Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Schubert Lieder Volume 5: Nacht und Träume
Schubert: | Nacht und Träume, D827 Der blinde Knabe D833 Hoffnung, D637 Totengräberweiss D869 (Schlechta) Tiefes Lied D876 Greisengesang, D778 Totengräbers Heimwehe D842 (Craigher) An den Mond, D193 Die Mainacht, D194 An Sylvia, D891 Ständchen 'Horch! Horch! die Lerch!', D889 Der Schafer und der Reiter D517 (Fouque) Die Sommernacht, D289 (Klopstock) Erntelied D434 (Holty) Herbstlied D502 (Salis-Seewis) Der liebliche Stern, D861 (Schulze) An die Geliebte, D303 |
The fifth exquisite Schubert Lieder recording for harmonia mundi from German baritone Matthias Goerne, a protégé of Dietrich Fischer-Dieskau. ‘Matthias Goerne is fast becoming the Fischer-Dieskau auf his generation, the standard-setting singer of the central lieder repertoire.’ (International Record Review). ‘In such repertoire Goerne’s mellow, darkly rounded timbre, expressive diction and care for a true, “bound” line are well nigh ideal.’ (Gramophone). ‘Even the lesser Schubert Lieder become gems from Goerne’s velvet baritone.’ (The Times). “his velvet baritone and faultless breath control [are perfectly suited] to the evocation of enveloping physical and existential darkness, and the light of the moon...Goerne compellingly exploits his bass register for the gravedigger's desperation and fear in Totengräbers Heimweh, and vividly characterises the dichotomy between pastoral and military life in Der Schäfer und der Reiter.” BBC Music Magazine, February 2011 **** “From the first bars of Nacht und Träume it is clear that we are in the presence of two artists in deep sympathy both with the music and with each other...This is a lovely recital, Goerne's intelligence, grace and lack of ostentation giving each song its due, with admirable support from Schmalcz.” International Record Review, January 2011 “This is a selection of Schubert’s lieder, sung by Matthias Goerne with exquisite artistry.” The Telegraph, 18th February 2011 **** | | | In stock - usually despatched within 1 working day. |
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| |  | Schubert: Darkness or LightSelected Schubert Lieder
Schubert: | Der Strom, D565 (poet unknown) Auf der Donau, D553 (Mayrhofer) Fahrt zum Hades, D526 (Mayrhofer) Grenzen der Menschheit, D716 Der Pilgrim, D794 (Schiller) Grablied fur die Mutter D616 (poet unknown) Hoffnung, D637 Wandrers Nachtlied II 'Über allen Gipfeln ist Ruh', D768 Die Mutter Erde, D788 (Stolberg) Der Jungling und der Tod, D545 (Spaun) An den Tod D518 (Schubart) Der Tod und das Mädchen, D531 Totengräberweiss D869 (Schlechta) Totengräberlied, D44 (Hölty) Das Grab D569 (Salis-Seewis) Totengräbers Heimwehe D842 (Craigher) Litanei auf das Fest Allerseelen, D343 |
Cornelius Hauptmann (bass) & Eric Schneider (piano) | | | In stock - usually despatched within 1 working day. |
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| |  | Schubert - Schiller Lieder
Schubert: | Die Burgschaft, D246 Die vier Weltalter, D391 Gruppe aus dem Tartarus, second version, D583 (Schiller) Hektors Abscheid, D312 Dithyrambe, D801 Die Gotter Griechenlands D677 (Schiller) An den Frühling, D587 (Schiller) Der Pilgrim, D794 (Schiller) Die Entzückung an Laura, D390 Hoffnung, D637 Das Geheimnis, D250 (Schiller) Der Alpenjäger, D588 (Schiller) Der Jüngling am Bache, D30 (Schiller) Der Flüchtling, D402 (Schiller) Sehnsucht, D52 |
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| |  | Dietrich Fischer-Dieskau: Schubert & Schumann RecitalsTwo Films by Bruno Monsaingeon
Schubert: | An Schwager Kronos, D369 Hoffnung, D637 Auf der Donau, D553 (Mayrhofer) Der Strom, D565 (poet unknown) Der Wanderer, D489 Die Gotter Griechenlands D677 (Schiller) Freiwilliges Versinken D700 (Mayrhofer) Der Zwerg, D771 (Collin) Wehmut, D825 Totengräbers Heimwehe D842 (Craigher) Auf der Bruck, D853 Des Sängers Habe D832 (Schiechta) Am Fenster, D878 Fischerweise, D881 (Schlechta) Das Zugenglocklein D871 (Seidl) Der Kreuzzug D932 (Leitner) Des Fischers Liebesgluck, D933 (Leitner) Die Sterne, D939 (Leitner) Der Einsame, D800 Aus 'Heliopolis' - II D754 (Mayrhofer) Geheimes, D719 (Goethe) Im Abendrot, D799 Abschied D475 (Mayrhofer) | Schumann: | Mein Wagen rollet langsam, Op. 142 No. 4 Es leuchtet meine Liebe, Op. 127 No. 3 Abends am Strand, Op. 45 No. 3 Liederkreis, Op. 24 Dichterliebe, Op. 48 Du bist wie eine Blume, Op. 25 No. 24 Der Kontrabandiste, Op. 74 No. 10 Erstes Grün, Op. 35 No. 4 Schöne Fremde (No. 6 from Liederkreis, Op. 39) Sitz'ich allein, Op. 25, No. 1 |
SCHUBERT RECITAL (1992) SCHUMANN RECITAL (1991)
This DVD release celebrates the life of Dietrich Fischer-Dieskau, German lyric baritone and one of the most acclaimed Lieder performers of the late 20th century. Elisabeth Schwarzkopf called him ‘a born god who has it all’. He performed and recorded a great many operatic roles and dominated both the opera and concert platform for over thirty years, being regarded as one of the finest lyrical vocalists of his generation. In these two concerts from the Opera Theatre of Nuremberg, recorded in 1991 and 1992, Fischer-Dieskau performs beautiful and dramatic Lieder by Franz Schubert and Robert Schumann. 157 MINS • ALL REGIONS • NTSC 4:3 • COLOUR • L-PCM STEREO | 
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| |  | Schubert: Lieder on text by Friedrich SchillerSonder-Edition Robert Holl Vol. 8
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| |  | Volume 8 - Schiller Volume 2
Schubert: | Hektors Abscheid, D312 Amalia, D195 (Schiller) Gruppe aus dem Tartarus, second version, D583 (Schiller) Sehnsucht, D636 (Schiller) Der Pilgrim, D794 (Schiller) Ritter Toggenburg D397 (Schiller) An Emma, D113 Die vier Weltalter, D391 Hoffnung, D251 (Schiller) Sehnsucht, D52 Hoffnung, D637 Die Burgschaft, D246 Das Madchens Klage, D191 (Schiller) Das Mädchen aus der Fremde D252 (Schiller) |
Regina Jakobi (mezzo-soprano) & Ulrich Eisenlohr (piano) | | | (also available to download from $5.75) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Hermann Prey: A Life in Song
Bach, J S: | Cantata BWV82 'Ich habe genug' Siegfried Arnold (cello), Heinz Morawietz (double bass), Willy Gerlach (oboe), Hannes Kästner (organ) Gewandhaus-Orchester Leipzig, Kurt Thomas | Beethoven: | Adelaide, Op. 46 Marmotte, Op. 52 No. 7 Der Kuss, Op. 128 An die Hoffnung, Op. 94 Neue Liebe, Neues Leben, Op. 75, 2 Mephistos Flohlied, Op. 75, 3 Gerald Moore (piano) | Berlin, I: | They say it's wonderful Symphonie-Orchester Graunke, Carl Michalski | Bizet: | Votre toast je peux vous le rendre 'Toreador Song' (from Carmen) Sung in German as 'Euren Toast!...Auf inden Kampf' Ursula Schirrmacher (Frasquita), Ursula Gust (Mercedes), Christa Ludwig (Carmen) Berliner Symphoniker, Chor der Deutschen Oper Berlin, Horst Stein | Brahms: | Wach auf meins Herzens Schone, WoO posth. 35 No. 2 Erlaube mir, fein's Mädchen (No. 2 from Deutsche Volkslieder WoO 33) Feinsliebchen, du sollst mir nicht barfuß gehen (No. 12 from Deutsche Volkslieder, WoO 33) All mein Gedanken, die ich hab (No. 30 from Deutsche Volkslieder, WoO 33) Es steht ein Lind (No. 41 from Deutsche Volkslieder, WoO 33) Mein Mädel hat einen Rosenmund (No. 25 from Deutsche Volkslieder, WoO 33) Die Sonne scheint nicht mehr (No. 5 from Deutsche Volkslieder, WoO 33) Der bucklichte Fiedler (No. 1 from Sechs Lieder und Romanzen, Op. 93a) Da unten im Tale (No. 6 from Deutsche Volkslieder, WoO 33) Schöner Augen, schöne Strahlen (No. 39 from Deutsche Volkslieder) Ach, englische Schäferin (No. 8 from Deutsche Volkslieder, WoO 33) In stiller Nacht (No. 42 from Deutsche Volkslieder, WoO 33) Martin Mälzer (piano) | Flotow: | Martha: Lasst mich euch fragen (Porterlied) Bayerisches Staatsorchester, Chor der Bayerischen Staatsoper, Robert Heger | Gluck: | Che faro' senza Euridice? (from Orfeo ed Euridice) Sung in German as 'Ach, ich habe sie verloren' Berliner Symphoniker, Horst Stein | Gounod: | Avant de quitter ces lieux (from Faust) Sung in German as 'Da ich nun verlassen soll' Berliner Symphoniker, Wilhelm Schüchter | Humperdinck: | Verdorben! Gestorben! (from Königskinder) Berliner Symphoniker, Berliner Mozartchor, Horst Stein | Keiser: | Prangt die allerschönste Blume (from Der hochmüthige, gestürzte und wieder erhabene Croesus) Götter, übt Barmherzigkeit (from Der hochmüthige, gestürzte und wieder erhabene Croesus) Berliner Philharmoniker, Wilhelm Brückner-Rüggerberg | Korngold: | Mein Sehnen (from Die tote Stadt) Berliner Symphoniker, Horst Stein | Kreutzer, K: | Ein Schütz' bin ich (from Das Nachtlager von Granada) Die Nacht ist schön...Fürwahr es ist ein Abenteuer (from Das Nachtlager von Granada) Berliner Symphoniker, Chor der Deutschen Oper Berlin, Wilhelm Schüchter | Leoncavallo: | Nedda! Silvio! A quest'ora che imprudenza (from I Pagliacci) Anneliese Rothenberger (Nedda) Berliner Symphoniker, Wilhelm Schüchter | Liszt: | Es muss ein Wunderbares sein, S. 314 Ein Fichtenbaum steht einsam, S309 Ihr Auge (Rellstab) Die Vätergruft, S.281 Anfangs wollt ich fast verzagen, S311 Lasst mich ruhen Morgens steh ich auf und frage, S290 Über allen Gipfeln ist Ruh (Wandrers Nachtlied II), S.306 Der du von dem Himmel bist (Goethe), S279 Die drei Zigeuner, S.320 Blume und Duft Wer nie sein Brot mit Tränen ass, S.297 Die Fischerstochter Sonetti di Petrarca (3) for voice & piano, S270 Alexis Weissenberg (piano) | Loewe, C: | Der Schatzgräber, Op. 59 No. 30 Karl Engel (piano) Herr Oluf "Herr Oluf reitet spät und weit", Op. 2/2 Der Erlkönig, Op. 1 No. 3 (Goethe) Die wandelnde Glocke, Op. 20 No..3 Hochzeitlied, Op. 20 No. 1 Der getreue Eckart, Op. 44 No. 2 Archibald Douglas, Op. 128 Tom der Reimer "Der Reimer Thomas lag am Bach", Op. 135a Heinrich der Vogler, Op. 56 No. 1 Graf Eberstein Prinz Eugen, der edle Ritter, Op. 92 Gunther Weissenborn (piano) | Loewe, F: | My Fair Lady: On the street where you live Symphonie-Orchester Graunke, Carl Michalski | Lortzing: | Verraten! Von euch verraten!...Die Macht des Zepters (from Zar und Zimmermann) Wie freundlich strahlt...Heiterkeit und Fröhlichkeit (from Der Wildschütz) Berliner Symphoniker, Horst Stein Nun ist's vollbracht!...Schwanensang, Schwanenklang (from Undine) Radio-Sinfonie-Orchester Berlin, RIAS-Kammerchor, Robert Heger | Marschner, H A: | An jenem Tag (from Hans Heilig) Berliner Symphoniker, Wilhelm Schüchter | Millöcker: | Gasparone (highlights) Anneliese Rothenberger (Carlotta) Symphonie-Orchester Graunke, Chor des Theaters am Gärtnerplatz, München, Carl Michalski Und da soll man noch galant sein (from Der Bettelstudent) Mit Geld und guten Worten (from Der Bettelstudent) Symphonie-Orchester Graunke, Franz Allers | Mozart: | La ci darem la mano (from Don Giovanni) Sung in German as 'Reich mir die Hand, mein Leben' Erika Köth (Zerlina) Fin ch'han dal vino (from Don Giovanni) Sung in German as 'Auf denn zum Feste' Deh! vieni alla finestra (from Don Giovanni) Sung in German as 'Feinsliebchen, komm ans Fenster' Berliner Symphoniker, Hans Zanotelli Der Vogelfänger bin ich, ja (from Die Zauberflöte) Ein Mädchen oder Weibchen (from Die Zauberflöte) Berliner Symphoniker, Horst Stein Hai gia vinta la causa! (from Le nozze di Figaro) Sung in German as 'Der Prozeß schon gewonnen...Ich soll ein Glück entbehren' Berliner Symphoniker, Berislav Klobucar Donne mie la fate a tanti (from Così fan tutte) Sung in German as 'Mädchen, so treibt ihr's mit allen' Nordwestdeutsche Philharmonie, Wilhelm Schüchter | Nessler: | Möchte in die Ferne Schweifen (from Der Trompeter von Säkkingen) Trompeter von Säkkingen: Behüt dich Gott Berliner Symphoniker, Chor der Deutschen Oper Berlin, Wilhelm Schüchter | Porter, C: | So in Love Symphonie-Orchester Graunke, Carl Michalski | Reichardt, J F: | Heideröslein Karl Engel (piano) Blumengruß Karl Engel (piano) | Rodgers, R: | If I Loved You (from Carousel) Symphonie-Orchester Graunke, Carl Michalski | Rossini: | Largo al factotum (from Il barbiere di Siviglia) Sung in German as 'Ich bin das Faktotum' All'idea di quel metallo (from Il barbiere di Siviglia) Sung in German as 'Strahlt auf mich der Blitz des Goldes' Richard Holm (Almaviva) Dunque io son? (from Il Barbiere di Siviglia) Sung in German as 'Also ich, meinst du es wirklich?' Erika Köth (Rosina) Berliner Symphoniker, Wilhelm Schüchter | Schubert: | Hoffnung, D637 An den Fruhling, D283 (Schiller) Der Alpenjäger, D588 (Schiller) Sehnsucht, D52 Gruppe aus dem Tartarus, second version, D583 (Schiller) Der Pilgrim, D794 (Schiller) Der Musensohn, D764 (Goethe) Der Rattenfänger, D255 Geheimes, D719 (Goethe) Harfenspieler I D325 (Goethe) Ganymed, D544 (Goethe) Wandrers Nachtlied I 'Der du von dem Himmel bist', D224 Gerald Moore (piano) Winterreise D911 Karl Engel (piano) Tischlied, D234 Karl Engel (piano) Prometheus, D674 (Goethe) Karl Engel (piano) Der Goldschmiedsgesell, D560 Karl Engel (piano) | Schumann: | Dichterliebe, Op. 48 Karl Engel (piano) Gedichte (12) von Justinus Kerner Op. 35 Karl Engel (piano) Liederkreis, Op. 39 Karl Engel (piano) Sonntags am Rhein, op. 36 No. 1 Karl Engel (piano) | Spohr: | Ah Mignon!, Op. 41 No. 3 Karl Engel (piano) | Strauss, J, II: | Her die Hand, es mußja sein (from Der Zigeunerbaron) Als flotter Geist (from Der Zigeunerbaron) Einst träumte mir (from Fürstin Ninetta) Stadt der Liebe, Stadt der Freuden (from Casanova) In Hispaniens heißem Sonnenland (from Casanova) Symphonie-Orchester Graunke, Franz Allers | Strauss, R: | Sie woll'n mich heiraten, sagt mein Vater (from Arabella) Anneliese Rothenberger (Arabella) Symphonie-Orchester Graunk, Kurt Graunke Ach, so versuchet doch ein kleines Lied (from Ariadne auf Naxos) Sylvia Geszty (Zerbinetta) Staatskapelle Dresden, Rudolf Kempe | Suppe: | Boccaccio: excerpts Anneliese Rothenberger (Fiametta), Heinz Hoppe (Pietro), Hans Günther Grimm (Lambertuccio) ymphonie-Orchester Graunke, Carl Michalski | Tchaikovsky: | Uzhel ta samaya Tatyana (from Eugene Onegin) Sung in German as 'Ist dies denn wirklich die Tatjana?' Ya vas lyublyu 'Yeletsky’s aria' (from Pique Dame) Sung in German as 'Als deine Liebe du mir schenktest' Bayerisches Staatsorchester, Meinhard von Zallinger | Wagner: | Wie Todesahnung...O du, mein holder Abendstern (from Tannhäuser) O du, mein holder Abendstern (from Tannhäuser) Berliner Symphoniker, Horst Stein | Weber: | Die Zeit Op. 13:5 Meine Lieder, meine Sänge, J. 73 (Op. 15 No. 3) Klage ('Ein steter Kampf'), J. 63 (Op. 15 No. 2) Was zieht zu deinem Zauberkreise, J. 68 (Op. 15. No. 4) Das Röschen ('Ich sah ein Röschen am Wege steh’n'), J. 67 (Op. 15 No. 5) Er an Sie, J. 57 (Op. 15 No. 6) Meine Farben, J. 62 (Op. 23 No. 1) Liebe-Glühen, J. 140 (Op. 25 No. 1) Es stürmt auf der Flur, J. 161 (Op. 30 No. 2) Die Temperamente bei dem Verluste der Geliebten Leonard Hokanson (piano) | Zeller: | Gleich und gleich Karl Engel (piano) |
and a selection of German Folk and Wayfarer Songs
The German baritone Hermann Prey was born in Berlin in 1929. In a career that spanned some 48 years, he became one of the most popular singers of his time and formed a great bond with his audiences through his unaffected and natural style of singing and his personal charm and acting ability. His repertoire was extremely wide and encompassed all the classic German Lieder, as well as a whole range of operatic roles from the lively Figaro of both Mozart and Rossini to more serious baritone parts in Verdi and Wagner, although it is in the lighter roles that he is most affectionately remembered. He enjoyed great success in the world’s major opera houses including Vienna, Bayreuth, Salzburg, Munich, Milan and New York, and also appeared frequently on German TV and in opera films. He died in 1998. CD 1 begins with two groups of Lieder by Schubert to words by Schiller and Goethe, followed by a selection of 12 Deutsche Volkslieder by Brahms, while CD 2 contains a complete performance of Schubert’s great song cycle Winterreise. CD 3 is devoted to Schumann, including Dichterliebe and songs with words by Kerner, and CD 4 opens with Schumann’s Liederkreis before going on to a collection of songs by Weber. CD 5 presents six songs by Beethoven, starting with the popular ‘Adelaide’, and these are followed by a group of songs by Liszt, concluding with his setting of Three Sonnets by Petrarch. CD 6 begins with a group of songs by various composers all to words by Goethe that were recorded in 1974 but issued for the first time in 1998 as a tribute to Prey at the time of his death. These are followed by a very attractive selection of German Folk and Wayfarer songs that show Prey in lighter mood. In CD7 we have a group of ten descriptive ballads by Loewe including his setting of Goethe’s ‘Erlkönig’ and the traditional Scottish poem ‘Tom der Reimer’ (Tom the Rhymer). This CD ends with a magnificent performance of Bach’s Cantata Ich habe genug with the Orchestra of the Leipzig Gewandhaus conducted by Kurt Thomas that illustrates Prey ‘s talent for German liturgical music and oratorio. With CD 8 we move to opera in a wide range of repertoire from Baroque and Classical works by Keiser, Gluck and Mozart to the Romantic music of Wagner and Humperdinck. All the arias from French and Italian operas are sung in German, as was the practice in German opera houses at the time these recordings were made. CD 9 brings us to some more modern operatic items by Leoncavallo Richard Strauss and Korngold and then two powerful arias by Tchaikovsky, after which the mood lifts with extracts from the operettas Gasparone by Millöcker and Boccaccio by Suppé. Finally we have four romantic songs from American musicals that Prey sings in fine idiomatic style. On this CD we also hear Prey’s frequent partner in both opera and operetta, the much loved soprano Anneliese Rothenberger, in several duets. The final CD begins with arias from a number of German so-called ‘Spielopern’ by Kreutzer, Nessler and Lortzing before concluding in high spirits with items from operettas by those two masters of the genre, Johann Strauss II and Carl Millöcker. | | | In stock - usually despatched within 1 working day. |
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