Sibelius: En slända, Op. 17, No. 5

This page lists all recordings of En slända, Op. 17, No. 5, by Jean Sibelius (1865-1957) on CD, SACD & download (MP3 & FLAC).

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Critics Disc of the Year
December 2006

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Till Solveig...

Till Solveig...


Debussy:

Trois chansons de Bilitis

Apparition - song (1884)

Beau Soir

Grieg:

Zur Rosenzeit (No. 5 from Seks Sange, Op. 48)

Jeg Elsker Deg, Op. 41 No. 3

Seks Sange, Op. 48 No. 6 'Ein Traum'

En svane (No. 2 from Seks Digte af Henrik Ibsen, Op. 25)

Hjertets Melodier af H. C.Andersen, Op. 5 No. 1 'To brune Øjne'

Peer Gynt: Solveig's Song

Haugtussa, Op. 67 No. 6 'Killingdans'

Med en vandlije, Op. 25 No. 4

Rangström:

Pan

Sibelius:

Se'n har jag ej frågat mera, Op. 17 No. 1 (Text: J.L. Runeberg)

Marssnön (Wecksell)

Men min fågel märks dock icke, Op. 36, No. 2

Svarta rosor, Op. 36 No. 1 (Ernst Josephson)

En slända, Op. 17, No. 5

Flickan kom från sin älsklings möte, Op. 37, No. 5


Karen Vourc'h (soprano) & Susan Manoff (piano)

“In the works by Grieg, we wanted there to be unity in the language. So To brune ojne and Jeg elsker dig, by the Danish poet Andersen, are sung in Norwegian. The songs of Op. 48, settings of various German poems, were translated by the poet Nordahl Rolfsen, who was a close friend of Grieg’s. And I have chosen to sing his translations of the two German poems, by Goethe and von Bodenstedt: En drøm (Ein Traum) and I rosentiden (Zur Rosenzeit). They are usually sung in German. In Grieg there is no tragedy, but instead a gentle Nordic melancholy.

In Sibelius, on the other hand, nature is brutal and love is passionate. Never has the personification of nature been as present as it is in these songs. Here, everything evokes the end of winter and the gushing waters of spring (Marssno, Men min fagel), betrayal (Se n har jag, Flickan kom ifran), despair and weariness with life, conveyed by the image of a rose tree growing in the heart (Svarta rosor); I thought it was interesting to include the song En slanda, in which the music, rather than the poem itself, evokes a dragonfly, symbolising the pleasures of life which come to distract the mind of a person who is lost in thought. The idea of completing this recording with Debussy’s very sensual evocations of amorous desire expressed in the three Chansons de Bilitis came quite naturally. Apparition is for me one of Mallarmé’s finest poems, and in his setting Debussy conveys perfectly the ecstatic yet unsettling feelings caused by love at first sight.

We chose to end this recording with Beau Soir. This infinitely gentle song invites us to contemplate nature and the natural cycle of water and of human life.” Karen Vourc’h

Karen Vourc’h studies with Christa Ludwig. In 2010, she will be Annina in Menotti's Saint of Bleeker Street at the Opéra de Marseille, Musetta at the Opéra de Monaco, Mélisande at the Opéra Comique, conducted by Sir John Eliot Gardiner, and Vincenette (Mireille) at the Chorégies d' Orange. In March she shared the rôle of Emilie in Kaia Saariaho’s new opera, with Karita Mattila, to good reviews.

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Live in Helsinki & Sibelius Songs

Live in Helsinki & Sibelius Songs

Contains ODE9682 and ODE8562


Dvorak:

Mesícku na nebi hlubokém 'Song to the Moon' (from Rusalka)

Gershwin:

Summertime (from Porgy and Bess)

Holländer:

Ich bin von Kopf bis Fuss auf Liebe eingestellt (text: Friedrich Holländer)

Madetoja:

Luulit, ma katselin sua ... Op. 68 No. 3 (You Thought I was Watching You ...) (Text: L. Onerva)

Merikanto, O:

Miksi laulan

Puccini:

Vissi d'arte (from Tosca)

Sibelius:

Flickan kom från sin älsklings möte, Op. 37, No. 5

Illalle, Op. 17 No. 6 (Forsman-Koskimies)

Var det en dröm? Op. 37 No. 4 (J.J. Wecksell)

Demanten på marssnön, Op. 36 No. 6 (Wecksell)

Fågellek, Op. 17, No. 3

Lastu lainehilla, Op. 17, No. 7

Souda, souda, sinisorsa (Swim, duck, swim) (A.V. Forsman-Koskimies)

Våren flyktar hastigt, Op. 13 No. 4 (Text: Runeberg)

Den första kyssen, Op. 37 No. 1 (Text: J.L. Runeberg)

Men min fågel märks dock icke, Op. 36, No. 2

Flickan kom från sin älsklings möte, Op. 37, No. 5

Arioso, Op. 3 (Text: J.L. Runeberg)

Fåfäng önskan, Op. 61, No. 7

Six Songs, Op. 88 'Flower Songs'

Norden, Op. 90 No. 1 (Runeberg)

Kaiutar, Op. 72, No. 4

En slända, Op. 17, No. 5

Svarta rosor, Op. 36 No. 1 (Ernst Josephson)

Maj, Op. 57, No. 4

Jubal, Op. 35, No. 1

Ilmo Ranta (piano)

Siegel, R:

Ich hab' noch einen Koffer in Berlin

Strauss, J, II:

Ich lade gern mir Gäste ein (from Die Fledermaus)

Mein Herr Marquis (from Die Fledermaus)

Klänge der Heimat (from Die Fledermaus)

Styne:

Diamonds Are a Girl's Best Friend

Verdi:

Ritorna vincitor! (from Aida)

Pace, pace mio Dio! (from La forza del destino)

Wagner:

Dich, teure Halle (from Tannhauser)


Karita Mattila (soprano)

Finnish Radio Symphony Orchestra, Jutta-Pekke Saraste

On the occasion of its 25th anniversary in 2010, Ondine releases a series of five twofers, containing best-selling titles from the back catalogue.

The focus is on five of Ondine’s star artists: sopranos Soile Isokoski and Karita Mattila, baritone Jorman Hynninen, violinist Pella Kuusisto and clarinettist Kari Kriikku.

These releases are specially priced (2 CDs for the price of 1) and are limited edition, running through 2010 only.

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Sibelius - Orchestral Songs

Sibelius - Orchestral Songs


Sibelius:

Kaiutar, Op. 72, No. 4

Luonnotar, Op. 70 (Text: Kalevala)

Men min fågel märks dock icke, Op. 36, No. 2

Säf, säf, susa, Op. 36 No. 4 (Text: Gustav Fröding)

Våren flyktar hastigt, Op. 13 No. 4 (Text: Runeberg)

Under strandens granar (Under the fir-trees) Op. 13 No. 1 (Runeberg)

Den första kyssen, Op. 37 No. 1 (Text: J.L. Runeberg)

Soluppgång, Op. 37 No. 3 (Text: Tor Hedberg)

Var det en dröm? Op. 37 No. 4 (J.J. Wecksell)

Höstkväll, Op. 38:1 (Text: Viktor Rydberg)

På verandan på vid havet, Op. 38 No. 2 (Viktor Runeberg)

Arioso, Op. 3 (Text: J.L. Runeberg)

Lastu lainehilla, Op. 17, No. 7

Souda, souda, sinisorsa (Swim, duck, swim) (A.V. Forsman-Koskimies)

Se'n har jag ej frågat mera, Op. 17 No. 1 (Text: J.L. Runeberg)

En slända, Op. 17, No. 5

Hertig Magnus, Op. 57 No. 6


"A thrilling performance of Luonnotar in which Isokoski’s sonorous soprano is matched by atmospheric playing from the Finnish orchestra. The rest of the disc makes you wonder why Sibelius’s orchestral songs occupy one of the most unjustly neglected corners of his output." Erik Levi BBC Music Magazine

“Soile Isokoski's voice has matured into a powerful instrument without losing its distinctively plangent expressiveness and intense way with words… Segerstam… provides spacious yet vividly dramatic support, with superb orchestral playing.” BBC Music Magazine, July 2006 *****

“Sibelius wrote his songs originally for voice and piano and in that form they are most often recorded. Some he later orchestrated, while others were arranged by Jussi Jalas (his son-in-law), Ernest Pingourd, Ivan Hellman and Nils-Eric Forgstadt. All produce good results and none of the songs appear over-dressed. On the contrary, they are, as it were, fulfilled: orchestral textures are so strongly implicit that the full range of instruments brings out their coloration and renders them complete.
Soile Isokoski has recorded a number of the songs previously with piano, part of a fine recital on Finlandia in 1989, which was about the time we first learned of the radiant Finnish soprano who five or six years later would receive the international acclaim she deserved…”
Gramophone Classical Music Guide, 2010

“The voice… lovely, firm and ample in range. Above all, she has a rare command of the legato style which makes her singing a delight to the ears… the recital always gives pleasure, and the challenge of Luonnotar itself is joyfully met. The orchestra play with full appreciation of the richly coloured scores, and since Flagstad in the 1950s there have been few recordings which provide these genuinely enhancing accompaniments as an alternative to the piano.” Gramophone Magazine, July 2006

CD Review

Critics Disc of the Year - December 2006

BBC Music Magazine Awards 2007

Disc of the Year & Vocal Award Winner

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Sibelius Songs

Sibelius Songs


Sibelius:

Illalle, Op. 17 No. 6 (Forsman-Koskimies)

Var det en dröm? Op. 37 No. 4 (J.J. Wecksell)

Demanten på marssnön, Op. 36 No. 6 (Wecksell)

Fågellek, Op. 17, No. 3

Lastu lainehilla, Op. 17, No. 7

Souda, souda, sinisorsa (Swim, duck, swim) (A.V. Forsman-Koskimies)

Våren flyktar hastigt, Op. 13 No. 4 (Text: Runeberg)

Den första kyssen, Op. 37 No. 1 (Text: J.L. Runeberg)

Men min fågel märks dock icke, Op. 36, No. 2

Flickan kom från sin älsklings möte, Op. 37, No. 5

Arioso, Op. 3 (Text: J.L. Runeberg)

Fåfäng önskan, Op. 61, No. 7

Six Songs, Op. 88 'Flower Songs'

Norden, Op. 90 No. 1 (Runeberg)

Kaiutar, Op. 72, No. 4

En slända, Op. 17, No. 5

Svarta rosor, Op. 36 No. 1 (Ernst Josephson)

Maj, Op. 57, No. 4

Jubal, Op. 35, No. 1


Karita Mattila (soprano), Ilmo Ranta (piano)

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