All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Essential Opera Divas
Beethoven: | Abscheulicher! Wo eilst du hin? (from Fidelio) | Bellini: | Casta Diva (from Norma) | Donizetti: | Spargi d'amaro pianto (from Lucia di Lammermoor) | Dvorak: | Mesícku na nebi hlubokém 'Song to the Moon' (from Rusalka) | Gluck: | Dieux puissants que j'atteste… Jupiter, lance la foudre (from Iphigénie en Aulide) | Gounod: | Ah! Je ris de me voir (from Faust) Ah! Je veux vivre dans ce rêve (from Roméo et Juliette) | Handel: | Ma quando tornerai (from Alcina) | Korngold: | Glück, das mir verbleib 'Marietta's Lied' (from Die Tote Stadt) | Meyerbeer: | Ombra leggiera (Dinorah) | Mozart: | Dove sono i bei momenti (from Le nozze di Figaro) Or sai chi l'onore (from Don Giovanni) Batti, batti, o bel Masetto (from Don Giovanni) In quali eccessi ... Mi tradì quell'alma ingrate (from Don Giovanni) Non mi dir (from Don Giovanni) Der Hölle Rache kocht in meinem Herzen (from Die Zauberflöte) Ach, ich fühl's (from Die Zauberflöte, K620) Ruhe sanft, mein holdes Leben (from Zaïde) | Puccini: | Vissi d'arte (from Tosca) Si, mi chiamano Mimi (from La Bohème) Un bel di vedremo (from Madama Butterfly) Chi il bel sogno di Doretta (from La Rondine) O mio babbino caro (from Gianni Schicchi) In questa reggia (from Turandot) | Rossini: | Una voce poco fa (from Il barbiere di Siviglia) | Verdi: | D'amor sull'ali rosee (from Il Trovatore) Pace, pace mio Dio! (from La forza del destino) Ô ma chère compagne (from Don Carlos) Ave Maria (from Otello) | Vivaldi: | Il Bajazet (Il Tamerlano) : Anch'il mar par che sommerga | Wagner: | Dich, teure Halle (from Tannhauser) Euch Lüften, die mein Klagen (from Lohengrin) |
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| |  | Anu Komsi: Coloratura
Anu Komsi, Finland’s ‘coloratura assoluta’, here presents a wide-ranging programme, from mad scenes and rage arias from 18th- and 19th-century operas, to Alyabyev’s ever-soaring Nightingale and the silvery tinkling of Lakmé’s Bell Song. Komsi also performs later examples of coloratura, including Glière’s glittering Concerto for coloratura and orchestra, and La Machine de l’être by the composer John Zorn – a work which she premiered in New York City in 2011. The disc closes with a thoroughly idiomatic performance of Sibelius’ Luonnotar, with its text from the Finnish national epos Kalevala. Throughout the programme, Anu Komsi is supported by the Lahti Symphony Orchestra conducted by Sakari Oramo. “Anu Komsi's cosmopolitan experience and technical expertise show in the breadth and quality of her programme. And Sakari Oramo makes much of her accompaniments.” BBC Music Magazine, March 2013 *** “Are coloratura soprano showcases ever supposed to be this provocative?...Placing Gliere and Zorn on the same disc is a brilliant stroke of programming. Komsi is at her inventive best in creating subtexts to the wordless vocal lines, suggesting a sunny lifetime of experience in Gliere...[Her] artistry comes together fully in Sibelius's Luonnotar” Gramophone Magazine, January 2013 | | | (also available to download from $10.50) | In stock - usually despatched within 1 working day. |
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| |  | An Evening With The Royal Opera
Bringing together a collection of arias and choruses from some of the world’s favourite operas, this disc showcases the outstanding artists and productions from the stage of the Royal Opera House. The perfect gift for anyone who loves opera. A unique collection from one of the world’s finest opera houses, showcasing the international opera stars and famous Royal Opera House productions. The comprehensive packaging will include a synopsis of each opera, suggestions for further exploration of the catalogue and full subtitles. International stars featured in the collection include: Jonas Kaufmann, Renee Fleming, Simon Keenlyside, Gerald Finley and Miah Persson. Running time: 80 minutes Subtitles: EN/FR/DE/JP/ES Sound format: 2.0LPCM + 5.1(5.0) DTS “all musically exceptional” BBC Music Magazine, May 2013 **** | | | In stock - usually despatched within 1 working day. |
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| |  | Maurice Andre: Airs d'opéras(trumpet transcriptions)
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| |  | Edda Moser singt Mozart
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| |  | The Opera Album 2011
Bizet: | Votre toast je peux vous le rendre 'Toreador Song' (from Carmen) Bryn Terfel (bass-baritone) L'amour est un oiseau rebelle 'Habanera' (from Carmen) Tatiana Troyanos (mezzo) Au fond du temple saint (from Les Pêcheurs de Perles) Luciano Pavarotti (tenor), Nicolai Ghiaurov (bass) La fleur que tu m'avais jetée (from Carmen) Plácido Domingo (tenor) Les tringles des sistres tintaient (from Carmen) Magdalena Kozená (mezzo) | Delibes: | Lakmé: Dôme épais (Flower Duet) Joan Sutherland (soprano), Jane Berbié (mezzo) | Donizetti: | Una furtiva lagrima (from L'elisir d'amore) Juan Diego Flórez (tenor) | Dvorak: | Mesícku na nebi hlubokém 'Song to the Moon' (from Rusalka) Pilar Lorengar (soprano) | Gluck: | Che faro' senza Euridice? (from Orfeo ed Euridice) Andreas Scholl (countertenor) | Gounod: | Ah! Je veux vivre dans ce rêve (from Roméo et Juliette) Renée Fleming (soprano) Gloire immortelle de nos aïeux (from Faust) Richard Bonynge | Handel: | Lascia ch'io pianga (from Rinaldo) Cecilia Bartoli (mezzo) Ombra mai fu (from Serse) Andreas Scholl (countertenor) | Leoncavallo: | Vesti la giubba (from I Pagliacci) Jonas Kaufmann (tenor) | Mozart: | Der Vogelfänger bin ich, ja (from Die Zauberflöte) Hermann Prey (baritone) La ci darem la mano (from Don Giovanni) Ingvar Wixell (baritone), Mirella Freni (soprano) Der Hölle Rache kocht in meinem Herzen (from Die Zauberflöte) Patricia Petibon (soprano) | Offenbach: | Barcarolle (from Les Contes d'Hoffmann ) Joan Sutherland (soprano), Huguette Tourangeau (mezzo) Le jugement de Pâris - Au Mont Ida (from La Belle Hélène) Joseph Calleja (tenor) | Puccini: | Quando me'n vo (from La Bohème) Anna Netrebko (soprano) E lucevan le stelle (from Tosca) Andrea Bocelli (tenor) Humming Chorus (from Madama Butterfly) Giuseppe Sinopoli Nessun dorma (from Turandot) Luciano Pavarotti (tenor) Vissi d'arte (from Tosca) Kiri Te Kanawa (soprano) Si, mi chiamano Mimi (from La Bohème) Angela Gheorghiu (soprano) Signore, ascolta! (from Turandot) Montserrat Caballé (soprano) Chi il bel sogno di Doretta (from La Rondine) Renata Tebaldi (soprano) | Rossini: | Una voce poco fa (from Il barbiere di Siviglia) Teresa Berganza (mezzo) Largo al factotum (from Il barbiere di Siviglia) Leo Nucci (baritone) | Saint-Saëns: | Mon cœur s'ouvre à ta voix (from Samson et Dalila) Marilyn Horne (mezzo) | Verdi: | Anvil Chorus (from Il Trovatore) Sir Georg Solti La donna è mobile (from Rigoletto) Roberto Alagna (tenor) Libiamo, ne' lieti calici (from La Traviata) Plácido Domingo (tenor), Ileana Cotrubas (soprano) Di quella pira (from Il trovatore) José Carreras (tenor) Sempre libera (from La Traviata) Kiri Te Kanawa (soprano) Questa o quella (from Rigoletto) Rolando Villazón (tenor) Va, pensiero (from Nabucco) Silvio Varviso Celeste Aida (from Aida) Luciano Pavarotti (tenor) | Wagner: | Mild und leise 'Isolde's Liebestod' (from Tristan und Isolde) Birgit Nilsson (soprano) |
This magnificent collection features the some of the greatest opera stars of all time: Cecilia Bartoli, Anna Netrebko, Bryn Terfel, Renée Fleming, Andrea Bocelli Luciano Pavarotti, Dame Joan Sutherland, Plácido Domingo, Dame Kiri Te Kanawa and José Carreras. With a carefully chosen selection of perennially popular arias, duets and choruses, this enchanting collection creates the perfect introduction to opera. With 40 tracks and over 2½ hours of music this collection is outstanding value for money. Includes Pavarotti’s classic recording of the most popular opera aria of all, Puccini’s ‘Nessun dorma’. | | | In stock - usually despatched within 1 working day. |
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| |  | The Early Recordings of Joan Sutherland
Bellini: | Son vergin vezzosa (from I Puritani) Recorded in Amsterdam on March 25th 1962 Omroeporkest and Koor, Fulvio Vernizzi Casta Diva (from Norma) Recorded in December 1959 Kölner Rundfunk-Sinfonieorchester des WDR, Alberto Erede | Donizetti: | Confusa è l'alma mia (from Emilia di Liverpool) Recorded in September 1957 Richard Bonynge (piano) Non intende il mio contento (from Emilia di Liverpool) Recorded in September 1957 Royal Liverpool Philharmonic Orchestra, John Pritchard Ancor non giunse! ... Regnava nel silenzio…Quando rapito in estasi (from Lucia di Lammermoor) Recorded in London on February 26th 1959 Margreta Elkins (Alisa) Orchestra of the Royal Opera House, Covent Garden, Tullio Serafin Il dolce suono mi colpì di sua voce! … Spargi d'amaro pianto (from Lucia di Lammermoor) Recorded in Amsterdam on March 25th 1962 Omroeporkest and Koor, Fulvio Vernizzi Spargi d'amaro pianto (from Lucia di Lammermoor) (encore) Omroeporkest and Koor, Fulvio Vernizzi Regnava nel silenzio...Quando rapito in estasi (from Lucia di Lammermoor) Recorded at the Royal Albert Hall on 13th August 1960 BBC Symphony Orchestra, Sir Malcolm Sargent | Handel: | Ah! Ruggiero (from Alcina) Ombre pallide (from Alcina) Recorded in Amsterdam on March 25th 1962 Omroeporkest and Koor, Fulvio Vernizzi Di, cor mio, quanto t'amai (from Alcina) Recorded at the Royal Albert Hall on 13th August 1960 BBC Symphony Orchestra, Sir Malcolm Sargent Tornami a vagheggiar (from Alcina) Recorded at the Royal Albert Hall on 13th August 1960 BBC Symphony Orchestra, Sir Malcolm Sargent | Haydn: | Pietà di me, benigni Dei, Hob.XXVb:5 Recorded at the BBC on 17th December 1956 April Cantelo (soprano), Raymond Nilsson (tenor) Goldsborough Orchestra, Sir Charles Mackerras Si ti perdo amata sposa, Hob.XXIVb: B1 Recorded at the BBC on 17th December 1956 Dennis Brain (horn) Goldsborough Orchestra, Sir Charles Mackerras | Mozart: | O zittre nicht (from Die Zauberflöte) Der Hölle Rache kocht in meinem Herzen (from Die Zauberflöte) Recorded in London in 1962 Orchestra of the Royal Opera House, Covent Garden, Otto Klemperer Exsultate, jubilate, K165 Recorded in December 1959 Kölner Rundfunk-Sinfonieorchester des WDR, Alberto Erede Martern aller Arten (from Die Entführung aus dem Serail) Recorded in December 1959 Kölner Rundfunk-Sinfonieorchester des WDR, Alberto Erede | Rossini: | La fioraia Fiorentina Recorded in September 1957 Richard Bonynge (piano) | Spohr: | Rose softly blooming (from Zemira and Aphor) Recorded in September 1957 Richard Bonynge (piano) | Verdi: | È strano! è strano!...Ah! fors è lui (from La traviata) Recorded in Amsterdam on March 25th 1962 Ettore Babini (Alfredo) Omroeporkest and Koor, Fulvio Vernizzi |
When Joan Sutherland died, many music critics commented on the quality of her voice in her early performances. The concert performances recorded here gave her the opportunity to deliver glorious singing without too many distractions. She was also able to collaborate with artists who she would not encounter in the opera house, such as Dennis Brain, heard here. | | | In stock - usually despatched within 1 working day. |
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| |  | OPERA 2011
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| |  | Amoureuses - Patricia Petibon
Gluck: | Venez, secondez mes désirs from Armide Non, cet affreux devoir... Je t'implore et je tremble (from Iphigénie en Tauride) Ah! Si la liberté me doit être ravie from Armide | Haydn: | Ragion nell'alma siede (from Il mondo della luna) Salamelica from Lo speziale Odio, furor, dispetto from Armida Numi possenti aita!...Dov'è l'amato bene?...Del mio core (from L'anima del filosofo, ossia Orfeo ed Euridice) Fra un dolce deliro from L'isola disabitata | Mozart: | Vorrei spiegarvi, oh Dio! K418 Der Hölle Rache kocht in meinem Herzen (from Die Zauberflöte) L'ho perduta, me meschina (from Le Nozze di Figaro) Giunse alfin il momento... Deh, vieni, non tardar… (from Le nozze di Figaro) Vanne, t'affretta… Ah se il crudel periglio (from Lucio Silla) Fra i pensier più funesti (from Lucio Silla) Tiger! Wetze nur die Klauen! (from Zaïde) Le perfide Renaud me fuit from Armide |
Exceptional French soprano Patricia Petibon joins the DG roster with her debut album Amoureuses, featuring arias by Mozart, Haydn and Gluck Petibon has established herself as one of the most interesting and versatile sopranos of our day and has been widely acclaimed for her outstanding acting abilities that make her merge completely with whatever role she sings and represents on stage With Amoureuses Petibon circles around the ever-important topic of love and desire – in a series of character-portraits she explores how the very different female characters in the operas of Mozart, Haydn, and Gluck respond to the challenges of love Ranging from the dramatic fury in Haydn’s Odio, furor, dispetto and Mozart’s Der Hölle Rache . . . to the sweetness in his Deh vieni, and from the desperate sadness of his L’ho perduta . . . me meschina! to the grandeur of Gluck’s Ah! Si la liberté, the album is the perfect showcase for Petibon’s exceptional skills of expression and characterization For Amoureuses Petibon teamed up with the acclaimed period-instrument band Concerto Köln and conductor Daniel Harding, a collaboration that guarantees an effervescent, entrancing approach to the music of the Viennese masters – a captivating debut to watch for! “The French soprano's DG debut is a considerable and attractive success. There are excerpts from Gluck's Armide, too, including a heartfelt air from Act 3. In the last scene, Petibon is mesmerising in the recitative - excellent support here, and indeed throughout, from Daniel Harding - before, again, bursting out in fury.” Gramophone Magazine, December 2008 “Patricia Petibon's choice of arias by the three greatest of late 18th-century opera composers is tailor-made to display her range, in terms of both drama and sheer vocal compass. …her debut disc for DG is pure pleasure, and Daniel Harding and Concerto Köln provide first-rate support.” BBC Music Magazine, November 2008 ***** | | | (Sorry, download not available in your country) | In stock - usually despatched within 1 working day. |
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| |  | Mozart, Salieri & Righini - Arie di Bravura
Diana Damrau (soprano) Le Cercle de l’Harmonie, Jérémie Rhorer “If some ears might detect an occasional harshness in Damrau's upper register, criticism is all but silenced by her virtuosity and histrionic flair, evident even without the benefit of her vivid stage presence. Under Jérémie Rhorer's alert direction, the Parisian period orchestra match the singer all the way in style and gusto.” Gramophone Magazine, March 2008 “Mozart's Queen of Night is as subtle and intelligent in recitative and inflection as in stratospheric virtuosity.” BBC Music Magazine, February 2008 **** “Diana Damrau is the most thrilling high soprano of our day. She is a peerless Konstanze, delivering "Martern aller Arten" (including the sections usually cut) with venom and precision, and a superbly neurotic Elvira. Her amazing, stratospheric command is best demonstrated in the unearthly beauty of "Vorrei spiegarvi" and the brilliant "No, che non sei capace", both written by Mozart for Aloysia Lange to sing in someone else's opera. If Damrau moves on to record Mozart's true concert arias, I hope she has an orchestra which doesn't sound as if it was recorded in a nearby bathroom.” The Observer, 15th February 2009 | | | In stock - usually despatched within 1 working day. |
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