Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | The Very Best of Mirella Freni
Mirella Freni was one of Herbert von Karajan’s favourite singers; indeed, he is known to have commented that if he could have any voice in the world, it would be hers. Combining a stunning voice with heartfelt acting, Freni is equally at home in the lighter roles, such as Mozart’s Susanna and Zerlina, as in the weightier roles of Puccini’s Manon Lescaut and Tosca. This collection brings together arias from throughout Freni’s illustrious career. | 
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| |  | Bach & Mozart - Arias
Bach, J S: | Liebster Jesu, mein Verlangen (from Cantata BWV32) Cantata BWV202 'Weichet Nur, betrübte Schatten' (Wedding Cantata) St Matthew Passion, BWV244: Er hat uns allen wohlgetan St Matthew Passion, BWV244: Aus Liebe will mein Heiland sterben Cantata BWV151 'Süßer Trost, mein Jesus kömmt' | Mozart: | Ruhe sanft, mein holdes Leben (from Zaïde) Tiger! Wetze nur die Klauen! (from Zaïde) Zaïde, K344 - "Trostlos schluchzet Philomele" Ach, ich fühl's (from Die Zauberflöte, K620) Vedrai, carino (from Don Giovanni) |
Hyunah Yu Prague Philharmonia, Shuntaro Sato | | | In stock - usually despatched within 1 working day. |
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| |  | Opera - 50 of the Best
Bellini: | Casta Diva (from Norma) O rendetemi la speme...Qui la voce sua soave...Vien, diletto (from I Puritani) | Bizet: | L'amour est un oiseau rebelle 'Habanera' (from Carmen) Votre toast je peux vous le rendre 'Toreador Song' (from Carmen) Carmen: Prelude to Act I Au fond du temple saint (from Les Pêcheurs de Perles) | Catalani: | Ebben? Ne andrò lontana (from La Wally) | Gluck: | Che faro' senza Euridice? (from Orfeo ed Euridice) | Leoncavallo: | Vesti la giubba (from I Pagliacci) | Monteverdi: | Possente Spirto (from l'Orfeo) | Mozart: | Le nozze di Figaro, K492: Overture Non piu andrai, farfallone amoroso (from Le Nozze di Figaro) Dalla sua pace (from Don Giovanni) Vedrai, carino (from Don Giovanni) Der Hölle Rache kocht in meinem Herzen (from Die Zauberflöte) Ach, ich fühl's (from Die Zauberflöte, K620) La mia Dorabella capace non e' (from Così fan tutte) E Susanna non vien! … Dove sono i bei momenti (from Le nozze di Figaro) La ci darem la mano (from Don Giovanni) | Offenbach: | Barcarolle (from Les Contes d'Hoffmann ) | Puccini: | Donna non vidi mai (from Manon Lescaut) O mio babbino caro (from Gianni Schicchi) Nessun dorma (from Turandot) Un bel di vedremo (from Madama Butterfly) Tu che di gel sei cinta (from Turandot) Vissi d'arte (from Tosca) Si, mi chiamano Mimi (from La Bohème) Manon Lescaut: Intermezzo Act III Humming Chorus (from Madama Butterfly) Che gelida manina (from La Bohème) E lucevan le stelle (from Tosca) | Purcell: | When I am laid in earth (from Dido and Aeneas) | Rossini: | Elena! Oh tu, che chiamo! (from La donna del lago) Pensa alla patria (from L'Italiana in Algeri) Guillaume Tell Overture Sia qualunque delle figlie (Don Magnifico) Semiramide Overture | Verdi: | Manrico! Che? (from il Trovatore) Sempre libera (from La Traviata) Se quel guerrier io fossi!…Celeste Aida (from Aida) Di provenza il mar (from La Traviata) La donna è mobile (from Rigoletto) Caro nome (from Rigoletto) Or co' dadi, ma fra poco (from Il Trovatore) Noi siamo zingarelle (from La Traviata) È il sol dell'anima (from Rigoletto) | Wagner: | Tannhäuser: Overture Steuermann, laß die Wacht! (from Der fliegende Holländer) Mild und leise 'Isolde's Liebestod' (from Tristan und Isolde) Lohengrin: Prelude to Act 1 |
Graciela Alperyn (mezzo-soprano), Daniela Longhi (soprano), Jozsef Mukk (tenor), Maurizio Frusoni (tenor), Kaludi Kaludov (tenor), Monika Krause (soprano), Tatiana Lisnic (soprano), Renato Girolami (bass), Lando Bartolini (tenor), Marianna Pizzolato (mezzo-soprano), Bo Skovhus (baritone), Miriam Gauci (soprano), Kristjan Johannsson (tenor), Armando Ariostini (baritone), Masako Deguci (soprano), Felipe Bou (bass), Alessandro Carmignani (tenor), Ildiko Raimondi (soprano), Georg Tichy (baritone), Silvano Carroli (baritone), Nelly Miricioiu (soprano), Alan Titus (baritone), Luba Orgonasova (soprano), Yordy Ramiro (tenor), Kym Amps (soprano), Hellen Kwon (soprano), Elisabeth Norberg-Schulz (soprano), Alida Ferrarini (soprano), Ann-Christine Biel (soprano), Indra Thomas (soprano), Kristine Jepson (mezzo-soprano), Franco de Grandis (bass), Goran Eliasson (tenor), Ladislav Neshyba (bass), Rannveig Braga (mezzo-soprano), Marina Mescheriakova (soprano), Hedwig Fassbender (mezzo-soprano), Janez Lotric (tenor), Igor Morozov (baritone), Bruno Pratico (bass-baritone), John Dickie (tenor), Andrea Martin (baritone), Peter Mikulas (bass), Nicola Martinucci (tenor), Jonathan Welch (tenor), Giorgio Lamberti (tenor) Nicolaus Esterhazy Sinfonia, Slovak Radio Symphony Orchestra, Slovak Philharmonic Chorus, Hungarian State Opera Orchestra, Budapest Festival Chorus, Belgian Radio and Television Philharmonic Orchestra, Malaga Symphony Orchestra, Bilbao Choral Society, Mal, Michael Halasz, Alexander Rahbari, Will Humburg, Alberto Zedda, Ricco Saccani, Sergio Vartolo, Arnold Ostman, Charles Rosekrans, Leif Segerstam, Johannes Wildner | |
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| |  | Mozart: Arias & DuetsHighlights from Le Nozze di Figaro, Cosi fan tutte, Don Giovanni & Die Zauberflöte
Mozart: | Non piu andrai, farfallone amoroso (from Le Nozze di Figaro) John Pringle (baritone) Crudel! perché finora farmi languir così? (from Le nozze di Figaro) Isobel Buchanan (soprano) Hai gia vinta la causa! (from Le nozze di Figaro) John Pringle (baritone) E Susanna non vien! … Dove sono i bei momenti (from Le nozze di Figaro) Isobel Buchanan (soprano) Come scoglio (from Così fan tutte) Isobel Buchanan (soprano) Donne mie la fate a tanti (from Così fan tutte) John Pringle (baritone) La ci darem la mano (from Don Giovanni) Isobel Buchanan (soprano), John Pringle (baritone) Batti, batti, o bel Masetto (from Don Giovanni) Isobel Buchanan (soprano) Vedrai, carino (from Don Giovanni) Isobel Buchanan (soprano) Bei Männern, welche Liebe fühlen (from Die Zauberflöte) Isobel Buchanan (soprano), John Pringle (baritone) Ach, ich fühl's (from Die Zauberflöte, K620) Isobel Buchanan (soprano) Pa-pa-pa-pa-Papagena (from Die Zauberflöte) Isobel Buchanan (soprano), John Pringle (baritone) |
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| |  | Anna Netrebko: Live at the Metropolitan Opera
Bellini: | O rendetemi la speme...Qui la voce sua soave...Vien, diletto (from I Puritani) Recorded 6th January, 2007 Patrick Summers | Donizetti: | La morale in tutto questo (from Don Pasquale) Recorded 15th April 2006 Mariusz Kwiecien (Malatesta), Simone Alaimo (Don Pasquale), Juan Diego Florez (Ernesto) Maurizio Benini Il dolce suono mi colpì di sua voce! … Spargi d'amaro pianto (from Lucia di Lammermoor) Recorded 7th February 2009 Ildar Abdrazakov (Raimondo), Michael Myers (Normanno), Cecilia Brauer (glass harmonica) Marco Armiliato | Gounod: | Va! je t'ai pardonné (from Roméo et Juliette) Dieu! Quel frisson court dans mes veines from Romeo and Juliette Recorded 15th December 2007 Roberto Alagna (Romeo) Placido Domingo | Mozart: | Vedrai, carino (from Don Giovanni) Recorded 15th February 2003 Sylvain Cambreling | Offenbach: | C'est une chanson d'amour (from Les contes d'Hoffmann) Recorded 19th December 2009 Joseph Calleja (Hoffmann) James Levine | Prokofiev: | Kak Solnca za goroy (from War & Peace) Ya ne budu (from War & Peace) Recorded 2nd March, 2002 Dmitri Hvorostovsky (Andrei), Ekaterina Semenchuk (Sonya) Valery Gergiev | Puccini: | Donde lieta usci (from La Bohème) O soave fanciulla (from La Bohème) Recorded 27th February 2010 Piotr Beczala (Rodolfo), Gerald Finley (Marcello) Marco Armiliato | Verdi: | Ah più non ragiono (from Rigoletto) Recorded 17th December 2005 Nancy Fabiola Herrera (Maddalena), Eric Halfvarson (Sparafucile) Asher Fisch |
The forthcoming season marks the 10th anniversary of Anna Netrebko’s debut with the Metropolitan Opera, New York. The new album celebrates this milestone by bringing together her greatest MET moments throughout the past 10 seasons - performances never before issued on record and most never commercially released on any format. Anna Netrebko's first operatic album sold more than 300,000 units, the second, Sempre libera, more than 400,000, while her live recording of Verdi's La Traviata has sold in excess of 350,000 on CD alone. This new album, capturing the thrill of her greatest performances on one of the world's most iconic stages, will be a major event for hundreds of thousands of fans who have followed her career in the opera house, on radio, on CD, on DVD and in cinemas worldwide. Over the past decade, The Met has played host to many of the Russian soprano’s greatest triumphs, from Prokofiev’s War and Peace in 2002 to her most recent appearance, in 2010, as Adina in Donizetti's Don Pasquale. The album also includes virtuoso arias from Mozart's Don Giovanni, Bellini's I Puritani, Verdi's Rigoletto, Gounod's Roméo et Juliette, Offenbach's Les Contes d'Hoffmann, Donizetti's Lucia di Lammermoor and Puccini's La Bohème. The selections - including performances with tenors Roberto Alagna, Joseph Calleja and Juan Diego Flórez - demonstrate Anna Netrebko's remarkable vocal range and dramatic imagination. All recorded live, they are infused with her unique vocal magnetism and irresistible on-stage charisma. “This compilation of highlights from Anna Netrebko's Metropolitan Opera roles makes a distinctive introduction to her talents...it's her solo aria from Roméo & Juliette that proves one of the stand-out performances here, the other being a dazzling showstopper from Donizetti's Lucia di Lammermoor, "Il dolce suono", which has the audience justly bawling its acclaim.” The Independent, 30th September 2011 “They show Netrebko’s chameleon-like ability to alter her timbre according to repertoire: the ethereal, Sutherland-like soprano in Donizetti and Bellini is unrecognisable as the singer who delivers a hard-edged, glinting Natasha in Prokofiev’s War and Peace.” The Times, 1st October 2011 *** “The real treat is her Natasha in Prokofiev's War and Peace, conducted by Gergiev, with Dmitri Hvorostovsky as a dreamy Andrei. It's nicely recorded, too: some of Netrebko's discs capture the power of her voice at the expense of its opulence; here, you get a real sense of its force and beauty.” The Guardian, 13th October 2011 **** “there is an alert sense of drama, which is where Netrebko really scores as a singing actress...While her bel canto is judged 'could do better', it's worth considering that, at 40, Netrebko is now just entering her prime.” International Record Review, November 2011 | | | Usually despatched in 2 - 3 working days. |
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| |  | Mostly Mozart
Bach, J C: | À qui pourrai-je avoir recours? (from Amadis de Gaule) | Holzbauer: | Es ist geschrieben (from Günther von Schwarzburg) Ihr Rosenstunden (from Günther von Schwarzburg) Die Klüfte sausen! (from Günther von Schwarzburg) | Mozart: | Tiger! Wetze nur die Klauen! (from Zaïde) Quando avran fine omai ... Padre, germani, addio! (from Idomeneo) Ruhe sanft, mein holdes Leben (from Zaïde) Batti, batti, o bel Masetto (from Don Giovanni) (with preceding recitative, from 'Ma se colpa io non...') Giunse alfin il momento... Deh, vieni, non tardar… (from Le nozze di Figaro) Vedrai, carino (from Don Giovanni) Ach, ich fühl's (from Die Zauberflöte, K620) Se il padre perdei (from Idomeneo) | Paisiello: | Il mio ben quando verrà (from Nina, o sia La pazza per amore) | Salieri: | Par les larmes dont votre fille (from Les Danaïdes) Père barbare, arrache-moi la vie! (from Les Danaïdes) |
Mojca Erdmann’s Deutsche Grammophon recording debut combines a variety of Mozart’s best beloved arias and works by his contemporaries such as J.C. Bach, Holzbauer, and Paisiello. The album also features Andrea Marcon and the outstanding period instrumentalists of La Cetra Baroque Orchestra, Basle. Plans in 2011 include her debut at New York’s Metropolitan Opera as Zerlina in a new Don Giovanni. “Agile, clean, bright: Mojca Erdmann’s soprano voice was made for Mozart...it’s easy to enjoy her natural ease and golden glow, backed by high-class playing from Andrea Marcon and the Basel period orchestra, La Cetra. The booklet has plenty of starstruck pictures.” The Times, 30th April 2011 **** “The two arias from Zaide show off Erdmann's strengths: the outer sections of 'Tiger!' are full of fire, and 'Ruhe sanft' is delicate without being merely pretty...Erdmann's spirited, impeccably tuned soprano is a delight to hear, and this unhackneyed recital is richly enjoyable.” Gramophone Magazine, July 2011 “Erdmann clearly has a lot going for her in terms of sheer musicianship. A notably well-schooled artist, she shapes phrases (in 'Ruhe sanft', to name one example) with a precision that is almost clinical...Marcon and La Cetra, his brilliant period-instrument orchestra, support the soprano with considerable sensitivity.” International Record Review, July 2011 “Erdmann is certainly an interpreter of major gifts, most obvious in the more regular Mozart assignments, which all possess dramatic individuality as well as musical and vocal distinction...But contributing just as much to the disc's success is the orchestral playing under Andrea Marcon. The Basel-based period-instrument ensemble maximises the characterful elements of the writing throughout.” BBC Music Magazine, July 2011 **** | | | Usually despatched in 2 - 3 working days. |
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| |  | Lola Artôt de Padilla
Bizet: | Parle-moi de ma mère (from Carmen) | Humperdinck: | Ach, ich bin allein (Königskinder) Bin ein lustiger Jägersmann (from Königskinder) Sieh her, ob mir Hunger die Glinder entziert (Königskinder) | Leoncavallo: | Stridono lassù (from I Pagliacci) | Mozart: | Non so più cosa son, cosa faccio (from Le nozze di Figaro) Sung in German Voi che sapete (from Le nozze di Figaro) Sung in German Batti, batti, o bel Masetto (from Don Giovanni) Sung in German Vedrai, carino (from Don Giovanni) Sung in German Crudel! perché finora farmi languir così? (from Le nozze di Figaro) Sung in German Ach, ich fühl's (from Die Zauberflöte, K620) | Puccini: | Tu? Tu? Piccolo iddio (from Madama Butterfly) Sung in German Che tua madre dovrà prenderti in braccio (from Madama Butterfly) Sung in German Un bel di vedremo (from Madama Butterfly) Sung in German O soave fanciulla (from La Bohème) | Thomas, Ambroise: | Mignon - Excerpts Sung in German | Verdi: | O patria mia (from Aida) Sung in German D'amor sull'ali rosee (from Il Trovatore) Sung in German Surta è la notte...Ernani! Ernani, involami (from Ernani) Sung in German Un dì felice, eterea (from La traviata) Parigi, o cara (from La Traviata) |
Lola Artôt de Padilla (soprano) with Bella Alten & Luise Perard-Petzl Although she was born near Paris in 1876, her career had closer ties to Germany than to France. Her debut was in Wiesbaden as Mignon in 1902 and she moved to Berlin in 1905. She sang many roles at the Staatsoper including Carmen, Violetta and Mignon and retired from the stage in 1927. She later made guest appearances in Holland, Scandinavia and several German opera houses. | | | Usually despatched in 2 - 3 working days. |
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| |  | Lesley Garrett - Our Favourite Soprano
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| |  | Mozart: Opera Arias
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| |  | Great Singers - SchumannAria Recordings 1926-1938
Benatsky: | Ich muss wieder einmal in Grinzing sein | Berté: | Was macht glücklich from Die Dreimäderlhaus | Heuberger: | Midnight Bells (from Der Opernball) | Kreisler: | Ich glaub’ das Glück from Sissy | Mozart: | Exsultate, jubilate, K165 - Alleluia L'amerò, sarò costante (from Il re pastore) Non so più cosa son, cosa faccio (from Le nozze di Figaro) Venite, inginocchiatevi (from Le nozze di Figaro) Voi che sapete (from Le nozze di Figaro) Giunse alfin il momento... Deh, vieni, non tardar… (from Le nozze di Figaro) Batti, batti, o bel Masetto (from Don Giovanni) Vedrai, carino (from Don Giovanni) | Siecynski: | Wien, du Stadt meiner Traüm | Strauss, J, II: | Mein Herr Marquis (from Die Fledermaus) Spiel’ ich die Unschuld vom Lande from Die Fledermaus | Strauss, Josef: | Sphärenklänge, Op. 235 | Zeller: | Wie mein Ahn’l zwanzig Jahr (from Der Vogelhändler) Wie mein Ahn’l zwanzig Jahr (from Der Vogelhändler) Der Obersteiger: Sei nicht bös’ from Der Vogelhändler | Ziehrer: | Sei gepriesen du lauschige Nacht from Der Landstreicher Wien, mein liebes Wien (from Der Fremdenführer) |
Elisabeth Schumann (soprano) | | | (also available to download from $8.75) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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