All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Bartók - Piano & Violin Concertos
City of Birmingham Symphony Orchestra & Philharmonia Orchestra, Simon Rattle & Libor Pesek | | | In stock - usually despatched within 1 working day. |
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| |  | Bartók: | Violin Concerto No. 1, BB48a, Sz 36 Violin Concerto No. 2, Sz 112 Viola Concerto, BB 128, Sz. 120 Rhapsody for Violin & Orchestra No. 1, BB 94b, Sz. 87 Rhapsody for Violin & Orchestra No. 2, BB 96b, Sz. 90 Sonata for Solo Violin, BB 124, Sz. 117 44 Duos for Two Violins, BB 104, Sz. 98 (extracts) |
Yehudi Menuhin (violin & viola) & Nell Gotkovsky (violin) BBC Symphony Orchestra & New Philharmonia Orchestra, Pierre Boulez & Antal Doráti | | | In stock - usually despatched within 1 working day. |
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| |  | Bartók - Violin Concertos Nos. 1 & 2
Thomas Zehetmair (violin) Budapest Festival Orchestra, Iván Fischer Thomas Zehetmair was taught by his father and made his debut at the Salzburg Festival when he was 16, in 1977. The following year, he won first prize in the International Mozart Competition. He has built up an international career and has performed chamber music with Alfred Brendel, Heinrich Schiff and Tabea Zimmermann. | 
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| |  | Bartók - The Piano & Violin Concertos
This well-filled 2CD set – nearly 2 hours and 40 minutes long – presents Bartók’s major concertos (the Viola Concerto appears on another Eloquence CD released this month). The three Piano Concertos appear in muscular and sumptuously recorded performances (one of the finest examples of Decca’s 1970s engineering at the venerated Kingsway Hall) by Pascal Rogé and Walter Weller. Likewise, the Second Violin Concerto resurrects a long-buried 1980 Argo recording by the late Iona Brown, with none other than Sir Simon Rattle conducting. The First Violin Concerto, the result of an ultimately called-off love affair with Stefi Geyer, found its music rechannelled into the Two Portraits and in Kyung Wha Chung and Chantal Juillet, respectively, find two of the composer’s most persuasive advocates. “Iona Brown gives a clean-cut and stylish performance, superbly recorded” Penguin Guide | 
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| |  | Shostakovich & Bartók - Violin Concertos
Yossif Ivanov (violin) Royal Flemish Philharmonic Orchestra, Pinchas Steinberg Acclaimed as “a player of impressive authority and presence” (The Strad), and “one of the top violinists of tomorrow” (Diapason), at the age of 21 Belgian born Yossif Ivanov has an impressive list of musical prizes and concert appearances. When he was only 16 he won the First Prize at the Montreal International Music Competition, followed two years later by a Second Prize, as well as the Prize of the Public at the Queen Elisabeth Competition in Brussels. Yossif Ivanov was named as the Echo Rising Star by the Palais des Beaux-Arts in Brussels for the 2005-6 season, and as part of that prize, performed a recital tour, which included amongst others Carnegie Hall, Musikverein Vienna, Concertgebouw Amsterdam and Symphony Hall Birmingham. In April 2007, he made his highly acclaimed debut in London, with the London Philharmonic Orchestra under the direction of Marin Alsop. Yossif has studied with Zakhar Bron in Lübeck, Igor & Valery Oistrakh at the Royal Conservatory of Brussels, and with Augustin Dumay at the Queen Elisabeth College of Music. In 2006 Yossif Ivanov’s first CD on the Ambroisie/Naïve label of sonatas by Franck, Ysaÿe and D’Haene, was awarded a Diapason d’Or de l’Année, the most important record industry award in France. Shostakovich’s First Violin Concerto was originally written during 1947 and 1948. He was still working on the piece at the time of the Zhdanov decree, and in the period following the composer's denunciation the work could not be performed. It was finally premiered by its dedicatee David Oistrakh on 29 October 1955 with the Leningrad Philharmonic under Yevgeny Mravinsky. The work has a dark brooding central core and is in many ways a musical representation of the composer’s uneasy relationship with the state. Béla Bartók's Violin Concerto No. 2 was written between 1937and 1938 and dedicated to the Hungarian violin virtuoso, Zoltán Székely. Although he was filled with serious concern about the growing strength of fascism at the time, the composition is generally lyrical and optimistic in tone. It was was premiered by Székely at the Concertgebouw, Amsterdam on March 23, 1939 with Willem Mengelberg conducting the Concertgebouw orchestra. “The raw immediacy of Yossif Ivanov's tone is the first thing to strike in this pairing of two of the mid-20th century's most pungent violin concertos. [In Shostakovich's Concerto No. 1], Ivanov's characterisation is edgy and intelligent through-out, his sound big and forthright.” The Independent on Sunday, 9th August 2009 | | | Usually despatched in 4 - 5 working days. |
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| |  | Yehudi Menuhin plays Bartók
Bartók: | Violin Concerto No. 2, Sz 112 Recorded 12th – 13th September, 1953 in EMI Abbey Road Studio No. 1, London Philharmonia Orchestra, Wilhelm Furtwängler Violin Sonata No. 1, Sz 75 Recorded 29th December, 1947 in RCA Studio No. 2, New York City Adolph Baller (piano) |
Producer: Mark Obert-Thorn Yehudi Menuhin commissioned and gave the first performance of Bartók’s Sonata for Solo Violin and was an influential advocate of his music. This 1947 recording of the First Violin Sonata finds Menuhin in particularly intense and vivid form, his accomplishment equalled by Adolph Baller’s virtuosity and perceptive musicianship. Of the four studio recordings Menuhin made of the composer’s Second Violin Concerto, this 1953 rendition, while perhaps not flawless, certainly remains an unusually truthful and penetrating account of one of the twentieth century’s most magnificent, challenging and emotionally satisfying violin concertos. | | | Usually despatched in 2 - 3 working days. |
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Max Rostal (violin), Franz Osborn (piano) London Symphony Orchestra, Sir Malcolm Sargent | | | Usually despatched in 4 - 5 working days. |
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| |  | Viktoria Mullova plays 20th Century Concertos
Viktoria Mullova (violin) Los Angeles Philharmonic Orchestra & Royal Philharmonic Orchestra, Esa-Pekka Salonen & Andre Previn “Another competitive version comes with clean playing from the soloist, who is always poised and responsive, and an alert accompaniment. A feature of this Philips recording, is that Mullova opts for Bartók's original, less showy ending.” BBC Music Magazine, May 2008 | | | This item is currently out of stock at the UK distributor. You may order it now but please be aware that it may be six weeks or more before it can be despatched. |
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Laurent Korcia (violin), Michel Portal (clarinet) & Jean-Efflam Bavouzet (piano) City of Birmingham Symphony Orchestra, Sakari Oramo “His recordings of Ysaye and Bartok make it clear: Laurent Korcia is an outstanding violinist. One of those whose passion and instinct just grab you from the very first bars. Just like those turn-of-the-century virtuosos, Elman, Heifetz, Ysaye or Kubelik, whose style, sound and vibrato were a real trademark, you can’t mistake Korcia for another. For this reason, he stands out among his contemporaries.” Diapason | | | Usually despatched in 4 - 5 working days. |
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Anne-Sophie Mutter (violin) “Not quite a winner because some of the orchestral detail is fuzzy and the soloist exists in glamorised DG close-up. Even so, Mutter invests every note of this work with life and colour.” BBC Music Magazine, May 2008 BBC Music Magazine
Orchestral Choice - May 2005 |
| | | This item is currently out of stock at the UK distributor. You may order it now but please be aware that it may be six weeks or more before it can be despatched. |
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