Mahler: Ich bin der Welt abhanden gekommen (Rückert-Lieder)

“As an unashamed neo-romantic, Holten responds magnificently to a wider range of love lyrics throughout the album...In terms of pure vocal pleasure, Holten's arrangements of one of Mahler's Rückert-Lieder takes the first prize...Well worth exploring.” Gramophone Magazine, May 2013

“The performances under the composer’s own direction must surely be definitive. Certainly there need be no reservations on account of the performance standards since the Flemish Radio Choir here shows itself to be a highly accomplished and flexible ensemble. The recorded sound is very good, showing the performances in the best possible light” MusicWeb International, 2nd May 2013

“her ease and clarity of language are as impressive as her instinctive feel for the modes of expression voiced by such diverse composers as Dvorak, Ravel and Mahler...Kozena encapsulates and conveys the spectrum of moods with a wealth of understanding and apt vocal inflection...There is never any doubt...that Kozena has these songs in her heart and has the wisdom and finesse with which to convey their very essence.” Gramophone Magazine, July 2012

“Throughout the Ruckert-Lieder the diction is excellent, dramatic emphases are absolutely in place and there is, notably in 'Um Mitternacht', some superb legato singing...Dvorak's Biblical Songs are almost entirely excellent...Kozena projects the sincerity of these settings magnificently” BBC Music Magazine, October 2012 ****

“Kozena revels in [Dvorak's] inexhaustible stream of melody, while Simon Rattle’s Berliners relish his subtle orchestration...though Kozena’s French and German are not as idiomatic as her Czech, she is luminous in expressing the exoticism of Tristan Klingsor’s Shéhérazade poems, and Rückert’s celebration of the natural world.” Sunday Times, 23rd September 2012

“Singing in her native Czech, Kozená transmits a soulfulness that she rarely summons in other repertoire. It’s a question of being “inside the idiom”, and it feeds her performance of Dvorák’s Biblical Songs...The disc is worth buying for these 10 tracks alone, but Kozená also captures the exotic idiom of Ravel’s Shéhérazade” Financial Times, 27th October 2012 ****

“Dvorak’s rarely recorded “Biblical Songs” are impassioned prayers and voluptuous Psalm settings that show off Ms. Kozena’s burnished mezzo. The orchestra sounds splendid in Ravel’s “Shéhérazade”; Mahler’s “Rückert Lieder” call forth a more austere and concentrated mode of expression.” New York Times, 23rd November 2012

“[Graham's] contribution is unquestionably the highlight. She brings great depth of feeling to Liebst du um Schönheit (If you love for beauty) and Um Mitternacht (At Midnight). Indeed, I can’t think of a finer contemporary female interpreter of these songs on disc. Please, someone, record her in the other two cycles.” Sunday Times, 19th September 2010 ***

“'Um mitternacht' works best, with gleaming voice complemented by superb San Francisco clarinets and trumpets - glorious recorded perspectives, too, as ever from this source.” BBC Music Magazine, November 2010 **/***

“From the opening bars of the Wayfarer songs, Hampson demonstrates his mettle as a gifted storyteller, his warm, legato tones awash with dramatic colour. Susan Graham's mezzo brings similar tonal and dramatic light and shade to the Rückert-Lieder. The orchestra has this music just as sussed.” Classic FM Magazine, November 2010 *****

“It is unusual to hear a baritone sing "Urlicht" or indeed "Wo die schönen Trompeten blasen", but that Housman-like tale is here most sympathetically unfolded...[Hampson's] is a performance of terrific presence and power.” Gramophone Magazine, November 2010

“Christian Gerhaher has always seemed an exceptionally profound and understanding singer and he proves that with this remarkable exploration of Mahler's songs...never over-emoting but keeping a beautiful, even line afloat often on the tiniest wisps of sound.” The Observer, 13th December 2009

“Gerhaher is today’s Lieder interpreter par excellence. The German baritone’s range of colour, velvet timbre and natural intelligence recall a golden age of artistry.” Financial Times, 12th December 2009 ****

“Christian Gerhaher has always seemed an exceptionally profound and understanding singer and he proves that with this remarkable exploration of Mahler's songs...never over-emoting but keeping a beautiful, even line afloat…” The Guardian, 13th December 2009

“With every disc he makes, the German baritone Christian Gerhaher emerges more and more clearly as the true heir to the Lieder-singing legacy of Dietrich Fischer-Dieskau...Every song is explored with a perfect mixture of musical tact and illumination” The Guardian, 14th January 2010 *****

“[Gerhaher's] finest achievement to date — indeed, one of the greatest programmes of this composer’s lieder ever committed to disc...Gerold Huber is an equal partner, painting the piano parts in a rich palette of instrumental colours. For once, one hardly misses Mahler’s orchestrations. Utterly memorable.” Sunday Times, 31st January 2010 *****

“…outstandingly imaginative piano playing of Gerold Huber. He counterpoints voice and piano with the subtext within the settings, often with revelatory results. Both Gerhaher and Huber pace the Lieder eines fahrenden Gesellen perfectly, balancing the songs' emotional lights and deep shadows, their sense of wonder and of yearning. A glinting and newly honed knife-blade pierces the soul in the third song, colouring it with an Expressionist angst.” BBC Music Magazine, March 2010 *****

“Gerhaher and Huber immerse you so successfully in their interior world that you barely register the orchestra’s absence...Huber achieves pianistic miracles of colour and timing, and to call this a mature partnership barely begins to address the depth of their mutual understanding...might I humbly suggest that this could be the finest Mahler you’ll hear all year? Absolutely essential.” Andrew McGregor, bbc.co.uk, 25th March 2010