Wagner: Die Meistersinger von Nürnberg: Entry of the Masters

This page lists all recordings of Die Meistersinger von Nürnberg: Entry of the Masters, by Richard Wagner (1813-83) on CD & download (MP3 & FLAC). Generally, more recent releases are listed first, but with priority given to those that are in stock.

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Wagner: Opera Overtures & Preludes

Wagner: Opera Overtures & Preludes

Recorded Free Trade Hall, Manchester, 16-17 September 1959 and April 1959 STEREO


Wagner:

Die Meistersinger von Nürnberg: Overture

Die Meistersinger von Nürnberg: Dance of the Apprentices

Die Meistersinger von Nürnberg: Entry of the Masters

Die Meistersinger von Nürnberg: Prelude to Act 3

Tannhäuser: Overture

Der fliegende Holländer: Overture

Lohengrin: Prelude to Act 1

Tristan und Isolde: Prelude to Act 1

Tristan und Isolde: Prelude & Liebestod


These stereo recordings date from sessions on 16 and 17 September 1959 for Pye. (The Tannhäuser Overture was recorded at an earlier session in April 1959). The Meistersinger Overture and Act 3 Suite was popular with Barbirolli, having recorded it for HMV in 1944 and other Wagner works he recorded included the Lohengrin Preludes (HMV 1946, now released on SJB1004), the Rienzi Overture (HMV 1944). A unique opportunity to hear an all-Wagner concert from Barbirolli comes in a ‘live’ broadcast with the New York Philharmonic in November 1938 which includes the Siegfried Idyll, which he never recorded commercially (Barbirolli Society SJB1035).

Whatever qualms Wagner himself might have had about performing extracts from his operas in the concert hall, he was, as a professional musician, able to suppress them. They brought in revenue, of course, but this was not the main consideration; more important was that his work should be known and understood. He therefore sanctioned, even encouraged, the performance of excerpts from his operas, either with vocalists or, as in the present recording, in purely orchestral form.

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Wagner: Orchestral Excerpts Volume 3

Wagner: Orchestral Excerpts Volume 3


Wagner:

Tannhäuser: Overture and Venusberg Music

Die Meistersinger von Nürnberg: Dance of the Apprentices

Die Meistersinger von Nürnberg: Introduction

Die Meistersinger von Nürnberg: Entry of the Masters

Tristan und Isolde: Prelude to Act 1

Einsam wachend...Habet acht! (from Tristan und Isolde)

Alessandra Marc (soprano)

Tristan und Isolde: Prelude to Act 3

Tristan und Isolde: Prelude & Liebestod

Alessandra Marc (soprano)


Themes of love and passion dominate these orchestral excerpts from Wagner’s music dramas. The legend of Tannhäuser contrasts the sensual allure of Venus with the ideals of courtly love and religious devotion. Die Meistersinger von Nürnberg pits an inspired but rash young singer against the traditions of the old masters in a song competition, with a beautiful girl as the prize. Tristan und Isolde, based on one of the world’s great love stories, is considered Wagner’s most revolutionary work, seamlessly blending themes of love and death into a shattering apotheosis. Gerard Schwarz’s other selections of Wagner excerpts can be found on 8572767 and 8572768.

“Marc is an excellent singer, thankfully free of the gusty tone production which afflicts too many Wagnerian sopranos today. She sings with expressiveness, delicacy and a real feeling for the text” MusicWeb International, October 2012

Naxos Seattle Symphony Collection - Wagner Orchestral Excerpts - 8572769

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Barbirolli in New York

Barbirolli in New York

Recording of a concert in Carnegie Hall, New York on 20 November 1938


Wagner:

Rienzi Overture

Tannhäuser: Venusberg Music (bacchanale)

Tristan und Isolde: Prelude & Liebestod

Siegfried Idyll

Die Meistersinger von Nürnberg: Overture

Die Meistersinger von Nürnberg: Dance of the Apprentices

Die Meistersinger von Nürnberg: Entry of the Masters


Although John Barbirolli made several commercial recordings during his seven years as conductor of the Philharmonic- Symphony Orchestra of New York (as the New York Philharmonic was then formally known), the Barbirolli Society offers us a unique oportunity with this issue of an off-the-air recording of a Wagner concert, performed in Carnegie Hall in November 1938. It comes as a valuable reminder of an important period of his career, one moreover which has come to be regarded, superficially and misleadingly, as a failure. The orchestra was immediately won over by Barbirolli’s personality and remained devoted to him. If these tough players – once known as ‘Murder Incorporated’ – had not liked him and respected his musicianship, it would have been impossible for the manager Arthur Judson, within five days of JB’s first concert, to have begun to mention a permanent appointment. On 7 December 1936, after five weeks’ work with the orchestra, the board offered him a three-year contract and this was renewed in 1940 for a further two years, by which time the war was a complicating factor. JB himself was overwhelmed and wrote to his future wife Evelyn Rothwell on 11 December 1936: ‘The orchestra played tonight as something I have dreamed of. . . The emotion of the orchestra at my appointment is something too touching for words. I can’t believe I am worthy of all this.’ The orchestra’s first horn player spoke of ‘the joy’ of making music with Barbirolli.

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Wagner: Orchestral Music from Operas

Wagner: Orchestral Music from Operas


Wagner:

Freudig begrussen wir 'Entrance of the Guests' (from Tannhauser)

Die Walküre: Ride of the Valkyries

Gotterdammerung: Dawn, Siegfried's Rhine Journey & Funeral March

Die Walkure: Magic Fire Music

Die Meistersinger von Nürnberg: Prelude to Act 3

Die Meistersinger von Nürnberg: Entry of the Masters

Die Meistersinger von Nürnberg: Dance of the Apprentices

Lohengrin: Prelude to Act 3


Budapest Symphony Orchestra, Vienna Symphony Orchestra, Sofia Radio Symphony Orchestra, Sofia Symphony Orchestra, Gyorgy Lehel, Yuri Ahronovitch, Vassil Kazandjiev

Capriole - CA15612

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Wagner: Orchestral Music

Wagner: Orchestral Music


Wagner:

Rienzi Overture

Tannhäuser: Overture

Tannhäuser: Prelude to Act 3

Lohengrin: Prelude to Act 1

Lohengrin: Prelude to Act 3

Die Meistersinger von Nürnberg: Overture

Die Meistersinger von Nürnberg: Dance of the Apprentices

Die Meistersinger von Nürnberg: Entry of the Masters

Parsifal: Prelude to Act 1

Der fliegende Holländer: Overture

Das Rheingold: Entrance of the Gods into Valhalla

Die Walküre: Ride of the Valkyries

Siegfried Idyll

Siegfried: Waldweben

Götterdämmerung: Siegfried's Rhine Journey

Götterdämmerung: Siegfried's Funeral March

Tristan und Isolde: Prelude & Liebestod


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EMI Great Recordings of the Century - 5678932

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Wagner & Strauss

Wagner & Strauss


Strauss, R:

Metamorphosen

Don Juan, Op. 20

Tod und Verklärung, Op. 24

Salome: Dance of the Seven Veils

Till Eulenspiegels lustige Streiche, Op. 28

Wagner:

Rienzi Overture

Tannhäuser: Overture

Tannhäuser: Prelude to Act 3

Lohengrin: Preludes to Acts 1 & 3

Die Meistersinger von Nürnberg: Overture

Die Meistersinger von Nürnberg: Dance of the Apprentices

Die Meistersinger von Nürnberg: Entry of the Masters

Parsifal: Prelude to Act 1

Der fliegende Holländer: Overture

Das Rheingold: Entrance of the Gods into Valhalla

Die Walküre: Ride of the Valkyries

Siegfried Idyll

Siegfried: Waldweben

Götterdämmerung: Siegfried's Rhine Journey and Funeral March

Tristan und Isolde: Prelude & Liebestod

Die Walküre: Act 1

Helga Dernesch (Sieglinde), William Cochran (Siegmund), Hans Sotin (Hunding)

Leb wohl, du kühnes, herrliches Kind! (from Die Walküre)

Norman Bailey (baritone)

Wesendonck-Lieder (5)

Christa Ludwig (mezzo-soprano)

Mild und leise 'Isolde's Liebestod' (from Tristan und Isolde)

Christa Ludwig (mezzo-soprano)


This collection sees Otto Klemperer lead the Philharmonia and New Philharmonia orchestras in compelling performances of works by Wagner and Richard Strauss. The set features highlights from each of Wagner’s most acclaimed operas, as well as Strauss’s Don Juan and a 1962 account of Tod und Verklärung that was hailed as one of Klemperer’s finest late recordings.

Ambivalent is the word which best describes Klemperer’s feelings about Germany’s two great musical Richards, Wagner and Strauss. During his early years as an opera conductor in Germany, Klemperer conducted a modicum of Strauss and a good deal of Wagner, though from the outset it was clear that he was never going to be an unthinking fan of either. The music of both composers did, nonetheless, cast its spell. Recording Act 1 of Wagner’s Die Walküre in London in 1969 was, he said, like meeting a woman he had loved 40 years ago and discovering that she was much as she had always been. He went on: ‘I find the music thrilling. Thrilling! One can say this or that about Wagner, but no one else could have written that music. No one! It’s as stupid to underestimate Wagner as it is to overestimate him. He doesn’t need either’.

Klemperer’s attitude to the operas of Richard Strauss was no less mixed. He thrilled to Salome, which even as an old man he considered to be one of the twentieth century’s most original scores, revered Elektra, and took great delight in Ariadne auf Naxos. On the other hand, he found too much ‘sugar-water’ in Der Rosenkavalier and was baffled by Die Frau ohne Schatten of which he conducted a handful of performances in Cologne in 1919.

The Strauss work which had first impressed Klemperer – he was 15 at the time – was Tod und Verklärung. What struck the young enthusiast was the quality of the orchestration and the remorselessness of the build-up of the thematic material, qualities Klemperer would later bring to his own reading of a work which does indeed advance implacably towards its sought-for goal: the soul’s transfiguration as memories of childhood visions and unattained artistic ideals grandly mingle.

Knowing the man as he did, Klemperer experienced few difficulties in coming to terms with Strauss’s equivocations during the Nazi era. As the Second World War drew towards its close Strauss began working on Metamorphosen, a threnody for 23 solo strings born of the trauma of wartime cultural loss: the Goethe house destroyed, Dresden, Munich, Weimar all in ruins. ‘Basically quite nice’ was Klemperer’s laconic

comment on the piece, yet no one was more eager to conduct it, an ambition he realised in Budapest in March 1948. Klemperer’s coupling of Metamorphosen with Tod und Verklärung on an LP first released in 1962 was widely welcomed as one of the finest of all his late recordings.

“this set proved to be a most enjoyable listening experience, both in the recordings which I remembered from their original LP issues and those I had not previously encountered. The re-mastering has plenty of body and faithfully reproduces the sound of the original sessions and Klemperer’s approach to the music.” MusicWeb International, 20th June 2013

EMI - The Klemperer Legacy - 2484682

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Sunday Evenings with Pierre Monteux

Sunday Evenings with Pierre Monteux


Alfano:

Aria from Resurrection

Beethoven:

Consecration of the House Overture, Op. 124

Symphony No. 5 in C minor, Op. 67

The Creatures of Prometheus Overture, Op. 43: Adagio

Egmont Overture, Op. 84

Fidelio Overture Op. 72c

Leonore Overture No. 3, Op. 72b

Piano Concerto No. 3 in C minor, Op. 37 - 1st movt (transc Alkan)

Solomon

Berlioz:

Le carnaval romain Overture, Op. 9

Trojans Prelude

L'Enfance du Christ, Op. 25 - excerpts

La Damnation de Faust, Op. 24 (excerpts)

Roméo et Juliette, Op. 17 (excerpts)

Le Corsaire Overture, Op. 21

Borodin:

Prince Igor: Polovtsian March

Brahms:

Waltzes (16), Op. 39, extracts

(arr. Hertz)

Symphony No. 1 in C minor, Op. 68 (extract)

Tragic Overture, Op. 81

Double Concerto for Violin & Cello in A minor, Op. 102: I. Allegro

Naoum & Boris Blinder

Chadwick:

Symphonic Sketches: Jubilee

Dukas:

The Sorcerer's Apprentice

Falla:

The Three Cornered Hat - suites Nos. 1 & 2

Franck, C:

Prélude, Choral et Fugue, M21

(arr. Pierné)

Rédemption ­ Symphonic Interlude (excerpt)

Psyche Suite (extracts)

Symphony in D minor

Glazunov:

Scènes de ballet, Op. 52

Gluck:

Iphigénie en Aulide: Overture

Gretry:

Céphale et Procris - Suite

Haydn:

Symphony No. 8 in G major 'Le Soir'

Liszt:

Les Préludes, symphonic poem No. 3, S97

Hungarian Rhapsody, S244 No. 2 in C sharp minor

Massenet:

Phèdre: Overture

Mendelssohn:

Hebrides Overture, Op. 26

Symphony No. 4 in A major, Op. 90 'Italian'

Ruy Blas Overture, Op. 95

Messiaen:

L'Ascension (Quatre meditations pour l'orchestre)

Mozart:

Don Giovanni, K527: Overture

Die Zauberflöte, K620: Overture

Die Entführung aus dem Serail, K384: Overture

Symphony No. 35 in D major, K385 'Haffner'

Piano Concerto in A major (excerpt)

W. Kapell (piano)

Symphony No. 41 in C major, K551 'Jupiter'

Nicolai, C O:

Die lustigen Weiber von Windsor overture

Rachmaninov:

Symphony No. 2 in E minor, Op. 27

Respighi:

Fountains of Rome

Rimsky Korsakov:

Christmas Eve Suite

Russian Easter Festival Overture, Op. 36

Capriccio espagnol, Op. 34

Rossini:

L'Italiana in Algeri Overture

Guillaume Tell Overture

Schubert:

Fantasie in C major, D760 'Wanderer'

Lili Kraus

Schumann:

Symphony No. 4 in D minor, Op. 120

Sibelius:

Valse Triste, Op. 44 No. 1

Pohjola's Daughter, Op. 49

Sousa:

The Stars and Stripes Forever

Strauss, R:

Don Juan, Op. 20

Tod und Verklärung, Op. 24

Till Eulenspiegels lustige Streiche, Op. 28

Der Rosenkavalier - Suite

Tchaikovsky:

Romeo & Juliet - Fantasy Overture

Piano Concerto No. 1 in B flat minor Op. 23 : Allegro non troppo e molto maestoso - Allergo con spirito

Cherkassky

Thomas, Ambroise:

Mignon Overture

Wagner:

Rienzi Overture

Tannhäuser: Overture

Die Meistersinger von Nürnberg: Overture

Die Meistersinger von Nürnberg: Dance of the Apprentices

Die Meistersinger von Nürnberg: Entry of the Masters

Tristan und Isolde: Prelude & Liebestod

Leb wohl...Loge, hör! 'Wotan's Farewell & Magic Fire Music' (from Die Walküre)

Siegfried: Waldweben

Götterdämmerung: Siegfried's Rhine Journey

Walton:

Façade - Ballet Suite

Weber:

Euryanthe Overture


The Standard Symphony Orchestra (San Francisco), Pierre Monteux

CDs 1-10 previously issued on Music & Arts set CD978 (deleted); CDs 11-13 previously unissued, contains nearly 4 hours of new material

Music & Arts - MACD1192

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Leopold Stokowski: The Stereo Collection 1954-1975

Leopold Stokowski: The Stereo Collection 1954-1975


Bach, J S:

Cantata BWV147 'Herz und Mund und Tat und Leben': Jesu, bleibet meine Freude

New Symphony Orchestra of London, Norman Luboff Choir

Sheep May Safely Graze, from Cantata BWV208

orch. Stokowski

New Symphony Orchestra of London, Norman Luboff Choir

Partita for solo violin No. 2 in D minor, BWV1004: Chaconne

arr. Stokowski

London Symphony Orchestra

Partita for solo violin No. 3 in E major, BWV1006: Preludio

arr. Stokowski

London Symphony Orchestra

Ein feste Burg ist unser Gott

arr. Stokowski

London Symphony Orchestra

Orchestral Suite No. 3 in D major, BWV1068: Air ('Air on a G String')

arr. Stokowski

London Symphony Orchestra

Fugue in G minor, BWV578 'Little'

arr. Stokowski

London Symphony Orchestra

Adagio in F major, Sinfonia from Cantata No.156, Ich steh mit einem Fuss im Grabe (BWV156)

arr. Stokowski

London Symphony Orchestra

Chorale Prelude BWV645 'Wachet auf, ruft uns die Stimme'

arr. Stokowski

London Symphony Orchestra

Komm süsser Tod, BWV478

arr. Stokowski

London Symphony Orchestra

Toccata & Fugue in D minor, BWV565

London Symphony Orchestra

Toccata & Fugue in D minor, BWV565

arr. Stokowski (rehearsal)

London Symphony Orchestra

Beethoven:

Symphony No. 3 in E flat major, Op. 55 'Eroica'

London Symphony Orchestra

Coriolan Overture, Op. 62

London Symphony Orchestra

Die Ehre Gottes aus der Natur ('Die Himmel rühmen des Ewigen Ehre'), Op. 48 No. 4

New Symphony Orchestra of London, Norman Luboff Choir

Brahms:

Academic Festival Overture, Op. 80

New Philharmonia Orchestra

Symphony No. 4 in E minor, Op. 98

New Philharmonia Orchestra

Canteloube:

Songs of the Auvergne (selection)

Anna Moffo (soprano)

American Symphony Orchestra

Dvorak:

Symphony No. 9 in E minor, Op. 95 'From the New World'

New Philharmonia Orchestra

Enescu:

Romanian Rhapsody in A major, Op. 11 No. 1

RCA Victor Symphony Orchestra

Gluck:

Orfeo ed Euridice: Les Champs-Elysées

arranged as 'O, Saviour hear me' by Norman Luboff & Walter Stott

New Symphony Orchestra of London, Norman Luboff Choir

Handel:

Ombra mai fu (from Serse)

New Symphony Orchestra of London, Norman Luboff Choir

Water Music Suite No. 1 in F major, HWV348: excerpts

RCA Victor Orchestra

Music for the Royal Fireworks, HWV351

RCA Victor Symphony Orchestra

Humperdinck:

Abendsegen 'Abends will ich schlafen gehn' (Hänsel und Gretel)

New Symphony Orchestra of London, Norman Luboff Choir

Khachaturian:

Symphony No. 3 'Simfoniya-poema'

Mary Sauer (organ)

Chicago Symphony Orchestra

Liszt:

Hungarian Rhapsody, S244 No. 2 in C sharp minor

arr. Muller-Berghaus

RCA Victor Symphony Orchestra

Mahler:

Symphony No. 2 in C minor 'Resurrection'

Margaret Price (soprano), Brigitte Fassbaender (mezzo)

London Symphony Orchestra & Chorus

Menotti:

Sebastian: Ballet Suite

Members of the NBC Symphony Orchestra

Prokofiev:

Romeo and Juliet, Op. 64 - excerpts

Members of the NBC Symphony Orchestra

Rachmaninov:

Vocalise, Op. 34 No. 14

New Symphony Orchestra of London, Norman Luboff Choir

Vocalise, Op. 34 No. 14

Anna Moffo (soprano)

American Symphony Orchestra

Rimsky Korsakov:

Scheherazade, Op. 35

Erich Gruenberg (violin)

Royal Philharmonic Orchestra

Russian Easter Festival Overture, Op. 36

Chicago Symphony Orchestra

Shostakovich:

The Golden Age (complete)

Chicago Symphony Orchestra

Symphony No. 6 in B minor, Op. 54

Chicago Symphony Orchestra

Smetana:

The Bartered Bride Overture

RCA Victor Symphony Orchestra

Má Vlast: Vltava

RCA Victor Symphony Orchestra

Tchaikovsky:

Liturgy of St John Chrysostom, Op. 41: Our Father

New Symphony Orchestra of London, Norman Luboff Choir

Symphony No. 6 in B minor, Op. 74 'Pathétique'

London Symphony Orchestra

trad.:

Deep River

New Symphony Orchestra of London, Norman Luboff Choir

Praise God from whom all blessings flow

New Symphony Orchestra of London, Norman Luboff Choir

Villa-Lobos:

Bachianas Brasileiras No. 5: Aria and Dança (Martelo)

Anna Moffo (soprano)

American Symphony Orchestra

Wagner:

Die Walküre: Ride of the Valkyries

Martina Arroyo, Carlotta Ordassy, Doris Yarick (sopranos), Betty Allen, Doris Okerson, Regina Sarfaty, Shirley Verrett (mezzos), Louise Parker (contralto)

Symphony of the Air

Tristan und Isolde: Prelude to Act 3

Herny Schuman (cor anglais)

Symphony of the Air

Das Rheingold: Entrance of the Gods into Valhalla

Martina Arroyo, Carlotta Ordassy (sopranos), Louise Parker (contralto)

Symphony of the Air

Tannhäuser: Overture and Venusberg Music

Symphony of the Air

Rienzi Overture

Royal Philharmonic Orchestra

Die Walkure: Magic Fire Music

Royal Philharmonic Orchestra

Die Meistersinger von Nürnberg: Prelude to Act 3

Royal Philharmonic Orchestra

Die Meistersinger von Nürnberg: Dance of the Apprentices

Royal Philharmonic Orchestra

Die Meistersinger von Nürnberg: Entry of the Masters

Royal Philharmonic Orchestra

Tristan und Isolde: Prelude & Liebestod

Royal Philharmonic Orchestra

Götterdämmerung: Siegfried's Rhine Journey and Funeral March

London Symphony Orchestra

Starke Scheite schichtet mir dort 'Brünnhilde's Immolation Scene' (from Götterdämmerung)

(orchestral version)

London Symphony Orchestra

Begluckt darf nun dich 'Pilgrims' Chorus' (from Tannhauser)

New Symphony Orchestra of London, Norman Luboff Choir

Rienzi Overture

(rehearsal & alternative ending)

Royal Philharmonic Orchestra

and rehearsal footage of Beethoven's Pastoral and Mahler's Resurrection Symphony


RCA Classical Masters - 88691916852

(CD - 14 discs)

$45.50

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