Handel: As With Rosy Steps (from Theodora)

“We prize Handel’s stage works for their tragic depth, but there is a gentler, nobler strain that explains the title given to this CD. Uniting two stylish Canadians, one a soprano and the other a contralto, it comprises 15 numbers from the English oratorios Handel wrote late in his career.” Financial Times, 15th October 2011 ***

“Gauvin's soprano has a warm timbre that blends beautifully with Lemieux's deep, dusky contralto. Individually, too, they are fabulous - Lemieux's opening 'Destructive war' is a dramatic tour de force. The heart of the disc is the profound, moving duet 'Streams of pleasure'...these polished, beautifully balanced performances are a pleasure to listen to” Classic FM Magazine, December 2011 ****

“Bright, edgy woodwind; neat violins; an ever-purposeful bass line; two healthful, smiling voices and some lovely music. There is much to admire...but there is little sense of dramatic context...If you can put that aside, you can relish the pizazz with which Lemieux and Gauvin attack each oratorio character's emotional state...It's a handsome, stylish, polished performance.” BBC Music Magazine, December 2011 ****

“There is indeed plenty to enjoy, especially where soprano Karina Gauvin is involved...[Lemieux] is a singer with temperament to burn...But in less overwrought music...I wanted less gusty phrasing, more care from true legato...If this is not quite the Handel recital I was hoping for, it's still worth investigating for Lemieux's viscerally exciting singing and, above all, Gauvin's ideal Handelian mix of grace and profound emotional truth.” Gramophone Magazine, December 2011

“Part of the attraction of [the] blending of voices is that Gauvin's middle tones have a warmth, almost mezzo-ish, which accords well with Lemieux's rich bloom...I am not one who throws accolades around like confetti, but the enjoyment that this CD has provided brings from me an IRR Outstanding recommendation. The disc is entitled 'Streams of Pleasure' but for me it is a full, flowing river.” International Record Review, November 2011

“The sheer spiritual power, the sheer heartfelt sincerity and warmth of feeling in her every utterance is overwhelmingly moving” The Telegraph

“Here, she is heard in Mahler's Five Ruckert Lieder, the voice unfailingly beautiful, the words evocative, and in the valedictory Ich bin der Welt abhanden gekommen (I am lost to the world), serenely resigned and sadly prophetic. A glowing memento of a glorious artist” Sunday Times

“This mezzo-soprano had a profound musical bond with Mahler, for example, and this is her only extant recording of the Ruckert Lieder. It's a marvel … Roger Vignoles deserves praise, too, for his playing matches Hunt Lieberson in its emotional concentration and directness … "Unbewegte laue Luft" ends the recital on an ecstatic note that surely sent the audience out on a cloud. Indispensable” Gramophone Magazine

“This recital presents a remarkable singer still at the height of her powers some eight years before her untimely death … All in all, this is a cherishable memento of a very special artist” International Record Review

“It is difficult to get through this recital without a lump in your throat … Her performance of Mahler's Ruckert Lieder, one of the finest on disc, avoids the usual morbidity and contains flashes of divine revelation ... Essential listening” The Guardian

“The unique warmth of tone is sounded in the first notes even of the lighter Mahler songs. But there's also a spiritual grace in her approach. Key tracks such as Mahler's 'Ich bin de Welt abhanden gekommen'; the spiritual 'Deep river'; her fervent second encore, Brahms's 'Unbewegte laue Luft' and Handel's 'As rosy steps'... place Hunt Lieberson alongside the best of Kathleen Ferrier and Dame Janet Baker, whose Mahler is matched for personality here.” BBC Music Magazine, April 2007 *****

“Here is a mezzo who more than any of her generation bade fair to rival Janet Baker in the warmth, beauty and intensity of her singing” Penguin Guide, 2010 ***

“Some of these world versions of classic London songs bear repeated listening and all are good fun” Financial Times, 4th August 2012