This page lists all recordings of Flute Concerto, Op. 10 No. 4 in G major, RV 435, by Antonio Vivaldi (1678-1741) on CD, SACD, DVD & download (MP3 & FLAC). Generally, more recent releases are listed first, but with priority given to those that are in stock. |
All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.)
See Terms & Conditions for p&p rates. | |  | Vivaldi: Flute Concertos (6), Op. 10Original versions
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| |  | Vivaldi - Flute Concertos
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| |  | Vivaldi: Concerti da Camera I
“The playing is infectiously high-spirited and extremely well recorded… the performances are full of fun and caprice and, as I say, superbly polished. Recommended, above all for esprit and freedom from stuffiness.” Gramophone Magazine | | | In stock - usually despatched within 1 working day. |
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| |  | Vivaldi - Flute Concertos
“Pahud’s playing is always crisp and stylish, whether in virtuoso display or in more tender passages where the flute traces a line of filigree delicacy.” The Daily Telegraph, April 2006 “Among the first flute concertos ever written, Vivaldi's Op 10 are also among the most imaginative.
With vivid descriptive writing and everywhere unmistakably Vivaldian vitality and sparkle, they are surely a must for all flautists Baroque and modern. Taking time off from the Berlin Philharmonic, 'modern' Emmanuel Pahud establishes a mastery of them that blasts out of the water any concerns about what kind of instrument he is using. His tone is light and liquid, his technical command complete and, more importantly, he is utterly at one with the music's character.
Where some 'modern' players who dip into Baroque music work too hard, overburdening the music with stiff interpretative detail and resolutely showing off the embellishments they have learned, Pahud's performances are natural and convincing, yet at the same time subtly stylish in matters of ornamentation, articulation and rhythm; the lilting first and second movements of No 5 are superbly poetic matchings of Baroque sensibility and technical control.
Not that he neglects the pictorial; he adds joyous extra bird-trills to Il gardellino, and enters deep into the spectral world of La notte, emerging from the impressionistic 'sleep' movement into a finale in which we can almost feel the last phantoms of the night flying past our heads. In this he is keenly partnered by his excellent accompanists, and indeed the taut but far from unyielding contribution of the Australian Chamber Orchestra is of the highest order throughout.
A disc to give nothing but pleasure.” Gramophone Classical Music Guide, 2010 “…Pahud's performances are natural and convincing, yet at the same time subtly stylish in matters of ornamentation, articulation and rhythm; the lilting first and second movements of No 5 are superbly poetic matchings of Baroque sensibility and technical control. ...he is keenly partnered by his excellent accompanists, and indeed the taut but far from unyielding contribution of the Australian Chamber Orchestra is of the highest order throughout. A disc to give nothing but pleasure.” Gramophone Magazine, June 2006 | | | In stock - usually despatched within 1 working day. |
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| |  | James Galway plays Vivaldi
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| |  | Vivaldi: 6 Flute Concertos, Op. 10and other concertos
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| |  | Vivaldi’s Children: Six Concerti, Op. 10
Wissam Boustany (flute), Peter Manning & Stephen Morris (violins), Philip Dukes (viola), Tim Hugh (cello), Mary Scully (double bass) & Steven Devine (cembalo) To love Vivaldi’s music is to love nature, life and all things perpetual, aesthetic and ecstatic. So many years after Vivaldi lived out his life (1678-1741), we still enjoy his colourful, energetic music all over the world. This is proof that certain inner revelations can indeed be shared across generations and boundaries. Truth will not bow in the face of Time, nor will it cease to demand our attention as the human race progresses determinedly towards nowhere in particular. His vivid portrayals of the ever-changing and miraculous transformations of nature, in all its diversity and seasons, seem to always come back to the inevitable, fleeting, self-perpetuating and ultimately comforting nature of Time. Don’t ask me to justify or prove any of this (I am not a scholar) - these thoughts are based purely on the feelings and revelations I experienced while exploring this amazing set of concertos. Crafted into inspired and perfect structures of emotion, rhythm and sequence combine to become the perfect tools to portray and explain Life’s deep harmony and balance within itself. The fact that such a serene observer of Life should have been a priest in the Ospedale della Pieta, a school and orphanage for young girls in Venice, comes as a reassuring reminder that Vivaldi did not hide away from life on a human scale. His work as a priest within the context of this orphanage was probably a very important factor in making his music so popular and relevant in his own time. This is why I have chosen to donate £1 out of the sale of each CD towards the care of abandoned or needy children around the world (see notes on SOS Children’s Villages International). This is part of Towards Humanity, my international initiative using the inspirational qualities of music as a catalyst for promoting and raising funds for humanitarian work around the world. I can think of no better tribute to Vivaldi’s enduring inspiration to us all, than to be continuing his work helping children towards the fulfilment of their destinies, as he did in his own lifetime. May music live on, converting Inspired Thought into Inspired Reality, for our fragile planet. Wissam Boustany | | | Usually despatched in 4 - 5 working days. |
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| |  | Vivaldi: Venetian Dreams
Matthius Maute (recorder & traverso) REBEL Ensemble for Baroque Music, Jörg-Michael Schwarz This recording features Vivaldi's six immensely entertaining Recorder Concerti Op. 10, in performances of stunning panache and virtuosity. Praised by the Los Angeles Times for their “astonishingly vital music-making”, the New York-based Baroque ensemble REBEL (pronounced “Reh-BEL”) has earned an impressive international reputation. Matthias Maute is widely regarded as one of the finest German recorder and traverso players of his generation. | | | Usually despatched in 2 - 3 working days. |
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| |  | Vivaldi: Flute Concertos
Vivaldi: | Flute Concerto, Op. 10 No. 1 in F major, RV 433 'La tempesta di mare' Flute Concerto, Op. 10 No. 2 in G minor, RV 439 'La notte' Flute Concerto, Op. 10 No. 3 in D major, RV 428 'Il gardellino' Flute Concerto, Op. 10 No. 4 in G major, RV 435 Flute Concerto, Op. 10 No. 5 in F major, RV 434 Flute Concerto, Op. 10 No. 6 in G major, RV 437 Concerto for 2 Flutes, Strings and Continuo in C, R533 Concerto in D major RV 783 |
Here they perform Flute Concertos which are arrangements of his already popular existing chamber concertos. “I would urge all those who love these evergreen concertos to become acquainted with this new issue by Barthold Kuijken and La Petite Bande tasteful and faultless ornamentation…evenly balanced ensemble… Highly recommended.” International Record Review, February 2012 | | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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