Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Maria Callas: Verdi Heroines
“Classic Callas recordings, which should be in every opera-lover’s collection. Much of the content shows the great diva at her very finest, and has you enthralled by the vividness of characterisation as well as musical imagination.” Penguin Guide | 
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| |  | Essential Verdi
Verdi: | Libiamo, ne' lieti calici (from La Traviata) È strano! è strano!...Ah! fors è lui (from La traviata) Sempre libera (from La Traviata) Noi siamo zingarelle (from La Traviata) Di Madride noi siam mattadori (from La Traviata) Teneste la promessa...Addio, del passato (from La Traviata) Caro nome (from Rigoletto) La donna è mobile (from Rigoletto) Un di, se ben rammentomi... Bella figlia dell'amore (from Rigoletto) Tacea la notte (from Il Trovatore) Anvil Chorus (from Il Trovatore) Ah sì ben mio (from Il trovatore) Di quella pira (from Il trovatore) Surta è la notte...Ernani! Ernani, involami (from Ernani) Nel dì della vittoria … Ambizioso spirto … Vieni t'affretta! … Or tutti sorgete (Lady Macbeth) Patria oppressa (from Macbeth) O figli … Ah, la paterna mano (from Macbeth) Va, pensiero (from Nabucco) Di' tu se fedele (from Un ballo in maschera) Ecco l'orrido campo … Ma dall'arido stelo divulsa (from Un ballo in maschera) Al suon del tamburo (from La Forza del Destino) Rataplan, rataplan, della gloria (from La forza del destino) Pace, pace mio Dio! (from La forza del destino) Se quel guerrier io fossi!…Celeste Aida (from Aida) Ritorna vincitor! (from Aida) Gloria all'Egitto (from Aida) O terra, addio (from Aida) Dies Irae (from Requiem) Ingemisco (from Requiem) Fuoco di gioia (from Otello) Dio, che nell'alma infondere (from Don Carlo) Spuntato ecco il di d'esultanza (from Don Carlo) O don fatale (from Don Carlo) |
The operas of Verdi today form the mainstay of the repertoire of opera houses all over the world. Some of his music has become absorbed into popular culture from being used in TV adverts and film soundtracks, as well as being performed by the most famous classical singers of the day in concerts and on records. Pieces from the same opera are grouped together, beginning with the famous drinking song from La traviata: ‘Libiamo’, followed by other popular favourites from La traviata, Rigoletto and Il trovatore, among them being the swaggering ‘La donna è mobile’ and the powerful Anvil Chorus. The first CD concludes with extracts from two earlier operas: Ernani and Macbeth, the latter providing one of Verdi’s most impressive soprano scenas in which the scheming Lady Macbeth calls on the powers of evil to assist her in murdering King Duncan. The second CD opens with the heartfelt chorus: ‘Va, pensiero’ from Nabucco, sung by the Hebrews in exile longing for their homeland. Then come more well-known arias and choruses from Verdi’s later operas like Un ballo in maschera, La forza del destino and Aida. After extracts from his moving Requiem Mass, we hear the Fire Chorus from another of Verdi’s Shakespearian settings: Otello and the programme ends with three items from what some now consider to be Verdi’s finest work, the historical drama Don Carlo. | 
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| |  | The Callas Effect (Deluxe Edition)2CD / 1DVD
Bellini: | Casta Diva (from Norma) Col sorriso d'innocenza (from Il Pirata) | Bizet: | L'amour est un oiseau rebelle 'Habanera' (from Carmen) Carreau! Pique! La mort! (from Carmen) | Catalani: | Ebben? Ne andrò lontana (from La Wally) | Delibes: | Où va la jeune Indoue? 'Bell Song' (from Lakmé) | Giordano, U: | La mamma morta (from Andrea Chénier) | Gluck: | Divinités du Styx (from Alceste) | Gounod: | Ah! Je ris de me voir (from Faust) | Mozart: | In quali eccessi ... Mi tradì quell'alma ingrate (from Don Giovanni) | Ponchielli: | Suicidio! (from La Gioconda) | Puccini: | O mio babbino caro (from Gianni Schicchi) Si, mi chiamano Mimi (from La Bohème) In questa reggia (from Turandot) Vissi d'arte (from Tosca) Un bel di vedremo (from Madama Butterfly) Senza mamma, o bimbo (from Suor Angelica) Sola, perduta, abbandonata (from Manon Lescaut) | Rossini: | Una voce poco fa (from Il barbiere di Siviglia) | Saint-Saëns: | Amour, viens aider ma faiblesse (Samson et Dalila) | Thomas, Ambroise: | Ah, pour ce soir...Je suis Titania (from Mignon) | Verdi: | Mercè, dilette amiche 'Bolero' (from I Vespri Siciliani) Caro nome (from Rigoletto) Ah, fors'è lui che l'anima (from La Traviata) La luce langue (from Macbeth) D'amor sull'ali rosee (from Il Trovatore) Surta è la notte...Ernani! Ernani, involami (from Ernani) Ritorna vincitor! (from Aida) Tu che la vanità (from Don Carlo) |
DVD 'The Callas Effect' 1. Introduction 2. Humble Beginnings 3. The New Star 4. Norma at Covent Garden 5. Records and Romance 6. La Traviata 7. Il Trovatore 8. Bringing drama to the opera stage: Tosca 9. Concerts 10. Audience Response 11. High Society and Fashion 12. Losing Voice 13. 'Sola, perduta, abbandonata' 14. The Callas Effect today 15. Conclusion
Maria Callas is the ultimate and original diva. Widely regarded as the greatest Opera singer and performer of all time whose life, voice and performances have intrigued, thrilled and inspired all others. Maria Callas 34 years after her death Maria Callas remains the definition of a diva. She is not only the world's bestselling soprano but also EMI Classic's bestselling artist of all time. Widely regarded for her intense characterisation and unique interpretations she has become a cultural icon whose music and life continues to influence today. “Her reputation, extremely high when she died, has become ever greater in the years since her death. As a personality she remains controversial, but as an artist hardly at all: her genius is recognised as supreme by virtually all opera lovers, indeed it is often from listening to her many recordings that people discover what an incredibly potent art form opera can be.” BBC Music Magazine The Music This wonderfully constructed 2CD collection of opera arias highlights Callas’s spectacular climb to fame tracking her move from innocent young woman to the tragic heroine in her later years through the opera arias she recorded. Featuring the most special and exquisitely interpreted arias of her output this collection brings together such opera favourites as O mio babbino caro, Vissi d’arte and Casta diva. Callas’s recordings have featured prominently in many critically acclaimed movies including Academy Award winner Philadelphia and Academy Award Nominated Milk Callas is the immortal diva whose music transcends time and sounds as unique and inspired today. Many noted musicians have quoted Callas as a musical influence including Linda Ronstadt, Patti Smith, Emmylou Harris, Celine Dion, Jason Mraz and Rufus Wainwright. Documentary EMI Classics has made The Callas Effect because there are powerful first-hand accounts that have not before been revealed of how and why Callas has exerted a unique and extraordinary effect – on other celebrity opera singers, on distinguished stage directors, on actors and actresses, on backstage theatre crews, on recording staff, on impresarios, on audiences who queued up for days and nights to see her, and now on young music-lovers who are captivated by her CDs and DVDs. People from all these walks of life, newly captured just for this memoir and including some who personally knew her, are the passionate witnesses of Maria Callas’s genius in The Callas Effect, which also includes extracts from her performances, recordings and interviews. “memorable artistry is evident everywhere - utterly exemplary in its musical intelligence, stirring in its interpretative eloquence. The technique dazzles in marvellously expressive trills...and everywhere, of course, the uniquely penetrating dramatic involvement.” International Record Review, January 2012 “This makes a good Callas set for beginners. It contains arias that showcase a good section of her most successful repertoire and it captures her voice at its best.Exactly when it is captured remains a mystery, however: the set’s main problem for pre-existing fans and aficionados is that, while it contains information about where and with whom each track was recorded, we are not given any dates.” MusicWeb International, January 2012 | | | In stock - usually despatched within 1 working day. |
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| |  | The Callas Effect (Experience Edition)
Bellini: | Casta Diva (from Norma) Col sorriso d'innocenza (from Il Pirata) | Bizet: | L'amour est un oiseau rebelle 'Habanera' (from Carmen) Carreau! Pique! La mort! (from Carmen) | Catalani: | Ebben? Ne andrò lontana (from La Wally) | Delibes: | Où va la jeune Indoue? 'Bell Song' (from Lakmé) | Giordano, U: | La mamma morta (from Andrea Chénier) | Gluck: | Divinités du Styx (from Alceste) | Gounod: | Ah! Je ris de me voir (from Faust) | Mozart: | In quali eccessi ... Mi tradì quell'alma ingrate (from Don Giovanni) | Ponchielli: | Suicidio! (from La Gioconda) | Puccini: | O mio babbino caro (from Gianni Schicchi) Si, mi chiamano Mimi (from La Bohème) In questa reggia (from Turandot) Vissi d'arte (from Tosca) Un bel di vedremo (from Madama Butterfly) Senza mamma, o bimbo (from Suor Angelica) Sola, perduta, abbandonata (from Manon Lescaut) | Rossini: | Una voce poco fa (from Il barbiere di Siviglia) | Saint-Saëns: | Amour, viens aider ma faiblesse (Samson et Dalila) | Thomas, Ambroise: | Ah, pour ce soir...Je suis Titania (from Mignon) | Verdi: | Mercè, dilette amiche 'Bolero' (from I Vespri Siciliani) Caro nome (from Rigoletto) Ah, fors'è lui che l'anima (from La Traviata) La luce langue (from Macbeth) D'amor sull'ali rosee (from Il Trovatore) Surta è la notte...Ernani! Ernani, involami (from Ernani) Ritorna vincitor! (from Aida) Tu che la vanità (from Don Carlo) |
This wonderfully constructed 2CD collection of opera arias highlights Callas’s spectacular climb to fame tracking her move from innocent young woman to the tragic heroine in her later years through the opera arias she recorded. Featuring the most special and exquisitely interpreted arias of her output this collection brings together such opera favourites as O mio babbino caro, Vissi d’arte and Casta diva. “memorable artistry is evident everywhere - utterly exemplary in its musical intelligence, stirring in its interpretative eloquence. The technique dazzles in marvellously expressive trills...and everywhere, of course, the uniquely penetrating dramatic involvement.” International Record Review, January 2012 | | | In stock - usually despatched within 1 working day. |
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| |  | Maria Callas Verdi Arias & Mad ScenesRecorded 1958
“This CD encapsulates the essence of Callas's genius. Recorded in 1958, the last year her voice was wholly reliable, every track is something to wonder at.” BBC Music Magazine, February 2012 ***** | | | In stock - usually despatched within 1 working day. |
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| |  | Joan Sutherland: Operatic Arias
Her legendary 1959 debut operatic recital for Decca, released on a single CD for the first time. Bonus tracks taken from the 1950s L’Oiseau Lyre Handel recording featuring the Philomusica London and Anthony Lewis. Newly re-mastered. “The classic recital of arias that staked Joan Sutherland's claim to bel canto supremacy, plus Handelian extras - still fresh, airy and heartfelt today.” BBC Music Magazine, November 2011 ***** “Earlier this year (1959) we saw performances of Lucia di Lammermoor such as dreams are made on; now in December we listen again to this record, looking like idiots, marvelling, gasping and almost weeping.... The beauty of the voice, the astonishing technical accomplishment, the brilliance of the upper range, the tenderness and poignancy of the emotions.... In some respects indeed, the record is more cherishable than ever, because the mannerisms......... have hardly begun to take hold, and much of the best of the artist is here.” Gramophone Magazine “no rave review could really exaggerate the quality of this singing...one of the finest and most dramatically thrilling displays of coloratura ever recorded...this remains one of the gramophone's greatest recital discs.” Penguin Guide, 2011 edition | | | In stock - usually despatched within 1 working day. |
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| |  | The Metropolitan Opera Centennial Gala
Beethoven: | Leonore Overture No. 3, Op. 72b | Debussy: | L'annee en vain...Cependent les soirs (from L'enfant Prodigue) Ileana Cotrubas | Donizetti: | Chi mi frena in tal momento? (from Lucia di Lammermoor) Una furtiva lagrima (from L'elisir d'amore) Nicolai Gedda | Giordano, U: | Vicino a te (from Andrea Chénier) Jose Carreras, Montserrat Caballé | Gounod: | Va! je t'ai pardonné (from Roméo et Juliette) Catherine Malfitano, Alfredo Kraus Alerte, alerte! (from Faust) Katia Ricciarelli, William Lewis, Nicolai Ghiaurov | Mascagni: | Son io! Son io la Vita! (from Iris) | Mozart: | E Susanna non vien! … Dove sono i bei momenti (from Le nozze di Figaro) Kiri Te Kanawa | Puccini: | In questa reggia (from Turandot) Eva Marton Viene la sera (from Madama Butterfly) Giuliano Ciannella, Leona Mitchell | Rossini: | La calunnia è un venticello (from Il barbiere di Siviglia) Ruggero Raimondi Bel raggio lusinghier (from Semiramide) Joan Sutherland Pria di dividerci da voi, signore (from L'italiana in Algeri) | Saint-Saëns: | Bacchanale from Samson et Dalila Linda Gelinas, Ricardo Costa Mon cœur s'ouvre à ta voix (from Samson et Dalila) Marilyn Horne | Smetana: | The Bartered Bride Overture | Strauss, R: | Mir ist die Ehre widerfahren (from Der Rosenkavalier) Marie Theres'! ... Hab mir's gelobt (from Der Rosenkavalier) | trad.: | Fjorton år tror jag visst att jag var Birgit Nilsson | Verdi: | Dio, mi potevi scagliar tutti i mali (from Otello) James McCracken Surta è la notte...Ernani! Ernani, involami (from Ernani) Anna Tomowa-Sintow Giá nella notte densa (from Otello) Plácido Domingo, Mirella Freni Donna chi sei? (from Nabucco) Renato Bruson, Grace Bumbry Teco io sto (from Un ballo in maschera) Luciano Pavarotti, Leontyne Price | Wagner: | Wie lachend sie mir Lieder singen (from Tristan und Isolde) Birgit Nilsson |
Here are the greatest moments from the “ultimate in galas” (Opera), a “roof-rattling vocal display and the kind of cheering and free-flowing, heartfelt emotion on both sides of the footlights that opera evinces more than any other art form” - New York Times The gala celebration immediately catches the attention with spectacular performances by stars such as Dame Joan Sutherland, Anna Tomowa-Sintow, Mirella Freni, Marilyn Horne, Birgit Nilsson, Luciano Pavarotti, José Carreras, Plácido Domingo, Nicolai Gedda, Alfredo Kraus and many others “The world's most famous opera singers [in] a dazzling sequence of performances” - New York Times “It's always a privilege to sing at the Met, but this is something very special. I don't think there's ever been anything this grand in the history of opera” - Luciano Pavarotti This product features an awesome roster of international star conducters: from James Levine, Leonard Bernstein and Thomas Fulton to Jeffrey Tate, Richard Bonynge 2 DVDs LIVE from the Met from October 22, 1983 | | | In stock - usually despatched within 1 working day. |
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| |  | Maria Callas - Verdi Heroines
“I love these recordings: for Callas’ command of line, of declamation, of rhythm, of dramatic and musical sense. Callas at her very finest!” Gramophone Magazine | | | In stock - usually despatched within 1 working day. |
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| |  | Essential Verdi40 of his Greatest Masterpieces
Verdi: | La donna è mobile (from Rigoletto) Va, pensiero (from Nabucco) La Forza del Destino: Sinfonia Un dì felice, eterea (from La traviata) Mercè, dilette amiche 'Bolero' (from I Vespri Siciliani) Libiamo, ne' lieti calici (from La Traviata) Di quella pira (from Il trovatore) Anvil Chorus (from Il Trovatore) Stride la vampa (from Il Trovatore) Ritorna vincitor! (from Aida) Dio, che nell'alma infondere (from Don Carlo) La traviata: Prelude to Act 1 Caro nome (from Rigoletto) O don fatale (from Don Carlo) Se quel guerrier io fossi!…Celeste Aida (from Aida) Celeste Aida (from Aida) Surta è la notte...Ernani! Ernani, involami (from Ernani) Di' tu se fedele (from Un ballo in maschera) Morrò, ma prima in grazia (from Un Ballo in Maschera) Quando le sere al placido (from Luisa Miller) Gloria all'Egitto (from Aida) Dies Irae (from Requiem) Pace, pace mio Dio! (from La forza del destino) Questa o quella (from Rigoletto) Bella figlia dell'amore (from Rigoletto) Ave Maria (from Otello) Parigi, o cara (from La Traviata) Ah, la paterna mano (from Macbeth) Squilli, echeggi la tromba (from Il Trovatore) O Carlo, ascolta (from Don Carlo) Ingemisco (from Requiem) Come in quest'ora bruna (from Simon Boccanegra) Si colmi il calice di vino eletto (from Macbeth) O patria mia (from Aida) La mia letizia infondere (from I Lombardi) Lo sguardo avea degli angeli (from I Masnadieri) Solenne in quest'ora (from La Forza del Destino) Patria oppressa (from Macbeth) Tacea la notte (from Il Trovatore) Ah sì, ch'io senta ancora … Dal più remoto esilio (from I Due Foscari) Spuntato ecco il di d'esultanza (from Don Carlo) |
Joan Sutherland, Kiri te Kanawa, Renee Fleming, Angela Gheorghiu, Montserrat Caballé, Leontyne Price, Jussi Björling, Carlo Bergonzi Orchestra of the Royal Opera House, Covent Garden, Wiener Staatsopernchor, Chicago Symphony Orchestra, Orchester der Deutschen Oper Berlin, Ambrosian Opera Chorus, Kirov Orchestra, St Petersburg, Bernard Haitink, Sir Georg Solti, Gabriele Santini, Riccardo Chailly, Richard Bonynge, Sir Colin Davis, Sir John Pritchard, Lamberto Gardelli | | | In stock - usually despatched within 1 working day. |
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| |  | Xenia Belmas
Xenia Belmas (soprano) Kitschin (Alexander) | | | In stock - usually despatched within 1 working day. |
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