India: Da l’onde del mio pianto

This page lists all recordings of Da l’onde del mio pianto, by Sigismondo d' India (c.1582-c.1629) on CD, SACD & download (MP3 & FLAC).

Recommendations

Re-issue of the Month
July 2009

All recordings

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Amorous Dialogues

Amorous Dialogues

Recording location: Decca Studios, West Hampstead, London, UK, June 1979


Bartlet:

Whither runneth my sweetheart

Ferrabosco, A II:

Fayre cruell Nimph

Tell me, O Love

Ferrari, B:

Dialogo a due, Fileno e Lidia: Amar io to consiglio

Amanti, io vi sò dire

Ford, T:

Shut not, sweet breast

Gagliano:

Bel Pastor

India:

Da l’onde del mio pianto

Lawes, H:

A dialogue on a kisse 'Among thy fancies'

A dialogue betwixt time and a pilgrime: Aged man that moves these fields

Monteverdi:

Bel pastor (Book 9)

Morley:

Who is it that this dark night


Emma Kirkby (soprano), David Thomas (bass), Martin Hill (tenor), Trevor Jones (bass viol) & Anthony Rooley (director and lute)

The Consort of Musicke

Anthony Rooley writes: ‘“Amorous Dialogues” perfectly describes this unusual repertoire – although the variations on the theme of erotic love familiar to all of us tells the basic story of amatory exploits, desires and dreams in fresh ways. For example, can we be expected to believe that “He” doesn’t know what a kiss is and asks “She” to teach him step by step? None of us is fooled by his pretended ignorance, yet every one of us is delighted with the humour of the unfolding “game”.

‘Since I first began my exploration of the “dialogue” repertoire of the seventeenth century in the mid-1970s, we have had occasion to use this material on innumerable occasions for teaching purposes (singing and performing teaching, not amatory!). Its vitality and freshness, its humanity, humour – and dignity, too – has fired so many young performers, focused their enthusiasm and honed their performing skills.

‘We might be unfamiliar with some of the social graces of the seventeenth century nobility as they played their games of Arcadian Shepherds and Nymphs, but we can still be mightily entertained by the music and poetry created for them.’

Featuring leading singer Emma Kirkby and Martyn Hill, this L’Oiseau-Lyre recording makes its first appearance on CD on this Decca Eloquence reissue. Also issued on CD for the first time is Pastoral Dialogues, the companion recording to Amorous Dialogues. The extensive booklet includes the original notes, a new introduction by Anthony Rooley and full texts and translations.

“The singing is of a very high order, the accompaniments are managed with real sympathy, and the balance is ideal. An unusual and highly enjoyable record.” Gramophone

Australian Eloquence - 4804144

(CD)

$10.25

In stock - usually despatched within 1 working day.

Musique and Sweet Poetrie

Musique and Sweet Poetrie

Songs and Lute Solos from Europe around 1600


Ballard:

Entree De Luth

Branles De Village

Boesset:

Que Philis a l’esprit léger

Danyel:

He whose desires are still abroad

Dost thou withdraw thy grace?

Why canst thou not?

Dlugoraj:

Fantasia

Dowland:

Shall I sue?

Go Crystal tears

Shall I strive with wordes to move?

Galilei, M:

Toccata

Corrente

Volta

Huwet:

Fantasia

India:

Quella vermiglia rosa

Da l’onde del mio pianto

Johnson, R:

Almaine

Full fathom five

Pavans

Kapsberger:

Toccata

Morley:

Thirsis and Milla

Come sorrow, come

Moulinié:

Paisible et ténébreuse nuit

Schimmelpfennig:

Dolce tempo passato

Schütz:

Eile mich, Gott, zu erretten, SWV282


Emma Kirkby (soprano) & Jakob Lindberg (lute)

“This exquisite collection of musical gems is arranged so as to represent a tour around Europe at the end of the Renaissance. …there is a feast of pleasing musical detail here from both performers, beautifully captured by superb recording techniques.” BBC Music Magazine, April 2007 *****

Super Audio CD

Format:

Hybrid Multi-channel

BIS - BISSACD1505

(SACD)

$16.75

(also available to download from $10.50)

Usually despatched in 2 - 3 working days. (Available now to download.)

The Artistry of Emma Kirkby

The Artistry of Emma Kirkby


Amodei:

Su l'ore che l'aurora

Va', ché l'hai fatto a me

Lieve al piè, grave al passo (Cantata sacra per la Beatissima Vergine)

Ariosti:

Cantata 'Pur al fin gentil Viola'

Bach, J S:

Öffne dich mein ganzes Herze, from the cantata ‘Nun komm, der Heiden Heiland', BWV61

Cantata BWV132 'Bereitet die Wege, bereitet die Bahn'

Blow:

Sappho to the Goddess of Love

Böddecker:

Natus est Jesus

Boesset:

Que Philis a l’esprit léger

Couperin, F:

Premiere leçon de Tenebres pour le Mercredy Saint

Troisieme lecon de Tenebres pour le Mercredy Saint

Danyel:

Dost thou withdraw thy grace?

Dowland:

O sweet woods

I saw my Lady weepe

Daphne was not so chaste

Farewell too faire

Time's eldest sonne

Shall I strive with wordes to move?

Ferrabosco, A II:

So beautie on the waters stood

Graupner:

Ach Gott Herr

Greene, M:

Orpheus with his lute

Handel:

Gloria

Salve Regina, HWV 241

O qualis de coelo sonus, HWV239

Coelestis dum spirat aura, HWV231

Laudate pueri (Psalm 112), HWV236

India:

Da l’onde del mio pianto

Johnson, R:

Full fathom five

Lalande:

Troisième Leçon de Ténèbres du Mercredy Saint

Lawes, H:

Anacreon's Ode, call'd The Lute (original Greek)

Anacreon's Ode, call'd The Lute ('English'd, to be sung by a Basse alone')

At dead low ebb of night ('A tale out of Anacreon')

Orpheus' Hymn to God

Moulinié:

Paisible et ténébreuse nuit

Scarlatti, A:

Cantata pastorale 'Non sò qual più m'ingombra'

Cantata pastorale 'O di Betlemme altera'

Schimmelpfennig:

Dolce tempo passato

Schütz:

Eile mich, Gott, zu erretten, SWV282

Weldon:

Stop, O ye waves

Wilson, John:

Diffugere nives (Horace, Odes IV, 7)


Emma Kirkby (soprano) with Jakob Lindberg (lute), Lars Ulrik Mortensen (harpsichord), Anthony Rooley (lute), Agnès Mellon (soprano), John Abberger (oboe), Thomas Georgi (viola d’amore), Lucas Harris (lute) & Mime Yamahiro Brinkmann (cello)

London Baroque, Royal Academy of Music Baroque Orchestra & Theatre of Early Music

Emma Kirkby has enchanted audiences with her almost supernaturally clear and agile soprano ever since she first appeared on the Early Music scene in the 1970s. As the art of historically informed performance has become more and more widely appreciated, so has her style of singing to the extent that she was included in a listing of ‘the 20 greatest sopranos ever’ made by the BBC Music Magazine in 2007.

Released on the occasion of her 60th birthday, the present collection celebrates her collaboration with BIS and includes highly acclaimed performances of works from her repertoire such as Handel solo cantatas (with London Baroque) and Dowland songs (with Anthony Rooley and Jakob Lindberg) as well as pieces by less familiar composers, such as Ariosti and Amodei, de Lalande and Schimmelpfennig. This collection provides an opportunity to sample the work of an exceptional singer in all its variety.

The accompanying booklet includes a personal appreciation of the performer by music critic Brian Robins, as well as the texts – in the original languages with English translations where applicable – of all the works featured.

“…it's often in the modest-looking pieces that she's at her most compelling. Robert Johnson's Full Fathom Five is 109 seconds of breathtaking stillness and beauty, Böddecker's Natus est Jesu a masterclass in how quietly to find variety and meaning in a piece that might have seemed to have little to offer. Artistry indeed, and praise to BIS for recognising how to honour it.” Gramophone Magazine, July 2009

GGramophone Magazine

Re-issue of the Month - July 2009

BIS - BISCD1734/35

(CD - 4 discs)

$34.00

(also available to download from $25.75)

Usually despatched in 2 - 3 working days. (Available now to download.)

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