Nielsen: Clarinet Concerto Op. 57 (FS129)

“…these are very fine performances, and the Quintet makes what should be the perfect coupling.” BBC Music Magazine, September 2007 ****

“Pahud’s musicianship is unassailable; and star power is star power” The Times

“Three very different but equally fluent soloists, well attuned to their orchestras, provide humane guidance through these at times thorny and always unpredictable concertos.” BBC Music Magazine, October 2005

“Those who cherish earlier versions of Neilsen's masterpiece… will know how deep this music runs and how haunting it is. The young Swedish clarinettist give what I must say is the most searching and gripping performance of all, and reveals qualities of imagination and insight that make you listen with new ears. Kalevi Aho's... 2005 concerto was written for Martin Fröst... It strikes me as one of his finest pieces, immediate in its appeal and full of compelling musical incident and a dazzling virtuosity that Fröst takes effortlessly in his stride.” BBC Music Magazine, July 2007 *****

“Kalevi Aho's Concerto starts arrestingly but without a trace of the attention-seeking that afflicts certain other clarinet concertos of recent times. There is something in Aho's five continuous movements that recalls Nielsen's directness and free-flowing succession of ideas, and the cadenza that forms the second movement even brings momentary echoes of Nielsen's uncompromising skirls and flourishes.
But the Finn's sights are set more on the starkly elemental than on the quirkily personal.
For Aho the Vivace con brio third movement is the 'centre and culmination', and it is certainly exuberant – dangerous, even – in its restless virtuosity, rather like Strauss's Till Eulenspiegel driven mad by inner demons. After this a sad slow movement brings sober reflection, and an Epilogue concludes the work on a note of mystery.
There can have been few equally impressive head-on engagements with the concerto medium in recent years.
There are eight or so modern accounts of the Nielsen Clarinet Concerto in the catalogue.
Most have fine qualities. Yet for sureness of idiomatic touch none dislodges Ib Erikson's classic 1954 Danish accounts (now available on Dutton Labs).
Closer to the mark than any modern rivals is this new issue from Martin Fröst, the clarinettist of the moment for all-round artistry allied to adventurous approach to repertoire. He seems to have Nielsen's irascible masterpiece in his bloodstream, as surely as he has its technical contortions under his fingers. Vänskä ensures that the Lahti players are never fazed by the exposed edges in the accompaniment, and only the very drawn-out final bars come across as slightly self-conscious. Detail for detail, phrase for phrase, this team takes the palm over the old Danish recording, even before considering BIS's immeasurably superior sound quality.
Even so, Erikson and Wöldike remain a benchmark for insight into the character of the piece.
In sum, a CD of rare distinction.” Gramophone Classical Music Guide, 2010

“Karin Dornbusch blends successfully the music's tempestuous, ebullient and lyrical moods into a convincing whole. Her tone is a delight and she is ably supported by the Gävle SO under their relatively new director Petri Sakari. With excellent sound, this is highly recommendable.” Gramophone Magazine, June 2006