Berio: Rendering

Berio had an abiding fascination with reconciling the past and the present, which can be seen in his orchestral realisations of works by Mahler and Brahms, and most notably, in Rendering (1990), his typically creative completion of unfinished symphonic sketches by Schubert.

In Rendering, Berio – in his own words – sets himself the target of ‘following those modern restoration criteria that aim at reviving the old colours without, however, trying to disguise the damage that time has caused, often leaving inevitable empty patches in the composition’. In the ‘restoration’, Schubert’s sketches have been beautifully orchestrated in period style, and the ‘empty patches’ have been filled with music composed by Berio himself, in his own voice – thereby successfully combining the musical worlds of the early nineteenth and late twentieth centuries into one convincing whole.

The Clarinet Sonata by Brahms embodies the composer’s taut and concentrated compositional style. In transcribing the work, Berio felt that, when experienced in the less intimate surroundings of today’s concert halls, the extreme compression of Brahms’s late chamber music style was in need of some additional support, and his version, recorded here, includes a fourteen-bar orchestral introduction to the first movement, leading into Brahms’s own, much shorter opening phrase, as well as five additional bars at the beginning of the second movement.

Berio completed his orchestration of six early songs by Gustav Mahler in 1987, and conducted the first performance with the Toscanini Orchestra on 7 December that year, with Thomas Hampson the baritone soloist. The six songs in this orchestrated set are ‘Hans und Grete’, ‘Phantasie’, ‘Scheiden und Meiden’, ‘Erinnerung’, ‘Frühlingsmorgen’, and ‘Ich ging mit Lust durch einen grünen Wald’.

The Bergen Philharmonic Orchestra is conducted by Edward Gardner, with Roderick Williams the baritone soloist in the songs by Mahler and Michael Collins the soloist in Brahms’s Clarinet Sonata.

4SACD (Schubert Symphonies) + 2CD

This set celebrates Nott’s relationship with the Bamberger Symphoniker and includes not only Schubert’s Complete Symphonies but other works written as an homage to Schubert. This 6 disc set has been widely advertised in the magazines and will be a must for all Jonathan Nott fans.

This seventh installment of the Anthology of the Royal Concertgebouw Orchestra (2000- 2010) covers a period in the orchestra's history largely characterised by changing perspectives in a new century. Indeed, it was in 2004 that Riccardo Chailly relinquished his position as chief conductor after a 16-year-long tenure, whereupon the orchestra managed to forge what would be a long-term relationship with the renowned maestro Mariss Jansons. A specialist in Romantic, and particularly Italian, opera repertoire, Chailly was also an advocate of the modern classics and of contemporary music. His collaboration with the RCO resulted in internationally acclaimed recordings of works by such composers as Varese, Stravinsky and Berio.

The Latvian maestro Jansons, a passionate orchestral conductor particularly of the late Romantic repertoire, shifted the orchestra's focus more towards Tchaikovsky, Richard Strauss and Shostakovich, invariably endeavouring to strike a careful balance between clarity of form and aesthetics. In addition, Jansons successfully continued the tradition of high-profile co-productions between the RCO and De Nederlandse Opera with performances of Shostakovich's 'Lady Macbeth of the Mtsensk District' and Tchaikovsky's 'Yevgeny Onegin'. The orchestra itself also underwent changes. A generation of orchestral players, including the illustrious principal wind instrumentalists who had laid the foundations for the Netherlands Wind Ensemble, retired and were succeeded by a group of outstanding young musicians, most of them hailing from outside the Netherlands, resulting in a growing internationalisation of the RCO. There were also changes in the orchestra's business and artistic management and its concert programming policy also saw a shift in direction. The 'Picasso/Rembrandt formula' was retired to make way for the new A Series, featuring more firmly embedded contemporary, often Dutch, repertoire. The launch of the orchestra's own in-house record label, RCO Live, breathed new life into its rich recording tradition. The identity of a modern, 21st-century orchestra would be further bolstered by the RCO's active online presence, its own Web channel, effective use of social media, and the successful digital platform RCO Universe, a novelty in the orchestral world. This CD box set constitutes the final volume of the Anthology of the Royal Concertgebouw Orchestra, a musical journey through time in seven installments, each made up of fourteen CDs of live concert recordings. Drawing on the wealth of recordings in the Dutch public broadcasting network archives, the compilers set out to create a colourful historical overview and sound mosaic whilst doing justice to the unique history of the orchestra from 1935, the year from which its oldest surviving radio recording dates. Repertoire, performance, conductors, soloists and recording quality were the criteria which, in the proper interrelationships, proved to be decisive. Working to document such a vast musical legacy has been a privilege, the compilers having been aware that the making of choices brings with it the duty to showcase as many aspects of this rich history as possible.

The compilers wish to dedicate this series to all the musicians who have been part of the orchestra over the past 125 years. It is hoped that all seven volumes will be re-released as a 'superbox' to celebrate the RCO's anniversary.