Browse: Beethoven - Triple Concerto for Piano, Violin, and Cello in C major, Op. 56

There’s no question of a timid approach, and the clean timbre of the period instruments is echoed by the soloists, entering one by one. Especially fetching is the empathy between Faust and Queyras,... — BBC Music Magazine, May 2021, 5 out of 5 stars More…

From the orchestral overture of the first concerto, the Wiener KammerOrchester capture the attention with their dynamism and spirit. The piano itself responds with engaged playing, brilliant... — Diapason, April 2017, 5 out of 5 stars More…

Vogt and the Tetzlaff siblings approach the Allegro [of the Triple] with warmth and a bristling energy…The crucial opening [of the C minor Concerto] just misses utter serenity here, but a devilish... — BBC Music Magazine, January 2018, 4 out of 5 stars More…

Of the soloists, it’s the cello that has the lion’s share, and Anne Gastinel makes the most of the part on this new recording. Her playing has a warmth and eloquence that made me think back to... — BBC Music Magazine, July 2018, 4 out of 5 stars More…

The Triple Concerto’s orchestral opening sets the standard, with every player palpably involved, and with Barenboim making every phrase and inner line come alive while not getting in the way... — BBC Music Magazine, July 2020, 5 out of 5 stars (Performance) / 4 out of 5 stars (Recording) More…

Pires plays with the lightness, clarity and impeccable phrasing that have made her career...Haitink keeps the orchestra firmly in classical territory, helped by reduced instrumentation. Pires... — The Wholenote, April 2019 More…

Fine performances of two of Beethoven's seriously undervalued works. — BBC Music Magazine, August 2009 More…