Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Ladies sing Baroque
Bach, J S: | St Matthew Passion, BWV244: Erbarme dich Angela Kazimiercszuk (soprano) Mass in B minor, BWV232: Agnus Dei Nathalie Stutzmann (contralto) | Handel: | The soft complaining flute (A Song for St Cecilia's Day) Lucy Crowe (soprano) Fido specchio (from Il trionfo del tempo e del disinganno) Deborah York (soprano) Se la bellezza perde vaghezza (from Il Trionfo del tempo e del disinganno) Sara Mingardo (contralto) Se vive in te (from Radamisto) Sandrine Piau (soprano), Sara Mingardo (contralto) Se pietà di me non senti (from Giulio Cesare) Sandrine Piau (soprano) To thee, thou glorious son of worth (from Theodora) Karina Gauvin (soprano), Marie-Nicole Lemieux (contralto) | Monteverdi: | 'Amor, dicea' from Lamento della Ninfa Rosana Bertini (soprano) | Pergolesi: | Stabat mater: Opening duet Gemma Bertagnolli (soprano), Sara Mingardo (contralto) | Porpora: | Alto Giove (from Polifemo) Veronica Cangemi (soprano) | Purcell: | Bid the virtues (from Come ye Sons of Art, Z323) Patricia Petibon (soprano) | Strozzi: | Lagrime mie Anna Caterina Antonacci (soprano) Miei pensieri Roberta Invernizzi (soprano) | Vivaldi: | In furore iustissimae irae, RV626: Allegro Sandrine Piau (soprano) Zeffiretti che sussurate (from Ercole sul Termodonte) Sandrine Piau (soprano), Ann Hallenberg (mezzo) Veni, sequere fida (from Juditha Triumphans, RV644) Magdalena Kozena (soprano) Se l’acquisto di quel Soglio (from La Verità in cimento) Nathalie Stutzmann (contralto) Nel profondo from Orlando Furioso Marie-Nicole Lemieux (contralto) Stabat Mater, RV621: largo Marie-Nicole Lemieux (contralto) Gemo in punto e fremo (from L'Olimpiade RV725) Sara Mingardo (contralto) Anderò, volerò, griderò (from Orlando finto pazzo) Sonia Prina (contralto) Gelosia, tu già rendi l’alma mia from Ottone in villa Julia Lezhneva (soprano) |
The baroque woman was confined to a strictly domestic role. She was either saintly (mother of Christ and the subject of religious allegory as in Handel’s Trionfo del tempo e del disinganno), a diva, a queen (Poppea, Cleopatra) or the inevitable victim in classical tragedies like Semiramis, Berenice, Rodelinda and Agrippina. 'Ladies sing Baroque' is shaped as a nod to those ladies who have enchanted jazz, but composed of music from two centuries earlier: hymns to emotion, the tunes that disturb for eternity! Monteverdi's invention of opera, Vivaldi's music for the Pieta, Pergolesi and Bach bring the drama and emotion found in temples and churches. Highlights include the final duet from 'L'Incorronazione di Poppea' and Bach's sublime 'Erbarme dich' whilst two Canadians with strong characters, Marie-Nicole Lemieux and Karina Gauvin, successfully evoke the legendary association of Marilyn Horne and Montserrat Caballé. | | | In stock - usually despatched within 1 working day. |
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| |  | Songs and Airs by Purcell
Purcell: | O solitude, my sweetest choice, Z406 Ah! how sweet it is to love (from Tyrannic Love or The Royal Martyr, Z613) Not all my torments can your pity move, Z400 Stript of their green our groves appear, Z444 Tell me, some pitying angel (The Blessed Virgin's Expostulation), Z196 If music be the food of love, Z379 Hark! The Echoing Air (from The Fairy Queen, Z629) The fatal hour comes on apace, Z421 Incassum Lesbia, incassum rogas ('The Queen's Epicedium'), Z383 Sweeter than Roses (from Pausanius, the Betrayer of his Country, Z585) Cupid, the slyest rogue alive, Z367 From silent shades ('Bess of Bedlam') Z370 Dear pretty youth (from The Indian Queen, Z630) From Rosy Bow'rs (from Don Quixote) An Evening Hymn 'Now that the sun hath veiled his light', Z193 Beneath a poplar's shadow (from Sophonisba or Hannibal's Overthrow, Z590) I attempt from love's sickness to fly in vain (from The Indian Queen) Let us dance (from Prophetess or The History of Dioclesian, Z627) Fairest Isle (from King Arthur) Nymphs and Shepherds, Z600 Amidst the shades and cool refreshing streams Z355 Love in their little veins inspires (from Timon of Athens, Z632) Fly swift ye hours, Z369 They tell us that your mighty powers, Z630 Plainte - O, Let Me Weep (from The Fairy Queen, Z629) In the black dismal dungeon of despair, Z190 See, even Night herself is here (from King Arthur, Z628) Why should men quarrel? (from The Indian Queen, Z630) Seek not to know (from The Indian Queen, Z630) The History of King Richard the Second or The Sicilian Usurper: Retir'd from any mortal's sight, Z581 To arms, heroic Prince (from The Libertine Destroyed, Z600) O lead me to some peaceful gloom (from Bonduca or The British Heroine, Z574) Halcyon days (from King Arthur, Z629) Bid the virtues (from Come ye Sons of Art, Z323) Lord, what is man?, Z192 Music for a while, Z583 Sawney is a bonny lad, Z412 When I have often heard young maids complaining (from The Fairy Queen, Z629) Ah! cruel, bloody fate (from Theodosius or The Force of Love, Z606) Thy hand, Belinda … When I am laid in earth (from Dido & Aeneas) |
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| |  | Baroque Voices 29 - Amour & MascaradePurcell & Italy
anon.: | The furies masque The Fairey Masque Cupararee or Graysin The Ladies Masque The Goates masque The second Witches dance | Frescobaldi: | Canzon terza Canzona quinta Canzon prima (1628) Canzon sesta, from In partitura, il promo libro delle canzoni, 1628 | Mancini, F: | Quanto dolce è quell’ardore Largo Recitatif Allegro | Purcell: | Bid the virtues (from Come ye Sons of Art, Z323) O dive custos Auriacae domus, Z504 Plainte - O, Let Me Weep (from The Fairy Queen, Z629) Sound the trumpet, beat the drum, Z335 |
A new and fresh light on pieces by Henry Purcell, interspersed with music by Frescobaldi, Mancini, and several anonymous composers. | | | (also available to download from $10.50) | Usually despatched in 3 - 4 working days. (Available now to download.) |
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| |  | Grace Davidson: A PortraitSacred Arias & Songs
A new recording by the ascending British star of the early music and baroque scene. Grace Davidson’s distinctive and ethereal voice can be heard in ensemble with such groups as The Sixteen, Tenebrae, the Monteverdi Choir, the English Concert, the Gabrieli Consort, Ensemble Plus Ultra and Ex Cathedra. This is the first album devoted entirely to her own voice and features her in a range of early music repertoire from Hildegard to Mozart and is accompanied by the original instrument orchestra Fiori Musicali. Grace Davidson takes as her canvas for this vocal portrait music ranging over 700 years of musical history, displaying a wonderful variety of musical textures and colours. From the subtle, suggestive monody of Hildegard of Bingen (the 12th-century visionary) through to the distinctive music of the Neapolitan baroque and the vivid tones of Mozart’s Exsultate, jubilate this is a musical journey portraying an outstandingly beautiful new voice. The music performed includes rarities such as Mancini, Koželuch and Leo as well as well known works by John Dowland, Bach and Mozart. | | | Usually despatched in 4 - 5 working days. |
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| |  | Virgo GloriosaA stroll through baroque Europe
Cyrille Dubois (Treble), Alain Buet (Baritone) La Maîtrise de Caen, Robert Weddle Recorded June 1999 & July 2000 at Notre Dame de la Gloriette, Caen | | | Usually despatched in 2 - 3 working days. |
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| |  | Amour et Mascarade
anon.: | The furies masque The Fairey Masque Cupararee or Graysin The Ladies Masque The Goates masque The second Witches dance | Frescobaldi: | Canzon terza, from In partitura, il promo libro delle canzoni, 1628 Canzon quinta, from In partitura, il promo libro delle canzoni, 1628 Canzona prima, from Il secondo libro di toccate, canzoni..., 1627 Canzon sesta, from In partitura, il promo libro delle canzoni, 1628 | Mancini, F: | Quanto dolce è quell’ardore | Purcell: | Bid the virtues (from Come ye Sons of Art, Z323) O dive custos Auriacae domus, Z504 Plainte - O, Let Me Weep (from The Fairy Queen, Z629) Sound the trumpet, beat the drum, Z335 |
“The instrumental playing is first-rate” Classics Today | | | Usually despatched in 3 - 4 working days. |
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