All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Philippe Jaroussky: La voix des rêvesGreatest Moments on Concerts
Philippe Jaroussky, described by Germany’s Die Zeit as “the Apollo of countertenors’, stands out among his many talented contemporaries as much for the soprano-like beauty of his tone as for the elegance and insight of his interpretations and his adventurous and erudite approach to repertoire – whether unearthing neglected scores by little-known composers or venturing beyond the Baroque into the 19th and 20th centuries. Established as one of Virgin Classics’ bestselling artists, Jaroussky, now aged 34, has been honoured three times in the Victoires de la Musique awards in his native France and has also received Germany’s most prominent music prize, the Echo Klassik. His diverse achievements are saluted in two new collections on Virgin Classics – the 2CD set “The Voice” and the DVD and Blu Ray “La Voix des rêves: Greatest moments in Concert”. “LA VOIX DES RÊVES - Greatest Moments in Concert” (available on DVD & Blu Ray) features video footage from a number of occasions and venues – including items from a concert given among the crystal chandeliers of the splendid Galerie des Glaces in the palace of Versailles, and works by Handel and Vivaldi performed in another jewel of French Baroque architecture, the sumptuously decorated Chapelle de la Trinité in Lyon. Also included are exclusive interviews an array of fellow musicians: Jean-Christophe Spinosi, Emmanuelle Haïm, Christina Pluhar; Jérôme Ducros, Quatuor Ebène, Gautier Capuçon, Marie-Nicole Lemieux and Renaud Capuçon. Jaroussky and his appeal were aptly summarised in a recent profile in the French magazine Balthazar: “Philippe Jaroussky alternates between opera and recitals, bringing his sensual, graceful voice and matinee idol looks, and this has made him a key star of classical music. But his recordings also reveal a skilled musicologist who has revived numerous forgotten artists like the castrato Carestini [and the composers] Johann Christian Bach and Caldara. Jaroussky simply glows. Anyone who has had the opportunity to meet him will find it hard to forget his enthusiastic conversation and his magnetic gaze.” The singer made his passions clear in an interview with Crescendo magazine, revealing that “I don’t like being told I have the ‘voice of an angel’, because that would just mean that it sounds pretty and takes people out of themselves … I want to be able to evoke more human emotions too: sorrow, despair, jealousy.” Speaking to the leading French newspaper Le Monde, he went into more detail on his philosophy as a maturing singer: “Ten years into your career, you reach a certain level of purity in your approach. You are always set on improving – strengthening your high notes, your low notes, your projection or your expressivity – but you also accept what it means to be an artist.” | | | In stock - usually despatched within 1 working day. |
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| |  | Classical 2013
Beethoven: | Fidelio Overture Op. 72c Otto Klemperer | Bizet: | Carmen: Prelude to Act I Berliner Philharmoniker, Sir Simon Rattle Les tringles des sistres tintaient (from Carmen) Magdalena Kozena (mezzo) Berliner Philharmoniker, Sir Simon Rattle La fleur que tu m'avais jetée (from Carmen) Jonas Kaufmann (tenor) Berliner Philharmoniker, Sir Simon Rattle | Delibes: | Les filles de Cadix Tine Thing Helseth (trumpet) | Fauré: | Sicilienne, Op. 78 Gautier Capucon (cello) | Gluck: | Che faro' senza Euridice? (from Orfeo ed Euridice) Kathleen Ferrier (contralto) Divinités du Styx (from Alceste) Maria Callas (soprano) | Handel: | Atalanta: Overture Alison Balsom (trumpet) English Concert, Trevor Pinnock | Heggie: | This journey...This journey to Christ (from Dead Man Walking) Joyce DiDonato (mezzo) | Leoncavallo: | Qual fiamma avea nel guardo!.... Hui! Stridono lassù (from I Pagliacci) Angela Gheorghiu (soprano) | Leontovich: | Carol of the Bells Libera | Liszt: | Bist du!, S277 Diana Damrau (soprano) | Puccini: | Donde lieta usci (from La Bohème) Angela Gheorghiu (soprano) | Purcell: | Sound the trumpet, beat the drum, Z335 Alison Balsom (trumpet) English Concert, Trevor Pinnock | Rachmaninov: | Vocalise, Op. 34 No. 14 - arrangement for orchestra Vasily Petrenko | Rodgers, R: | The King And I: Overture The John Wilson Orchestra, John Wilson | Verdi: | Ingemisco (from Requiem) Rolando Villazon (tenor) | Vivaldi: | Vedro con mio diletto (from Giustino) Philippe Jaroussky (countertenor) |
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| |  | Philippe Jaroussky: La voix des rêvesGreatest Moments on Concerts
Philippe Jaroussky, described by Germany’s Die Zeit as “the Apollo of countertenors’, stands out among his many talented contemporaries as much for the soprano-like beauty of his tone as for the elegance and insight of his interpretations and his adventurous and erudite approach to repertoire – whether unearthing neglected scores by little-known composers or venturing beyond the Baroque into the 19th and 20th centuries. Established as one of Virgin Classics’ bestselling artists, Jaroussky, now aged 34, has been honoured three times in the Victoires de la Musique awards in his native France and has also received Germany’s most prominent music prize, the Echo Klassik. His diverse achievements are saluted in two new collections on Virgin Classics – the 2CD set “The Voice” and the DVD and Blu Ray “La Voix des rêves: Greatest moments in Concert”. “LA VOIX DES RÊVES - Greatest Moments in Concert” (available on DVD & Blu Ray) features video footage from a number of occasions and venues – including items from a concert given among the crystal chandeliers of the splendid Galerie des Glaces in the palace of Versailles, and works by Handel and Vivaldi performed in another jewel of French Baroque architecture, the sumptuously decorated Chapelle de la Trinité in Lyon. Also included are exclusive interviews an array of fellow musicians: Jean-Christophe Spinosi, Emmanuelle Haïm, Christina Pluhar; Jérôme Ducros, Quatuor Ebène, Gautier Capuçon, Marie-Nicole Lemieux and Renaud Capuçon. Jaroussky and his appeal were aptly summarised in a recent profile in the French magazine Balthazar: “Philippe Jaroussky alternates between opera and recitals, bringing his sensual, graceful voice and matinee idol looks, and this has made him a key star of classical music. But his recordings also reveal a skilled musicologist who has revived numerous forgotten artists like the castrato Carestini [and the composers] Johann Christian Bach and Caldara. Jaroussky simply glows. Anyone who has had the opportunity to meet him will find it hard to forget his enthusiastic conversation and his magnetic gaze.” The singer made his passions clear in an interview with Crescendo magazine, revealing that “I don’t like being told I have the ‘voice of an angel’, because that would just mean that it sounds pretty and takes people out of themselves … I want to be able to evoke more human emotions too: sorrow, despair, jealousy.” Speaking to the leading French newspaper Le Monde, he went into more detail on his philosophy as a maturing singer: “Ten years into your career, you reach a certain level of purity in your approach. You are always set on improving – strengthening your high notes, your low notes, your projection or your expressivity – but you also accept what it means to be an artist.” | | | In stock - usually despatched within 1 working day. |
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| |  | Nicola Benedetti: Italia
Nicola Benedetti’s debut album on the Decca label is her first recording of baroque violin repertoire Recorded in Edinburgh, the album celebrates Nicola Benedetti’s Scottish-Italian heritage as she plays virtuoso Italian masterpieces, accompanied by the leading chamber orchestra of her native country. The album highlights baroque favourites including Summer from Vivaldi’s ever-popular Four Seasons and Tartini’s famous Devil’s Trill sonata, for which Nicola is joined by a hand-picked chamber ensemble. The generous selection ranges from the sparkling virtuosity of the opening Vivaldi Concerto Grosso Mogul, to the poignant lament of the Veracini Largo and the lyrical beauty of the two arrangements of Vivaldi vocal works, including the haunting Nulla in mundo pax sincera. The orchestra is directed from the harpsichord by leading baroque specialist Christian Curnyn. “a lively celebration of Benedetti's Italian roots, shot through with some laser-sharp pyrotechnics, and brave work-in-progress as she squares up to period style with a modern instrument...Benedetti's 'Baroque' occasionally sounds like 'Kreisler with attitude'; the accent may not be pitch-perfect, but for sheer flair: Viva Italia!” BBC Music Magazine, October 2011 **** “This is the best recording of Vivaldi's 'Summer' I've heard...at precisely 2.19 Benedetti performs a trill in which she only partially depresses the string, allowing a rainbow of stratospheric harmonics to colour the trill...Great recordings are made of tiny moments of unexpected brilliance like this” Classic FM Magazine, 2010 edition ***** “With a Baroque-type bow, using very little vibrato (but with modern strings), she produces a sound that, for the most part, is cool and clear but by no means inexpressive. The SCO match her elegant phrasing and provide an accompaniment that's alert, spirited and sensitive. It conveys a brightly polished image of the music, most enjoyable, and bringing a virtuoso aspect to the fore.” Gramophone Magazine, October 2011 “The most blissful performances here are the pair of Vivaldi arias transcribed for violin to take the vocal lines, which are elegant. Elsewhere, Veracini's "Largo" is treated with calm passion” The Independent, 7th October 2011 *** “She hasn’t plunged into the field on a whim. She took lessons from Rachel Podger, the goddess of the Baroque violin. For colleagues she cross-fertilised, mixing the period specialist conductor Christian Curnyn with the bouncy non-specialist Scottish Chamber Orchestra. She also chose her repertory cannily...Throughout the disc Benedetti’s playing marries incisive Baroque attack with fuzzier romantic colouring.” The Times, 30th September 2011 *** | | | In stock - usually despatched within 1 working day. |
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| |  | Heroes - Vivaldi Opera Arias
“[His] expressive, agile and technically superb voice, combined with his excellent communication and stage skills, marks him out as a singer to watch” Early Music Review | | | In stock - usually despatched within 1 working day. |
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| |  | Philippe Jaroussky: The Voice
anon.: | Ninna nanna di Gesù bambino | Bach, J C: | Ebben si vada...lo ti lascio: Ebben si vada Orfeo ed Euridice: La legge accetto, o Dei Sentimi, non partir...Al mio bene - Rondo: Al mio bene | Bassani, G B: | Ardendo sospiro (from In caligine umbrosa) | Bononcini, G B: | Chi d'Amor tra le catene | Caldara: | Tutto fa nocchiero (Ifigenia in Aulide) Non tremar vassallo indegno (Temistocle) Tutti nemici e rei (Adriano in Siria) | Chaminade: | Sombrero (1894) – Edouard Guinand | Fauré: | Requiem: Pie Jesu | Hahn, R: | A Chloris | Handel: | Scherza, infida (from Ariodante) Ombra mai fu (from Serse) Venti turbini (Rinaldo) Mi lusinga il dolce affetto (from Alcina) | Lekeu: | Sur une tombe | Mattioli: | Ave Regina coelorum | Monteverdi: | Laudate Dominum Pur ti miro (I gaze upon you) from L'Incoronazione di Poppea | Piazzólla: | Los Pajaros Perdidos | Porpora: | Alto Giove (from Polifemo) Siface: Tu che d’ardire m’attendi | Purcell: | Music for a while, Z583 | Rossi, Luigi: | Lasciate averno (from Orfeo) | Sances: | Stabat Mater: O quam tristis | Vivaldi: | Vanne perdida... Frà le procelle from Tito Manlio Sento con qual diletto (from Ercole sul Termodonte) Cantata RV676 'Pianti, sospiri e dimandar mercede': Cor ingrato dispietato Vedro con mio diletto (from Giustino) Mentre dormi amor fomenti from L’Olimpiade Sento in seno from Tieteberga |
Philippe Jaroussky, described by Germany’s Die Zeit as “the Apollo of countertenors’, stands out among his many talented contemporaries as much for the soprano-like beauty of his tone as for the elegance and insight of his interpretations and his adventurous and erudite approach to repertoire – whether unearthing neglected scores by little-known composers or venturing beyond the Baroque into the 19th and 20th centuries. Established as one of Virgin Classics’ bestselling artists, Jaroussky, now aged 34, has been honoured three times in the Victoires de la Musique awards in his native France and has also received Germany’s most prominent music prize, the Echo Klassik. His diverse achievements are saluted in two new collections on Virgin Classics – the 2CD set “The Voice” and the DVD and Blu Ray “La Voix des rêves: Greatest moments in Concert”. “THE VOICE” 2 CD Best of Philippe Jaroussky comprises 31 tracks chosen by the singer himself and six previously unreleased tracks of music by Handel and Purcell. Vivaldi takes pride of place on the album, but other composers include Caldara, Porpora and JC Bach and, from later eras, Fauré, Reynaldo Hahn and even Argentina’s King of Tango, Ástor Piazzolla. | | | Usually despatched in 4 - 5 working days. |
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| |  | Lamente: Furore e Dolore
Mareike Morr (mezzo-soprano) Hannoversche Hofkapelle As part of the Movimentos series, the wonderful mezzo-soprano Mareike Morr brings all the apprehensive and furious heroines back to life on her debut Genuin CD. Together with the frothing and murmuring tones of the Hannoversche Hofkapelle, she performs arias by Handel and Vivaldi, bewails Euridice as Gluck’s Orpheus and to heart-rending effect breathes her last as Purcell’s Dido. | |
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