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See Terms & Conditions for p&p rates. | |  | Pavarotti - Domingo - Carreras: The Best of the 3 Tenors
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| |  | Viva Villazón! (STANDARD)The Best of Rolando Villazón
Berlioz: | Dieu tout puissant, Dieu de l’aurore Thomas Gounet d’après Thomas Moore Chœur « Les Eléments » & Orchestre du Capitole de Toulouse, Michel Plasson | Bizet: | La fleur que tu m'avais jetée (from Carmen) Münchner Rundfunkorchester, Michel Plasson A cette voix quel trouble… Je crois entendre encore (from Les Pêcheurs de Perles) Münchner Rundfunkorchester, Michel Plasson | Cilea: | È la solita storia 'Lamento di Federico' (from L'Arlesiana) | Donizetti: | Una furtiva lagrima (from L'elisir d'amore) Tombe degl'avi miei … Fra poco a me ricovero...Tu che a Dio spiegasti l'ali (from Lucia di Lammermoor) Münchner Rundfunkorchester, Marcello Viotti | Gounod: | Quel trouble inconnu me pénètre… Salut! Demeure chaste et pure (from Faust) Orchestre Philharmonique de Radio France, Evelino Pido Polyeucte: Source délicieuse L'amour, l'amour... Ah, lève-toi soleil (from Roméo et Juliette) | Gruber, F: | Stille Nacht arr.Philippe Rombi Orchestre Symphonique Bel Arte, Philippe Rombi | Mascagni: | Mamma, quel vino (from Cavalleria Rusticana) with Teresa Blank (mezzo-soprano) Münchner Rundfunkorchester, Michel Plasson | Massenet: | Ah ! Parais, astre de mon ciel Zarastra from Le Mage Chœur et Orchestre Philharmonique de Radio France, Evelino Pido Roma - Je vais la voir! Je suis seul, seul enfin... Ah fuyez douce image (from Manon) Traduire ! Ah ! Bien souvent mon rêve s’envole… Pourquoi me réveiller (Werther) Ah! Tout est bien fini... O souverain (from Le Cid) Orchestre Philharmonique de Radio France, Evelino Pído | Monteverdi: | Libro Nono di Magrigali e Canzonette: Si dolce è'l tormento Le Concert d’Astrée, Emmanuelle Haim Eri già tutta mia Le Concert d’Astrée, Emmanuelle Haim | Offenbach: | Il était une fois à la cour d'Eisenach (from Les contes d'Hoffmann) With Florian Laconi (ténor) Münchner Rundfunkorchester, Michel Plasson | Puccini: | Che gelida manina (from La Bohème) Donna non vidi mai (from Manon Lescaut) (previously unreleased) Münchner Rundfunkorchester, Marcello Viotti Recondita armonia (from Tosca) | Sorozábal: | La Taberna del Puerto – ‘No puede ser’ Orquesta de la Communidad de Madrid, Placido Domingo | Tchaikovsky: | Kuda, Kuda 'Lensky's Aria' (from Eugene Onegin) | Verdi: | La donna è mobile (from Rigoletto) Münchner Rundfunkorchester, Marcello Viotti Lunge da lei…De’ miei bollenti spiriti (from La Traviata) Io l'ho perduta (from Don Carlos) Ma se m'è forza perderti (from Un ballo in maschera) Chor des Bayerischen Rundfunks & Münchner Rundfunkorchester, Michel Plasson | Vives: | Por el humo se sabe donde esta el fuego Fernando from Dona Frasquita Orquesta de la Communidad de Madrid, Placido Domingo | Wade: | O come, all ye faithful arr.Philippe Rombi |
Standard Version ““Villazón's singing offers a combination of intelligence and glamour not seen since the ascendancy of Domingo” The New Yorker | | | In stock - usually despatched within 1 working day. |
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| |  | The Berlin ConcertLive from the 'Waldbühne'
“The greatest voices of their day came together again on Friday evening. . . Domingo still works his magic . . . Netrebko symbolizes the combination of skill, charisma and naturalness . . . Villazón is the perfect masculine counterpart. . . Great opera needs protagonists like these” (Die Welt am Sonntag, Berlin) “For all the reek of marketing hype, there's a real sense of occasion, our greatest living tenor benignly crowning superstar successors who promise comparable art and intelligence.” BBC Music Magazine, March 2007 ***** | | | In stock - usually despatched within 1 working day. |
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| |  | José Carreras Live - The Comeback Concerts
José Carreras (tenor), Vincenzo Scalera, Ronald Schneider (piano) Following his recovery from leukaemia in 1988 the great Spanish tenor José Carreras performed a series of comeback concerts, and this recording presents a collection of excerpts from these very special events. It includes not only operatic arias but also art-songs and items from Zarzuela, revealing the whole broad range of his repertoire. Spanish tenor José Carreras unquestionably numbers among the most important tenors of the second half of the twentieth century, yet in the consciousness of many people his biography is not only marked by his outstanding artistic achievements. The apparent tragic end of the career of the then 41-year-old singer as a result of a life-threatening illness, his triumph over death, and the entirely unexpected re-commencement of his career as singer have become just as much a part of public memory as the appearances with his tenor colleagues Domingo and Pavarotti who, as ‘The Three Tenors’, delighted an audience of millions throughout the world. José Carerras went on to establish a foundation that has collected millions of euros used to alleviate the suffering of the sick and provide scientists with financial support for their research into leukaemia. | 
| | | (also available to download from $10.50) | Usually despatched in 4 - 5 working days. (Available now to download.) |
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| |  | The Tokyo ConcertsLIMITED EDITION – Available while stocks last
Capua: | O sole mio Franco Corelli (tenor) NHK Orchestra, Alberto Ventura | Cardillo: | Core 'ngrato Franco Corelli (tenor) NHK Orchestra, Alberto Ventura | Cilea: | È la solita storia 'Lamento di Federico' (from L'Arlesiana) Alfredo Kraus (tenor) with Emiko Suga (soprano), Edelmiro Arnaltes (piano) & Asier Polo (cello) | Curtis, E: | Tu ca nun chiagne Franco Corelli (tenor) NHK Orchestra, Alberto Ventura | Donizetti: | Qui di sposa eterna...Ah! Verrano a te sull'aure (from Lucia di Lammermoor) Alfredo Kraus (tenor) with Emiko Suga (soprano), Edelmiro Arnaltes (piano) & Asier Polo (cello) | Giordano, U: | Un dì, all' azzurro spazio (from Andrea Chénier) Franco Corelli (tenor) NHK Orchestra, Alberto Ventura | Massenet: | Ah! Tout est bien fini... O souverain (from Le Cid) Franco Corelli (tenor) NHK Orchestra, Alberto Ventura Ouvre tes yeux bleus Alfredo Kraus (tenor) with Emiko Suga (soprano), Edelmiro Arnaltes (piano) & Asier Polo (cello) Pourquoi me reveiller (from Werther) Alfredo Kraus (tenor) with Emiko Suga (soprano), Edelmiro Arnaltes (piano) & Asier Polo (cello) | Meyerbeer: | Mi batte il cor … O paradiso (from L'Africana) Franco Corelli (tenor) NHK Orchestra, Alberto Ventura | Obradors: | Del cabello más sutil Alfredo Kraus (tenor) with Emiko Suga (soprano), Edelmiro Arnaltes (piano) & Asier Polo (cello) Coplas de curro dulce Alfredo Kraus (tenor) with Emiko Suga (soprano), Edelmiro Arnaltes (piano) & Asier Polo (cello) | Puccini: | Ch'ella mi creda libero e lontano (from La Fanciulla del West) Franco Corelli (tenor) NHK Orchestra, Alberto Ventura | Ruiz de Luna: | En el fondo de la mina Alfredo Kraus (tenor) with Emiko Suga (soprano), Edelmiro Arnaltes (piano) & Asier Polo (cello) | Scarlatti, A: | Chi vuole innamorarsi (from Il Flavio) Alfredo Kraus (tenor) with Emiko Suga (soprano), Edelmiro Arnaltes (piano) & Asier Polo (cello) | Serrano: | Te quiero moreno from El Trust de los Tenorios Alfredo Kraus (tenor) with Emiko Suga (soprano), Edelmiro Arnaltes (piano) & Asier Polo (cello) | Sorozábal: | La Taberna del Puerto – ‘No puede ser’ Alfredo Kraus (tenor) with Emiko Suga (soprano), Edelmiro Arnaltes (piano) & Asier Polo (cello) | Tosti: | A vucchella Franco Corelli (tenor) NHK Orchestra, Alberto Ventura | Verdi: | Questa o quella (from Rigoletto) Franco Corelli (tenor) NHK Orchestra, Alberto Ventura |
Box set comprising the following DVDs already available in the Dynamic catalogue: Alfredo KRAUS – The 1996 Tokyo Recital Franco CORELLI – The 1971 Tokyo Concert 2 DVDs for 1 Sound Format: LPCM 2.0 Picture Format: 4:3 Subtitles: It, Eng, Ger, Fr, Sp Running Time: 54+60 min Booklet Notes: It, Eng, Ger, Fr Available Worldwide | | | Usually despatched in 2 - 3 working days. |
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| |  | Alfredo Kraus: The 1996 Tokyo RecitalCelebrating 40 years of career
Alfredo Kraus (tenor) with Emiko Suga (soprano), Edelmiro Arnaltes (piano) & Asier Polo (cello) Recorded at Tokyo Bunkamura Orchard Hall, 15th June 1996 World première recording. This 1996 Tokyo recital is a celebration of the distinguished Spanish tenor Alfredo Kraus’s 40 year career. After warming his voice with two classical arias transcribed by Parisotti, Kraus launches into an anthology of music from the French, Spanish and Italian repertoires. The recital includes a duet from the first act of Lucia di Lammermoor and the famous aria "Pourquoi me réveiller?" from Massenet's Werther, an opera in which Kraus was considered an outstanding interpreter of the title role. Each and every piece is managed with extreme elegance, noble aplomb and ease, qualities that he attained through a formidable technique and a careful career pacing. At sixty nine Kraus sings without any apparent effort and with that aristocratic nonchalance that was one of the most charming aspects of his style. Picture Format: 4:3 Sound Format: LPCM 2.0 Region Code: 0 – All regions Running Time: 55 Min Notes: ITA - ENG - GER - FRE Subtitles: ITA - ENG - GER - FRE – SPA Available Worldwide | | | Usually despatched in 2 - 3 working days. |
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| |  | The Berlin Concert
“For all the reek of marketing hype, there's a real sense of occasion, our greatest living tenor benignly crowning superstar successors who promise comparable art and intelligence.” BBC Music Magazine, March 2007 ***** | | | Usually despatched in 2 - 3 working days. |
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| |  | Alfredo Kraus in Recital: Salzburg Festival 1990
A lyric tenor in a class of his own, Alfredo Kraus (1927-1999) was acclaimed for the beauty, elegance and passion of his singing. Includes English, French, German, Italian, and Spanish subtitles; color, stereo, 83 minutes, Playable in all regions. Includes English, French, German, Italian, and Spanish subtitles; color, stereo, 83 minutes, Playable in all regions. Live performance from the Großes Festspielhaus at the Salzburg Festival, 31st July, 1990 | | | Usually despatched in 4 - 5 working days. |
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| |  | Three Tenors - Carreras, Domingo, Pavarotti in Concert (1990)
On the evening of July 7, 1990, an `impossible dream' came true: the three greatest tenors of the day joined forces with an orchestra of 200 musicians against a backdrop of the majestic scenery of ancient Rome. In the famous Baths of Caracalla in Rome, on a brilliant starlit night with a full moon rising, Placido Domingo, José Carreras, and Luciano Pavarotti, together with Maestro Zubin Mehta, presented an evening of arias, songs and medleys which was unique in musical history. For the 6,000 fortunate people who crowded into Caracalla that evening, it was an experience never to be forgotten. This recording is a document of that special performance, recorded live on the occasion, as a souvenir for music-lovers everywhere. The original 1990 digital multi-track recording has been newly re-mastered, maintaining the recorded sound in the digital domain throughout the mixing, editing and CD transfer stages, giving an increased fidelity and presence to this unique recording. | | | Usually despatched in 2 - 3 working days. |
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| |  | The Decca Sound
Annibale: | O Paese d' 'o sole Recorded on 7th July 1990 Luciano Pavarotti, José Carreras, Plácido Domingo (tenors) Orchestra del Maggio Musicale Fiorentino, Zubin Mehta | Bach, J S: | Magnificat in D major, BWV243 Hanneke van Bork, Elly Ameling (sopranos), Helen Watts (contralto), Werner Krenn (tenor), Tom Krause (baritone) Stuttgarter Kammerorchester, Karl Münchinger Cantata BWV10 'Meine Seel erhebt den Herren' Elly Ameling (soprano), Werner Krenn (tenor), Marius Rintzler (bass) Stuttgarter Kammerorchester, Karl Münchinger Cantata BWV140 'Wachet auf, ruft uns die Stimme' Gabriele Fontana (soprano), Gösta Wimbergh (tenor), Tom Krause (baritone) Stuttgarter Kammerorchester, Wiener Akademie-Chor
Hymnuschor Stuttgart, Karl Münchinger Goldberg Variations, BWV988 András Schiff (piano) | Barber, S: | Violin Concerto, Op. 14 Recorded in 1996 Joshua Bell (violin) Baltimore Symphony Orchestra, David Zinman | Bartók: | Piano Concerto No. 3, BB 127, Sz. 119 Julius Katchen (piano) London Symphony Orchestra, István Kertész | Beethoven: | Ecco quel fiero istante! (La partenza WoO.124) Che fa il mio ben? (L'amante impaziente, Op. 82 No. 3) Che fa il mio ben? (L'amante impaziente, Op. 82 No. 4) T'intendo, si, mio cor (Liebes Klage, Op. 82 No. 2) Dimmi, ben mio (Hoffnung, Op. 82 No. 1) In questa tomba oscura, WoO.133 Recorded in 1992 Cecilia Bartoli (mezzo), Andras Schiff (piano) Violin Concerto in D major, Op. 61 Recorded in 2009 Janine Jansen (violin) Deutsche Kammerphilharmonie, Paavo Järvi Piano Sonata No. 14 in C sharp minor, Op. 27 No. 2 ‘Moonlight' Recorded in 1972 Radu Lupu (piano) Piano Sonata No. 8 in C minor, Op. 13 'Pathetique' Recorded in 1972 Radu Lupu (piano) Piano Sonata No. 21 in C major, Op. 53 'Waldstein' Recorded in 1972 Radu Lupu (piano) Variations (32) on an Original Theme in C minor, WoO 80 Recorded in 1970 Radu Lupu (piano) String Quartet No. 11 in F minor Op. 95 'Serioso' Recorded 2003/2004 Takács Quartet String Quartet No. 13 in B flat major, Op. 130 Recorded 2003/2004 Takács Quartet Grosse Fuge in B flat major, Op. 133 Recorded 2003/2004 Takács Quartet Septet in E flat major, Op. 20 Recorded in 1959 Members of the Wiener Oktett | Bellini: | Adalgisa! … Oh! Rimembranza! (from Norma) Recorded at the Lincoln Centre in 1981 Ma di’ … Oh non tremare (from Norma) Recorded at the Lincoln Centre in 1981 Joan Sutherland (soprano), Marilyn Horne (mezzo) New York City Opera Orchestra, Richard Bonynge Angiol di pace (from Beatrice di Tenda) Recorded at the Lincoln Centre in 1981 Joan Sutherland (soprano), Marilyn Horne (mezzo), Luciano Pavarotti (tenor) New York City Opera Orchestra, Richard Bonynge | Berg: | Lulu-Suite (Five Symphonic Pieces) for soprano and orchestra Recorded in 1973 Anja Silja (soprano) Wiener Philharmoniker, Christoph von Dohnányi | Bernstein: | Maria (from West Side Story) Recorded on 7th July 1990 Luciano Pavarotti, Plácido Domingo, José Carreras (tenors) Orchestra del Maggio Musicale Fiorentino, Zubin Mehta Tonight (from West Side Story) Recorded on 7th July 1990 Luciano Pavarotti, Plácido Domingo, José Carreras (tenors) Orchestra del Maggio Musicale Fiorentino, Zubin Mehta | Bizet: | Jeux d'enfants (Petite Suite), Op. 22 Paris Conservatoire Orchestra, Jean Martinon | Bloch, E: | Nigun (Baal Shem No. 2) Recorded in 1996 Joshua Bell (violin) Baltimore Symphony Orchestra, David Zinman | Borodin: | Symphony No. 2 in B minor London Symphony Orchestra, Jean Martinon Prince Igor Overture London Symphony Orchestra, Sir Georg Solti Prince Igor: Polovtsian Dances London Symphony Orchestra, Sir Georg Solti | Brahms: | Piano Concerto No. 1 in D minor, Op. 15 Recorded in 2006 Nelson Freire (piano) Gewandhausorchester Leipzig, Riccardo Chailly | Britten: | War Requiem, Op. 66 Recorded in 1963 Galina Vishnevskaya (soprano), Peter Pears (tenor), Dietrich Fischer-Dieskau (baritone), Simon Preston (organ) London Symphony Orchestra, London Symphony Orchestra Chorus, The Bach Choir, Highgate School Choir, Melos Ensemble, Benjamin Britten Embroidery in childhood (from Peter Grimes) Recorded in 1996 Renée Fleming (soprano) London Symphony Orchestra, Sir Georg Solti Violin Concerto in D minor Op. 15 Recorded in 2009 Janine Jansen (violin) London Symphony Orchestra, Paavo Järvi | Bruch: | Violin Concerto No. 1 in G minor, Op. 26 Recorded in 1972 Kyung Wha Chung (violin) Royal Philharmonic Orchestra, Rudolf Kempe Scottish Fantasy, Op. 46 Recorded in 1972 Kyung Wha Chung (violin) Royal Philharmonic Orchestra, Rudolf Kempe | Bruckner: | Symphony No. 4 in Eb Major 'Romantic' Recorded in 1973 Wiener Philharmoniker, Karl Böhm | Capua: | O sole mio Recorded on 7th July 1990 Luciano Pavarotti, Plácido Domingo, José Carreras (tenors) Orchestra del Maggio Musicale Fiorentino, Zubin Mehta | Cardillo: | Core 'ngrato Recorded on 7th July 1990 José Carreras (tenor) Orchestra del Maggio Musicale Fiorentino, Zubin Mehta | Chabrier: | España Recorded 1957 London Symphony Orchestra, Ataúlfo Argenta | Cilea: | È la solita storia 'Lamento di Federico' (from L'Arlesiana) Recorded on 7th July 1990 José Carreras (tenor) Orchestra del Maggio Musicale Fiorentino, Zubin Mehta | Crescenzo: | Rondine al nido Recorded on 7th July 1990 Luciano Pavarotti (tenor) Orchestra del Maggio Musicale Fiorentino, Zubin Mehta | Curtis, E: | Torna a Surriento Recorded on 7th July 1990 Luciano Pavarotti (tenor) Orchestra del Maggio Musicale Fiorentino, Zubin Mehta | Debussy: | Images for orchestra Recorded 1961 L’Orchestre de la Suisse Romande, Ernest Ansermet | Dvorak: | Mesícku na nebi hlubokém 'Song to the Moon' (from Rusalka) Recorded in 1996 Renée Fleming (soprano) London Symphony Orchestra, Sir Georg Solti Symphony No. 9 in E minor, Op. 95 'From the New World' Recorded in 1961 Wiener Philharmoniker, István Kertész Symphony No. 8 in G major, Op. 88 Recorded in 1963 London Symphony Orchestra, István Kertész | Elgar: | Enigma Variations, Op. 36 London Symphony Orchestra, Pierre Monteux | Falla: | El sombrero de tres picos Recorded 1961 Teresa Berganza (mezzo) L’Orchestre de la Suisse Romande, Ernest Ansermet Noches en los jardines de Espana Recorded in 1983 Alicia de Larrocha (piano) London Philharmonic Orchestra, Rafael Frühbeck de Burgos | Giordano, U: | Un dì, all' azzurro spazio (from Andrea Chénier) Recorded on 7th July 1990 José Carreras (tenor) Orchestra del Maggio Musicale Fiorentino, Zubin Mehta | Glinka: | Ruslan & Lyudmila Overture London Symphony Orchestra, Sir Georg Solti | Goldschmidt, B: | Der Verflossene | Granados: | Danza española, Op. 37 No. 5 'Andaluza' Recorded 1957 London Symphony Orchestra, Ataúlfo Argenta Goyescas (opera) Recorded in 1976 London Philharmonic Orchestra, Rafael Frühbeck de Burgos El Pelele Recorded in 1976 London Philharmonic Orchestra, Rafael Frühbeck de Burgos | Grieg: | Holberg Suite, Op. 40 Recorded in 1970 The Academy of St Martin in the Fields, Sir Neville Marriner | Guglielmi: | La vie en rose Recorded on 7th July 1990 Luciano Pavarotti, Plácido Domingo, José Carreras (tenors) Orchestra del Maggio Musicale Fiorentino, Zubin Mehta | Haydn: | Arianna a Naxos, cantata, Hob.XXVIb/2 Recorded in 1992 Cecilia Bartoli (mezzo), Andras Schiff (piano) Mass, Hob. XXII:11 in D minor 'Nelsonmesse' Recorded in 1962 Sylvia Stahlman (soprano), Helen Watts (contralto), Wilfred Brown (tenor), Tom Krause (baritone), Simon Preston (organ) London Symphony Orchestra, Sir David Willcocks Mass, Hob. XXII: 9 in C major 'Paukenmesse' Recorded in 1969 April Cantelo (soprano), Robert Tear (tenor), Barry McDaniel (baritone), Stephen Cleobury (organ) The Academy of St Martin in the Fields, George Guest | Holländer: | Ich tanze um die Welt mit Dir Zieh Dich aus, Petronella! Raus mit den Männern! Es kommt jeder dran Stürme der Liedenschaft Phaea Wir wollen alle wieder Kinder sein!! Münchhausen | Holst: | The Planets, Op. 32 Recorded in 1961 Wiener Philharmoniker, Wiener Staatsopernchor, Herbert von Karajan The Perfect Fool, Op. 39/H 150: Ballet Music Recorded in 1961 Wiener Philharmoniker, Herbert von Karajan Egdon Heath, a homage to Thomas Hardy, Op.47 Recorded in 1961 London Philharmonic Orchestra, Sir Adrian Boult | Ibert: | Divertissement Paris Conservatoire Orchestra, Jean Martinon | Ives, C: | Symphony No. 2 Los Angeles Philharmonic Orchestra, Zubin Mehta | Janacek: | Sinfonietta Recorded in 1980 Wiener Philharmoniker, Sir Charles Mackerras The Cunning Little Vixen - Suite Recorded in 1979 Wiener Philharmoniker, Sir Charles Mackerras Taras Bulba Recorded in 1980 Wiener Philharmoniker, Sir Charles Mackerras | LaCalle: | Amapola Recorded on 7th July 1990 Luciano Pavarotti, Plácido Domingo, José Carreras (tenors) Orchestra del Maggio Musicale Fiorentino, Zubin Mehta | Lara, Augustin: | Granada Recorded on 7th July 1990 José Carreras (tenor) Orchestra del Maggio Musicale Fiorentino, Zubin Mehta | Lehár: | Dein ist mein ganzes Herz (from Das Land des Lächelns) Recorded on 7th July 1990 Plácido Domingo (tenor) Orchestra del Maggio Musicale Fiorentino, Zubin Mehta | Leoncavallo: | Mattinata - 'L'aurora di bianco vestita' Recorded on 7th July 1990 Luciano Pavarotti, Plácido Domingo, José Carreras (tenors) Orchestra del Maggio Musicale Fiorentino, Zubin Mehta | Lloyd Webber, A: | Memory (from Cats) Recorded on 7th July 1990 Luciano Pavarotti, Plácido Domingo, José Carreras (tenors) Orchestra del Maggio Musicale Fiorentino, Zubin Mehta | Mahler: | Symphony No. 8 in E flat major 'Symphony of the Thousand' Recorded in 1971 Heather Harper, Lucia Popp, Arleen Auger (sopranos), Yvonne Minton (mezzo), Helen Watts (contralto), Rene Kollo (tenor), John Shirley-Quirk (baritone), Martti Talvela (bass) Chicago Symphony Orchestra, Wiener Sängerknaben, Wiener Staatsopernchor, Sir Georg Solti | Mendelssohn: | Violin Concerto in E minor, Op. 64 Recorded in 1981 Kyung Wha Chung (violin) Orchestre symphonique de Montréal, Charles Dutoit Symphony No. 3 in A minor, Op. 56 'Scottish' Recorded in 1960 London Symphony Orchestra, Peter Maag A Midsummer Night's Dream - incidental music, Op. 61 Recorded in 1957 Jennifer Vyvyan, Marion Lowe (sopranos) London Symphony Orchestra, Peter Maag Octet in E flat major, Op. 20 Recorded in 1972 Members of the Wiener Oktett | Mendoza y Cortés: | Cielito Lindo Recorded on 7th July 1990 Luciano Pavarotti, Plácido Domingo, José Carreras (tenors) Orchestra del Maggio Musicale Fiorentino, Zubin Mehta | Messiaen: | Turangalîla Symphony Recorded in 1992 Takashi Harada (ondes martenot), Jean-Yves Thibaudet (piano) Royal Concertgebouw Orchestra, Riccardo Chailly | Meyerbeer: | Ô Paradis (from L'Africaine) Recorded on 7th July 1990 Plácido Domingo (tenor) Orchestra del Maggio Musicale Fiorentino, Zubin Mehta | Moszkowski: | Danse espagnoles, Op. 12 Recorded 1957 London Symphony Orchestra, Ataúlfo Argenta | Mozart: | Ridente la calma, K152 Recorded in 1992 Cecilia Bartoli (mezzo), Andras Schiff (piano) Piano Concerto No. 20 in D minor, K466 Recorded in 1970 Clifford Curzon (piano) English Chamber Orchestra, Benjamin Britten Piano Concerto No. 27 in B flat major, K595 Recorded in 1970 Clifford Curzon (piano) English Chamber Orchestra, Benjamin Britten Porgi amor (from Le nozze di Figaro) Recorded in 1996 Renée Fleming (soprano) London Symphony Orchestra, Sir Georg Solti E Susanna non vien! … Dove sono i bei momenti (from Le nozze di Figaro) Recorded in 1996 Renée Fleming (soprano) London Symphony Orchestra, Sir Georg Solti | Mussorgsky: | Pictures at an Exhibition Recorded 1982; orch. Vladimir Ashkenazy Philharmonia Orchestra, Vladimir Ashkenazy Khovanshchina: Prelude Compl. & orch. Rimsky-Korsakov London Symphony Orchestra, Sir Georg Solti A Night on the Bare Mountain London Symphony Orchestra, Sir Georg Solti | Nelson, Rudolf: | Das spricht Bände Mir ist so nach Tamerlan! | Parry: | I was glad Bournemouth Symphony Orchestra, Choir of Winchester Cathedral, Waynflete Singers, David Hill Blest Pair of Sirens Bournemouth Symphony Orchestra, Choir of Winchester Cathedral, Waynflete Singers, David Hill Jerusalem Bournemouth Symphony Orchestra, Choir of Winchester Cathedral, Waynflete Singers, David Hill | Pergolesi: | Stabat Mater Barbara Bonney (soprano), Andreas Scholl (countertenor) Les Talens Lyriques, Christophe Rousset Salve Regina in F minor Barbara Bonney (soprano), Andreas Scholl (countertenor) Les Talens Lyriques, Christophe Rousset Salve Regina in A minor Barbara Bonney (soprano), Andreas Scholl (countertenor) Les Talens Lyriques, Christophe Rousset | Ponchielli: | Ecco la barca … addio (from La Gioconda) Recorded at the Lincoln Centre in 1981 Joan Sutherland (soprano), Marilyn Horne (mezzo), Luciano Pavarotti (tenor) New York City Opera Orchestra, Richard Bonynge | Prokofiev: | Piano Concerto No. 3 in C major, Op. 26 Julius Katchen (piano) London Symphony Orchestra, István Kertész | Puccini: | Turandot (highlights) Recorded in 1972 Joan Sutherland (Turandot), Luciano Pavarotti (Calaf), Montserrat Caballé (Liù), Nicolai Ghiaurov (Timur), London Philharmonic Orchestra, Zubin Mehta La fanciulla del West (excerpts) Recorded in 1958 Renata Tebaldi (Minnie), Mario del Monaco (Dick Johnson), Cornell MacNeil (Jack Rance), Giorgio Tozzi (Jake Wallace) Orchestra e coro dell’Accademia di Santa Cecilia Roma, Franco Capuana Che gelida manina (from La Bohème) Recorded at the Lincoln Centre in 1981 Luciano Pavarotti (tenor) New York City Opera Orchestra, Richard Bonynge Recondita armonia (from Tosca) Recorded on 7th July 1990 Luciano Pavarotti (tenor) Orchestra del Maggio Musicale Fiorentino, Zubin Mehta E lucevan le stelle (from Tosca) Recorded on 7th July 1990 Plácido Domingo (tenor) Orchestra del Maggio Musicale Fiorentino, Zubin Mehta | Purcell: | Dido and Aeneas Recorded in 1992 Catherine Bott (Dido), Emma Kirkby (Belinda), John Mark Ainsley (Aeneas), David Thomas (Sorceress), Elizabeth Priday (First Witch), Sara Stowe (Second Witch), Julianne Baird (Second Woman), Daniel Lochmann (First Sailor), Michael Chance (Spirit) Chorus and Orchestra of The Academy of Ancient Music, Christopher Hogwood | Rachmaninov: | Piano Concerto No. 3 in D minor, Op. 30 Recorded 1963 Vladimir Ashkenazy (piano) London Symphony Orchestra, Anatole Fistoulari Piano Sonata No. 2 in B flat minor, Op. 36 Recorded 1977 Vladimir Ashkenazy (piano) | Ravel: | Ma Mère l'Oye Recorded in 1983 Orchestre symphonique de Montréal, Charles Dutoit Pavane pour une infante défunte Recorded in 1983 Orchestre symphonique de Montréal, Charles Dutoit Le Tombeau de Couperin Recorded in 1983 Orchestre symphonique de Montréal, Charles Dutoit Valses nobles et sentimentales Recorded in 1983 Orchestre symphonique de Montréal, Charles Dutoit Boléro Recorded in 1981 Orchestre symphonique de Montréal, Charles Dutoit Piano Concerto in G major Julius Katchen (piano) London Symphony Orchestra, István Kertész Daphnis et Chloé London Symphony Orchestra, Pierre Monteux | Respighi: | Roman Festivals Recorded in 1976 The Cleveland Orchestra, Lorin Maazel Pines of Rome Recorded in 1976 The Cleveland Orchestra, Lorin Maazel | Rimsky Korsakov: | Capriccio espagnol, Op. 34 Recorded 1957 London Symphony Orchestra, Ataúlfo Argenta Le Coq d'Or Suite Recorded in 1979 The Cleveland Orchestra, Lorin Maazel | Rossini: | Mura felici (from La donna del lago) Recorded at the Lincoln Centre in 1981 Marilyn Horne (mezzo) New York City Opera Orchestra, Richard Bonynge | Saint-Saëns: | Danse macabre, Op. 40 Paris Conservatoire Orchestra, Jean Martinon Le Rouet d'Omphale, Op. 31 Paris Conservatoire Orchestra, Jean Martinon Piano Concerto No. 2 in G minor, Op. 22 Pascal Rogé (piano) Royal Philharmonic Orchestra, Charles Dutoit Piano Concerto No. 4 in C minor, Op. 44 Pascal Rogé (piano) Philharmonia Orchestra, Charles Dutoit Piano Concerto No. 5 in F major, Op. 103 'Egyptian' Pascal Rogé (piano) Royal Philharmonic Orchestra, Charles Dutoit | Schoenberg: | Erwartung, Op. 17 Recorded in 1979 Anja Silja (soprano) Wiener Philharmoniker, Christoph von Dohnányi | Schubert: | Vedi quanto adoro ancora ingrato!, D510 Im Haine, D738 Sung in Italian Io vuo'cantar di Cadmo (Alla cetra, D737) La pastorella, D528 Non t'accostar all'urna, D688 No. 1 Guarda, che bianca luna, D688 No. 2 Da quel sembiante appresi, D688 No. 3 Mio ben ricordati D688 No. 4 Pensa, che questo istante, D76 Willkommen und Abschied, D767 Sung in Italian; recorded in 1992 Cecilia Bartoli (mezzo), Andras Schiff (piano) | Schumann: | Carnaval, Op. 9 Recorded in 2002 Nelson Freire (piano) | Shostakovich: | Symphony No. 5 in D minor, Op. 47 Recorded in 1983 Royal Concertgebouw Orchestra, Bernard Haitink Symphony No. 9 in E flat major, Op. 70 Recorded in 1980 London Philharmonic Orchestra, Bernard Haitink | Sibelius: | Symphony No. 1 in E minor, Op. 39 Recorded 1984 Philharmonia Orchestra, Vladimir Ashkenazy | Siecynski: | Wien, Wien nur du Allein (Vienna, City of My Dreams) Recorded on 7th July 1990 Luciano Pavarotti, Plácido Domingo, José Carreras (tenors) Orchestra del Maggio Musicale Fiorentino, Zubin Mehta | Sorozábal: | La Taberna del Puerto – ‘No puede ser’ Recorded on 7th July 1990 Plácido Domingo (tenor) Orchestra del Maggio Musicale Fiorentino, Zubin Mehta | Spoliansky: | Alles Schwindel Das Gesellschaftslied Meine beste Freundin 100 meter Glück L'heure bleue Das Lila Lied Maskulinum-Femininum Recorded in 1966 Ute Lemper Matrix Ensemble, Robert Ziegler | Strauss, E: | Ohne Bremse Op. 238 Polka schnell | Strauss, J, I: | Loreley-Rhein-Klänge, Walzer, Op. 154 Radetsky March, Op. 228 New Year’s Concert, 1979 Wiener Philharmoniker, Willi Boskovsky | Strauss, J, II: | Wein, Weib und Gesang, Op. 333 Bitte Schon, Polka, Op. 372 Bei uns z´Haus Waltz, Op. 361 Tik-Tak Polka, Op. 365 Pizzicato Polka Auf der Jagd, Op. 373 Leichtes Blut, polka schnell, Op. 319 An der schönen, blauen Donau, Op. 314 | Strauss, Josef: | Die Emanzipierte Moulinet-Polka Rudolfsheimer-polka | Strauss, R: | Don Juan, Op. 20 Recorded in 1989 San Francisco Symphony, Herbert Blomstedt Eine Alpensinfonie, Op. 64 Recorded in 1989 San Francisco Symphony, Herbert Blomstedt Ich komme, grünen Brüder (from Daphne) Recorded in 1996 Renée Fleming (soprano) London Symphony Orchestra, Sir Georg Solti | Stravinsky: | The Firebird Recorded in 1981 Detroit Symphony Orchestra, Antal Dorati The Rite of Spring Recorded in 1982 Detroit Symphony Orchestra, Antal Dorati | Suppe: | Die schöne Galathée Overture Leichte Kavallerie Overture Wiener Philharmoniker, Sir Georg Solti Dichter und Bauer Overture Wiener Philharmoniker, Sir Georg Solti Ein Morgen, ein Mittag, ein Abend in Wien Overture Wiener Philharmoniker, Sir Georg Solti Pique Dame Overture Wiener Philharmoniker, Sir Georg Solti | Susato: | Danserye New London Consort, Philip Pickett | Tchaikovsky: | Violin Concerto in D major, Op. 35 Recorded 1956 Alfredo Campoli (violin) London Symphony Orchestra, Ataúlfo Argenta Puskay pogibnu ya 'Tatiana's Letter Scene' (from Eugene Onegin) Recorded in 1996 Renée Fleming (soprano) London Symphony Orchestra, Sir Georg Solti Serenade for strings in C major, Op. 48 Recorded in 1968 The Academy of St Martin in the Fields, Sir Neville Marriner Souvenir de Florence, Op. 70 Recorded in 1968 The Academy of St Martin in the Fields, Sir Neville Marriner | trad.: | Ochi tchorniye Recorded on 7th July 1990 Luciano Pavarotti, Plácido Domingo, José Carreras (tenors) Orchestra del Maggio Musicale Fiorentino, Zubin Mehta | Varèse: | Arcana Los Angeles Philharmonic Orchestra, Zubin Mehta Intégrales Los Angeles Philharmonic Orchestra, Zubin Mehta Ionisation Los Angeles Philharmonic Orchestra, Zubin Mehta | Verdi: | Era più calmo? (from Otello) Renée Fleming (soprano) Mia madre aveva...Piangea cantando...Ave Maria (from Otello) Recorded in 1996 Renée Fleming (soprano) London Symphony Orchestra, Sir Georg Solti Solingo, errante e misero (from Ernani) Recorded at the Lincoln Centre in 1981 Joan Sutherland (soprano), Marilyn Horne (mezzo), Luciano Pavarotti (tenor) New York City Opera Orchestra, Richard Bonynge Tu del mio Carlo (from I masnadieri) Recorded at the Lincoln Centre in 1981 Joan Sutherland (soprano) New York City Opera Orchestra, Richard Bonynge Giá nella notte densa (from Otello) Recorded at the Lincoln Centre in 1981 Luciano Pavarotti (tenor), Joan Sutherland (soprano) New York City Opera Orchestra, Richard Bonynge Madre, non dormi? (from Il trovatore) Recorded at the Lincoln Centre in 1981 Luciano Pavarotti (tenor), Joan Sutherland (soprano), Marilyn Horne (mezzo) New York City Opera Orchestra, Richard Bonynge | Wagner: | Der Ring des Nibelungen (excerpts) Recorded 1958 - 1960 Birgit Nilsson (Brünnhilde), Wolfgang Windgassen (Siegfried), Hans Hotter (Wotan), Gerhard Stolze (Mime) Wiener Philharmoniker, Sir Georg Solti | Walton: | Violin Concerto Recorded in 1996 Joshua Bell (violin) Baltimore Symphony Orchestra, David Zinman Belshazzar's Feast Bryn Terfel (bass-baritone) Bournemouth Symphony Orchestra, Choir of Winchester Cathedral, Waynflete Singers, David Hill Coronation Te Deum Bournemouth Symphony Orchestra, Choir of Winchester Cathedral, Waynflete Singers, David Hill | Webern: | Im sommerwind (Idyl for large orchestra) (1904) Recorded in 1991 Anja Silja (soprano) Wiener Philharmoniker, Christoph von Dohnányi | Ziehrer: | Herreinspaziert, Op. 518 |
A limited-edition 50-CD set of legendary recordings celebrating the world-renowned DECCA sound. Classic-status pioneering stereo recordings from the past 55 years and starring a galaxy of internationally-acclaimed artistic talent. Each CD is presented in a sleeve with original cover art. Where an original release may have been of short duration due to limitations of the LP a bonus work featuring the same artists has been added. A 200-page booklet documents the development of stereo recording as it developed in the 1950s through to modern digital recordings; there is an article on Decca artists and repertory with particular reference to the artists featured in the set. Full recording information on each disc is included and there are numerous photographs. | Decca - 4782826 (CD - 50 discs) Normally: $161.25 Special: $116.50 |
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