Walther, J G: Concerto del Sigr. Gregori in B flat major, LV 131
This page lists our only recording of Concerto del Sigr. Gregori in B flat major, LV 131, by Johann Gottfried Walther (1684-1748) on CD & download (MP3 & FLAC).
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Johann Gottfried Walther: Concerto del Signor Tomaso Albinoni in F major, LV 126
I [Allegro]
II [Adagio]
III [Allegro]
I [Allegro]
II Adagio
III Allegro
Johann Gottfried Walther: Partita, Jesu meine Freude, LV 2
Partita, Jesu meine Freude, LV 2
Johann Gottfried Walther: Concerto del Signor Gregori in B flat major, LV 131
I Largo
II Allegro
III Adagio e staccato
IV Allegro
Johann Gottfried Walther: Fuga in F major, LV 124
Fuga in F major, LV 124
Johann Gottfried Walther: Concerto del Signor Telemann in C minor, LV 136
I [Adagio]
II [Allegro]
III Adagio
IV [Allegro]
Johann Gottfried Walther: In dich hab ich gehoffet, Herr, LV 97
In dich hab ich gehoffet, Herr, LV 97
Johann Gottfried Walther: Lobe den Herren, den machtigen Konig der Ehren, LV 101
Lobe den Herren, den machtigen Konig der Ehren, LV 101
Johann Gottfried Walther: Christus der ist mein Leben
Christus der ist main Leben
Johann Gottfried Walther: Preludio con fuga in D minor, LV 123
Preludio
Fuga
Johann Gottfried Walther: Concerto del Signor Gentili in A major, LV 130
I [Allegro]
II Adagio
III Allegro
Johann Gottfried Walther: Concerto del Signor Meck in C major, LV 134
I [Adagio
Allegro]
II [Adagio]
III Allegro
Classics Today
June 2001
“A distant relative and contemporary of J.S. Bach, Johann Gottfried Walther (1684-1748) is well known in musicological circles for the excellent manuscript copies he made of works by Bach, Buxtehude, and other important figures in the development of organ music. His own compositions are largely based on Lutheran chorales, while his Preludes and Fugues reveal varied influences. The spirited little F major fugue, for instance, could have stemmed from Pachelbel's feather-pen, while the looser-knit D minor Preludio con fuga pays tribute to the North German school.
"Like Bach, Walther arranged a handful of instrumental concertos for organ. The two Albinoni concerto transcriptions opening this disc, though, are not as musically interesting as the Gregori, Telemann, Gentilli, and Meck concertos also offered here. I suspect that Craig Cramer shares my sentiments, for he imbues these works with his perkiest fingerwork and most variegated registrations. For me, the large-scale Partita based on Jesu meine Freude is the most cohesive, sustained, and harmonically engaging work in this first volume of Naxos' survey of Walther's complete organ output. It receives a bracing, colorful, and forward-moving a performance to match. The engineering stresses clarity over ambience, all to the advantage of the St. Bonifacius Organ in Tröchtelborn and, of course, to Cramer's lucid artistry. Recommended.”
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