Bruckner: Os justi meditabitur sapientiam

“An admirably varied programme, with excellent Hyperion recording.” BBC Music Magazine, October 2006 ****

“the most enjoyable aspect of these early works is the ability of the boys to shape their melodic lines independently...The full sonorities of Bruckner’s choral writing are well suited to the rich sounds produced by these forces but occasionally lack rhythmic intensity and direction. These two CDs are a real snapshot of a former age. This is a great souvenir of a world-famous choir as they were at their prime and is an interesting comment on 1970s performance practice.” MusicWeb International, April 2013

“The award-winning group Voces 8 is well-known for its wide-ranging programmes and accomplished technical control...In Monteverdi's Cantate Dominum (this is his 1620 setting, not the 1615 one) the voices dance with incredible lightness, and the bell-like soprano voice of Andrea Haines provides the icing on the cake.” BBC Music Magazine, December 2012 ****

“Bruckner's "Os justi" opens matters with a perfect blend of calm contentment and soaring spirit, while Voces8's technical range, taking in as it does blues and jazz, enables them to easily accommodate pieces like the gospel classic "Steal Away",” The Independent, 17th February 2012 ****

“within seconds you are hooked...you are listening to a choir of humans who sing like angels...pitching in with total commitment at every possible dynamic level from fortissimo to the whisper of dulcet prayer...[the tenors] are remarkably healthy; while the basses have the kind of deep vigour mostly associated with Russian voices. What’s in Scotland’s water, vodka?” The Times, 25th March 2011

“These motet performances...are thrillingly homogenous, conveying well the unifying purpose of the works, but also the ecstatic quality that pervades the mighty Ecce sacerdos and the quiet affirmation of Locus iste.” The Scotsman, 5th April 2011

“Ferguson’s singers are beyond reproach; intonation is never less than perfect and the sound made at full stretch is glorious – higher lines piercingly clear thanks to the cathedral’s choristers singing the soprano parts. We also get the two Aequale for three trombones, played here with sombre magnificence. Brilliant.” The Arts Desk, 16th April 2011

“This performance is just superb. It's the kind of disc you want to turn up to full volume and lose yourself in, whether you're of a religious bent or not. Through their crisp, measured phrases, limpid textures, and their reverent but never syrupy tone, they've captured the simplicity and humility of both texts and music...This is a disc to be revisited and savoured again and again.” bbc.co.uk, 8th April 2011

“There's plenty of drive and commitment to this performance, which adds a sense of spiritual relevance beyond the solely musical...the overall effect is surprisingly uplifting thanks to the clarity and directness of the performance, helped by the cathedral's wonderful acoustic.” Classic FM Magazine, June 2011 ****

“this is Bruckner performed with no holds barred, but instead sung with passionate conviction and raw energy - there is nothing remotely polite about MacBruckner...you cannot but be aware of Bruckner's originality, and command of texture and sonority: can the art of modulation ever have been bettered? To hear this marvellous music given with such urgency and all-out commitment is a remarkable experience.” International Record Review, May 2011

“The Edinburgh singers perform with a robust though polished fervour. Alto, tenor and bass lines are beyond reproach, while the mixed-sex treble line copes admirably with exposed writing. The recorded sound is first-class, capturing both voices and instruments (including some excellent organ-playing) with an engaging immediacy.” Gramophone Magazine, July 2011

“The Edinburgh choristers (a mix of boy trebles and girls) are fearless in confronting Bruckner’s demands...This is an excellent disc. The performances are thrilling and intense and they are captured in an excellent recording that mixes spaciousness and clarity. The contributions of the uncredited organist (Nicholas Wearne?) and the RSAMD trombonists add a splendid sonority to some of the items.” MusicWeb International, 11th July 2011

“There’s not a dud moment here...Ferguson’s singers are beyond reproach; intonation is never less than perfect and the sound made at full stretch is glorious – higher lines piercingly clear thanks to the cathedral’s choristers singing the soprano parts” The Arts Desk, 15th April 2011