Prokofiev: Autumnal sketch, Op. 8

This seventh installment of the Anthology of the Royal Concertgebouw Orchestra (2000- 2010) covers a period in the orchestra's history largely characterised by changing perspectives in a new century. Indeed, it was in 2004 that Riccardo Chailly relinquished his position as chief conductor after a 16-year-long tenure, whereupon the orchestra managed to forge what would be a long-term relationship with the renowned maestro Mariss Jansons. A specialist in Romantic, and particularly Italian, opera repertoire, Chailly was also an advocate of the modern classics and of contemporary music. His collaboration with the RCO resulted in internationally acclaimed recordings of works by such composers as Varese, Stravinsky and Berio.

The Latvian maestro Jansons, a passionate orchestral conductor particularly of the late Romantic repertoire, shifted the orchestra's focus more towards Tchaikovsky, Richard Strauss and Shostakovich, invariably endeavouring to strike a careful balance between clarity of form and aesthetics. In addition, Jansons successfully continued the tradition of high-profile co-productions between the RCO and De Nederlandse Opera with performances of Shostakovich's 'Lady Macbeth of the Mtsensk District' and Tchaikovsky's 'Yevgeny Onegin'. The orchestra itself also underwent changes. A generation of orchestral players, including the illustrious principal wind instrumentalists who had laid the foundations for the Netherlands Wind Ensemble, retired and were succeeded by a group of outstanding young musicians, most of them hailing from outside the Netherlands, resulting in a growing internationalisation of the RCO. There were also changes in the orchestra's business and artistic management and its concert programming policy also saw a shift in direction. The 'Picasso/Rembrandt formula' was retired to make way for the new A Series, featuring more firmly embedded contemporary, often Dutch, repertoire. The launch of the orchestra's own in-house record label, RCO Live, breathed new life into its rich recording tradition. The identity of a modern, 21st-century orchestra would be further bolstered by the RCO's active online presence, its own Web channel, effective use of social media, and the successful digital platform RCO Universe, a novelty in the orchestral world. This CD box set constitutes the final volume of the Anthology of the Royal Concertgebouw Orchestra, a musical journey through time in seven installments, each made up of fourteen CDs of live concert recordings. Drawing on the wealth of recordings in the Dutch public broadcasting network archives, the compilers set out to create a colourful historical overview and sound mosaic whilst doing justice to the unique history of the orchestra from 1935, the year from which its oldest surviving radio recording dates. Repertoire, performance, conductors, soloists and recording quality were the criteria which, in the proper interrelationships, proved to be decisive. Working to document such a vast musical legacy has been a privilege, the compilers having been aware that the making of choices brings with it the duty to showcase as many aspects of this rich history as possible.

The compilers wish to dedicate this series to all the musicians who have been part of the orchestra over the past 125 years. It is hoped that all seven volumes will be re-released as a 'superbox' to celebrate the RCO's anniversary.

Decca Classics releases ‘Ashkenazy: 50 Years on Decca’ on 4 March 2013, a limited edition box-set comprised of 50 CDs to celebrate the label’s remarkable 50-year recording partnership with Vladimir Ashkenazy.

‘Ashkenazy: 50 Years on Decca - the Original Jacket Collection’ includes many key recordings since Ashkenazy’s recording debut for the label in March 1963.

Decca Classics’ new release showcases a rich and varied repertoire, with Ashkenazy’s now-legendary debut recording of Rachmaninov’s Piano Concerto No.3 featuring on the first of the 50 CDs ( with the LSO under the baton of Anatole Fistoulari). The collection includes Ashkenazy collaborating with some of classical music’s greatest conductors, such as Solti, Kondrashin, Maazel, Previn, Barenboim, Haitink and Mehta; accompanying great singers and instrumentalists such as Perlman, Harrell and Söderström; as virtuoso pianist in a wide range of solo repertoire; and as an internationally-renowned conductor, particularly of Russian and Nordic repertoire.

The limited-edition ‘Ashkenazy: 50 Years on Decca’ box-set is beautifully packaged with original LP jackets in the label’s now-familiar cube box with hinged lid, and also includes booklet notes in English and Japanese, a complete discography of Ashkenazy’s recordings on Decca, a composer index, and a unique article from his long-time producer Andrew Cornall on Ashkenazy in the studio, making this a collector’s essential.