Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Widmung: Piano Works by Liszt
Georgian pianist Nino Gvetadze won the Press Prize and Audience Award of the 2008 International Franz Liszt Piano Competition. This recording is the logical result of her recital work focussing on the music of Liszt during this period. Includes two Liszt transcriptions of Schumann and Schubert pieces plus the Sonata which was dedicated to Robert Schumann. Released alongside the CD is a film produced by Borletti-Buitoni Trust/Ladderman SDA and made by Graham Johnston, an animated realisation of Nino’s performance of Gretchen am Spinnrade, available at www.gretchenamspinnrade.com. Nino is supported by the Borletti-Buitoni Trust, who will be working with her and Orchid Classics to support the release of this CD. “I'm impressed by Gvetadze's unfailingly beautiful sound and I would buy this recital for her perofrmance of the two song transcriptions alone: Widmung must be one of the most beautiful accounts on disc.” Classic FM Magazine, October 2011 **** “Her tone is liquescent and her sprays of pianistic fioritura sound effortless, yet she possess all of the strength that Liszt's writing requires...[The DVD] is not only charming and atmospheric but it is also extremely accurate in conveying her fingers on the keyboard...This short film constitutes an unexpected visual bonus to a CD that would be very worth acquiring even without it.” International Record Review, September 2011 “In music that so many pianists play merely for thrills and bravura, she proves a thoughtful artist with a wonderfully flexible sense of line and tempo...there's always a sense of a musing, meditative intelligence exploring their layers of meaning in the very act of playing, as if she is spontaneously creating the music under her fingers. Her very wide range of colour, always sensitively and appropriately applied...make these interpretations very special” BBC Music Magazine, November 2011 **** | | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Liszt: Harmonies poétiques et religieuses & Sonata in B minor
Zig-Zag Territoires begins its collaboration with the pianist François-Frédéric Guy, ‘an exceptional artist’ (Le Figaro, 2008), with two prestigious projects: the complete Beethoven piano sonatas recorded live at the Arsenal in Metz between December 2010 and December 2012, and a Liszt double album featuring two of that composer’s key works: the Sonata in B minor and the complete cycle of Harmonies poétiques et religieuses. Zig-Zag Territoires wishes to accompany the development of this artist who first attracted attention with a ‘titanic “Hammerklavier” . . . [in which] we are in heaven’ (Le Monde, 1998), and has since marked his territory by ‘tackling the Everests of the repertoire’ (Libération, 2004): Brahms’s Second Concerto with the London Philharmonic Orchestra under Paavo Berglund (Naïve, 2004), followed by the complete Beethoven piano concertos with Philippe Jordan and the Orchestre Philharmonique de Radio France (Naïve, 2008-10). François-Frédéric Guy regularly performs the cycle of Harmonies poétiques et religieuses in concert, either as a solo recital or alongside the actress Marie-Christine Barrault who recites the Lamartine poems that inspired the composer. We decided to record these masterpieces in the studio of La Chaux-de-Fonds (Switzerland), renowned for its exceptional acoustics. With the aim of reproducing the spontaneity of concert conditions, François-Frédéric Guy recorded the entire double album in just four days. ‘Recording the Harmonies Poétiques et religieuses represents a important moment in my artistic and discographic career, since Liszt is one of my favourite composers. It is certainly one of the finest cycles in the piano literature, made up of musical settings of the poems of Lamartine that combine grandiose inspiration and intimate meditation. As for the Sonata in B minor, in my view it constitutes the peak of the composer’s output and is still the only piano work that can follow on from Beethoven’s “Hammerklavier”.’ François-Frédéric Guy “his Harmonies poetiques et religieuses achieves a magnificent sense of how Liszt extended the piano's and indeed music's poetic possibilities into a wholly new realm and dimension. He is enthralling in the "Invocation", most opulent of curtain-raisers, mystical in the "Ave Maria"...this is a true act of musical devotion” Gramophone Magazine, August 2011 “Guy's technique can match anybody's for firepower. He also offers moments of genuine revelation. I hadn't realised quite how thrilling an introduction to the cycle the opening Invocation can be; and while the Andante lagrimoso can sometimes seem a less than remarkable statement by Lisztian standards, Guy's searching way makes it more memorable.” BBC Music Magazine, September 2011 **** | | | (also available to download from $21.00) | Usually despatched in 4 - 5 working days. (Available now to download.) |
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| |  | Liszt: Fantasie und Fuge & Piano Sonata
On October 22, 2011, the musical world will celebrate the 200th birthday of Franz Liszt. Garrick Ohlsson, one of the great piano virtuosi of the current era, contributes to the celebration with recordings of two of Liszt's towering achievements: the infrequently recorded Busoni transcription of Liszt's organ piece, “Fantasie und Fuge über den choral Ad nos, ad Salutarem Undam”, (To us, to the healing waters, come again) S. 259 and, the most beloved of all of Liszt's piano compositions, the Sonata in B Minor, S. 178. Those who revel in great pianism need look no further than this spectacular program. Garrick Ohlsson also recently completed the recording 32 Beethoven sonatas for Bridge, a series which has been critically acclaimed. “[the Fantasia and Fugue] is hugely, even monumentally difficult, and really needs a pianist of Garrick Ohlsson's magisterial technical resources to bring it off. The music has a sense of space and grandeur that's remarkable even by Liszt's standards, and Ohlsson delivers it with an objective immensity that's enhanced by the sound of his chosen Bosendorfer...Ohlsson's performance of Busoni's mighty transcription makes this recording easily worth acquiring” BBC Music Magazine, August 2011 ***** “Weighing in with awe-inspiring strength, Ohlsson declares himself among today's most powerful pianists, making the piano the truest king of instruments.” Gramophone Magazine, August 2011 | | | Usually despatched in 2 - 3 working days. |
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| |  | Liszt: His Life and Music
Liszt: | Ouverture de l'opéra Guillaume Tell (Rossini) S552 Auf dem Wasser zu singen, S558 No. 2 (from Schubert D774) Ave Maria, S. 20/1 Hungarian Rhapsody, S244 No. 2 in C sharp minor Années de pèlerinage, 1ère année, Suisse (9 pieces), S. 160 Années de pèlerinage, 2ème année, Italie (7 pieces), S. 161 Etude en douze exercises, S136/R1 Transcendental Studies, S139 Nos. 1-12 Harmonies poétiques et religieuses (10), S. 173 Piano Sonata in B minor, S178 Orpheus, symphonic poem No. 4, S98 Concert Paraphrase on Rigoletto, S.434 after Verdi's opera Legendes (2) for piano, S. 175 Urbi et orbi - benediction papale, S184/R69 Via Crucis (The 14 Stations of the Cross), S53 excerpts In festo transfigurationis Domini nostri Jesu Christi, S188/R74 Von der Wiege bis zum Grabe, symphonic poem No. 13, S107 Hungarian Rhapsody, S244 No. 17 in D minor Nuages gris, S199 |
To celebrate the 200th anniversary of Liszt’s birth, this new format title (2 CDs + 50,000 word biography) explores the fascinating world of LIZST: HIS LIFE AND MUSIC. Perhaps the greatest pianist who has ever lived, Liszt was one of the titanic musical figures of the Romantic age. Abandoning his spectacular career as a travelling virtuoso in his mid-thirties, this passionate lover and fond father dedicated himself instead to a life of composing, conducting, teaching and, increasingly, religious devotion, eventually taking minor orders in the Roman Catholic Church. This biography explores an enthralling life lived for long periods in France, Switzerland, Germany, Italy and the composer’s native Hungary – a kaleidoscope of cultural worlds whose folk music, literature and landscapes richly coloured Liszt’s own music. The 2 CDs feature music spanning Liszt’s career, and the free website www.naxosaudiobooks/lisztlifeandmusic offers hours of extra music and other bonus material. | | | (also available to download from $12.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Liszt: Piano Works
This Chinese pianist studied at the Central Conservatory of Music in Beijing. He continued his studies in Hannover. He has won many prizes and scholarships, including a silver medal in the International Vladimir Horowitz Piano Competition in Kiev. His Liszt recital includes Sonata in B minor and Hungarian Rhapsody No. 2. “For [Zhang], Liszt is never a springboard for personal or preening excess, and even when you marvel at his velocity in the treacherous fugue, it is in the slow descending scale...and the glassy sighs and menaces of the retrospective coda that he creates a truly haunting and spacious impression...Zhang is a most serious artist” Gramophone Magazine, April 2011 “there is a restrained elegance to his playing” International Record Review, December 2011 | | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Idil Biret Solo Edition 1 - Liszt
“She played Liszt’s monumental B minor Sonata with enormous assurance… Relatively few pianists have the sense of architecture to organize this pianistic symphonic poem. She marshalled the sustaining power to see the music through to the end, at which point her audience not surprisingly rose to its feet.” Toronto Star (Canada) “playing of a formidable power and assurance. Her fugue is more pedestrian than concentrated but the pages before the valedictory coda, with its glassy sighs and veiled threats, take off like the proverbial rocket. She also storms the central Andante sostenuto's climax with a vengeance, turning on the fiercest voltage.” Gramophone Magazine, April 2011 | | | (also available to download from $6.00) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Chopin & Liszt: Piano Sonatas in B minor
Margarita Hohenrieder (piano) | | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Liszt, Schumann and Knussen: Piano Works
Kirill Gerstein won the 2010 Gilmore Artist award and Knussen’s Ophelia’s Last Dance is the world premiere recording of this work. Russian born Kirill Gerstein is one of today’s most intriguing young musicians; “with an illuminating clarity and an unassailable technique.” The New York Times. This artist will be featured in the Gramophone. “many pianists would be glad to claim Gerstein's superb control, cultivation and taste, which make themselves felt in Liszt's B minor Sonata. Gerstein's ability to sustain quiet music at slow tempi creates an appropriately rapt aura throughout the Andante sostenuto...Moreover, [he] justifies his rhetorical phrase broadenings with plenty of dynamism and full-bodied tonal projection.” Gramophone Magazine, March 2011 “Gerstein’s fluid playing suits this tender piece (Knussen), with the rondo-like return of the main theme sensitively handled.” International Record Review, March 2011 “[Gerstein] pairs Schumann’s mercurial masterpiece “Humoresque” with Liszt’s visionary Sonata in B minor, each played with exquisite technique, refined musicianship and engrossing imagination.” New York Times, 26th November 2010 | | | Usually despatched in 3 - 4 working days. |
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| |  | Lars Vogt plays Schumann & Liszt
Here are two visionary ventures that are almost unrivalled in the piano literature, by two very different composers, who nevertheless dedicated these two pieces to each other in sincere respect. With his emphatic and transparent playing style, Vogt reveals the composers’ multi-faceted emotional lives and the structure of their music, leading the listener through unique heights and depths of Romantic style. “In both works, Vogt is in full control...His technique fully meets [the] pianistic demands and he also responds to the frequent lyricism of both works, together with their opportunity for soft playing...in the Liszt, he manages to control the overblown quality that the composer himself invested.” International Record Review, January 2011 | | | Usually despatched in 4 - 5 working days. |
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