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Alexander Agricola: A la mignonne de fortune
A la mignonne de fortune
Alexander Agricola: Adieu m'amour No. 1
Adieu m'amour No. 1
Alexander Agricola: Adieu m'amour No. 2
Adieu m'amour No. 2
Alexander Agricola: Allez, regretz
Allez, regretz
Alexander Agricola: Guarde vostre visage No. 1
Guarde vostre visage No. 1
Alexander Agricola: S'il vous plaist
S'il vous plaist
Alexander Agricola: Et qui la dira
Et qui la dira
Alexander Agricola: De tous bien plaine No. 1
De tous bien plaine No. 1
Alexander Agricola: De tous bien plaine No. 2
De tous bien plaine No. 2
Alexander Agricola: De tous bien plaine No. 3
De tous bien plaine No. 3
Alexander Agricola: Soit loing ou pres
Soit loing ou pres
Alexander Agricola: Guarde vostre visage No. 2
Guarde vostre visage No. 2
Alexander Agricola: Ay je rien fet
Ay je rien fet
Alexander Agricola: Sonnes muses melodieusement
Sonnes muses melodieusement
Alexander Agricola: Guarde vostre visage No. 3
Guarde vostre visage No. 3
Alexander Agricola: J'ay beau huer
J'ay beau huer
Alexander Agricola: Cecus non iudicat de coloribus
Cecus non iudicat de coloribus
Alexander Agricola: Fortuna desperata
Fortuna desperata
2010
“Agricola was praised by his contemporaries for the bizarre turn of his inspiration, and his music likened to quicksilver. By the standards of the period this is a highly unusual turn of phrase, but remains spot-on. The Ferrara Ensemble anthology, the first ever devoted to the composer, focused on the secular music, both instrumental and vocal, precisely the area covered by Michael Posch and Ensemble Unicorn in this most satisfying disc. Where there's duplication (surprisingly little, in fact) the performances compare with those of the Ferrara Ensemble, although the style of singing is very different. The voices are more up front and less inflected, perhaps the better to match the high instruments with which they're sometimes doubled. But the tensile quality of Agricola's lines comes through none the less, as does the miraculous inventiveness and charm of his music. Further, much of what's new to the catalogue really is indispensible, for example Agricola's most famous song, Allez, regretz. Unicorn keeps its improvisations and excursions to a minimum, and the music is the better for it. This disc would be indispensable at full price, let alone super-budget. It really is a must-have.”
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