Rubbra: Fantasy Fugue op.161

This page lists our only recording of Fantasy Fugue op.161, by Charles Edmund Rubbra (1901-86) on CD.

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Rubbra: Prelude and Fugue on a Theme of Cyril Scott, Op. 69, etc.

Label:

Dutton

Catalogue No:

CDLX7112

Discs:

1

Barcode:

0765387711221

Medium:

CD
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Rubbra:

Prelude and Fugue on a Theme of Cyril Scott, Op. 69

Sonatina op.19

Fukagawa (Deep River)

Introduction, Aria & Fugue op.104

Fantasy Fugue op.161

Eight Preludes op.131

Nemo Fugue

Invention on the name of Haydn op.160

Nine Teaching Pieces op.174

Question and Answer, Pipe tune, Hurdy gurdy, Catch me if you can, Slow dance, Peasant dance, Cradle song, The donkey, The shining river


Michael Dussek (piano) with Rachel Dussek (piano)

CD

$16.50

Usually despatched in 2 - 3 working days.

Gramophone Classical Music Guide

2010

“Rubbra was an excellent pianist, and his output for the instrument spans pretty much his entire career. It's the earliest work here, the Sonatina of 1928-9, that proves by far the most technically demanding. Whereas the raptly lyrical first two movements have something of the outdoor tang of Vaughan Williams and Howells, the finale seems to stand apart, its timeless, intuitive spirit and bracing contrapuntal mastery the hallmarks of Rubbra's mature voice.
Other stand-out items include the noble Introduction,Aria and Fugue, the pithy Four Studies of 1970-71 and the Eight Preludes, Rubbra's most substantial piano offering, completed in 1966.
The latter comprise a hugely rewarding sequence, the organic wholeness of Rubbra's luminous inspiration often calling to mind his masterly Eighth Symphony. Suffice it to say, Michael Dussek acquits himself extremely well throughout, and he has been sympathetically recorded.”

Gramophone Classical Music Guide

2010

“Rubbra was an excellent pianist, and his output for the instrument spans pretty much his entire career. It's the earliest work here, the Sonatina of 1928-9, that proves by far the most technically demanding. Whereas the raptly lyrical first two movements have something of the outdoor tang of Vaughan Williams and Howells, the finale seems to stand apart, its timeless, intuitive spirit and bracing contrapuntal mastery the hallmarks of Rubbra's mature voice.
Other stand-out items include the noble Introduction,Aria and Fugue, the pithy Four Studies of 1970-71 and the Eight Preludes, Rubbra's most substantial piano offering, completed in 1966.
The latter comprise a hugely rewarding sequence, the organic wholeness of Rubbra's luminous inspiration often calling to mind his masterly Eighth Symphony. Suffice it to say, Michael Dussek acquits himself extremely well throughout, and he has been sympathetically recorded.”

Click on any of the works listed above for alternative recordings.

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