All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Vienna Octet play Mozart, Beethoven & M. Haydn
Recording location: Sofiensaal, Vienna, Austria, October 1956 (KV 498, 452), June 1957 (Beethoven), September 1962 (M. Haydn), October 1963 (KV 581), October 1964 (KV 99) This recording forms part of a series of 10 reissues celebrating the glorious Decca recordings from the 1950s-1970s of the Wiener Oktett (Vienna Octet), made up of key principals from the Wiener Philharmoniker and the Vienna Symphony Orchestra. Five titles were released in September and the remaining five are released this month. Receiving their first international release on CD are the Mozart Clarinet Trio, his Cassation (written when the composer was a mere thirteen!), and the piano-and-wind Quintets of Mozart and Beethoven. The ‘soloists’ within the chamber ensemble – if, as such, one might identify them – are one of the Vienna Octet’s founders, Alfred Boskovsky, and the Octet’s ‘house’ pianist, Walter Panhofer. The mellow writing for the clarinet in both the Mozart Quintets was inspired by the playing of Anton Stadler. This anthology is also unique in that it affords us the only recording on which Willi Boskovsky played the viola – in the ‘Kegelstatt’ Trio. Concluding this anthology is the delightful G major Divertimento by Michael Haydn (Joseph’s younger brother). Found in the British Museum and edited by the Vienna Octet’s bassist, it was often used by the group as a concert opener. “Boskovsky's warm-toned clarinet is a joy in Mozart's Quintet” BBC Music Magazine, January 2011 **** “the music is entirely winning” Gramophone Magazine (Mozart Cassation) “the performance of these Vienna players is superlative” Gramophone Magazine (Mozart Quintet) | | | In stock - usually despatched within 1 working day. |
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| |  | Mozart & Beethoven - Quintets for Piano & Winds
On this disc one of the world’s finest pianists encounters one of the world’s greatest wind quintets, performing two very special works: Mozart’s and Beethoven’s quintets for piano and winds. The unusual scoring has led these works to be performed less often than they deserve: indeed, in 1784 Mozart wrote about his work to his father Leopold stating ‘I myself consider it to be the best thing I have ever written’. Twelve years later, Beethoven composed his Quintet, which he also arranged for the standard piano quartet combination. Beethoven must have been familiar with Mozart’s work: the choice of the same key and the same formal structure (down to small details) cannot be purely coincidental. “The combination of Stephen Hough and wind players from the BPO makes for sparkling performances of these two quintets… It is noticeable that the Berlin horn is less plummy than the Viennese, and in the slow movement of the Mozart Hough and his partners take a lighter view than their rivals, highlighting the tenderness. Hough and the Berliners also bring out the stylistic contrasts between Mozart and the youthful Beethoven, who expressly adopted the layout of the Mozart Quintet.” Gramophone Magazine, July 2007 | | | (also available to download from $10.50) | In stock - usually despatched within 1 working day. |
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| |  | Beethoven: Quintet for Piano & Winds
| | | In stock - usually despatched within 1 working day. |
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| |  | Beethoven & Mozart: Quintets for Piano and Wind
“There have never been any doubts about these performances. The horn playing in the Sinfoniaconcertante is unsurpassable and in the quintets Gieseking's lightness and his clarity and sense of style is simply beyond praise. The tempos are on the slow side in the first movement of the Mozart and the finale of the Beethoven but somehow with Gieseking, slow tempos have a way of seeming to be just about right. Richard Osborne's excellent notes quote a letter from Sidney Sutcliffe of touching modesty. Speaking of their run-through of the Mozart, he says, 'On reaching the Allegro moderato, the great man played two bars at an absolutely perfect tempo and then stopped and asked in the most gentle and hesitant manner, “Will that be all right for you?” So it was a most happy occasion although I found it a grave responsibility matching the artistry of my colleagues when Bernard [Walton], Cecil [James] and Dennis [Brain] were producing sounds of breath-taking beauty.' Breathtaking is the right word for all concerned here on one of the great chamber music records of the LP era. Considerable pains have been taken with the transfers, which now sound fresh and full bodied. Thoroughly recommended.” Gramophone Classical Music Guide, 2010 | | | In stock - usually despatched within 1 working day. |
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| |  | Quintets for Piano and Winds
| | | In stock - usually despatched within 1 working day. |
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| |  | Baby needs Beethoven
Beethoven: | Für Elise (Bagatelle in A minor, WoO59) Symphony No. 6 in F major, Op. 68 'Pastoral' Septet in E flat major, Op. 20 - Tempo di Menuetto; Scherzo Bagatelles (11), Op. 119: No. 1 in G minor Quintet in E flat major for piano and winds, Op.16 Symphony No. 1 in C Major, Op. 21 - Andante cantabile con moto String Quartet No. 3 in D major, Op. 18 No. 3 - Andante con moto Bagatelles (11), Op. 119: No. 2 in C major Bagatelles (11), Op. 119: No. 3 in D major Bagatelles (11), Op. 119: No. 4 in A major Bagatelles (11), Op. 119: No. 9 in A minor Bagatelles (11), Op. 119: No. 11 in B flat major |
“'Baby Needs Beethoven' is one thoughtful, non-trivial collection among many in this series, offering infants and toddlers - not to mention mums and dads - a gentle but varied "musical bridge between play time and quiet time".” MusicWeb International, August 2012 | | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | R. Strauss: Horn Concertos Nos. 1 & 2and Beethoven: Piano Quintet in E flat major
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| |  | Beethoven & Mozart: Quintets for Piano and Wind Instruments
Ramón Ortega Quero (oboe), David Fernández Alonso (horn), Marc Trénel (bassoon), Sebastian Manz (clarinet) & Herbert Schuch (piano) The Wind Piano Quintet featured here is an exceptional group of talented young wind players which performs with pianist Herbert Schuch. All are winners of first prizes at the ARD International Music Competition in Munich. | | | Usually despatched in 2 - 3 working days. |
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| |  | Beethoven & Mozart - Quintets for Piano & Wind Instruments
Ensemble Wien-Berlin: Hansjörg Schellenberg (oboe), Günter Högner (horn), Karl Leistner (clarinet), Milan Turkovic (bassoon) & James Levine (piano) Recorded at Schloss Hellbrunn, Salzburg, 1986 Directed by Jean-Pierre Ponnelle • Produced by Horant H. Hohlfeld Made up of wind soloists from the Berlin and Vienna Philharmonics, the Ensemble Wien-Berlin performs two of the greatest of all chamber works in the aesthetically apt surroundings of Hellbrunn Palace, near Salzburg. The pianist is James Levine. The bonus material on this DVD features an entertaining and informative portrait of this altogether magnificent ensemble. Bonus Film: ‘We have a lot of fun’ excerpts from LIGETI Six Bagatelles ; BERIO Opus Number Zoo; MOZART Adagio and Allegro K594 & FRANCAIX Wind Quintet No.1 TV Format NTSC 4:3 Sound PCM Stereo Dolby Digital 5.1 • DTS 5.1 anguages: Eng, Ger, Region Code 0 (worldwide) Running Time 56 mins (Performance) 47 mins (Bonus) “Fine as the Mozart performance is, the Beethoven is even more memorable because of the unforgettably beautiful playing of James Levine, especially in the slow movement, which is presented with Elysian delicacy. In all other respects this is a treasurable performance, splendidly played and recorded, and most realistically videoed.” Penguin Guide, 2011 edition | | | Usually despatched in 2 - 3 working days. |
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| |  | Mozart, Beethoven, Witt: Piano and Wind Quintets
Anton Kuerti (piano), James Campbell (clarinet), James McKay (bassoon), James Sommerville (horn), James Mason (oboe) | |
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