Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Shostakovich: String Quartets Volume 3
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| |  | Shostakovich - String Quartets Nos. 11, 13 & 15
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| |  | Shostakovich: Complete String Quartets Volume 5
With Vol.V the Mandelring Quartet completes the fifteen string quartets of Shostakovich. Highly praised in the press as one of the outstanding complete editions of our time, the last volume presents the Quartets Nos. 11, 13 and 15. The Eleventh Quartet received its premiere in the former Leningrad at the preliminary celebrations of the composer's 60th birthday. During the very same night, the composer suffered a serious heart attack which changed his life and way of thinking. This 1966 quartet was dedicated to the late violinist of the Beethoven Quartet, an ensemble with which the composer was intimately acquainted, appears as a multi-movement suite in which character pieces such as the "Etude" and the "Humoresque" turn up - with a grim, cynical humour, of course.The 13th Quartet composed in 1970 is dedicated to the violist of the Beethoven Quartet and is a portrait, in a single monumental movement, of this instrument that Shostakovich loved so much. In the final, 15th Quartet (1974), the composer finally seizes upon a radical formal solution: six Adagio movements come together to form a large work of mourning which bears no more dedication… With Shostakovich's fifteen string quartets the Mandelring Quartet presents a quartet cycle, which in its entirety probably represents the most important corpus of string quartets of the 20th century. "This is uncanny playing and it has been recorded with uncanny clarity and presence by Audite's engineers… the Shostakovich cycle of choice." International Record Review | | | Usually despatched in 3 - 4 working days. |
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| |  | Shostakovich - String Quartets Nos.11-13
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| |  | Shostakovich - Complete String Quartets Volume 3
| | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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“Intonation is impeccable, their ensemble generally flawless, and both individually and collectively they produce an attractive sound.” Fanfare | | | (also available to download from $6.00) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Shostakovich: String Quartets Nos. 1-13
Shostakovich: | String Quartet No. 1 in C Major, Op. 49 String Quartet No. 3 in F major, Op. 73 String Quartet No. 12 in D flat major, Op. 133 String Quartet No. 4 in D major, Op. 83 String Quartet No. 5 in B flat major, Op. 92 String Quartet No. 6 in G major, Op. 101 String Quartet No. 7 in F sharp minor, Op. 108 String Quartet No. 8 in C minor, Op. 110 String Quartet No. 9 in E flat major, Op. 117 String Quartet No. 11 in F minor, Op. 122 String Quartet No. 2 in A major, Op. 68 String Quartet No. 10 in A flat major, Op. 118 String Quartet No. 13 in B flat minor, Op. 138 |
Original Borodin String Quartet - Rostislav Dubinsky, Yaroslav Alexandrov (violins), Dimitry Shebalin (viola), Valentin Berlinsky (cello) | | | (also available to download from $16.25) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Edition Lockenhaus (Box Set)
Gidon Kremer, with Julius Berger, Eduard Brunner, Khatia Buniatishvili, Gérard Caussé, Thomas Demenga, David Geringas, Irena Grafenauer, Hagen Quartet, Philip Hirschhorn, Heinz Holliger, Kim Kashkashian, Aloys Kontarsky, Robert Levin, Oleg Maisenberg, Boris Pergamenschikov, Alexander Rabinovich, James Tocco, Thomas Zehetmair & Tabea Zimmermann To coincide with the 30th anniversary of Gidon Kremer’s Lockenhaus Chamber Music Festival in Austria, ECM releases a 5-CD box set of recordings from 1981-2008. Out-of-print material reappears here, joined by never-before-released recordings of Richard Strauss (conducted by Simon Rattle) and Messiaen. Edition Lockenhaus is the first New Series release in ECM’s Old & New Masters range, produced as specially-priced limited edition, with 60-page booklet. It includes recordings from 1981, 1982, 1984, 1985, and 1986 – previously issued as Edition Lockenhaus Volumes 1/2 and 4/5 (ECM 1304/05 and 1347/48). These have been long unavailable on CD and LP, and are eagerly sought-after by Kremer aficionados. Lockenhaus has been, above all, a young musicians’ festival and some of the very greatest have appeared there, alongside Gidon Kremer, early in their careers – including players strongly associated with ECM: Kim Kashkashian, Thomas Zehetmair, Thomas Demenga, Robert Levin, Heinz Holliger and more. The edition opens with unreleased recordings – from 2001 and 2008 – with Sir Simon Rattle and Roman Kofman conducting Kremerata Baltica in revelatory performances of Richard Strauss’s Metamorphosen and Olivier Messiaen’s Trois petites Liturgies de la Présence Divine. The committed interpretations convey the spirit of Lockenhaus. (Kremer himself has described Rattle’s conducting of Richard Strauss’s music as “unforgettable”). Discs two to five focus on music by César Franck, André Caplet, Francis Poulenc, Leos Janácek, Igor Stravinsky, Dmitri Shostakovich and Erwin Schulhoff. | | | (Sorry, download not available in your country) | In stock - usually despatched within 1 working day. |
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| |  | Shostakovich: Complete String Quartets
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| |  | Shostakovich - The String Quartets
“The Emersons have played Shostakovich all over the world, and this long- pondered intégrale sets the seal on a process that has brought the quartets to the very centre of the repertoire – the ensemble's and ours. While some listeners will miss the intangible element of emotional specificity and sheer Russianness that once lurked behind the notes, the playing is undeniably committed in its coolness, exposing nerve endings with cruel clarity. The hard, diamond-like timbre of the two violins (the leader's role is shared democratically) is far removed from the breadth of tone one might associate with a David Oistrakh, just as cellist David Finckel is no Rostropovich. But these recordings reveal surprising new facets of a body of work that isn't going to stand still. The Fourth Quartet is a case in point, more delicate than most rivals with the finale relatively pressed, less insistently Jewish. The Fifth sometimes seems closer to Ustvolskaya or American minimalism than the mid-century Soviet symphonic utterance we're used to; the Emerson's almost hectoring mode of address and unfluctuating tempo are maintained for as long as (in)humanly possible. The very vehemence of, say, the finale of the Ninth tends to blunt the harmonic sense of the music, leaving something more visceral and rosiny than the argument can stand. To get the unique feel of this set, sample one of the encore pieces, the 'Polka' from TheAge of Gold. Little humanity and wit, but can you resist the explosive brilliance of the technique? DG's recording is exceptionally vivid if somewhat airless, the separation of the instruments being achieved at the expense of tonal blend. Given that all the quartets were taped live with only remedial patching, the audience is commendably silent: their enthusiastic applause is retained for Nos 1, 2, 9 and 12 only. This is a Shostakovich cycle for the 21st century.” Gramophone Classical Music Guide, 2010 | | | (Sorry, download not available in your country) | In stock - usually despatched within 1 working day. |
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