This page lists all recordings of Voi lo sapete o mamma (from Cavalleria rusticana), by Pietro Mascagni (1863-1945) on CD, DVD & download (MP3 & FLAC). Generally, more recent releases are listed first, but with priority given to those that are in stock. |
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See Terms & Conditions for p&p rates. | |  | Victoria de los Angeles: The Modest Prima Donna
Arias by Wagner, Mozart, Gounod, Verdi, Mascagni and Puccini show off the ‘golden voice’ of Victoria de Los Angeles. Super budget price. | 
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| |  | The Voice of Elena Souliotis
Donizetti: | Piangete voi? ... Al dolce guidami castel natio (from Anna Bolena) Orchestra dell’Opera di Roma, Oliviero de Fabritiis | Mascagni: | Voi lo sapete o mamma (from Cavalleria rusticana) Orchestra di Roma, Silvio Varviso | Ponchielli: | Suicidio! (from La Gioconda) Orchestra di Roma, Silvio Varviso | Verdi: | Ben io t'invenni … Anch'io dischiuso … Salgo già (from Nabucco) Konzertvereinigung Wiener Staatsopernchor & Wiener Opernorchester, Lamberto Gardelli Nel dì della vittoria … Ambizioso spirto … Vieni t'affretta! … Or tutti sorgete (Lady Macbeth) Orchestra dell’Opera di Roma, Oliviero de Fabritiis Tu puniscimi, o Signore … A brani, a brani, o perfido (from Luisa Miller) Orchestra dell’Opera di Roma, Oliviero de Fabritiis Morrò, ma prima in grazia (from Un Ballo in Maschera) Orchestra dell’Opera di Roma, Oliviero de Fabritiis Ecco l'orrido campo … Ma dall'arido stelo divulsa (from Un ballo in maschera) Orchestra di Roma, Silvio Varviso Pace, pace mio Dio! (from La forza del destino) Orchestra di Roma, Silvio Varviso |
Elena Souliotis, hailed as a successor to Maria Callas, resembled a comet that flashed brightly across the operatic scene and was all too soon extinguished. With a lifelong love of horseriding and the outdoors, she often commented that she preferred animals to people. She spent much of her childhood in the spectacular garden of her parents’ home in Buenos Aires, only starting to train her voice when she was 16.While she was active, she recorded some memorable discs for Decca in the mid-1960s, most of the ‘plums’ of which are included here, recalling the excitement she then created. This collection, which first appeared on Decca’s ‘Grandi Voci’ series, includes a complete recital recorded by Decca; Santuzza’s aria ‘Voi lo sapete’ from the complete recording of Mascagni’s Cavalleria Rusticana, and items by Verdi and Ponchielli recorded at the same sessions under Silvio Varviso. Also included are one of her calling cards, Abigaille’s terrifying Act II scena ‘Ben io t’invenni’ from the complete and much-prized recording of Verdi’s Nabucco by Lamberto Gardelli, and an aria from Donizetti’s Anna Bolena. As Alan Blyth who wrote the original liner notes remarks: ‘It is good to be reminded of her achievement by the reappearance of these interpretations and to hear again, in an age of too many mundane and orthodox singers, such a splendidly uninhibited artist, one who could rouse an audience to a frenzy through her singing and her acting.’ “Christine Schäfer brings concentration and poise to each of these songs, and sings seemingly effortlessly in her exquisite high lyric soprano … There is no feeling of routine in these studio performances and the accompaniments by Irwin Gage are exemplary in their equal sensitivity and well balanced by Rainer Maillard, who does not suppress the piano at all at climaxes … A first class CD, recommended unreservedly.” MusicWeb International | | | (Sorry, download not available in your country) | In stock - usually despatched within 1 working day. |
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| |  | Passionate Arias
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| |  | Best of Eva Urbanova
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| |  | Xenia Belmas
Xenia Belmas (soprano) Kitschin (Alexander) | | | In stock - usually despatched within 1 working day. |
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| |  | Maria Callas: The Incomparable
A 2-CD set of some of her most famous performances. |
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| |  | Giulietta Simionato - Portrait of a Legendrecordings 1949-1960
Bellini: | Deh! Tu bell'anima (from I Capuleti) recorded in 1954 | Berlin, I: | Anything you can do I can do better (from Annie Get Your Gun) recorded in 1956 Luciano Bettarini (piano) | Bizet: | L'amour est un oiseau rebelle 'Habanera' (from Carmen) recorded in 1951; sung in Italian as 'E l'amore uno strano augello' | Donizetti: | O mio Fernando (from La Favorita) recorded in 1955 Orchestra Maggio Musicale Fiorentino, Alberto Erede | Gordigiani: | L’addio del pastore recorded in 1960 (taken from a complete performance of Die Fledermaus) Ettore Bastianini (baritone) Wiener Philharmoniker, Herbert von Karajan | Mascagni: | Voi lo sapete o mamma (from Cavalleria rusticana) recorded in 1954 Orchestra RAI Torino, Arturo Basile | Massenet: | Va! Laisse couler mes larmes (from Werther) recorded in 1951; sung in Italian as 'Va non e mal se piango' | Paër: | Il bacio della partenza recorded in 1956 Luciano Bettarini (piano) | Rossini: | Nacqui all'affanno, al pianto...Non più mesta (from La Cenerentola) recorded in 1949 Orchestra RAI Torino, Mario Rossi Una voce poco fa (from Il barbiere di Siviglia) recorded in 1950 Orchestra RAI Milano, Fernando Previtali Cruda sorte! Amor tiranno! (from L'Italiana in Algeri) recorded in 1954 Orchestra del Teatro alla Scala Milano, Carlo Maria Giulini O patria...Di tanti palpiti (from Tancredi) recorded in 1956 Orchestra RAI Milano, Nino Sanzogno | Saint-Saëns: | Printemps qui commence (from Samson et Dalila) recorded in 1951; sung in Italian as 'O Aprile foriero' | Thomas, Ambroise: | Connais-tu le pays (from Mignon) recorded in 1949; sung in Italian as 'Non conosci il bel suol?' | Verdi: | O don fatale (from Don Carlo) recorded in 1954 Stride la vampa (from Il Trovatore) recorded in 1956 Orchestre du Grand Théâtre de Genève, Alberto Erede Re dell’abisso affretati (Un ballo in maschera) recorded in 1960 Orchestra and Chorus of the Accademie Santa Cecilia Roma, Sir Georg Solti |
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| |  | Mezzo Soprano Arias Vol. 2Complete versions and orchestral backing tracks
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| |  | Marie-Josée Lord: Opera Arias
Marie-Josée Lord (soprano) Orchestre Métropolitain, Giuseppe Pietraroia For her first solo CD, the intense and flamboyant soprano Marie-José Lloyd has picked her favourites from her repertoire of opera arias. Her selection includes Summertime and My man’s gone now from Porgy and Bess, Si mi chiamano Mimi from La Bohème and a world premiere recording, Le monde est stone from Starmania by Luc Plamondon and Michel Berger in Leclerc’s symphonic arrangement. | | | (also available to download from $10.75) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Giannina Arangi Lombardi II
Giannina Arangi Lombardi (soprano) Arangi-Lombardi was underestimated during her lifetime and was a belcanto specialist. She valued exquisite vocal artistry, musical phrasing and rich tonal shading much more than outward effects. Unfortunately, Vol. I of her collection on Preiser is out of print. | | | Usually despatched in 2 - 3 working days. |
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