Sarasate: Danza Española No. 3: Romanza Andaluza, Op. 22, No. 1

Violinists Adele Anthony and Gil Shaham share many passions. Along with their personal connection (they are married) and careers as performing artists, they both feel a deep affinity for the music of Sarasate. This legendary violinist and composer’s inspired works are enormously entertaining and irresistibly appealing, eloquently summarised by Adele as ‘works being a culmination of melody, violinistic idiom and elegance, often evocative of his native Spain’. Gil rates him ‘as one of my great personal heroes. He was a meticulous composer; his style was always full of imagination, full of melody, always perfectly clean and concise. I love this guy.’

Adele and Gil used the occasion of Sarasate’s centenary in 2008 to pay tribute to the revered master’s work. This included a concert at the Lincoln Center in New York, broadcast live on PBS in North America and to end the year’s festivities ¡Sarasateada!, an all Sarasate Festival in Valladolid, in Sarasate’s native Spain.

¡Sarasateada! included both chamber and orchestral concerts from which this release is born and this disc captures the expected and unexpected. A red blooded live performance of Camen Fantasy, Zapateado the raucous cowboy dance and Zigeunerweisen, all works which have challenged violinists for decades and never fail to dazzle. The unexpected works are some wonderful yet lesser known - Song of the Nightingale, Airs Eccosaise showing the his compositional gift, ‘his diversity and imagination’ as Adele puts it, with the disc concluding with a delightful and stratospheric duo Navarra, a folk song derived from Navarre in Spain.

Albanian violinist Rudens Turku brings together works by Dvorák , Grieg, Rachmaninov, Piazolla and Sarasate, who each created unique musical homages to their respective homelands.

Albanian violinist Rudens Turku returns for his third recording for Avie, with ‘Homelands’. Rudens brings together composers who each created unique musical evocations of their native countries. All were world travellers who found through their compositions the means to produce striking homages to their respective lands, from iconic Sonatas by Dvorák and Grieg to Rachmaninov’s exquisite Vocalise to lesser known works by a young Astor Piazzolla and the Spanish virtuoso Pablo Sarasate.

This set contains a selection of the recordings by the great French violinist focusing on his prowess as a chamber musician.

Ferras was born in 1933 of musical parentage – his father had been a violinist and a pupil of Marcel Chailley, a devotee and friend of Saint-Saëns. Though Christian’s talent was not in dispute, his father was extremely pushy and the undue pressure he exerted on his young son probably led to the mental instability that led to Ferras’s suicide in 1982. At the age of 8, Ferras enrolled at the Paris Conservatoire and in 1943 won first prize.

He recorded for the major record companies, and his colleague and friend, the violinist Zino Francescatti, commented that these recordings with Pierre Barbizet made in 1968 over five days were ‘musical perfection’. Ferras was ranked alongside Oistrakh, Stern, Menuhin and Francescatti in the top five violinists of his age, and it was Ferras whom Menuhin chose as ‘the ideal partner’ for the recording of the Bach Double Concerto for EMI in 1959.

Included are the three Brahms sonatas, the two by Schumann and those by Franck and the intriguing, short-lived Belgian Lekeu. Disc 4 contains encores that Ferras was especially fond of.

This set is a superb portrait of a great artist, who was gifted beyond anyone’s wildest dreams but lost the fight with his inner demons of depression and alcohol dependency. Essential listening for all lovers of the violin

‘Ferras is a player who habitually turns the simplest of melodic lines to poetical song … Lovers of the César Franck who happen not to know the Lekeu could well find a real extension of their pleasure in this very good record.’ Gramophone

‘Finely balanced yet ardent performance of the (Brahms) First Sonata.’ Gramophone

Extensive booklet tribute to and survey of Ferras’s life and career