Dvorak: Mesícku na nebi hlubokém 'Song to the Moon' (from Rusalka) (O Silver Moon, Lieblicher Mond)

This page lists all recordings of Mesícku na nebi hlubokém 'Song to the Moon' (from Rusalka) (O Silver Moon, Lieblicher Mond), by Antonin Dvorak (1841-1904) on CD, SACD, DVD, Blu-ray & download (MP3 & FLAC). Generally, more recent releases are listed first, but with priority given to those that are in stock.

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Opera Choice
July 2016
Editor's Choice
November 2003

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Opera Arias: Marita Sølberg

Opera Arias: Marita Sølberg


Bellini:

Eccomi in lieta vesta...Oh! quante volte (from I Capuleti e I Montecchi)

Bizet:

Me voilà seule…Comme autrefois (from Les Pêcheurs de Perles)

Catalani:

Ebben? Ne andrò lontana (from La Wally)

Dvorak:

Mesícku na nebi hlubokém 'Song to the Moon' (from Rusalka)

Gounod:

Ah! Je veux vivre dans ce rêve (from Roméo et Juliette)

Leoncavallo:

Qual fiamma avea nel guardo!.... Hui! Stridono lassù (from I Pagliacci)

Mozart:

Dove sono i bei momenti (from Le nozze di Figaro)

Porgi amor (from Le nozze di Figaro)

Puccini:

Signore, ascolta! (from Turandot)

Tu che di gel sei cinta (from Turandot)

Si, mi chiamano Mimi (from La Bohème)

Rachmaninov:

Francesca da Rimini, Act I: Francesca's Aria

Strauss, R:

Orchesterzwischenspiel - Wie umgibst du mich mit Frieden (Die Liebe der Danae)

Verdi:

Ave Maria (from Otello)


Marita Sølberg (soprano)

Norwegian Opera Orchestra,, John Fiore

Simax Classics presents the long awaited debut solo release of Marita Sølberg. The artist behind this phenomenal expressive soprano voice seeks beauty, love and drama in her own life. She also brings this attitude uncompromisingly into her music making, enabling her to display both the beauty and lust, the darkness and frailty of the characters she portraits.

Sølberg performs music she has already had great success with on stage. Her nuance of expression, art of phrasing and vocal excess generates attention around Marita wherever she performs - such as her recent debut at the Wiener Straatsoper in the role of Mimi.

A guest with many opera houses around the world, Marita Sølberg was a member of the soloist ensemble at Stuttgart Opera until she became one of the Principal Artists of the Norwegian National Opera & Ballet in 2008. Many of her most critically acclaimed roles are gathered on this release, such as the Contessa in The Marriage of Figaro, which was hailed in an exceptional manner by the biggest national newspaper VG: "Marita Sølberg as the Contessa Almaviva is absolutely fantastic, her voice has such a wealth of nuance and fervency that she could make a stone moved. It remains an exceptional experience to hear a singer of her calibre."

“This recital disc, recorded with her home band under its music director John Fiore, should act as a neat calling card, showcasing a variety of roles in five languages…Sølberg possesses a creamy lyric soprano that should be most at home in Italian repertoire…a soprano definitely worth hearing” Gramophone Magazine, October 2016

Released or re-released in last 6 months

Simax - PSC1336

(CD)

$14.00

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Pumeza: Arias

Pumeza: Arias


Catalani:

Ebben? Ne andrò lontana (from La Wally)

Dvorak:

Mesícku na nebi hlubokém 'Song to the Moon' (from Rusalka)

Fauré:

Après un rêve, Op. 7 No. 1

Gluck:

Che fiero momento (from Orfeo et Euridice)

Hahn, R:

A Chloris

Montsalvatge:

Canción negra No. 2, Punto de Habanera (Siglo XVIII)

Mozart:

Deh vieni, non tardar (from Le nozze di Figaro)

Puccini:

Si, mi chiamano Mimi (from La Bohème)

Senza mamma, o bimbo (from Suor Angelica)

Tu che di gel sei cinta (from Turandot)

Purcell:

When I am laid in earth (from Dido and Aeneas)

Ravel:

Oh! La pitoyable aventure (from L'heure espagnole)

Sarti:

Lungi dal caro bene (from Le gelosie villane)

Tosti:

Si tu le voulais

Yradier:

La Paloma


Pumeza Matshikiza (soprano)

Aarhus Symfonieorkester, Tobias Ringborg

Pumeza’s second album ARIAS is a collection of many of the great opera roles in which Pumeza has blossomed: Mimì in La Boheme; Susanna in Le Nozze di Figaro; Liù in Turandot; Dido in Dido & Aeneas; Concepcion in L’heure espagnole together with such operatic greatest hits as ‘The Song to the Moon’ from Rusalka and ‘Ebben, ne andro lontano’ from La Wally.

The album also features new arrangements of art songs such as Faure’s ‘Après un rêve’ and Reynaldo Hahn’s A Chloris as well as a Rosa Ponselle favourite, Tosti’s ‘Si tu le voulais’

Also included are arrangements of Sarti’s famous aria ‘Lungi del caro bene’ made by DECCA for Renata Tebaldi in the 1970s and recorded here for the first time since then and an arrangement of the classic song ‘La Paloma’ originally made for Victoria de los Angeles.

“Matshikiza’s fresh, even, iridescent tone is ideally weighted for Puccini’s Mimi and Liù…Rusalka’s Song to the Moon is glorious…[and she delivers] a gravely beautiful ‘When I am laid in earth’.” BBC Music Magazine, September 2016 ****

“You would have to be a wally not to be moved by [Matshikiza's] Wally, whose ‘Ebben?...Ne andro lontana’ is delivered with simplicity and sincerity (listen to the wistful frailty of ‘O della madre mia casa gioconda’). Here, her natural ardour, the coppery sheen to her voice and its slightly covered top notes all come off well.” Gramophone Magazine, June 2016

“The verismo arias — Mimi’s entrance number; Ebben? Ne andro lontana, from La Wally; Suor Angelica’s Senza mamma — reveal one of the most luscious sounds we’ve heard from a young soprano in years, and she sings words!” Sunday Times, 8th May 2016

“[Matshikiza] has versatility, range and huge personality. Her voice is rich without heaviness, capable of teasing lightness and flexibility, as the selection here demonstrates.” The Guardian, 15th May 2016 ****

Decca - 4788964

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The Kiss

The Kiss


Bizet:

Je dis que rien ne m'épouvante (from Carmen)

Cilea:

Adriana Lecouvreur: Intermezzo, Act II

Io son l'umile ancella (from Adriana Lecouvreur)

Dvorak:

Mesícku na nebi hlubokém 'Song to the Moon' (from Rusalka)

Gounod:

Ah! Je ris de me voir (from Faust)

Massenet:

Dis-moi que je suis belle (from Thaïs)

Puccini:

Si, mi chiamano Mimi (from La Bohème)

Rimsky Korsakov:

Tsvetï moi! (Servilia)

Smetana:

The Kiss Overture

Vendulka"s Lullaby (from The Kiss)

Tchaikovsky:

Puskay pogibnu ya 'Tatiana's Letter Scene' (from Eugene Onegin)

Verdi:

Tacea la notte (from Il Trovatore)

Come in quest'ora bruna (from Simon Boccanegra)


Nicole Car (soprano)

Australian Opera and Ballet Orchestra, Andrea Molino

Nicole is one of the brightest stars on the international opera scene. In October 2015 she made a sensational debut at the Royal Opera House, Covent Garden to unanimous critical acclaim, singing Micaëla in Carmen; in December 2015 she returned to Covent Garden in the lead role in Eugene Onegin opposite Dmitri Hvorostovsky. Nicole has been known to Australian audiences for several years through her major roles for Opera Australia; she has already won the 2013 Neue Stimmen competition (Germany) and received nominations in the International Opera Awards and Australia’s Helpmann Awards.

The Kiss surveys the arias that have made Nicole’s name: 19th-century gems, both well known and unjustly neglected, that showcase the outstanding beauty, unforced lyricism and compelling passion of her voice. At the heart of the disc stands the ‘Letter Scene’ from Eugene Onegin – Nicole’s performances of which have astounded audiences across the world. Her passion for Russian repertoire continues with music by Rimsky-Korsakov.

A gorgeous and rarely recorded lullaby by Smetana from the opera Hubička (The Kiss) gives the album its name, and the themes of intimacy and love that feature throughout the recording. From Rusalka asking the silver moon to shine on her beloved prince, so far away, to Amelia in Simon Boccanegra eagerly awaiting her lover’s arrival; from Servilia lamenting her fate, torn between love and duty, to Gounod’s Marguerite trembling with excitement as she sees herself in new-found jewels – this is an album of beguiling, passionate gems sung by one of the finest voices of today.

“[Car] possesses a lovely lyric soprano, not a glamorous sound, but full of dewy freshness, nowhere more so than in Mimì’s aria, where the voice has a rosy bloom” Gramophone Magazine, June 2016

“Car's Tatyana is a magnificent vocal characterisation.” BBC Music Magazine, July 2016

BBC Music Magazine

Opera Choice - July 2016

ABC Classics - ABC4812371

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Inge Borkh & Ljuba Welitsch: The Decca Recitals

Inge Borkh & Ljuba Welitsch: The Decca Recitals


Beethoven:

Ah! Perfido, Op. 65

Cilea:

Io son l'umile ancella (from Adriana Lecouvreur)

Debussy:

L'annee en vain...Cependent les soirs (from L'enfant Prodigue)

Dvorak:

Mesícku na nebi hlubokém 'Song to the Moon' (from Rusalka)

Giordano, U:

La mamma morta (from Andrea Chénier)

Gluck:

Divinités du Styx (from Alceste)

Lehár:

Zigeunerliebe (Gipsy Love): Lied und Csárdas

Viljalied (from Die lustige Witwe)

Einer wird kommen (from Der Zarewitsch)

Mascagni:

Voi lo sapete o mamma (from Cavalleria rusticana)

Millöcker:

Ich habe Liebe schon genossen...Ich schenk' mein Herz (from Die Dubarry)

Siecynski:

Wien, Wien nur du Allein (Vienna, City of My Dreams)

Strauss, R:

Ah! Du wolltest mich nicht deinen Mund küssen lassen (from Salome)

Tchaikovsky:

Uzh polnoch' blizitsya (from Pique Dame)

Verdi:

La luce langue (from Macbeth)

Son giunta … Madre, pietosa Vergine (from La Forza del Destino)

Ecco l'orrido campo … Ma dall'arido stelo divulsa (from Un ballo in maschera)

Nel dì della vittoria … Ambizioso spirto … Vieni t'affretta! … Or tutti sorgete (from Macbeth)

Ecco l'orrido campo … Ma dall'arido stelo divulsa (from Un ballo in maschera)

Morrò, ma prima in grazia (from Un Ballo in Maschera)

Weber:

Ozean, du Ungeheuer (from Oberon)


Inge Borkh (soprano) & Ljuba Welitsch (soprano)

These recordings of the voices of Inge Borkh and Ljuba Welitsch are very fine examples of the art of the dramatic soprano from the 1950s and early 1960s. Borkh acquired a considerable reputation as Aida, Tosca, Turandot, and Medea in Cherubini’s opera of the same name, as well as Leonora in Fidelio. On this anthology, bringing together her recital records for Decca, we are given two mixed recitals and one of three great operatic scenes (Beethoven, Strauss, Weber).

Bulgarian-born Ljuba Welitsch liked to sing and play the violin as a child and studied Philosophy at Sofia University she began to train her voice at the Sofia Conservatory and then in Vienna at the Music Academy. It was in Vienna that her performance as the Composer in Ariadne auf Naxos attracted the attention of Richard Strauss who suggested that she sing Salome. Her first Salome was in 1944 at a performance conducted by the composer himself to mark his 80th birthday. By the mid-1950s Welitsch had begun to switch to smaller roles and comic parts after having driven her voice mercilessly and undergoing a throat operation. Her only recital disc for Decca (and one of her very few studio recordings) was recorded in Vienna in 1950. By way of a ‘bonus’ we have Rudolf Sieczyński’s nostalgic song ‘Wien, Wien, nur du allein’ from Vienna, City of my Dreams, composed in 1913 and performed here in a 1960 recording of Die Fledermaus as part of a ‘gala’ featuring a host of famous singers at Prince Orlofsky’s ball. Welitsch had been coaxed out of retirement to take part in this bit of fun (which was not without precedent in Vienna) and her contribution is very moving.

Australian Eloquence - ELQ4820280

(CD - 2 discs)

$11.75

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Divas and Tenors

Divas and Tenors


Bach, J S:

Sheep May Safely Graze, from Cantata BWV208

Magdalena Kozena (mezzo)

Bellini:

Casta Diva (from Norma)

Cecilia Bartoli (mezzo)

Bizet:

Au fond du temple saint (from Les Pêcheurs de Perles)

Ramon Vargas (tenor), Ludovic Tezier (baritone)

La fleur que tu m'avais jetée (from Carmen)

Placido Domingo (tenor)

Capua:

O sole mio

Luciano Pavarotti (tenor)

Catalani:

Ebben? Ne andrò lontana (from La Wally)

Angela Gheorghiu (soprano)

Delibes:

Sous le dôme épais (from Lakmé)

Joan Sutherland (soprano), Jane Berbie (mezzo)

Donizetti:

Una furtiva lagrima (from L'elisir d'amore)

Juan Diego Florez (tenor)

Dvorak:

Mesícku na nebi hlubokém 'Song to the Moon' (from Rusalka)

Renee Fleming (soprano)

Gershwin:

Summertime (from Porgy and Bess)

Renee Fleming (soprano)

Gluck:

J'ai perdu mon Eurydice (from Orphée et Eurydice)

Juan Diego Florez (tenor)

Handel:

Samson: Let the bright seraphim

Kiri Te Kanawa (soprano)

Lascia ch'io pianga (from Rinaldo)

Patricia Petibon (soprano)

Ombra mai fu (from Serse)

Cecilia Bartoli (mezzo)

Care selve (from Atalanta)

Luciano Pavarotti (tenor)

Semele: Where'er you walk

John Aler (tenor)

Verdi prati (from Alcina)

Fritz Wunderlich (tenor)

Lloyd Webber, A:

All I ask of you (from The Phantom of the Opera)

Renee Fleming (soprano), Bryn Terfel (bass-baritone)

Løvland:

You Raise Me Up

Joseph Calleja (tenor)

Mozart:

Porgi amor (from Le nozze di Figaro)

Arleen Auger (soprano)

Der Hölle Rache kocht in meinem Herzen (from Die Zauberflöte)

Sumi Jo (soprano)

Un'aura amorosa del nostro tesoro (from Così fan tutte)

Francisco Araiza (tenor)

Il mio tesoro intanto (from Don Giovanni)

Francisco Araiza (tenor)

Dies Bildnis ist bezaubernd schön (from Die Zauberflöte)

Fritz Wunderlich (tenor)

Offenbach:

Barcarolle (from Les Contes d'Hoffmann )

Anna Netrebko (soprano), Elina Garanca (mezzo)

Ponchielli:

Cielo e mar! (from La Gioconda)

Rolando Villazon (tenor)

Puccini:

O mio babbino caro (from Gianni Schicchi)

Renee Fleming (soprano)

Si, mi chiamano Mimi (from La Bohème)

Anna Netrebko (soprano)

Recondita armonia (from Tosca)

Luciano Pavarotti (tenor)

Nessun dorma (from Turandot)

Luciano Pavarotti (tenor)

Rossini:

Una voce poco fa (from Il barbiere di Siviglia)

Agnes Baltsa (mezzo)

Saint-Saëns:

Mon cœur s'ouvre à ta voix (from Samson et Dalila)

Elina Garanca (mezzo)

Schönberg, C-M:

Bring Him Home (from Les Misérables)

Alfie Boe (tenor)

Verdi:

La donna è mobile (from Rigoletto)

Luciano Pavarotti (tenor)

Libiamo, ne' lieti calici (from La Traviata)

Placido Domingo (tenor)


The title says it all – one CD dedicated to the greatest Divas and one to the Tenors. Over two hours of the most beautiful and unforgettable songs and arias — sung by a line-up of the greatest and most legendary voices of all time. Artists such as Luciano Pavarotti, Plácido Domingo, Fritz Wunderlich, Kiri Te Kanawa, Anna Netrebko, Cecilia Bartoli and Renée Fleming — musical giants who will be remembered forever.

Decca - 4788583

(CD - 2 discs)

$13.00

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Rita Streich: Waltzes & Arias, Folk Songs & Lullabies

Rita Streich: Waltzes & Arias, Folk Songs & Lullabies


Acqua:

La Villanelle

Alabiev:

Solovej moj (The Nightingale)

Arditi:

Parla

Il Bacio

Czernik:

Chi sa nel mio giardino d'amore

Delibes:

Les filles de Cadix

Dvorak:

Mesícku na nebi hlubokém 'Song to the Moon' (from Rusalka)

Flotow:

The Last Rose of Summer (Martha)

Godard, B:

Berceuse from Jocelyn

Marchesi:

La Folletta

Meyerbeer:

Ombra leggiera (from Dinorah)

Saint-Saëns:

Le Rossignol et la Rose - vocalise

Strauss, J, II:

Frühlingsstimmen Walzer Op. 410

Draußen im Sievering blüht schon der flieder (from Die Tänzerin Fanny Elssler)

Strauss, Josef:

Dorfschwalben aus Österreich - waltz, Op. 164

Suppe:

Hab' ich nur deine Liebe (from Boccaccio)

Verdi:

Lo spazzacamino

and folksongs


Rita Streich (soprano)

Rita Streich, famed for her peerless coloratura, for her Queen of the Night and her performances of Olympia in Les contes d’Hoffmann and Blonde in Die Entführung aus dem Serail, Rita Streich, often dubbed a ‘singing nightingale’ also took time out from a busy career to record miniatures. Several LPs, combined over two (now deleted) Deutsche Grammophon ‘Originals’ are here combined into a 2CD set, showcasing the soprano in popular opera arias, waltz-songs, folk songs (English, American, Russian, Japanese and Yiddish) and lullabies. The waltzes stem from the melodic treasury of the Viennese Strauss dynasty – music of yearning, enchantment and nostalgia, all abetted by Streich’s joyous coloratura. The folk songs and lullabies were recorded in Munich and in Regensburg, in 1962 and 1964. Note-writer Bernhard Uske, describes the result as ‘a glorious carpet of flowers’.

Australian Eloquence - ELQ4801276

(CD - 2 discs)

$11.75

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Portrait of Pilar

Portrait of Pilar

Decca Most Wanted Recitals Vol. 27


Dvorak:

Mesícku na nebi hlubokém 'Song to the Moon' (from Rusalka)

Orchestra dell'Accademia di Santa Cecilia, Roma, Giuseppe Patanè

Falla:

La vida breve: ‘Vivan los que rien!'

Neil Jenkins (tenor)

London Philharmonic Orchestra, Ambrosian Singers, Jesús López-Cobos

Alli está! Riyendo (from La vida breve)

London Philharmonic Orchestra, Jesús López-Cobos

Granados:

Goyescas: Quejas ó La Maja y el Ruiseñor

London Philharmonic Orchestra, Jesús López-Cobos

Mozart:

Don Ottavio, son morta!...Or sai chi l'onore (from Don Giovanni)

Ian Caley (tenor)

London Philharmonic Orchestra, Jesús López-Cobos

Puccini:

Vissi d'arte (from Tosca)

London Philharmonic Orchestra, Jesús López-Cobos

Sola, perduta, abbandonata (from Manon Lescaut)

London Philharmonic Orchestra, Jesús López-Cobos

Senza mamma, o bimbo (from Suor Angelica)

London Philharmonic Orchestra, Jesús López-Cobos

Tu? Tu? Piccolo iddio (from Madama Butterfly)

London Philharmonic Orchestra, Jesús López-Cobos

Si, mi chiamano Mimi (from La Bohème)

Orchestra dell'Accademia di Santa Cecilia, Roma, Giuseppe Patanè

Chi il bel sogno di Doretta (from La Rondine)

Orchestra dell'Accademia di Santa Cecilia, Roma, Giuseppe Patanè

Un bel di vedremo (from Madama Butterfly)

Orchestra dell'Accademia di Santa Cecilia, Roma, Giuseppe Patanè

Tu che di gel sei cinta (from Turandot)

Orchestra dell'Accademia di Santa Cecilia, Roma, Giuseppe Patanè

O mio babbino caro (from Gianni Schicchi)

Orchestra dell'Accademia di Santa Cecilia, Roma, Giuseppe Patanè

Verdi:

Tu che le vanità (from Don Carlo)

London Philharmonic Orchestra, Jesús López-Cobos

Wagner:

Einsam in trüben Tagen (from Lohengrin)

London Philharmonic Orchestra, Jesús López-Cobos


Pilar Lorengar (soprano)

Decca Most Wanted Recitals - 4808164

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$9.25

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La bellezza del canto

La bellezza del canto


Donizetti:

Quel guardo il cavaliere (from Don Pasquale)

Prendi, per me sei libero (from L'Elisir d'amore)

Ah! tardai troppo...O luce di quest'anima (from Linda di Chamounix)

Regnava nel silenzio...Quando rapito in estasi (from Lucia di Lammermoor)

Dvorak:

Mesícku na nebi hlubokém 'Song to the Moon' (from Rusalka)

Massenet:

Je marche sur tous les chemins (from Manon)

Offenbach:

Les oiseaux dans la charmille (from Les Contes d'Hoffmann)

Puccini:

Chi il bel sogno di Doretta (from La Rondine)

Rossini:

Non si dà follia maggiore (from Il Turco in Italia)

Assisa a' piè d'un salice (from Otello)

Strauss, J, II:

Mein Herr Marquis (from Die Fledermaus)

Verdi:

Caro nome (from Rigoletto)


Olga Peretyatko (soprano)

Munchner Rundfunkorchester, Miguel Gomez-Martinez

Sony - 88697785442

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$8.75

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Berlin Opera Night

Berlin Opera Night

Recorded live at the Deutsche Oper Berlin, 2003


Dvorak:

Mesícku na nebi hlubokém 'Song to the Moon' (from Rusalka)

Adrianne Pieczonka (soprano)

Handel:

Music for the Royal Fireworks, HWV351: La Rejouissance

Lehár:

Dein ist mein ganzes Herz (from Das Land des Lächelns)

Charles Castronovo (tenor)

Leoncavallo:

Recitar!...Vesti la giubba (from I Pagliacci)

Vladimir Galouzine (tenor)

Massenet:

Werther! Werther!…Je vous écris de ma petite chambre (from Werther)

Vesselina Kasarova (mezzo)

Mozart:

Non so più cosa son, cosa faccio (from Le nozze di Figaro)

Angelika Kirchschlager (mezzo)

Voi che sapete (from Le nozze di Figaro)

Angelika Kirchschlager (mezzo)

Madamina, il catalogo è questo (from Don Giovanni)

René Pape ( bass)

Puccini:

Vissi d'arte (from Tosca)

Michele Crider (soprano)

Nessun dorma (from Turandot)

Salvatore Licitra (tenor)

Saint-Saëns:

Mon cœur s'ouvre à ta voix (from Samson et Dalila)

Grace Bumbry (mezzo)

Strauss, J, II:

Die Fledermaus: Bruderlein und Schwesterlein

Soloists joined by Jochen Kowalski (counter-tenor), Markus Brüch (tenor)

Strauss, R:

Marie Theres'! ... Hab mir's gelobt (from Der Rosenkavalier)

Adrianne Pieczonka (soprano), Juliane Banse (soprano), Angelika Kirchschlager (mezzo)

Wagner:

Einsam in trüben Tagen (from Lohengrin)

Anne Schwanewilms (soprano)


Major stars of the international opera stage come together with the Chor und Orchester of the Deutsche Oper Berlin, under the baton of the illustrious Kent Nagano, in this opera gala in aid of the German AIDS Foundation.

Highlights from operas by Mozart, Puccini, Leoncavallo, Saint-Saëns, Massenet, Dvorák, Wagner, Richard Strauss, Lehár and Johann Strauss II are performed by world-class musicians from around the globe.

Proceeds from the sales of this title go to support the work of the German AIDS Foundation.

Picture format DVD: NTSC 16:9

Sounds formats DVD: PCM Stereo, DD 5.1, DTS 5.1

Region code: 0

Subtitles: English, German, French, Spanish, Italian

Booklet notes: English, German, French

Running time: 78 mins

FSK: 0

“In a rather mixed bag, there are a number of class acts...the highlight performance of the night in respect of bringing a role alive...[is] Kasarova singing an expressive and beautifully realised Werther!...The audience might have been more thrilled by the tenors at full throttle, but this is the highlight for me - a gold nugget in this collection.” MusicWeb International, June 2011

DVD Video

Region: 0

Format: NTSC

EuroArts - 2053589

(DVD Video)

$27.50

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Jeunesses Musicales du Canada

Jeunesses Musicales du Canada

60 Years - Looking to the Future


Bach, J S:

Violin Sonata in G major, BWV1021

James Ehnes (violin), Luc Beauséjour (piano), Benoit Loiselle (cello)

Brahms:

Two songs for contralto with viola obbligato, Op. 91

Marie-Nicole Lemieux (contralto), Michael MacMahon (piano), Nicolò Eugelmi (viola)

Chopin:

Fantasia in F minor, Op. 49

André Laplante (piano)

Duparc:

Chanson triste

Jean-François Lapointe (baritone), Louise-Andre Baril (piano)

Dvorak:

Mesícku na nebi hlubokém 'Song to the Moon' (from Rusalka)

Marianne Fiset (soprano)

Orchestre de la Francophonie, Jean-Pjilippe Tremblay

Piazzólla:

Cuarto Estaciones Porteñas

Gryphon Trio

Rachmaninov:

Piano Sonata No. 2 in B flat minor, Op. 36

Nareh Arghamanyan (piano)

Salzedo:

Scintillation, Op. 31

Valérie Milot (harp)

Schubert:

Sonata (Sonatina) for violin & piano in D major, D384 (Op. posth. 137 No. 1)

Angèle Dubeau (violin), Anton Kuerti (piano)

Strauss, R:

Don Juan, Op. 20

Orchestre de la Francophonie, Jean-Pjilippe Tremblay

Verdi:

Elle ne m'aime pas! (from Don Carlos)

Joseph Rouleau (bass)

Orchestra of the Royal Opera House, Covent Garden

Cortigiani, vil razza dannata (from Rigoletto)

Louis Quilico (baritone)

Edmonton Symphony Orchestra

Vivaldi:

Concerto for 2 Flutes, Strings and Continuo in C, R533

Ensemble Caprice


This anniversary collection by Jeunesses Musicales marks 60 years of service to the young: 60 years of excellence. The compilation presents some of the best recordings made at ANALEKTA by artists who toured under the aegis of JMC or have been associated with the Montreal International Musical Competition, founded in 2002. Discover some of the great performers of the Canadian music scene.

Analekta - AN299278

(CD - 2 discs)

$28.50

(also available to download from $20.00)

In stock - usually despatched within 1 working day.

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