Vaughan Williams: Sancta Civitas (The Holy City)

Although Vaughan Williams described himself as ‘a cheerful agnostic’, he was not only steeped in the traditions of the Anglican Church, but sensitive to the mystical significance ‘of what lies beyond sense and knowledge’.

Written in 1936, his cantata Dona nobis pacem sets powerful Biblical texts alongside those by Walt Whitman and John Bright and is both a warning that mankind was sliding disastrously towards another war and a plea for a world without strife.

The oratorio Sancta Civitas, one of his most original choral works, strikingly deploys vocal and orchestral forces to depict the battle between good and evil from the Book of Revelation.

"Hill and his singers and players brought off the tone of the piece perfectly, conveying RVW's complex, polytonal vision in a capable performance… the singers were both thrilling in the louder moments and austerely beautiful in the quieter ones. The Bach Choir also supplied the polished chamber choir; Winchester Cathedral Choir and Winchester Quiristers supplied the atmospheric boys choir.” Music and Vision on a concert performance of the Sancta Civitas

A 5CD set containing titles from the acclaimed EMI British Composers series, based around the music of Ralph Vaughan Williams and his contemporaries; Gerald Finzi, Arnold Bax and Gustav Holst.

Celebrated as the musical poet of the English landscape, Vaughan Williams was also a visionary composer of enormous range: from the pastoral lyricism of The Lark Ascending and the still melancholy of Silent Noon to the violence of the Fourth Symphony and the grand ceremonial of All people that on earth do dwell, he assumed the mantle of Elgar as our national composer. This edition, released to mark the 50th anniversary of his death, presents all the major orchestral, chamber, vocal and stage works, as well as many lesser pieces and rarities, in the finest interpretations. All your favourite Vaughan Williams is here, in over 34 hours of music on 30 CDs