Wolf, H: Ich hab in Penna einen Liebsten (No. 46 from Italienisches Liederbuch) (Alla città di Penna)

This page lists all recordings of Ich hab in Penna einen Liebsten (No. 46 from Italienisches Liederbuch) (Alla città di Penna), by Hugo Wolf (1860-1903) on CD. Generally, more recent releases are listed first, but with priority given to those that are in stock.

Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.)
See Terms & Conditions for p&p rates.

The Very Best of Elisabeth Schwarzkopf

Bach, J S:	Cantata BWV51 'Jauchzet Gott in allen Landen': Aria Bist du bei mir, BWV508
Beethoven:	O wär' ich schon mit dir vereint (Marzelline)
Heuberger:	Gehen wir ins Chambre séparée) from The Opera Ball
Humperdinck:	Brüderchen, komm tanz mit mir (Dance Duet from Hänsel und Gretel)
Lehár:	Viljalied (from Die lustige Witwe)
Mozart:	Non so più cosa son, cosa faccio (from Le nozze di Figaro) Porgi amor (from Le nozze di Figaro) E Susanna non vien! … Dove sono i bei momenti (from Le nozze di Figaro) In quali eccessi ... Mi tradì quell'alma ingrate (from Don Giovanni) Come scoglio (from Così fan tutte) Ridente la calma, K152
Schubert:	An die Musik D547 Das Lied im Grünen, D917 Nachtviolen D752 (Mayrhofer) Der Musensohn, D764 (Goethe)
Siecynski:	Wien, du Stadt meiner Traüm
Smetana:	Endlich allein (from Die verkaufte Braut)
Strauss, J, II:	Klänge der Heimat (from Die Fledermaus)
Strauss, R:	Da geht er hin (from Der Rosenkavalier, Op. 59) Es gibt ein Reich (from Ariadne auf Naxos) Das war sehr gut, Mandryka (from Arabella) Frühling (from Vier Letzte Lieder) Im Abendrot (from Vier Letzte Lieder) Muttertändelei, Op. 43 No. 2 Zueignung, Op. 10 No. 1
trad.:	Gsätzli
Wagner:	Einsam in trüben Tagen (from Lohengrin)
Weber:	Wie nahte mir der Schlummer … Leise, leise, fromme Weise (from Der Freischütz)
Wolf, H:	Auch kleine Dinge (No. 1 from Italienisches Liederbuch) Mein Liebster hat zu Tische mich geladen (No. 25 from Italienisches Liederbuch) Ich hab in Penna einen Liebsten (No. 46 from Italienisches Liederbuch) Verschling der Abgrund meines Liebsten Hütte Wiegenlied im Sommer (from Sechs Lieder für eine Frauenstimme) In dem Schatten meiner Locken (No. 2 from Spanisches Liederbuch: Weltliche Lieder) Mignon IV 'Kennst du das Land' (No. 9 from Goethe-Lieder) Mausfallen-Sprüchlein (from Lieder für eine Frauenstimme)

Elisabeth Schwarzkopf (soprano)

Multi-award winning opera singer Elisabeth Schwarzkopf, praised for the ‘pristine beauty of her lyric soprano’ (The Guardian), was revered in opera houses worldwide and is perhaps most famous for her Mozart roles. However, she was also at home on the concert stage and this collection combines her acclaimed portrayals of Donna Elvira, Countess Almaviva and Richard Strauss’s Marschallin, among others, with her affecting interpretations of lieder and song-cycles.

EMI - The Very Best of... - 4165022

(CD - 2 discs)

$11.25

In stock - usually despatched within 1 working day.

Strauss: Vier letzte Lieder & Orchesterlieder

Strauss, R:

Four Last Songs

London Symphony Orchestra, Andre Previn

Freundliche Vision, Op. 48 No. 1

Morgen, Op. 27 No. 4

Meinem Kinde, Op. 37 No. 3

Befreit, Op. 39 No. 4

Zueignung, Op. 10 No. 1

London Symphony Orchestra, Andre Previn

Wolf, H:

Auch kleine Dinge (No. 1 from Italienisches Liederbuch)

Mein Liebster hat zu Tische mich geladen (No. 25 from Italienisches Liederbuch)

Wir haben beide lange Zeit geschwiegen (No. 19 from Italienisches Liederbuch)

Ich hab in Penna einen Liebsten (No. 46 from Italienisches Liederbuch)

Elfenlied (No. 16 from Mörike-Lieder)

Ein Stündlein wohl vor Tag (No. 3 from Mörike-Lieder)

Er ist's (No. 6 from Mörike-Lieder)

Denk es, o Seele! (No. 39 from Mörike-Lieder)

Bei einer Trauung (No. 51 from Mörike-Lieder)

Storchenbotschaft (No. 48 from Mörike-Lieder)

Gerald Moore (piano) & Günther Weissenborn (piano)

Anneliese Rothenberger (soprano)

EMI Electrola Collection - 7235562

(CD)

$11.25

In stock - usually despatched within 1 working day.

Listen to samples

Régine Crespin in Recital

Debussy:	Trois chansons de Bilitis
Poulenc:	Chanson d'Orkenise Hotel La Courte Paille: Le Carafon La Courte Paille: 3. La Reine de coeur Chansons villageoises: Les gars qui vont à la fête C Fêtes galantes
Schumann:	Gedichte der Königin Maria Stuart, Op. 135
Wolf, H:	In der Frühe (No. 24 from Mörike-Lieder) Der Gärtner (No. 17 from Mörike-Lieder) Das verlassene Mägdlein (No. 7 from Mörike-Lieder) Ich hab in Penna einen Liebsten (No. 46 from Italienisches Liederbuch) Anakreons Grab (No. 29 from Goethe-Lieder) Verschwiegene Liebe (No. 3 from Eichendorff-Lieder)

Régine Crespin (soprano) & John Wustman (piano)

The larger-than-life Régine Crespin, made only one song recital record for Decca, of music by Schumann, Wolf, Debussy and Poulenc. This is the first time the entire recital has been made available on CD.

As her career progressed, Crespin became associated with certain roles – Kundry, Sieglinde, Brünnhilde, Tosca, the Marschallin – but she was prodigiously versatile, thanks to her years in the French provinces. An intelligent singer who understood how to make the texts count, Crespin also had tremendous success in non-operatic repertory. Her 1963 Decca recording, with conductor Ernest Ansermet, of Berlioz’s Les Nuits d'été and Ravel’s Shéhérazade, is regarded as among the best available. In its original French, her candid and entertaining autobiography is called La vie et l'amour d'une femme, which is also the French translation of Schumann's song cycle Frauenliebe und -leben. Indeed, Lieder by Schumann and Wolf were important parts of her recital repertory, and she brought the same depth of meaning to their German texts as she did to her Wagnerian roles. Of course French, being her native language, evoked a most immediate and intimate response from this singer.

This release marks the launch of an Eloquence series of notable recitals of songs and opera arias by some of the great voices of Decca and Deutsche Grammophon.

“Seven songs by Poulenc, in pungent and marvellously characterised performances, form the highlight of this 1967 recital of Crespin in her prime. Her Wolf and Schumann are also irresistable.” BBC Music Magazine, June 2012 ****

“It is difficult, indeed I find it impossible, to think of any soprano capable of singing Brünnhilde, as Régine Crespin has done, who is also capable of making a success of such a varied programme as this recital offers, but this she most certainly has achieved from start to finish. […] She has in John Wustman a pianist truly worthy of her, sensitive to every mood and nuance. […] I can give no higher praise to Crespin's singing of Debussy's Chansons de Bililis than to say it does not suffer from comparison with Maggie Teyte's. […]The balance between voice and piano is very good, and so here is everything for our delight. This is, indeed, one of the finest song recitals of recent times and I most warmly and enthusiastically recommend it” Gramophone Magazine

Australian Eloquence Vocal Recitals - 4802098

(CD)

$10.25

In stock - usually despatched within 1 working day.

Elisabeth Schwarzkopf: Farewell Recital in Amsterdam, 1977

Liszt:	Die drei Zigeuner, S.320
Mahler:	Ich atmet' einen linden Duft (Rückert-Lieder)
Schubert:	Der Einsame, D800 Gretchen am Spinnrade, D118 Seligkeit D433 (Holty) Der Lindenbaum (No. 5 from Winterreise, D911)
Schumann:	Der Nussbaum, Op. 25 No. 3
Strauss, R:	Ruhe, meine Seele!, Op. 27 No. 1 Ach, was Kummer, Qual und Schmerzen, Op. 49 No. 8
Wolf-Ferrari:	Vado di notte, come fa la luna
Wolf, H:	Mignon IV 'Kennst du das Land' (No. 9 from Goethe-Lieder) Die Zigeunerin (No. 7 from Eichendorff-Lieder) Ich esse nun mein Brot nicht trocken mehr Ich hab in Penna einen Liebsten (No. 46 from Italienisches Liederbuch) Trau nicht der Liebe (No. 67 from Spanisches Liederbuch: Weltliche Lieder) O wär dein Haus durchsichtig wie ein Glas Wie lange schon war immer mein Verlangen (No. 11 from Italienisches Liederbuch) An den Schlaf (No. 29 from Mörike-Lieder) Heimweh (No. 37 from Mörike-Lieder) Denk es, o Seele! (No. 39 from Mörike-Lieder) Das verlassene Mägdlein (No. 7 from Mörike-Lieder)

Elisabeth Schwarzkopf (soprano), Geoffrey Parson (piano)

Bella Voce - BLV107002

(CD)

$7.50

Usually despatched in 2 - 3 working days.

Dame Felicity Lott & Graham Johnson

Fallen Women and Virtuous Wives

	I know where I'm going arranged Hughes Sweet Polly Oliver arranged Britten
Bliss:	The return from town
Brahms:	Mädchenlied, Op. 107 No. 5
Britten:	O Waly, Waly
Coward, N:	Spinning Song Alice is at it again A bar on the piccolo marina
Duparc:	Au pays ou se fait la guerre
Fauré:	Une Sainte en son aurèole
Grand:	What's a lady like me
Hahn, R:	O mon bel inconnu: 'C'est tres vilain d'etre infidele'
Haydn:	Die zu späte Ankunft der Mutter
Heuberger:	Gehen wir ins Chambre séparée) from The Opera Ball
Mozart:	Die Alte K517
Poulenc:	La Dame de Monte Carlo
Roussel:	Réponse d'une épouse sage, Op. 35 No. 2
Schumann:	Lied der Braut II, Op. 25 No. 12
Straus, O:	Warum soll eine Frau kein Verhältnis haben
Strauss, R:	Drei Lieder der Ophelia Op. 67
Walton:	Wapping Old
Weill, K:	Nanna's lied (Text: Bertolt Brecht) Und was bekam des Soldaten Weib
Wolf, H:	Ich hab in Penna einen Liebsten (No. 46 from Italienisches Liederbuch)

Dame Felicity Lott (soprano) & Graham Johnson (piano)

"Her purity of tone and sureness of stage presence, at the most touching of moments, reassert her reputation as one of the great Straussians of our time" The Observer

“Flott-lovers should flock to lay their hands on this very live recital, focusing on Flott as chanteuse. …Hahn and Poulenc are exquisitely eloquent, and her risqué Walton and Coward - from 'Wapping Old Stairs' to 'The Bar in the Piccola Marina' are tours de force of stylish enunciation and comic timing,” BBC Music Magazine, September 2005 ****

“…it shows the soprano in full enjoyment, and we catch the audience's pleasure in a murmur of general good humour.” Gramophone Magazine, December 2005

Wigmore Hall Live - WHLIVE0004

(CD)

$11.50

Usually despatched in 3 - 4 working days.