This page lists all recordings of Ah! Tout est bien fini... O souverain (from Le Cid), by Jules Emile Frederic Massenet (1842-1912) on CD, DVD & download (MP3 & FLAC). Generally, more recent releases are listed first, but with priority given to those that are in stock. |
All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.)
See Terms & Conditions for p&p rates. | |  | Massenet: Ses Plus Belles Pages
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| |  | Domingo sings Caruso
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| |  | The Very Best of Placido Domingo
Boito: | Dai campi, dai prati (Mefistofele) Vergini muse ... Quando al soave anelito (from Nerone) | Gounod: | Quel trouble inconnu me pénètre… Salut! Demeure chaste et pure (from Faust) | Handel: | Svegliatevi nel core (from Giulio Cesare) | Lehár: | Gern hab' ich die Frau'n geküßt (from Paganini) Da geh' ich zu Maxim (from Die Lustige Witwe) Dein ist mein ganzes Herz (from Das Land des Lächelns) | Massenet: | Ah! Tout est bien fini... O souverain (from Le Cid) | Meyerbeer: | Pays merveilleux... Ô paradis (from L'Africaine) | Mozart: | Il mio tesoro intanto (from Don Giovanni) Un'aura amorosa del nostro tesoro (from Così fan tutte) Dies Bildnis ist bezaubernd schön (from Die Zauberflöte) La ci darem la mano (from Don Giovanni) Susan Graham (Zerlina) | Puccini: | Donna non vidi mai (from Manon Lescaut) Ah, Manon mi tradisce (from Manon Lescaut) Recondita armonia (from Tosca) E lucevan le stelle (from Tosca) Ch'ella mi creda libero e lontano (from La Fanciulla del West) | Rodrigo: | En Aranjuez con tu amor | Strauss, J, II: | Ach, wie so herrlich zu schau'n (from Die Fledermaus) | Tchaikovsky: | None but the lonely heart, Op. 6 No. 6 Kuda, Kuda 'Lensky's Aria' (from Eugene Onegin) | Verdi: | Se quel guerrier io fossi!…Celeste Aida (from Aida) Di' tu se fedele (from Un ballo in maschera) Ma se m'è forza perderti (from Un ballo in maschera) O tu che in seno agli angeli (from La Forza del Destino) Io la vidi e al suo sorriso (from Don Carlo) Niun mi tema (from Otello) | Wagner: | O sink hernieder, Nacht der Liebe (from Tristan und Isolde) Violeta Urmana (Isolde) Hoho! Hoho! Hohei! Schmiede, mein Hammer, ein hartes Schwert! (from Siegfried) David Cangelosi (Mime) | Zeller: | Schenkt man sich Rosen in Tirol (from Der Vogelhändler) |
and zarzuela arias from Los Gavilanes, La Rosa Del Azafrán, La Tabernera del Puerto, Coplas De Ronda, Copillas de Belen, Coplas del Pasto, Jealousy Tango, La Golondrina
“Mozart to zarzuela, Handel to Wagner - this generous collection confirms that our greatest tenor is also our most versatile and musically rewarding whatever style.” BBC Music Magazine, November 2011 ***** | | | In stock - usually despatched within 1 working day. |
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| |  | Viva Villazón! (STANDARD)The Best of Rolando Villazón
Berlioz: | Dieu tout puissant, Dieu de l’aurore Thomas Gounet d’après Thomas Moore Chœur « Les Eléments » & Orchestre du Capitole de Toulouse, Michel Plasson | Bizet: | La fleur que tu m'avais jetée (from Carmen) Münchner Rundfunkorchester, Michel Plasson A cette voix quel trouble… Je crois entendre encore (from Les Pêcheurs de Perles) Münchner Rundfunkorchester, Michel Plasson | Cilea: | È la solita storia 'Lamento di Federico' (from L'Arlesiana) | Donizetti: | Una furtiva lagrima (from L'elisir d'amore) Tombe degl'avi miei … Fra poco a me ricovero...Tu che a Dio spiegasti l'ali (from Lucia di Lammermoor) Münchner Rundfunkorchester, Marcello Viotti | Gounod: | Quel trouble inconnu me pénètre… Salut! Demeure chaste et pure (from Faust) Orchestre Philharmonique de Radio France, Evelino Pido Polyeucte: Source délicieuse L'amour, l'amour... Ah, lève-toi soleil (from Roméo et Juliette) | Gruber, F: | Stille Nacht arr.Philippe Rombi Orchestre Symphonique Bel Arte, Philippe Rombi | Mascagni: | Mamma, quel vino (from Cavalleria Rusticana) with Teresa Blank (mezzo-soprano) Münchner Rundfunkorchester, Michel Plasson | Massenet: | Ah ! Parais, astre de mon ciel Zarastra from Le Mage Chœur et Orchestre Philharmonique de Radio France, Evelino Pido Roma - Je vais la voir! Je suis seul, seul enfin... Ah fuyez douce image (from Manon) Traduire ! Ah ! Bien souvent mon rêve s’envole… Pourquoi me réveiller (Werther) Ah! Tout est bien fini... O souverain (from Le Cid) Orchestre Philharmonique de Radio France, Evelino Pído | Monteverdi: | Libro Nono di Magrigali e Canzonette: Si dolce è'l tormento Le Concert d’Astrée, Emmanuelle Haim Eri già tutta mia Le Concert d’Astrée, Emmanuelle Haim | Offenbach: | Il était une fois à la cour d'Eisenach (from Les contes d'Hoffmann) With Florian Laconi (ténor) Münchner Rundfunkorchester, Michel Plasson | Puccini: | Che gelida manina (from La Bohème) Donna non vidi mai (from Manon Lescaut) (previously unreleased) Münchner Rundfunkorchester, Marcello Viotti Recondita armonia (from Tosca) | Sorozábal: | La Taberna del Puerto – ‘No puede ser’ Orquesta de la Communidad de Madrid, Placido Domingo | Tchaikovsky: | Kuda, Kuda 'Lensky's Aria' (from Eugene Onegin) | Verdi: | La donna è mobile (from Rigoletto) Münchner Rundfunkorchester, Marcello Viotti Lunge da lei…De’ miei bollenti spiriti (from La Traviata) Io l'ho perduta (from Don Carlos) Ma se m'è forza perderti (from Un ballo in maschera) Chor des Bayerischen Rundfunks & Münchner Rundfunkorchester, Michel Plasson | Vives: | Por el humo se sabe donde esta el fuego Fernando from Dona Frasquita Orquesta de la Communidad de Madrid, Placido Domingo | Wade: | O come, all ye faithful arr.Philippe Rombi |
Standard Version ““Villazón's singing offers a combination of intelligence and glamour not seen since the ascendancy of Domingo” The New Yorker | | | In stock - usually despatched within 1 working day. |
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| |  | Arias by Gounod and Massenet
“This is mostly well-planned and executed recital mixes favourites with extracts from operas that have remained rarities, even with the increased interest in late 19th-century repertory. It begins with Rodrigue's great prayer, 'O souverain' from Act 3 of Le Cid. Rolando Villazón sings this with an attractive quiet introspection to start with, but then there is metal and passion in his voice for the climax. Of the other well-known Massenet items, it's good to hear Werther's 'Lorsque l'enfant' as well as the show-stopping 'Pourquoi me réveiller?'. In 'En fermant les yeux' from Manon, Natalie Dessay provides Manon's brief phrases, and Villazón makes a really sensitive dreamer. 'Ah, fuyez' goes well too, but it will be the arias from Roma, Grisélidis and Le Mage that will attract most listeners. In all Massenet's output is there a more seductive tune than the one that forms the centre of the Roma scene, 'Soir admirable'? This is done very well by Warren Mok in the complete recording, but Villazón outshines him.
Of the Gounod arias, Faust's 'Salut demeure' fares the best, but again it will be the extracts from Polyeucte and La Reine de Saba that will please immediately.
Villazón has established himself as one of the most promising among the new generation of tenors. His French has improved recently, butthere is the odd difficulty still with certain vowels.
Accompaniment, recording and presentation are first-rate.” Gramophone Classical Music Guide, 2010 | | | In stock - usually despatched within 1 working day. |
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| |  | The Essential Plácido Domingo
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| |  | Caruso 2000
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| |  | The Tokyo ConcertsLIMITED EDITION – Available while stocks last
Capua: | O sole mio Franco Corelli (tenor) NHK Orchestra, Alberto Ventura | Cardillo: | Core 'ngrato Franco Corelli (tenor) NHK Orchestra, Alberto Ventura | Cilea: | È la solita storia 'Lamento di Federico' (from L'Arlesiana) Alfredo Kraus (tenor) with Emiko Suga (soprano), Edelmiro Arnaltes (piano) & Asier Polo (cello) | Curtis, E: | Tu ca nun chiagne Franco Corelli (tenor) NHK Orchestra, Alberto Ventura | Donizetti: | Qui di sposa eterna...Ah! Verrano a te sull'aure (from Lucia di Lammermoor) Alfredo Kraus (tenor) with Emiko Suga (soprano), Edelmiro Arnaltes (piano) & Asier Polo (cello) | Giordano, U: | Un dì, all' azzurro spazio (from Andrea Chénier) Franco Corelli (tenor) NHK Orchestra, Alberto Ventura | Massenet: | Ah! Tout est bien fini... O souverain (from Le Cid) Franco Corelli (tenor) NHK Orchestra, Alberto Ventura Ouvre tes yeux bleus Alfredo Kraus (tenor) with Emiko Suga (soprano), Edelmiro Arnaltes (piano) & Asier Polo (cello) Pourquoi me reveiller (from Werther) Alfredo Kraus (tenor) with Emiko Suga (soprano), Edelmiro Arnaltes (piano) & Asier Polo (cello) | Meyerbeer: | Mi batte il cor … O paradiso (from L'Africana) Franco Corelli (tenor) NHK Orchestra, Alberto Ventura | Obradors: | Del cabello más sutil Alfredo Kraus (tenor) with Emiko Suga (soprano), Edelmiro Arnaltes (piano) & Asier Polo (cello) Coplas de curro dulce Alfredo Kraus (tenor) with Emiko Suga (soprano), Edelmiro Arnaltes (piano) & Asier Polo (cello) | Puccini: | Ch'ella mi creda libero e lontano (from La Fanciulla del West) Franco Corelli (tenor) NHK Orchestra, Alberto Ventura | Ruiz de Luna: | En el fondo de la mina Alfredo Kraus (tenor) with Emiko Suga (soprano), Edelmiro Arnaltes (piano) & Asier Polo (cello) | Scarlatti, A: | Chi vuole innamorarsi (from Il Flavio) Alfredo Kraus (tenor) with Emiko Suga (soprano), Edelmiro Arnaltes (piano) & Asier Polo (cello) | Serrano: | Te quiero moreno from El Trust de los Tenorios Alfredo Kraus (tenor) with Emiko Suga (soprano), Edelmiro Arnaltes (piano) & Asier Polo (cello) | Sorozábal: | La Taberna del Puerto – ‘No puede ser’ Alfredo Kraus (tenor) with Emiko Suga (soprano), Edelmiro Arnaltes (piano) & Asier Polo (cello) | Tosti: | A vucchella Franco Corelli (tenor) NHK Orchestra, Alberto Ventura | Verdi: | Questa o quella (from Rigoletto) Franco Corelli (tenor) NHK Orchestra, Alberto Ventura |
Box set comprising the following DVDs already available in the Dynamic catalogue: Alfredo KRAUS – The 1996 Tokyo Recital Franco CORELLI – The 1971 Tokyo Concert 2 DVDs for 1 Sound Format: LPCM 2.0 Picture Format: 4:3 Subtitles: It, Eng, Ger, Fr, Sp Running Time: 54+60 min Booklet Notes: It, Eng, Ger, Fr Available Worldwide | | | Usually despatched in 2 - 3 working days. |
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| |  | Giuseppe di Stefano in San Francisco
Giuseppe de Stefano was renowned as the true successor of Gigli and was known as the “Golden Voice”. This collection of recordings made in San Francisco in 1950 includes excerpts from Gounod’s Faust, Verdi’s Rigoletto and Puccini’s La Boheme. In the excerpt from Madame Butterfly, di Stefano is joined by Renata Tebaldi. | | | Usually despatched in 2 - 3 working days. |
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| |  | French Opera Arias
“This is an interestingly put together recital which manages to illuminate much of the tenor repertoire in 19th century French opera (and early) whilst mixing the known and the unknown. Of course, it only works properly because Alagna brings to each aria his familiar intelligence and musicality.” MusicWeb International | | (Sorry, download not available in your country) | |
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Gramophone Awards 2005
Gramophone Magazine