Barber: The Daisies

This is a pretty stunning achievement. At his most mellifluous and focused, Gerald Finley has beauty of tone to spare. But he is also at his most expressive – hollowing out the voice for the hopelessness of the song “Bessie Bobtail”, letting it splinter with anger at the climax of the brief, furious “Sea Snatch”. Throughout, Julius Drake proves a predictably accomplished, thoughtful partner. The pair move easily and logically from the prettiness of the very early songs through the complexities of the Hermit Songs and the pensive Mélodies passagères. It’s a canny move to place Dover Beach as the final track. The introduction of the string quartet to close the disc shifts the mood, sending us off in another direction. It comes as a hopeful reminder of the wonder of love, even with a sting in its tail. Entirely appropriate for a bittersweet, marvellous collection. - Gramophone Magazine

The 1953 recording features the spectacular twenty-six year old Leontyne Price, accompanied by Samuel Barber at the Library of Congress. The duo's entire recital is issued whole for the first time. In this recital the soprano and composer give the world premiere performance of Barber's "Hermit Songs", and perform Henri Sauguet's "La Voyante" (The Fortune Teller) and other songs by Barber, Poulenc and Fauré. This remarkable 1938 recording, released to the public for the first time, gives us the 28 year old baritone, Samuel Barber in 12 songs, accompanying himself at the piano. These little known performances reveal Barber as a singer/player of uncommonly deep communicative power. The performances (issued in cooperation with Mr. Barber's estate and the Curtis Institute in Philadelphia) include folk songs from England, America, the Tyrol and Tuscany as well as lieder by Schumann, Brahms, Mendelssohn, C.P.E Bach and Schubert.