All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Pomp & CircumstanceTrumpet Festival
Joachim Schäfer (trumpet), Gesine Forberger (soprano), Stefan Cassar (piano), Oliver Stechbart (organ) Camerata Intrumentale Berlin, Bratislava Chamber Soloists & Trompetenensemble Joachim Schäfer | 
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| |  | Elgar: Pomp and Circumstance Marches
Sir Adrian Boult conducts the London Philharmonic Orchestra in the five Pomp and Circumstance Marches, Dream Children 1&2, The Wand of Youth Suite No. 1 and the Nursery Suite. ‘Sir Adrian Boult – the incomparable Elgarian’. | 
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| |  | Famous Marches
| | Colonel Bogey Kenneth J. Alford (1881 - 1945), Malcolm Arnold (1921 - 2006) Philip Jones Ensemble, Elgar Howarth | Beethoven: | The Ruins of Athens Overture, Op. 113 arr. Bashford The Band Of The Grenadier Guards, Rodney Bashford | Berlioz: | La Damnation de Faust, Op. 24: Rákóczi March Chicago Symphony Orchestra, Georg Solti | Coates, E: | Dam Busters March arr. W.J. Duthoit Philip Jones Ensemble, Elgar Howarth | Elgar: | Pomp and Circumstance March No. 1 in D major, Op. 39 No. 1 London Philharmonic Orchestra, Georg Solti | Fucik: | Entry of the Gladiators Philip Jones Ensemble, Elgar Howarth | Halvorsen: | Bojarernes Indtogsmarsj (Entry of the Boyars) arr. Winterbottom The Band Of The Grenadier Guards, Rodney Bashford | Ippolitov-Ivanov: | Caucasian Sketches: Procession of the Sadar arranged D. Godfrey The Band Of The Grenadier Guards, Rodney Bashford | Schubert: | Marche Militaire, D733 No. 1 The Band Of The Grenadier Guards, Rodney Bashford | Sousa: | The Stars and Stripes Forever Philip Jones Ensemble, Elgar Howarth Washington Post Philip Jones Ensemble, Elgar Howarth Semper Fidelis Philip Jones Ensemble, Elgar Howarth The Thunderer Philip Jones Ensemble, Elgar Howarth King Cotton Philip Jones Ensemble, Elgar Howarth The Liberty Bell Philip Jones Ensemble, Elgar Howarth | Strauss, J, I: | Radetsky March, Op. 228 arr. Norman Richardson) The Band Of The Grenadier Guards, Rodney Bashford | Strauss, J, II: | Kaiser Franz Joseph I. Rettungs-Jubel-Marsch Op. 126 arr. Sandauer Wiener Philharmoniker, Willi Boskovsky Russischer Marsch Wiener Philharmoniker, Willi Boskovsky Egyptischer Marsch, Op. 335 Wiener Philharmoniker, Willi Boskovsky Persischer Marsch, Op. 289 Wiener Philharmoniker, Willi Boskovsky | Verdi: | Grand March from Aida arr. R. Sanders Philip Jones Ensemble, Elgar Howarth |
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| |  | Classics For Your Wedding
Bach, J S: | Orchestral Suite No. 2 in B minor, BWV1067: Badinerie Sheep May Safely Graze, from Cantata BWV208 Toccata in D minor (BWV 565) Cantata BWV147 'Herz und Mund und Tat und Leben': Jesu, bleibet meine Freude Orchestral Suite No. 3 in D major, BWV1068: Gavotte I & II | Charpentier, M-A: | Te Deum, H146: Prélude | Clarke, Jeremiah: | Trumpet Voluntary 'Prince of Denmark's March' | Delibes: | Lakmé: Dôme épais (Flower Duet) | Elgar: | Pomp and Circumstance March No. 1 in D major, Op. 39 No. 1 Salut d'amour, Op. 12 Chanson de Matin, Op. 15 No. 2 | Fauré: | Cantique de Jean Racine, Op. 11 | Franck, C: | Prélude, Choral et Fugue, M21 Panis Angelicus | Gounod: | Ave Maria | Grieg: | Peer Gynt: Morning | Handel: | Messiah: Hallelujah Chorus Arrival of the Queen of Sheba (from Solomon) Water Music Suite No. 1 in F major, HWV348: Air | Massenet: | Meditation (from Thaïs) | Mendelssohn: | A Midsummer Night's Dream: Wedding March | Mozart: | Exsultate, jubilate, K165 - Alleluia Vesperae Solennes de Confessore, K339: Laudate Dominum | Pachelbel: | Canon | Rossini: | Petite Messe solennelle: Kyrie | Saint-Saëns: | Benediction Nuptiale in F major, Op. 9 Le carnaval des animaux: Aquarium Le carnaval des animaux: Le Cygne | Strauss, J, II: | An der schönen, blauen Donau, Op. 314 | Tchaikovsky: | Swan Lake: Scene (Swan Theme) | Vivaldi: | Laudamus te (We praise thee) from Gloria in D, RV589 The Four Seasons: Spring, RV269 (Allegro) | Wagner: | Bridal Chorus 'Treulich geführt' (from Lohengrin) |
Everyone attaches particular importance to the music for their wedding ceremony. It is, after all, the key ingredient essential for intensifying the emotional level of a very special day which is to be shared not only by the happy couple but also with all their guests. Choosing the music for one’s wedding is an intimate thing, a second declaration of love between bride and groom. But it is also a bid to express and convey to the young couple’s nearest and dearest, who will be present with them at the wedding, all those feelings of joy and love which cannot be expressed by a mere exchange of "I do’s" and of rings. And so, whatever your musical tastes and temperament and no matter how you choose to say "I love you" or "I do", you’ll find music to suit you on this double album: from favourite classics to rare gems of the repertoire, from music for festive occasions to more intimate, soulful and reflective melodies, this compilation brings together the most beautiful masterpieces to help you make your wedding an occasion of pure emotion and shared happiness and ensure that you never forget the most beautiful day of your life. | | | In stock - usually despatched within 1 working day. |
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| |  | Thames Diamond Jubilee PageantThe Official Album
Recorded at Henry Wood Hall, London on 7 & 8 March 2012. The London Philharmonic Orchestra takes part in the Thames Diamond Jubilee Pageant on 3 June as part of the 1000 boat flotilla celebrating the Queen’s 60th anniversary. Its musicians will play works chosen for their association with British history and London landmarks, recorded here to capture the spirit of the occasion and to serve as a memento of a unique day. Highlights of the music include Percy Grainger’s Country Gardens, Jupiter from Gustav Holst’s The Planets, Thomas Arne’s Rule, Britannia!, the James Bond Theme, The Dam Busters by Eric Coates and two works by Elgar – Nimrod from Enigma Variations and Pomp & Circumstance March No. 1. The CD closes out with a performance of the National Anthem. “You don’t have to be ravingly patriotic to enjoy this, but it helps. When the Jubilee flotilla travels down the Thames on June 3, the London Philharmonic will be on board. This CD gives a foretaste of what to expect...The music is crisply delivered under David Parry.” The Times, 12th May 2012 | | | (also available to download from $10.50) | In stock - usually despatched within 1 working day. |
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| |  | Elgar: Cello Concerto
Paul Watkins is the cello soloist in a recording that showcases some of Elgar’s most popular works. He is accompanied by the BBC Philharmonic and Sir Andrew Davis, a conductor steeped in the English music tradition. Elgar studied the violin from a young age, and had some early hopes of making a career as a soloist. Consequently, he wrote for the strings of the orchestra with a special understanding and flair, not least in a handful of works for strings alone. The showpiece among these is the Introduction and Allegro, written in 1904, for the newly formed London Symphony Orchestra to be included in an all-Elgar concert. The premiere performance was conducted by the composer. Elgar started writing his Pomp and Circumstance Marches in 1901 in the wake of his national successes with the Enigma Variations and The Dream of Gerontius. The Marches vary considerably in mood. The First March gained worldwide fame largely due to the trio melody, which Elgar considered ‘a tune that comes once in a lifetime’, and the Second displays a certain air of urgency with its brazen horn calls and jaunty trio. Also on this disc is Elgar’s intimate and restrained Elegy for Strings. The Cello Concerto in E minor, written in 1918 – 19, was the last major work Elgar completed. Its mood is often described as ‘autumnal’, and highly reflective of the ageing composer’s own state of mind. At the time of writing it, Elgar was concerned about the failing health of his wife and about his own waning popularity; he was deeply disturbed, too, by the horrors of the First World War. Paul Watkins writes of his experience of recording this work: ‘It is a privilege to have the opportunity to add my voice to the many different interpretations of this iconic work. I prepared for this recording by using my experience as a conductor: in other words, to study Elgar’s masterful score as deeply as possible, and to realise how intimately the solo cello is linked to the orchestra throughout. In this respect I feel fortunate to have been working with Sir Andrew Davis. He is the most natural and intelligent interpreter of Elgar I know.’ “Poetic pianissimos, abrupt explosions, finely tapered phrases: each of Watkins’s expressive details immediately reach the listener...There’s also perfect rapport between soloist, conductor and orchestra. Watkins’s ten years of conducting experience comes into play here...time and again the ear is moved and beguiled by Watkins’s quiet ache or varied colours or the orchestra’s sheen and fleet panache.” The Times, 6th April 2012 **** “Watkins' account seems the best to have appeared on disc for years. It has intensity, presence and warmth, which never topples over into sentimentality, and Davis and the BBC Philharmonic accompany with panache; the exchanges in the scherzo are wonderfully deft. The rest of disc is equally fine.” The Guardian, 5th April 2012 ***** “Watkins writes in the booklet that he found it “daunting” to record Elgar’s Cello Concerto...but he rises superbly to the challenge. His playing — of exceptional beauty, refinement and technical address — is all the more remarkable given that he is no longer a full-time soloist.... With Davis, one of the most experienced of all Elgarians, as his conductor, this is a valedictory account of the composer’s last important orchestral work” Sunday Times, 22nd April 2012 “Watkins plays with consummate artistry, his golden-toned and technically flawless contribution striking a judicious balance between classical poise and unexaggerated depth of feeling...Durable rewards guaranteed, then, and the same certainly holds true for Davis's dashingly articulate, meticulously observant and superbly musical handling [of the Marches]...for the two main offerings alone every Elgarian should investigate this release” Gramophone Magazine, July 2012 “there are times when a recording of a popular classic comes along that's so fresh, understanding and heartfelt that it demands to be approached solely on its own terms. Paul Watkins's Elgar Cello Concerto is firmly in that class. Watkins's emotional shading is individual, without it ever sounding as though he's trying to be individual.” BBC Music Magazine, July 2012 **** “Paul Watkins is a sensitive soloist, and he and Davis clearly have a special rapport...The BBC Philharmonic strings are richly full-blooded and rhythmically taught in the Introduction and Allegro. There is a wonderful ebb and flow to the lighter passages, which radiate warmth and geniality” Graham Rogers, bbc.co.uk, 25th July 2012 “Davis, an Elgarian of perception, understands the smallest implications in the light but beautiful orchestration, ideal accompaniment to the cello. Watkins is watchful of the detail in the heartfelt opening statement...Watkins and Davis give [the finale]...a distinct dryness of utterance. Much falls into place with this approach” International Record Review, May 2012 “Watkins does so much more than just play the tunes. His range of colour and expression is tremendous, and the instrument he uses he describes in the booklet as having a “combination of burnished woody timbres and a plangent expressivity, reminiscent perhaps of an English tenor voice.”..With stunning recorded sound, what more could one ask.” MusicWeb International, June 2012 | | | (also available to download from $10.50) | In stock - usually despatched within 1 working day. |
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| |  | Elgar: Enigma Variations & Pomp & Circumstance Marches
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| |  | British AnthemsA Collection of Great British Music
A collection of music by great British composers, including Elgar - Land of Hope and Glory, Enigma Variations; Holst – The Planets; Walton – Crown Imperial; Orb & Sceptre and Parry – Jerusalem. Full of highly recognisable themes, this album captures and celebrates the great British spirit. Released in time for the Royal Wedding of Prince William to Katherine Middleton, which takes place on the 29th April 2011. With street parties up and down the isle and a national bank holiday, the biggest Royal event since the Marriage of Prince Charles to Princess Diana is set to be celebrated in style. | | | In stock - usually despatched within 1 working day. |
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| |  | Elgar - Enigma Variations
“Lithe, athletic, confident, and spaciously recorded...A top Elgar recommendation.” BBC Music Magazine, June 2010 ***** | | | In stock - usually despatched within 1 working day. |
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| |  | The Most Beautiful Classical Melodies - Volume 3
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