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See Terms & Conditions for p&p rates. | |  | English Music of the 17th CenturyConsort Music, Music for Harpsichord, Virginal & Organ, Songs
| | | In stock - usually despatched within 1 working day. |
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| |  | A Cleare Day: Pieces from the Fitzwilliam Virginal Book
Kenneth Weiss (virginals, Flemish & Italian harpsichords) This is the first in a series of CDs of music from the Fitwilliam Virginal Book. The American harpsichordist Kenneth Weiss is an outstanding artist and studied with Gustav Leonhardt. He teaches at the Paris Conservatory and and is harpsichord professor at the Julliard School. This is a live concert performance. | | | Usually despatched in 2 - 3 working days. |
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| |  | Orlando Gibbons - Keyboard Music
“an excellent anthology of his keyboard works… an excellent disc by any standards.” Gramophone Magazine | | | Usually despatched in 4 - 5 working days. |
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| |  | Peace on EarthSacred and secular music by Orlando Gibbons
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| |  | The Queenes CommandMasterpieces of Elizabethan Keyboard Music
| | | (also available to download from $10.75) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Gibbons: Consort And Keyboard Music, Songs And Anthems
“The whole assortment makes an ideal introduction to one of England's finest composers.…” BBC Music Magazine “Beautifully performed and finely recorded, this selection of Gibbons's music is especially attractive for its variety. At its richest it presents writing for voice and viols combined, five parts to each, or for viols alone, sometimes in six parts. In lightest, most transparent texture there's a charming piece for two viols. Three keyboard instruments are used for solos: virginals, harpsichord and organ. A soprano also sings solos to viol accompaniment. Moods and styles vary correspondingly. The Masks and Alman for virginals have a high-spirited, almost popular manner; the Fifth Fantasia includes some unusual chromaticism and harmonic developments that for a while almost anticipate Purcell.
Tessa Bonner sings with unvibrant purity; but most striking here is the pronunciation.
It's one of the distinguishing marks of this curiously named group, Red Byrd, that they sing such music with vowel sounds modified to fit theories about the English in which it would originally have been sung. Thus the 'daintie fine bird' tells 'oi sing and doy', and the 'u' acquires a sort of umlaut in I weigh not fortune'sfrown, 'weigh' and 'frown' also having a measure of rusticity. Perhaps it's a good idea, but it does increase the desirability of printed texts in the booklet.
The instrumental music is finely played, the viols avoiding any imputation of belonging to the squeeze-and-scrape school, and Timothy Roberts's keyboard solos are particularly skilful, in legato and fluency.” Gramophone Classical Music Guide, 2010 | | | (also available to download from $6.00) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Early English Organ Music, Vol. 2From the Mulliner Book
“An intriguing disc, very well played and recorded.” The Organist (UK) | |
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| |  | Ton Koopman - Organ & HarpsichordBach, Scarlatti and the Fitzwilliam Virginal Book
anon.: | Packington's Pound My Lady Careys Dompe | Bach, J S: | Two-part Inventions Nos. 1-15, BWV772-786 Three-part Inventions (Sinfonias) Nos. 1-15, BWV787-801 Six Little Preludes, BWV933-938 | Blow: | Voluntary No. 28 Voluntary No. 29 | Boyce: | Voluntary I Voluntary II | Bull, J: | Ut re mi fa sol la Prelude and Carol "Laet ons met heerten reijine" Coranto 'Battle' In Nomine "Den lustelijcken Meji" | Byrd: | Pavana & Galiarda Fantasia Qui passe (chi passa) for my Lady Nevell Voluntary for my Lady Nevell | Farnaby, G: | Up [T]ails All | Gibbons, O: | Pavan Almaine 'Mr Johnson' A Fancy A Fancy for Double Organ | Morley: | Fancie (Fitzwilliam Virginal Book) | Philips, P: | Amarilli Pavana Dolorosa | Picchi: | Toccata (Fitzwilliam Virginal Book) | Purcell: | Trumpet Tune in C major, ZT 698, from the Indian Queen | Scarlatti, D: | Keyboard Sonata K420 in C major Keyboard Sonata K513 in C major Keyboard Sonata K461 in C major Keyboard Sonata K159 in C major 'La caccia' Keyboard Sonata K208 in A major Keyboard Sonata K209 in A major Keyboard Sonata K380 in E major Keyboard Sonata K216 in E major Keyboard Sonata K115 in C minor Keyboard Sonata K146 in G major Keyboard Sonata K544 in B flat major Keyboard Sonata K545 in B flat major Keyboard Sonata K361 in B flat major Keyboard Sonata K490 in D major Keyboard Sonata K491 in D major Keyboard Sonata K492 in D major | Stanley, J: | Voluntaries | Tomkins: | A sad Pavan for these distracted times |
Ton Koopman (organs of St Mary's Rotherhithe & Adlington Gall, harpsichord) | | | Usually despatched in 2 - 3 working days. |
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| |  | The Gustav Leonhardt Edition
anon.: | Daphne Resonet in laudibus A toye | Bach, J C: | Harpsichord Sonata, Op. 5 No. 2 in D major | Bach, J S: | Concerto for Flute, Violin & Harpsichord in A minor, BWV1044 Keyboard Concerto No. 2 in E major, BWV1053 Keyboard Concerto No. 3 in D major, BWV1054 Keyboard Concerto No. 4 in A major, BWV1055 Keyboard Concerto No. 5 in F minor, BWV1056 Concerto for Harpsichord & Two Recorders, BWV1057 Keyboard Concerto No. 7 in G minor, BWV1058 Oboe Concerto in D minor, BWV1059 Concerto for Two Keyboards in C minor, BMV1060 Concerto for Two Keyboards in C major, BMV1061 Concerto for Two Keyboards in C minor, BMV1062 Concerto for Three Keyboards in D minor, BWV1063 Concerto for Three Keyboards in C major, BWV1064 Concerto for Four Keyboards in A minor (after Vivaldi), BWV1065 Goldberg Variations, BWV988 Chromatic Fantasia & Fugue in D minor, BWV903 Keyboard Sonata in D Minor, BWV964 Toccata in G major, BWV916 Lute Suite No. 1 in E minor, BWV996 Sonatas for Violin & Harpsichord Nos. 1-6, BWV1014-1019 Prelude in F major, BWV927 Quodlibet, BWV524 Prelude in E major, BWV937 Trio in G minor, BWV929 So oft ich meine Tobackspfeife, BWV515a Prelude in D minor, BWV940 Canon a 2 perpetuus, BWV1075 Canon super fa mi a 7 post tempus misicum, BWV1078 Prelude in D major, BWV925 Gib dich zufrieden, BWV511 Canon a 4 perpetuus, BWV1073 Canone doppio sopr'il soggetto, BWV1077 O Herzensangst, o Bangigkeit, BWV400 Nicht so traurig, nicht so sehr, BWV384 Dir, dir Jehovah, will ich singen, BWV452 Prelude in C major, BWV939 Fugue in C major, BWV952 Was betruebst du dich, mein Herze, BWV423 Vergiss mein nicht, BWV505 Chorale Prelude BWV691 'Wer nun den lieben Gott lässt walten' Capriccio sopra la lontananza del suo fratello dilettissimo, BWV992 Prelude & Fugue in A minor, BWV895 Suite in F minor, BWV823 Prelude & Fughetta in D minor, BWV899 Prelude & 'Fiddle' Fugue in D minor, BWV539 | Biber: | Harmonia artificiosa-ariosa: diversi mode accordata 120.Mensa sonora: seu musica instrumentalis Fidicinium sacro-profanum: Sonatas III, IV, V & VI | Böhm, G: | Suite No. 6 in E flat major Suite No. 8 in F minor Suite No. 9 in F minor | Bull, J: | Fantasia The duchesse of brunswick's toye [most sweet and fayre] | Byrd: | Pavan in D BK52a Pavan in D BK52b Fantasia a 3 in C BK27 Pavan & Galliard à 6 Miserere mei | Caccini, G: | Amarilli mia bella | Couperin, F: | Offertoire sur les grands jeux L'art de toucher le clavecin | Dowland: | Pavan Lachrimae Pavan, P. 15 Can she excuse my wrongs? (First Booke of Songes, 1597) | Farnaby, G: | Fantasia in D Fantasia in D The Old Spagnoletta | Frescobaldi: | Toccata Settima Toccata undecima (1627) Canzon terza Toccata in G major Fantasia sesta sopra doi soggetti Five Gagliardes | Froberger: | Capriccio No. II Fantasia No. 3 Toccata No. 11 (da sonarsi alla levatione) Ricercar II Canzona II Toccata No. 9 Allemande Suite No. 18 Suite No. 12 in C major | Gibbons, O: | Pavan | Grigny: | Cromorne en taille à deux parties | Handel: | Keyboard Suite, HWV 433 in F minor | Kuhnau: | The Biblical Sonatas | Lawes, W: | Suite No. 2 a 5 in F major : fantasia Suite No. 2 a 5 in F major : aire Suite No. 7 in D minor : fantasia Suite No. 7 in D minor : air 'almand' Suite No. 7 in D minor : 'galliard' Suite No. 3 in B-flat major : in nomine | Marini, B: | Balletto secondo a tre & a quattro | Mondonville: | 6 Sonatas Op. 3 | Morley: | Nancie | Muffat, Georg: | Sonata No. 2 from Armonico Tributo | Poglietti: | Ricercar primi toni | Purcell: | Rejoice in the Lord alway ('The Bell Anthem'), Z49 Blow up the trumpet in Sion, Z10 O God, thou art my god, Z35 Chacony in G minor - for Two Violins, Viola and Bass Z730 O God, thou hast cast us out, Z36 My heart is inditing, Z30 Remember not, O Lord, our offences, Z50 Overture in D minor Z771 Pavan in B flat major, Z750 Ground in D minor, ZD222 Suite in G major, Z 770 Pavan in A minor Z749 Three Parts upon a Ground in D major - Z731 Overture in G minor Z772 Suite No. 6 in D major, Z 667 Pavan for Three Violins and Bass in G minor - Z752 Sefauchi's Farewell, Z656 A New Ground in E minor, Z. T682 4-part Sonnata No. 3 in A minor - Z804 Fantasia No. 7 Fly swift ye hours, Z369 The father brave as e'er was Dane (from Who can from joy refrain?, Z342) Return revolting rebels (from Timon of Athens, Z632) | Rameau: | Nouvelles Suites de Pièces de Clavecin: La Triomphante L'Entretien des muses Menuet Pièces de Clavecin 1724: Les Tourbillons Sarabande La villageoise Pièces de Clavecin en concerts | Reincken: | Choralfantasie “An Wasserflüssen Babylon” | Rosenmüller: | Sonata Settima a 4 | Scarlatti, D: | Keyboard Sonata K3 in A minor Keyboard Sonata K52 in D minor Keyboard Sonata K215 in E major Keyboard Sonata K216 in E major | Scheidemann: | Praeambulum in D minor | Scheidt: | Paduan a 4 | Schmelzer: | Sacro-Profanus Concentus Musicus: Sonatas VII & IX | Tisdale: | Pavana Chromatica (Mrs. Katherin Tregians Paven) | Tomkins: | A sad Pavan for these distracted times Pavan Of Three Parts Galliard Of Three Parts | Turini: | Sonata |
Gustav Leonhardt (harpsichord/organ/bass viol/virginal/narration/director ), Agnes Giebel (soprano), Marie Luise Gilles (alto), Bert van t’Hoff (tenor), Peter Christoph Runge (bass), James Bowman (countertenor), Nigel Rogers (tenor), Max van Egmond (bass), Lars Frydén (violin), Anner Bylsma (cello), Frans Brüggen (flute), Sigiswald Kuijken (violin), Wieland Kuijken (viola da gamba) & Veronika Hampe (alto viol) The Choir of King’s College, Cambridge, Brüggen-Consort & Leonhardt-Consort, Gustav Leonhardt “Gustav Leonhardt's patrician demeanour and Calvinistic refusal to indulge his ego run contrary to the common trend for keyboard players to emulate performing seals. And yet he has the power to transfix an
audience, as he did throughout his Wigmore Hall recital, without the need for gratuitous showmanship or wild musical gestures. Austerity and sobriety are the names of his particular performing game, tempered by
a compelling mix of passion and commitment to the broad repertoire within his command.” Andrew Stewart, The Independent, 10th January 1996 “Among the scholar-performers who have sparked and led the early music revival, surely none has played a greater part and exerted a more benificent influence on younger musicians and the public than Gustav
Leonhardt. Harpsichordist, organist, conductor, teacher, musicologist and editor are all roles in which he has distinguished himself.” Howard Schott, The Musical Times, October 1992 | | | In stock - usually despatched within 1 working day. |
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