: | Non ti scordar di me Sung in German as 'Vergiss mein nicht' | Giordani, G: | Caro mio ben | Handel: | Ombra mai fu (from Serse) | Kalman: | Zwei Märchenaugen (from Die Zirkusprinzessin) | Lara, Augustin: | Granada | Lehár: | Es steht ein Soldat am Wolgastrand (from Der Zarewitsch) Schön ist die Welt (from Schön ist die Welt) Freunde, das Leben ist lebenswert (from Giuditta) O Mädchen, mein Mädchen (from Friederike) | Liszt: | Es muss ein Wunderbares sein, S. 314 | Lortzing: | Lied: Vater, Mutter, Schestern, Bruder (from Undine) | Mozart: | Dies Bildnis ist bezaubernd schön (from Die Zauberflöte) | Roland, M: | Unter dem Sternenzelt | Strauss, J, II: | Als flotter Geist (from Der Zigeunerbaron) Eine Nacht in Venedig: Komm in die Gondel Treu sein, das liegt mir nicht (from Eine Nacht in Venedig) Ach, wie so herrlich zu schau'n (from Die Fledermaus) | Tchaikovsky: | None but the lonely heart, Op. 6 No. 6 | Zeller: | Grüß euch Gott, alle miteinander (from Der Vogelhändler) Wie mein Ahn’l zwanzig Jahr (from Der Vogelhändler) |
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