Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Anne Sofie von Otter - In My Element
| | I let the music speak No Wonder (arr. by Elvis Costello and Ensemble) I Want to Vanish (arr. by Elvis Costello and Ensemble) | Bizet: | L'amour est un oiseau rebelle 'Habanera' (from Carmen) Les tringles des sistres tintaient (from Carmen) | Brahms: | He, Zigeuner, greife in die Saiten ein! (No. 1 from Zigeunerlieder, Op.103) Brauner Bursche führt zum Tanze (No. 5 from Zigeunerlieder, Op.103) | Chaminade: | Ah! si l'amour prenait Mignonne, à l'amour j'ai lié | Dowland: | In darkness let me dwell | Grieg: | Haugtussa, Op. 67 No. 8 'Ved Gjætle-Bekken' | Haas, P: | Seven Songs in a Folk Style, Op. 18 (unreleased) | Handel: | Qui d'amor (from Ariodante) Hercules: The world, when day's career is run Hercules: When beauty sorrow's liv'ry wears | Mahler: | Rheinlegendchen (Des Knaben Wunderhorn) Oft denk' ich, sie sind nur ausgegangen (Kindertotenlieder) | Monteverdi: | Adagiati, Poppea - Oblivion soave (L'incoronazione di Poppea) Disprezzata regina (L'incoronazione di Poppea) Addio Roma! (from L'incoronazione di Poppea) | Mozart: | Parto, parto, ma tu ben mio (from La Clemenza di Tito) Oh Dei, che smania è questa (La Clemenza di Tito) Ah, qual gelido orror...Il padre adorato (from Idomeneo) No, la morte io non pavento (from Idomeneo) Non so più cosa son, cosa faccio (from Le nozze di Figaro) Voi che sapete (from Le nozze di Figaro) | Offenbach: | Barcarolle (from Les Contes d'Hoffmann ) Portez armes...Vous aimez le danger…Ah! que j’aime les militaires! (from La grande-duchesse de Gérolstein) | Purcell: | When I am laid in earth (from Dido and Aeneas) | Schubert: | Im Abendrot, D799 Erlkönig, D328 | Schumann: | Süsser Freund, du blickest mich verwundert an (No. 6 from Frauenliebe und Leben, Op. 42) Die Meerfee Op. 125 No. 1 | Strauss, R: | Sein wir wieder gut (from Ariadne auf Naxos) | Weill, K: | Buddy on the Nightshift My ship Surabaya Johnny (from Happy End) |
“Smart, sophisticated and opinionated, Anne Sofie von Otter has become a star by doing exactly what she wants” Opera News | | | In stock - usually despatched within 1 working day. |
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| |  | Le Belle Immagini
“Kozena's voice is silvery but lacks power in coloratura arias by Mozart and Myslivecek. Tender Gluck in a fascinating collection.” BBC Music Magazine, December 2012 *** | | | Usually despatched in 2 - 3 working days. |
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| |  | Luciano Pavarotti: The Barcelona Recital Live
DVD+CD Recorded live in concert in Barcelona, this DVD features Pavarotti performing in front of an international audience held spellbound as his dazzling, excitingly powerful voice fills the auditorium. The set also includes a bonus CD of 20 unforgettable live performances celebrating over 25 years of Pavarotti’s legendary career. This DVD+CD set provides an opportunity to see and hear one of the greatest tenors the world has ever known. The concert covers a wide range of musical offerings, from very well-known works to lesser-known arias and sonnets. Viewers are introduced to Pavarotti through behind-the-scenes interviews and outtakes from the original concert recording that give rare insight into the planning and hard work that go into the creation of such a production. | | | Usually despatched in 4 - 5 working days. |
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| |  | Mozart: An Italian Journey
The English tenor Jeremy Ovenden has established himself as being among the best Mozart tenors of his generation (notably in the role of Don Ottavio) and has become a familiar figure on the stages of the world's opera houses and concert halls and at major festivals. He is joined for this, his first solo recording, by the Orchestra of the Age of Enlightenment and conductor Jonathan Cohen in a fascinating musical journey through the Italian arias of Mozart, from Lucio Silla (composed when he was just 16) through to his final Italian opera La Clemenza di Tito. “A most imaginative idea: 13 tenor arias from Mozart’s Italian operas, arranged chronologically...Maybe Ovenden’s attractive, bright tenor is a little light for Idomeneo’s magnificent Fuor del mar, but his rhythm, diction and easy flexibility of voice are exemplary.” Sunday Times, 17th July 2011 *** “The fine tenor Jeremy Ovenden, who has sung most of the major Mozart roles all over Europe and is resident in la bella Italia, sings with an engaging commitment to these joyous creations...accompanied with customary style by Jonathan Cohen and the glorious Orchestra of the Age of Enlightenment. A delightful selection.” The Observer, 17th July 2011 “Ovenden has an attractive voice with bright, ringing overtones which in many ways is well suited to Mozart's music. His easy agility is ideal for the tricky semiquavers in Don Ottavio's 'Il mio tesoro', and neither his low notes nor upper register show the least strain.” Classic FM Magazine, October 2011 *** “It's a fiercely taxing selection...In technical terms, and particularly in his outstandingly idiomatic Italian enunciation, Ovenden proves complete master of his chosen repertory...For some tastes, his vibrant voice may lack traditional Mozartian mellifluousness. But for its artistic use, and for the close partnership Ovenden achieves with the OAE under Jonathan Cohen, I have only admiration.” BBC Music Magazine, October 2011 **** “Idomeneo's aria finds the tenor sailing through its testing scalework...Cohen and the OAE are well in the picture. Everything seems to proceed at a suitable tempo. The clear recording is welcome, as are the texts and translations.” International Record Review, September 2011 “Ovenden's singing and characterisations are always satisfying...The Viennese operas are represented by Ferrando's two most popular arias, which are sung lithely and played beautifully, especially by the OAE's uncredited woodwind...this recital is intelligent and refreshing.” Gramophone Magazine, Awards Issue 2011 | | | Usually despatched in 3 - 4 working days. |
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| |  | Pavarotti Passion Volume 2
Born in Modena, a small town in northern Italy, Luciano Pavarotti (1935–2007) was the son of a baker and amateur tenor. He grew up surrounded by his father’s recordings of the day’s leading opera singers - including Giuseppe Di Stefano, Jan Kiepura, and Enrico Caruso - and he went on to become one of the most popular vocalists of all time. This collection features favourite arias from classic operas, including L’elisir d’amore, I Pagliacci, Luisa Miller, Don Giovanni, and Martha. | | | Usually despatched in 4 - 5 working days. |
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| |  | Mozart - Arias for Male Soprano
The highly-rated early music ensemble Boston Baroque and its conductor Martin Pearlman join forces with the talented American singer and true male soprano Michael Maniaci, in a recording of arias that Mozart originally composed for the castrato voice. The disc contains arias from Idomeneo, Lucio Silla, and La Clemenza di Tito, as well as the beloved motet Exsultate, jubilate. The recording also includes two brilliant orchestral pieces, the overtures to Idomeneo and Clemenza. The first permanent Baroque orchestra established in North America, Boston Baroque is widely regarded as one of the world’s premier period-instrument bands. The ensemble's performances and recordings of the Baroque and Classical repertoire have been hailed by audiences and critics in the Americas, Europe, Asia and Australia for their freshness, virtuosity, and exuberant appeal. Although Maniaci’s voice is natural, his stunning performances give Boston Baroque the opportunity to add yet another “original” instrument, the male soprano voice, to their performing forces. A voice type that was enormously popular in opera and religious music in the 17th century but completely disappeared over a century ago, the male castrato’s true chest voice – unlike falsetto singers – was in the soprano or alto range, yet extremely powerful due to the male lung capacity. Up until now, all we have really known of this voice are the verbal descriptions of contemporary listeners and a single, scratchy recording made late in the life of the last castrato performer. “each comes across fully formed, assured in recitative, rhythmically alert, skilful in phrasing...a distinctive musical personality is evident throughout, supporting by first-rate 'period' accompaniment.” BBC Music Magazine, April 2010 *** “Maniaci’s voice is truly extraordinary. Its range is about a sixth higher than that of most countertenors, and high C presents no problem...The arias...are all delivered with assurance, their testing passages of coloratura negotiated with disarming ease” Sunday Times, 28th February 2010 *** “This is quite an unsettling recording. It's as though we have opened a door on another world...It's probably the nearest we have to the sound of the castrato voice...the voice is effortless, with no hint of a break into falsetto” The Observer, 28th March 2010 | | | Usually despatched in 4 - 5 working days. |
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| |  | Le Belle ImmaginiOpera arias by Gluck, Mozart and Myslivecek
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| |  | Pavarotti, 1937 - 2007: A World Icon2 CDs and 2 DVDs
Luciano Pavarotti was born the 10th of December 1935 in Modena Italy, and his debut came on April 29, 1961 as Rodolfo in La boheme, at the opera house in Reggio Emilia. His American debut came in February 1965, in a Miami production of Lucia di Lammermoor. It wasn’t until February 17, 1972, that the Pavarotti phenomenon was born, in a production of La Fille du Regiment at New York’s Metropolitan Opera. One of classical music’s most bankable names, selling more than 100 million recordings world-wide on Thursday, September 6, 2007, Pavarotti passed away at his home in Modena, Italy. | | | Usually despatched in 4 - 5 working days. |
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| |  | Luciano Pavarotti: In Memoriam 1935-2007Live Concert Collection
Adam: | O Holy Night | Beethoven: | In questa tomba oscura, WoO.133 | Bellini: | Son salvo, alfin son salvo...A una fonte afflitto (from I Puritani) Credeasi misera, da me tradita (from I Puritani) E serbato a questo acciaro (from I Capuleti e i Montecchi) Vieni, fra queste braccia! (from I Puritani) Perdona, o mia diletta (from La Sonnambula) Ola ! Chi sei? (from I Capuleti e i Montecchi) La mia canzon d'amor...Elvira, Elvira! (from I Puritani) Vanne, o rosa fortunata Bella Nice che d'amore Ma rendi pur contento A te, o cara (from I Puritani) Vaga luna che inargenti | Donizetti: | Una furtiva lagrima (from L'elisir d'amore) Ah! mes amis, quel jour de fête! (from La Fille du Régiment) Pour me rapprocher de Marie (from La Fille du régiment) Sung in Italian Ardir! Ha forse il cielo ... Ecco il magico liquore ... Va, mortale fortunate (from L'Elisir d'amore) Quanto è bella, quanto è cara! (from L'Elisir d'amore) Tombe degl'avi miei … Fra poco a me ricovero...Tu che a Dio spiegasti l'ali (from Lucia di Lammermoor) two recordings Una parola…Chiedi all'aura (from L'elisir d'amore) Qui di sposa eterna...Ah! Verrano a te sull'aure (from Lucia di Lammermoor) | Flotow: | M'appari (from Martha) | Franck, C: | Panis Angelicus | Giordano, U: | Amor ti vieta (from Fedora) | Gruber, F: | Stille Nacht | Leoncavallo: | Vesti la giubba (from I Pagliacci) | Liszt: | Sonetto 104 del Petrarca 'Pace non trovo', S270 No. 1 | Massenet: | Ah! fuyez douce image (from Manon) Sung in Italian Instant charmant … En fermant les yeux (from Manon) Sung in Italian; two recordings A Parigi n'andrem (Manon) | Mozart: | Non ho colpa (from Idomeneo) Ah, qual gelido orror...Il padre adorato (from Idomeneo) No, la morte io non pavento (from Idomeneo) Spiegarti non poss'io, K489 Padre, mio caro padre (from Idomeneo) Dalla sua pace (from Don Giovanni) Un'aura amorosa del nostro tesoro (from Così fan tutte) | Puccini: | O soave fanciulla (from La Bohème) two recordings Nessun dorma (from Turandot) Che gelida manina (from La Bohème) two recordings In un Coupe?...O Mimi, tu piu non torni (from La Bohème) Recondita armonia (from Tosca) Mario! Mario! Mario! ...Son qui! ... Mia gelosa! (from Tosca) E lucevan le stelle (from Tosca) Ch'ella mi creda libero e lontano (from La Fanciulla del West) Addio, fiorito asil (from Madama Butterfly) Viene la sera (from Madama Butterfly) Tra voi, belle (from Manon Lescaut) Donna non vidi mai (from Manon Lescaut) Ah! Non v'avvicinate! No, pazzo son (from Manon Lescaut) Non piangere, Liù! (from Turandot) Dunque è proprio finita! (from La Bohème) Nessun dorma (from Turandot) Dunque è proprio finita! (from La Bohème) | Rossini: | Stabat Mater: Cujus animam gementem La promessa Soirées musicales: La Danza | Schubert: | Mille Cherubini in coro | Stradella: | Pieta, Signore | Tosti: | A vucchella | Verdi: | Forse la soglia attinse (from Un ballo in maschera) Libiamo, ne' lieti calici (from La Traviata) Lunge da lei…De’ miei bollenti spiriti (from La Traviata) La mia letizia infondere (from I Lombardi) Amelia a d'ess'ancor (from Luisa Miller) two recordings Oh! fede negar potessi (from Luisa Miller) Ella mi fu rapita! (from Rigoletto) La donna è mobile (from Rigoletto) Parigi, o cara (from La Traviata) Ma se m'è forza perderti (from Un ballo in maschera) Bella figlia dell'amore (from Rigoletto) È il sol dell'anima (from Rigoletto) Un dì felice, eterea (from La traviata) Kyrie eleison (from Requiem) Di quella pira (from Il trovatore) O madra mia ... Come poteva un angelo (from I Lombardi) Ah sì ben mio (from Il trovatore) |
| | | This item is currently out of stock at the UK distributor. You may order it now but please be aware that it may be six weeks or more before it can be despatched. |
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| |  | The Pavarotti Collection Vol. 2
Adam: | O Holy Night | Barber, S: | Agnus Dei | Beethoven: | In questa tomba oscura, WoO.133 | Bellini: | E serbato a questo acciaro (from I Capuleti e i Montecchi) Ola ! Chi sei? (from I Capuleti e i Montecchi) Cavaliere Vaga luna che inargenti Dolente immagine di Fille mia Vieni, fra queste braccia! (from I Puritani) Son salvo, alfin son salvo...A una fonte afflitto (from I Puritani) Malinconia, ninfa gentile Son salvo, alfin son salvo...A una fonte afflitto (from I Puritani) Credeasi misera, da me tradita (from I Puritani) Bella Nice che d'amore Ma rendi pur contento Dolente immagine di Fille mia Vanne, o rosa fortunata Bella Nice che d'amore | Berchem: | O Jesu Christe | Bixio: | La mia canzone al vento Mamma | Bizet: | Agnus Dei | Buzzi-Peccia: | Lolita | Capua: | O sole mio | Crescenzo: | Rondine al nido | Curtis, E: | Torna a Surriento Non ti scordar di me | Denza: | Occhi di fata | Donizetti: | Tombe degl'avi miei … Fra poco a me ricovero...Tu che a Dio spiegasti l'ali (from Lucia di Lammermoor) Ah! mes amis, quel jour de fête! (from La Fille du Régiment) Pour me rapprocher de Marie (from La Fille du régiment) Fra poco a me ricovero...Tu che a Dio spiegasti l'ali (from Lucia di Lammermoor) Una parola…Chiedi all'aura (from L'elisir d'amore) Quanto è bella, quanto è cara! (from L'Elisir d'amore) Qui di sposa eterna...Ah! Verrano a te sull'aure (from Lucia di Lammermoor) Che voi m'amate (from La Figlia del Reggimento) Me voglio fa'na casa Il barcaiolo 'Voga, voga, il vento tace' Sulla tomba che rinserra (from Lucia di Lammermoor) Una furtiva lagrima (from L'elisir d'amore) | Flotow: | Ach, so fromm (from Martha) | Franck, C: | Panis Angelicus | Giordani, G: | Caro mio ben | Giordano, U: | Amor ti vieta (from Fedora) | Gluck: | Che faro' senza Euridice? (from Orfeo ed Euridice) | Gruber, F: | Stille Nacht | Handel: | Messiah: Hallelujah Chorus | Lazzaro, E: | Chitarra romana | Legrenzi: | Che fiero costume | Leoncavallo: | Vesti la giubba (from I Pagliacci) | Liszt: | Sonetto 104 del Petrarca 'Pace non trovo', S270 No. 1 | Mascagni: | Serenata | Massenet: | Instant charmant … En fermant les yeux (from Manon) Pourquoi me reveiller (from Werther) A Parigi n'andrem (Manon) | Mozart: | No, la morte io non pavento (from Idomeneo) Dalla sua pace (from Don Giovanni) Padre, mio caro padre (from Idomeneo) Un'aura amorosa del nostro tesoro (from Così fan tutte) Spiegarti non poss'io, K489 Non ho colpa (from Idomeneo) Ah, qual gelido orror...Il padre adorato (from Idomeneo) | Pergolesi: | Tre giorni son che Nina | Puccini: | Recondita armonia (from Tosca) O Mimi, tu piu non torni (from La Bohème) Dunque è proprio finita! (from La Bohème) O soave fanciulla (from La Bohème) Non sono in vena (from La Bohème) Che gelida manina (from La Bohème) Nessun dorma (from Turandot) Donna non vidi mai (from Manon Lescaut) | Respighi: | Nevicata, P. 65 Nebbie Pioggia | Rossini: | Soirées musicales: La Danza La promessa Stabat Mater: Cujus animam gementem | Schubert: | Ave Maria, D839 Mille Cherubini in coro | Sibella: | La Girometta | Stradella: | Pieta, Signore | Tosti: | Luna d'estate Ideale A vucchella L'ultima canzone Non t'amo più! Aprile Marechiare Malià Chanson de l’Adieu | Verdi: | De' miei bollenti spiriti (from La traviata) Bella figlia dell'amore (from Rigoletto) Un dì felice, eterea (from La traviata) Libiamo, ne' lieti calici (from La Traviata) Parigi, o cara (from La Traviata) Ma se m'è forza perderti (from Un ballo in maschera) Ah sì ben mio (from Il trovatore) La donna è mobile (from Rigoletto) Ah! L'Ultima Preghiera (from Luisa Miller) Ah Inseperabile Di quella pira (from Il trovatore) È il sol dell'anima (from Rigoletto) O madra mia ... Come poteva un angelo (from I Lombardi) Un dì felice, eterea (from La traviata) Partite? Crudele! Questa o quella (from Rigoletto) Amelia a d'ess'ancor (from Luisa Miller) La mia letizia infondere (from I Lombardi) Ella mi fu rapita! (from Rigoletto) Oh! fede negar potessi (from Luisa Miller) Kyrie eleison (from Requiem) O mio rimorso (from La Traviata) | Wade: | O come, all ye faithful | Yon: | Gesu bambino |
Featuring 100 historic recordings on 12 CDs (including beloved arias such as Nessun Dorma), the set also includes excerpts from oratorios and art songs. As a bonus, Pavarotti’s magnificent 1989 live performance in Barcelona is captured on DVD with terrific sound and picture. | | | Usually despatched in 2 - 3 working days. |
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