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See Terms & Conditions for p&p rates. | |  | Beethoven - Complete Works for Solo Piano Volume 10Complete Bagatelles
Beethoven: | Bagatelles (7), Op. 33 Allegretto in C minor Hess 69 Bagatelle in C major, Hess 73 Bagatelle in E flat major, Hess 74 Allegretto in C minor,WoO 53 Andante in C major Bagatelle in C major, WoO 54, 'Lustig-Traurig' Bagatelle in C major, WoO56 Bagatelle in C minor, WoO52 Bagatelles (11), Op. 119 Piano Pieces (4), WoO 59-61a Bagatelle in C major, Hess 57 Bagatelles (6), Op. 126 |
On this new disc, Ronald Brautigam now embarks on the second leg of his traversal of Beethoven’s complete music for solo piano. In this volume he gives us the complete Bagatelles, and includes not only the three sets published during Beethoven’s life time, but also thirteen further pieces composed throughout Beethoven’s career, between 1795 and 1825. Among Beethoven’s Bagatelles – whether official or unofficial ones – are pieces that may originally have been intended as movements of piano sonatas, as well as pieces of an extreme brevity, such as the 11 seconds long Allegramente, No. 10 of Elf Neue Bagatellen, Op.119. Previous volumes in this cycle have been highly praised by reviewers around the world: performances of the Waldstein and Appassionata Sonatas (BISSACD1573) which were described by Gramophone as ‘stunning … technically breathtaking, stylistically astute, emotionally intense and musically alive in every moment’ “Brautigam plays a copy of a c.1805 Walter & Sohn fortepiano for the 15 works composed between 1795 and 1804, and a copy of a c.1819 Conrad Graf for the remainder. Only the sharpest of ears will be able to tell the difference in a blind hearing, but the Dutch pianist's total control of both is quite remarkable to the extent that the character and colour of other well-known 'complete' cycles on modern instruments seem pallid by comparison.” Classic FM Magazine, October 2011 ***** “Brautigam explores the music with acuity and if, predictably, the fast dramatic Bagatelles bring out the best in him, his nurturing of the wayward C major WoO56 turns a miniature into something surprisingly big...there's far more than unmatched completeness going to Brautigam's new set.” BBC Music Magazine, October 2011 **** “this is a terrific addition to Brautigam's cycle and is recommended to anyone who thinks fortepianos are the poor relations of the modern Steinway. I defy you not to be won over.” Gramophone Magazine, Awards Issue 2011 | | | (also available to download from $11.00) | In stock - usually despatched within 1 working day. |
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| |  | Beethoven - Variations & Bagatelles
Beethoven: | Variations (6) for Piano on an Original Theme in F major, Op. 34 Bagatelles (7), Op. 33 Rondo in C major, Op. 51 No. 1 Rondo in G major, Op. 51 No. 2 Rondo in C major, WoO 48 Rondo in A major, WoO 49 Polonaise in C major, Op. 89 Minuets (6), WoO 10 Andante Favori in F, Wo057 Variations (9) on a March by Dressler, WoO 63 Variations (24) on Righini's Arietta 'Venni amore,' WoO 65 Variations (12) on the 'Menuet à la Vigano' by Haibel, WoO 68 Variations (6) in G major on the duet 'Nel cor più non mi sento' from the opera La Molinara by Giovanni Paisiello, WoO 70 Variations (6) in F major on a Swiss Song, WoO 64 Bagatelles (11), Op. 119 Bagatelle in C minor, WoO52 Bagatelle in C major, WoO56 |
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| |  | Beethoven: Bagatelles And Dances, Vol. 1
“The charming assortment of dances and Bagatelles on this disc puts the more famous work into a fine musical perspective” Classics Today | | | (also available to download from $6.25) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| | .jpg) | Beethoven: Piano Sonatas Volume 1
Beethoven: | Piano Sonata No. 1 in F minor, Op. 2 No. 1 Piano Sonata No. 2 in A major, Op. 2 No. 2 Piano Sonata No. 3 in C major, Op. 2 No. 3 Piano Sonata No. 4 in E flat major, Op. 7 Piano Sonata No. 5 in C minor, Op. 10 No. 1 Piano Sonata No. 6 in F major, Op. 10 No. 2 Piano Sonata No. 7 in D major, Op. 10 No. 3 Piano Sonata No. 8 in C minor, Op. 13 'Pathetique' Piano Sonata No. 9 in E major, Op. 14 No. 1 Piano Sonata No. 10 in G major, Op. 14 No. 2 Bagatelle in C minor, WoO52 |
To run parallel with his complete Haydn series, Jean-Efflam Bavouzet is now starting a complete, chronological cycle of Beethoven’s piano sonatas. This first set covers the sonatas composed in the 1790s. Two further volumes, of middle and late sonatas, will follow in 2013 and 2014 respectively. Each volume in the series will be available as 3 CDs for the price of 2. In a recent cover feature in International Piano, Michael Church spoke with the pianist about the new project and reported: ‘For Bavouzet, the particular pleasure of coming to Beethoven after Haydn lies in the fact that although their basic harmonic language is roughly the same, in Beethoven’s scores the dynamics are clearly indicated, especially where they seem completely independent of the music’s so-called natural harmonic tensions.’ Bavouzet added: ‘The accents are in exactly the wrong place, and that’s what creates his music’s excitement. I am so happy to have these two streams of my work running side by side for the next few years.’ This recording covers the sonatas from Opus 2 to Opus 14, and includes a novelty: two different versions of Op. 10 No. 1. In the words of Bavouzet: ‘Professor William Drabkin has reconstructed for me the development section of the third movement. It’s based on Beethoven’s sketches, which had just one line, one voice, but all the bars are full, so we have the exact length, and the line is not always the top line. This makes us realise how he arrived at the concept of his three-movement sonatas, for this was not originally supposed to be in three movements, but four… I will also record the longer development, and the extra movement, so that people can see how he reduced and concentrated the work from four movements to three. I must stress that this is surmise, but it is very well thought through.’ “Bavouzet’s fingers, precise in touch, sometimes witty and mischievous, make Haydn’s heritage clearly audible...Bavouzet’s playfulness is especially valuable...But Bavouzet equally connects with the music’s soul, sculpting the Pathétique’s grave opening chords to ensure they cast a long shadow” The Times, 25th May 2012 **** “This is one of the biggest discoveries I have come across in years...Bavouzet’s Beethoven...is consistently engaging in its imaginative scope, stylistic freedom and technical fearlessness...The only question now is: after such an outstanding start to his complete cycle, how can Bavouzet maintain this sense of discovery – and how long must we wait for the next instalment?” Financial Times, 26th May 2012 ***** “Bavouzet's performances are distinguished and virtuosic, but he does overemphasise the storminess of some passages, the results sounding perilously close to self-parody...But Bavouzet is quite marvellous in the many quirky, violent and mischievous movements, and in the slow movements where he does not seek to be intensely expressive...so all told this is a most desirable set overall.” BBC Music Magazine, July 2012 **** “Throughout these discs, Bavouzet enhances his interpretations with pianism of a virtuosity familiar from his earlier recordings...with sound as clear and realistic as one previous Chandos releases...On the basis of this first instalment, he has much to say about this music that is relevant and necessary: one can only look forward to the continuation of this cycle.” International Record Review, June 2012 “Muted beginnings from Jean-Efflam Bavouzet...Make no mistake, his playing is immaculate. Yet in a number of sonatas his is, mostly, an immaculate presentation of their structural logic...The tide with Op. 10. Excellent pianism now gets bedded into genuine interpretation. Bavouzet jettisons fastidious reserve for a personal perspicacity that reaches deep into the music...Bavouzet when performing at his finest is the thing here.” Gramophone Magazine, August 2012 | | | (also available to download from $26.50) | In stock - usually despatched within 1 working day. |
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