All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Barenboim plays Beethoven Piano Sonatas Vol. 5Live recording from Palais Rasumowsky Vienna, 1983-84
Director: Jean-Pierre Ponnelle New Release on Euroarts's sub-label: Recorded Excellence – Historical Value. The aim of the new series is to make accessible to music lovers and collectors top-quality recordings documenting extra-special concert performances that were hitherto unreleased or were no longer available, either for the first time or as re-releases on DVD and Blu-ray Disc. The main focus is on artists and repertoire. The new series will showcase defining concert moments of music history. Digitally remastered and restored from 35mm film. Including intensive and high-quality audio and visual restoration. In the last part of five DVDs, seven-time GRAMMY® Award-winning pianist and conductor Daniel Barenboim performs Sonatas 29 to 32 of the so-called 'New Testament' of music, Ludwig van Beethoven's thirty-two piano sonatas. Composed over twenty-five years and embodying the shift of musical taste from the Classic to the Romantic, their performance requires a musician of extraordinary versatility. Daniel Barenboim is one such pianist – his recordings run the gamut from Bach and Mozart to Bruckner and Bartók. Infollowing in the footsteps of such masters as Artur Schnabel, Barenboim truly shows himself to be among the greatest living musicians. Picture format DVD: NTSC 16:9 Sound format DVD: PCM Stereo Region code: 0 Booklet notes: English, German, French Running time: 125 mins | 
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| |  | Menahem Pressler in RecitalRecorded at the Cité de la Musique, Paris, March 2011
For more than 50 years, Menahem Pressler was the driving force of the legendary Beaux Arts Trio, giving 6.000 performances until the trio stopped concertizing in 2009. Menahem Pressler is now returning to a solo career. During this recital filmed at Paris’ Cité de la Musique 2011, Menahem Pressler plays two of the most imposing works in the piano repertoire: Beethoven’s penultimate sonata and Schubert’s last sonata which both require unusual emotional involvement from the performer. Menahem Pressler is the last representative of a pianistic tradition directly connected with the great German and French piano schools: he studied with several pupils of the illustrious Ferruccio Busoni but also received valuable advice from Robert Casadesus or Paul Loyonnet who opened the world of Ravel and Debussy to him. “Pressler’s ability to give all the voices prominence while simultaneously isolating the melody was amazing. His fingers still retain a youthful facility.” The Washington Post Picture format: 1080i 16:9 Sound formats: PCM Stereo Region code: all (worldwide) Booklet notes: English, German, French Running time: 88 mins “His technique may be somewhat dimmed, but the twinkle of his distinctive sound remains as fresh and beautiful as ever; so, too, his astute pointing of musical structure, and the sheer love with which he communicates these great works...Pierre-Martin Juban's straightforward, well-judged direction provides a fine match between style and subject.” BBC Music Magazine, August 2012 **** | | | In stock - usually despatched within 1 working day. |
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| |  | Stephen Kovacevich - Beethoven: Piano Sonatas Nos. 21 & 31Piano Masterclass at the Verbier Festival Academy
Stephen Kovacevich's international reputation as a pianist has been built both on his concert appearances, renowned for their thoughtfulness and creative intensity, and on the highly acclaimed recordings he has made throughout his career. He is considered as one of the most searching interpreters of the core classical repertoire and he has won great admiration for his recordings of Mozart, Beethoven, Brahms, Schubert and Chopin. In this masterclass he works with students on Beethoven's Piano Sonatas Nos 21 "Waldstein" and 31, Op 110 | | | In stock - usually despatched within 1 working day. |
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| |  | Barenboim on Beethoven - The Complete Piano Sonatas Concerts 7 & 8
In 2005 Daniel Barenboim performed the complete Beethoven piano sonatas over eight concerts in two weeks at the Staatsoper in Berlin. The performances were beautifully captured on film. In addition to four DVD releases, each covering two of the concerts, the master classes are released in a separate 2 DVD set – these feature the legendary man imparting his wisdom to the next generation, featuring some of the world’s most notable young pianists. | | | In stock - usually despatched within 1 working day. |
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| |  | András Schiff - Beethoven: Late Piano SonatasLecture Recital at the Royal Academy of Music
András Schiff, world-acclaimed pianist has in the past been primarily associated with his performances of the major keyboard works of J.S. Bach, Haydn, Mozart, Schubert, Schumann and Bartok. In 2004 he began performing the complete cycle of the 32 Beethoven Piano Sonatas in chronological order, having studied them from the original autograph scores or earliest editions. This meticulous attention to the composer's instructions have resulted in performances much praised for their freshness and authenticity even though they sometimes challenge traditional interpretations. Here, András Schiff looks at the three great piano sonatas which end the cycle and on which Beethoven worked during final years of his life, Op 109, Op 110 and Op 111. He analyses each sonata in detail and discusses and demonstrates his personal interpretation and technique in playing these sublime works. | | | In stock - usually despatched within 1 working day. |
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| |  | Menahem Pressler in RecitalRecorded at the Cité de la Musique, Paris, March 2011
For more than 50 years, Menahem Pressler was the driving force of the legendary Beaux Arts Trio, giving 6.000 performances until the trio stopped concertizing in 2009. Menahem Pressler is now returning to a solo career. During this recital filmed at Paris’ Cité de la Musique 2011, Menahem Pressler plays two of the most imposing works in the piano repertoire: Beethoven’s penultimate sonata and Schubert’s last sonata which both require unusual emotional involvement from the performer. Menahem Pressler is the last representative of a pianistic tradition directly connected with the great German and French piano schools: he studied with several pupils of the illustrious Ferruccio Busoni but also received valuable advice from Robert Casadesus or Paul Loyonnet who opened the world of Ravel and Debussy to him. “Pressler’s ability to give all the voices prominence while simultaneously isolating the melody was amazing. His fingers still retain a youthful facility.” The Washington Post Picture format DVD: NTSC 16:9 Sound formats DVD: PCM Stereo Region code: 0 Booklet notes: English, German, French Running time: 88 mins “His technique may be somewhat dimmed, but the twinkle of his distinctive sound remains as fresh and beautiful as ever; so, too, his astute pointing of musical structure, and the sheer love with which he communicates these great works...Pierre-Martin Juban's straightforward, well-judged direction provides a fine match between style and subject.” BBC Music Magazine, August 2012 **** “at this recital one can only celebrate a blessedly old-fashioned freedom and intensity...Beautifully and simply filmed, this DVD is a classic tribute to a great artist still active in the autumn of his career, and with only a passing and marginal frailty to suggest his age.” Gramophone Magazine, August 2012 | | | Usually despatched in 2 - 3 working days. |
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| |  | The French Piano School
Among the rediscovered treasures are recordings of three outstanding representatives of the French Piano School:Vlado Perlemuter, who worked closely with Ravel on many of his compositions, demonstrates his superb mastery of the composer's Piano Concerto for the Left Hand in this Paris recording of 1966; Yvonne Lefébure, also well known for the multitude of compositions dedicated to her, goes from strength to strength with her Beethoven interpretations; Robert Casadesus proves himself yet again as an outstanding interpreter of French repertoire. The two bonus tracks feature Hephzibah Menuhin, who studied for several years in Paris with Marcel Ciampi, and Dino Ciani who came to perfect his art under the guidance of Alfred Cortot. “Valuable for the exquisite tone of Perlemuter's Chopin and the intensity of Lefébure's Beethoven. Casadesus dabbles bittily at Fauré.” BBC Music Magazine, May 2009 **** | | | Usually despatched in 2 - 3 working days. |
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| |  | Pierre-Laurent Aimard - Not Just One Truth
Bonus - Pierre-Laurent Aimard in conversation with Jan Schmidt-Garre. Pierre-Laurent Aimard was born in Lyon in 1957 and studied in Paris with Yvonne Loriod, wife of Olivier Messiaen, to whose music he is particularly close. Pierre Boulez appointed him as solo pianist to the Ensemble InterContemporain when he was 19 and he worked closely with Györgi Ligeti, who chose him to record his entire piano works. This extensive portrait-cum-concert DVD features Pierre-Laurent Aimard in conversation with renowned music filmmaker Jan Schmidt-Garre under the telling title Not Just One Truth. Recorded live at the Akademie der Schönen Künste in Munich in spring 2008, the concert includes important and influential piano music from the Art of the Fugue and Beethoven's second last Piano Sonata No.31, written in 1822, along with works by the grand seigneur of American composers, Elliott Carter (*1908) and of George Benjamin (*1960), who studied under Olivier Messiaen. In the introductory portrait, scholar Christoph Wolff and composer Elliott Carter speak about music and Aimard's readings of it.Thus, the viewer is truly immersed in Pierre-Laurent Aimard's art of piano playing and comes to know one of the greatest contemporary pianists in concert, interview and documentary portrait. "His technical facility is astonishing…Mr.Aimard's performance was lucid, subtle and delicate." New York Times “…there is nothing 'showy' about this showcase; Aimard and the music are allowed to speak directly. The initial 30 minutes of this portrait focuses on preparations for his concert - the centrepiece of the disc. Aimard eloquently explains the thinking behind his programme... Aimard's love for the music, and humility before it, shine through.” BBC Music Magazine, March 2009 ***** | | | Usually despatched in 2 - 3 working days. |
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| |  | Barenboim plays Complete Beethoven Piano SonatasLive recording from Palais Lobkowitz, Palais Rasumowsky, Palais Kinsky and Schloss Hetzendorf, Vienna, 1983-84
Director: Jean-Pierre Ponnelle New Release on Euroarts's new sub-label: Recorded Excellence – Historical Value. The aim of the new series is to make accessible to music lovers and collectors top-quality recordings documenting extra-special concert performances that were hitherto unreleased or were no longer available, either for the first time or as re-releases on DVD and Blu-ray Disc. The main focus is on artists and repertoire. The new series will showcase defining concert moments of music history. True HD picture! Digitally remastered and restored from 35mm film. Including intensive and high-quality audio and visual restoration. In this recording, seven-time GRAMMY® Award-winning pianist and conductor Daniel Barenboim tackles the so-called 'New Testament' of music, Ludwig van Beethoven's thirty-two piano sonatas. Composed over twenty-five years and embodying the shift of musical taste from the Classic to the Romantic, their performance requires a musician of extraordinary versatility. Daniel Barenboim is one such pianist – his recordings run the gamut from Bach and Mozart to Bruckner and Bartók. In following in the footsteps of such masters as Artur Schnabel, Barenboim truly shows himself to be among the greatest living musicians. Bonus: 10 min. Interview with Daniel Barenboim, Vienna 2012, about the recording and the production of the complete Beethoven Sonatas Cycle 1980 - 1984. Special Digipak packaging in a luxury slipcase. Picture format: 1080i Full HD 16:9 Sound format: PCM Stereo Region code: 0 Booklet notes: English, German, French Running time: 724 mins (714 mins Concert + 10 mins Interview) | | | Usually despatched in 2 - 3 working days. |
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Also included are 6 master classes with some of the world’s most notable young pianists, where the legendary man imparts his wisdom to the next generation. “For those seeking a home-video Beethoven cycle featuring an established, internationally acclaimed artist, Barenboim's is the only game in town for now. …Barenboim's technique remains never less than solid and world-class. …the set's most provocative revelations appear on the final two discs in the form of masterclasses in Chicago in 2005. Six young pianists (including familiar names such as Lang Lang, Jonathan Biss and Alessio Bax) each play a movement from a sonata. Barenboim...guides the pianists through details of articulation, tempo relationships, dynamics, pedalling and harmonic motion, helping their interpretations attain greater clarity and specificity.” Gramophone Magazine, August 2007 “…Daniel Barenboim is a great teacher. The last two DVDs, of master-classes that he gave in Chicago in 2005, demonstrate that to magnificent effect. It is a master-class above all in teaching, and also a rebuke to easy listening; he really persuades the viewer as well as the player that every note counts, and the balance of every note in a chord, and so on.” BBC Music Magazine, April 2007 **** “For those seeking a home-video Beethoven cycle featuring an established, internationally acclaimed artist, Barenboim's is the only game in town for now. The musical results synthesise the best qualities of Barenboim's two earlier (audio only) cycles (the EMI from the 1960s and the DG from the early 1980s). More than 20 years on, the 62-year-old pianist revisits many of the rhetorical nuances he favoured in Beethoven Instrumental 157 his youth, but now applies them within a context of greater expressive economy and structural cohesion. This particularly holds true in difficult- to-sustain slow movements such as those in Op 2 No 3, Op 7, the Tempest and the Hammerklavier, along with movements in variation form (Op 26's first movement, the Appassionata's Andante con moto and Op 111's majestically unfolding Arietta). Notwithstanding tiny inaccuracies, imbalances and occasional pounding in louder moments that are inevitable in a live, minimally edited concert, Barenboim's technique remains never less than solid and world-class. His body language isn't particularly eye-catching, except that he often raises his hands high at the end of big, declamatory phrases, and makes conducting gestures with the left hand while the right hand plays alone. However, the set's most provocative revelations appear on the final two discs in the form of masterclasses in Chicago in 2005. Six young pianists (including familiar names such as Lang Lang, Jonathan Biss and Alessio Bax) each play a movement from a sonata. Barenboim acknowledges the performances' positive attributes, then gets down to work. He guides the pianists through details of articulation, tempo relationships, dynamics, pedalling and harmonic motion, helping their interpretations attain greater clarity and specificity. Judging from the post-session questions, it's clear that the audience has been listening nearly as well as the teacher. We then return to Barenboim in Berlin and replay that recently dissected sonata movement with the benefit of newly enlightened ears and sharpened insights. Does the pianist practise what he preaches? Well, maybe 90 per cent of the time, yes.” Gramophone Classical Music Guide, 2010 “This is Beethoven playing of the most impressive artistry and highest accomplishment, displaying a total concentration and profound musical intelligence...Barenboim is extraordinarily illuminating and full of insight, and his generosity of spirit and intuitive understanding are always in evidence.” Penguin Guide, 2011 edition | | | In stock - usually despatched within 1 working day. |
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