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See Terms & Conditions for p&p rates. | |  | Fischer-Dieskau sings Brahms & Schumann
Brahms: | Vier ernste Gesänge, Op. 121 Sommerabend, Op. 85 No. 1 Mondenschein, Op. 85 No. 2 Es liebt sich so lieblich, Op. 71 No. 1 Meerfahrt, Op. 96 No. 4 Es schauen die Blumen, Op. 96 No. 3 Der Tod, das ist die kühle Nacht, Op. 96 No. 1 Mit vierzig Jahren, Op. 94 No. 1 Steig auf, geliebter Schatten, Op. 94 No. 2 Mein Herz ist schwer, Op. 94 No. 3 Kein Haus, keine Heimat, Op. 94 No. 5 Herbstgefühl, Op. 48 No. 7 Alte Liebe, Op. 72 No. 1 Abenddämmerung, Op. 49 No. 5 Heimweh, Op. 63 No. 8 Auf dem Kirchhofe, Op. 105 No. 4 Verzagen, Op. 72 No. 4 Regenlied (No. 3 from Acht Lieder und Gesänge, Op. 59) Nachklang (No. 4 from Acht Lieder und Gesänge, Op. 59) Fruhlingslied, Op. 85, No. 5 Auf dem See (No. 2 from Acht Lieder und Gesänge, Op. 59) Feldeinsamkeit, Op. 86 No. 2 An eine Äolsharfe, Op. 19 No. 5 Der Frühling, Op. 6 No. 2 Wie die Wolke nach der Sonne (No. 5 from Sechs Gesänge, Op. 6) Treue Liebe, Op. 7, No. 1 Heimkehr, Op. 7 No. 6 Juchhe! (No. 4 from Sechs Gesänge, Op. 6) Nachwirkung, Op. 6 No. 3 Mondnacht, WoO 21 Ein Sonett, Op. 14 No. 4 (Herder) Ständchen, Op. 14 No. 7 Vor dem Fenster Op. 14 No. 1 Scheiden und Meiden, Op. 19, No 2 Gang zur Liebsten, Op. 14 No. 6 Von verwundeten Knaben, Op. 14 No. 2 Murrays Ermordung, Op. 14 No. 3 Sehnsucht 'Mein Schatz ist nicht da', Op. 14 No. 8 Volkslied Kerstin Meyer (contralto) Duette (4), Op. 28 | Schumann: | Dichterliebe, Op. 48 |
‘You sing as if you had written it yourself!’ Jean Cocteau once told Dietrich Fischer-Dieskau. This anthology of lieder by Brahms and Schumann is a prime example of the great singer doing just that, mining every nuance of emotion from a song while, at the same time, sounding as spontaneous and free as if he were making it up on the spot. One of the hallmarks of Fischer-Dieskau’s legacy is the ease with which he creates the spell of each individual song, drawing the listener – apparently effortlessly – into the drama created by the words and the music. Fischer-Dieskau recorded extensively for Deutsche Grammophon, and the bulk of his archive has been mined on CDs. These recordings, however, are rarities. The songs on CD1 appeared only as part of the Fischer-Dieskau Edition for his 75th birthday. The Brahms songs on CD2 make their first appearance on CD. And the 1957 recording of Schumann’s Dichterliebe with his long-time pianist Jörg Demus, only appeared as part of Deutsche Grammophon’s centenary edition. CD2 includes the Four Duets, Op. 28 in which Fischer-Dieskau is partnered by an artist not heard enough on records, the contralto Kerstin Meyer. This release marks the launch of an Eloquence series of notable recitals of songs and opera arias by some of the great voices of Decca and Deutsche Grammophon. “A moving Brahms Four Serious Songs from a young and physically impassioned Fischer-Dieskau, and a fascinatingly exploratory Dichterliebe from 1957, both incomparably accompanied.” BBC Music Magazine, June 2012 ***** “Fischer-Dieskau is a superb interpreter of the cycle” Gramophone Magazine (Dichterliebe) “this is a masterly performance, a towering interpretation of these dark, noble songs” Gramophone Magazine (Brahms: Four Serious Songs) “Fischer-Dieskau is splendid in the furious little Hahm setting, Kein Haus, keine Heimat, the shortest of all Brahms’s songs, and gives a ravishing account of Feldeinsamkeit. … [His] performance is clearly among the greatest” Gramophone Magazine (Brahms) | | | In stock - usually despatched within 1 working day. |
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| |  | Dietrich Fischer-Dieskau sings Lieder
Brahms: | Feldeinsamkeit, Op. 86 No. 2 Auf dem See (No. 2 from Acht Lieder und Gesänge, Op. 59) Abenddämmerung, Op. 49 No. 5 Alte Liebe, Op. 72 No. 1 Verzagen, Op. 72 No. 4 Regenlied (No. 3 from Acht Lieder und Gesänge, Op. 59) | Schubert: | Liebesbotschaft, D957 No.1 Der Atlas, D957 No. 8 Ihr Bild, D957 No. 9 Das Fischermädchen D957 No. 10 Die Stadt, D957 No. 11 Am Meer, D 957 No. 12 Die Taubenpost, D965A (D957 No. 14) Am feierabend (No. 5 from Die schöne Müllerin, D795) Trockne Blumen (No. 18 from Die schöne Müllerin, D795) Nacht und Träume, D827 | Schumann: | In der Fremde (No. 1 from Liederkreis, Op. 39) Waldesgesprach (No. 3 from Liederkreis, Op. 39) Mondnacht (No. 5 from Liederkreis, Op. 39) Schöne Fremde (No. 6 from Liederkreis, Op. 39) Auf einer Burg (No. 7 from Liederkreis, Op. 39) Wehmut (No. 9 from Liederkreis, Op. 39) Im Walde (No. 11 from Liederkreis, Op. 39) Frühlingsnacht (No. 12 from Liederkreis, Op. 39) |
“The main purpose of this frustratingly fragmentary and unevenly mastered compilation of Lieder treasure seems to be to give a sampler tasting of the young Fischer-Dieskau in the 1950s, with a varied palette of accompanists.” BBC Music Magazine, February 2010 **** “The voice is again in finest condition, the art wonderfully flexible in its transitions from light-heartedness to the intensity of despair. The Liederkreis songs include a magical "Mondnacht" and a vividly "faced" "Im Walde". The Brahms group opens with Feldeinsamkeit, masterly in control, technical and expressive. The remastered sound is very immediate, sometimes almost uncomfortably so, but the impression is strong, probably ineffaceable.” Gramophone Magazine, December 2009 | | | In stock - usually despatched within 1 working day. |
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| |  | Brahms: The Complete Songs Volume 1 (Angelika Kirchschlager)
Brahms: | Von ewiger Liebe, Op. 43 No. 1 Lieder (7), Op. 48 O komme, holde Sommernacht, Op. 58 No. 4 Dämmrung senkte sich von oben (No. 1 from Acht Lieder und Gesänge, Op. 59) Auf dem See (No. 2 from Acht Lieder und Gesänge, Op. 59) Meine Liebe ist grün, Op. 63 No. 5 Wenn um den Hollunder, Op. 63 No. 6 Scheiden und Meiden, Op. 19, No 2 In der Ferne, Op. 19, No. 3 Salome (No. 8 from Neun Gesänge, Op. 69) Abendregen, Op. 70 No. 4 Therese, Op. 86 No. 1 Feldeinsamkeit, Op. 86 No. 2 Nachtwandler, Op. 86 No. 3 Über die Heide Op. 86 No. 4 Versunken, Op. 86 No. 5 Bei dir sind meine Gedanken (No. 2 from Sieben Lieder, Op. 95) Beim Abschied (No. 3 from Sieben Lieder, Op. 95) Der Jäger (No. 4 from Sieben Lieder, Op. 95) Da unten im Tale (No. 6 from Deutsche Volkslieder, WoO 33) Soll sich der Mond nicht heller scheinen (No. 35 from Deutsche Volkslieder, WoO 33) Feinsliebchen, du sollst mir nicht barfuß gehen (No. 12 from Deutsche Volkslieder, WoO 33) Och Moder, ich well en Ding han! (No. 33 from Deutsche Volkslieder, WoO. 33) |
Graham Johnson’s complete Schubert and Schumann songs series for Hyperion are landmarks in the history of recorded music. Now this indefatigable performer and scholar turns to the songs and vocal works of Brahms. Each disc of this Hyperion edition takes a journey through Brahms’s career. The songs are not quite presented in chronological order but they do appear here in the order that the songs were presented to the world. Each recital represents a different journey through the repertoire (and thus through Brahms’s life). In a number of these Hyperion recitals an opus number will be presented in its entirety (in the case of this disc, Op 48). The folksongs of 1894 will be shared between all the singers in the series. Hyperion is delighted to present the celebrated mezzo-soprano Angelika Kirchschlager in this first volume of the series. She enjoys an international career as one of today’s most important singers, dividing her time between recitals and opera in Europe, North America and the Far East. “Graham Johnson, once again, is both mastermind and pianist, and, as ever, his accompanying notes and essays are as witty and richly allusive as his playing...This recital is beautifully shaped.” BBC Music Magazine, July 2010 **** “Angelika Kirchschlager sings with purity of tone, evenly produced and unfailingly accurate in intonation...Graham Johnson's notes...complementary to his playing, are enlightening as ever and in a way which only he knows how to be.” Gramophone Magazine, August 2010 “Johnson's arrangement of this recital and his exceptional accompanying skills, together with Kirchschlager's voice and approach, almost always so appropriate to Brahms, make this a highly desirable disc.” International Record Review, July/August 2010 “Kirchschlager’s charm shines through in the lighter, more folkish songs of Op 48 and more high-spirited inspirations such as the enchanting O komme, holde Sommernacht and Bei dir sind meine Gedanken.” The Telegraph, 13th June 2010 ** “This selection keeps springing pleasant surprises. Kirchschlager’s articulation can be veiled, but she always sings with feeling, and Graham Johnson expertly judges the quirky piano accompaniments. His notes, as usual, are awesomely detailed.” The Times, 29th May 2010 **** | | | Usually despatched in 2 - 3 working days. |
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| |  | Kathleen Ferrier and Friends
Bach, J S: | Vergiss mein nicht, BWV505 Millicent Silver (harpsichord) Ach, dass nicht die letze Stunde BWV439 | Berkeley, L: | Four poems of St. Teresa of Avila, Op. 27 strings of the Hallé Orchestra, Sir John Barbirolli | Brahms: | Quartette (4), Op. 64 Irmgard Seefried (soprano), Julius Patzak (tenor), Horst Günther (baritone) & Hans Gal (piano) Ruhe, Süßliebchen (No. 9 from Deutsche Volkslieder, WoO 33) Auf dem See (No. 2 from Acht Lieder und Gesänge, Op. 59) Es schauen die Blumen, Op. 96 No. 3 Der Jäger (No. 4 from Sieben Lieder, Op. 95) | Handel: | Frondi tenere e belle ... Ombra mai fù (from Serse) London Symphony Orchestra, Sir Malcolm Sargent | Mahler: | Der Trunkene im Frühling (Das Lied von der Erde) (incomplete) solo by Peter Pears Der Abschied (Das Lied von der Erde) (incomplete) Vienna Philharmonic Orchestra, Bruno Walter | Mendelssohn: | Elijah: O rest in the Lord Boyd Neel Orchestra | Telemann: | Kleine Kantate von Wald und Au John Francis (flute), George Roth (cello) & Millicent Silver (harpsichord) |
Recorded New York 1949 or 1950 “Particularly important is the performance by its dedicatee of the Berkeley cycle, Ferrier's first surviving recorded collaboration with Barbirolli. Her singing is as balm to the ear, as is her attention to the meaning of the texts of these lovely settings. From a quite different tradition come the three quartets by Brahms. Ferrier's solo contributions are more marked but it is the euphony of the four voices and the ardour in which they project Brahms's settings that is most enjoyable.” Gramophone Magazine, February 2006 | | | Usually despatched in 3 - 4 working days. |
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| |  | Ingeborg Danz sings Brahms
Brahms: | In Waldeseinsamkeit, Op. 85 No. 6 Alte Liebe, Op. 72 No. 1 Nachklang (No. 4 from Acht Lieder und Gesänge, Op. 59) Verzagen, Op. 72 No. 4 Regenlied (No. 3 from Acht Lieder und Gesänge, Op. 59) Es liebt sich so lieblich, Op. 71 No. 1 Feldeinsamkeit, Op. 86 No. 2 An eine Äolsharfe, Op. 19 No. 5 Auf dem See (No. 2 from Acht Lieder und Gesänge, Op. 59) Geheimnis, Op. 71 No. 3 Sommerabend, Op. 85 No. 1 Dämmrung senkte sich von oben (No. 1 from Acht Lieder und Gesänge, Op. 59) Mondenschein, Op. 85 No. 2 So wünsch' ich ihr ein gute Nacht (No. 18 from Deutsche Volkslieder, WoO 33) Schwesterlein, WoO posth. 37 No. 1 Feinsliebchen, du sollst mir nicht barfuß gehen (No. 12 from Deutsche Volkslieder, WoO 33) Die Sonne scheint nicht mehr (No. 5 from Deutsche Volkslieder, WoO 33) In stiller Nacht (No. 42 from Deutsche Volkslieder, WoO 33) Da unten im Tale (No. 6 from Deutsche Volkslieder, WoO 33) Es schauen die Blumen, Op. 96 No. 3 Der Tod, das ist die kühle Nacht, Op. 96 No. 1 Meerfahrt, Op. 96 No. 4 Wiegenlied, Op. 49 No. 4 (Lullaby) Ach, englische Schäferin (No. 8 from Deutsche Volkslieder, WoO 33) |
Ingeborg Danz (Alto), Almut Eckels (piano) | |
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| |  | The Art of Christa LudwigChrista Ludwig 80th Birthday Tribute
Bach, J S: | St John Passion, BWV245: Es ist vollbracht Recorded: 1961, Berlin-Grünewald, Grünewaldkirche Berliner Symphoniker, Karl Forster St Matthew Passion, BWV244: Erbarme dich Recorded: 3-4 January, 14-15 April, 10-12 May, 21, 25-26 November, 28 December 1961, Kingsway Hall, London Philharmonia Orchestra, Otto Klemperer | Bellini: | Sgombra è la sacra selva from Norma Recorded: 5-12 September 1960, Teatro all Scala, Milan Orchestra del Teatro alla Scala di Milano, Tullio Serafin | Bizet: | L'amour est un oiseau rebelle 'Habanera' (from Carmen) sung in German Berliner Symphoniker, Horst Stein | Brahms: | Sapphische Ode, Op. 94 No. 4 Recorded: 11, 13, 14, 17 & 20 November, 1957, Abbey Road Studios, London Gerald Moore (piano) Liebestreu, Op. 3 No. 1 Recorded: 11, 13, 14, 17 & 20 November, 1957, Abbey Road Studios, London Gerald Moore (piano) Der Schmied Op. 19/4 Recorded: 11, 13, 14, 17 & 20 November, 1957, Abbey Road Studios, London Gerald Moore (piano) Die Mainacht, Op. 43 No. 2 Recorded: 11, 13, 14, 17 & 20 November, 1957, Abbey Road Studios, London Gerald Moore (piano) Dein blaues Auge, (No. 8 from Acht Lieder und Gesänge, Op. 59) Recorded: 31 March – 3 April 1969, Abbey Road Studios, London Geoffrey Parsons (piano) Von ewiger Liebe, Op. 43 No. 1 Recorded: 31 March – 3 April 1969, Abbey Road Studios, London Geoffrey Parsons (piano) Das Mädchen spricht, Op. 107 No. 3 Recorded: 31 March – 3 April 1969, Abbey Road Studios, London Geoffrey Parsons (piano) Heimweh, Op. 63 No. 8 Recorded: 31 March – 3 April 1969, Abbey Road Studios, London Geoffrey Parsons (piano) Wie Melodien zieht es mir, Op. 105 No. 1 Recorded: 31 March – 3 April 1969, Abbey Road Studios, London Geoffrey Parsons (piano) Mädchenlied, Op. 107 No. 5 Recorded: 31 March – 3 April 1969, Abbey Road Studios, London Geoffrey Parsons (piano) Vergebliches Ständchen, Op. 84 No. 4 Recorded: 31 March – 3 April 1969, Abbey Road Studios, London Geoffrey Parsons (piano) Der Tod, das ist die kühle Nacht, Op. 96 No. 1 Recorded: 31 March – 3 April 1969, Abbey Road Studios, London Geoffrey Parsons (piano) Auf dem See (No. 2 from Acht Lieder und Gesänge, Op. 59) Recorded: 31 March – 3 April 1969, Abbey Road Studios, London Geoffrey Parsons (piano) Feldeinsamkeit, Op. 86 No. 2 Recorded: 31 March – 3 April 1969, Abbey Road Studios, London Geoffrey Parsons (piano) In stiller Nacht (No. 42 from Deutsche Volkslieder, WoO 33) Recorded: 31 March – 3 April 1969, Abbey Road Studios, London Geoffrey Parsons (piano) Schwesterlein, WoO posth. 37 No. 1 Recorded: 31 March – 3 April 1969, Abbey Road Studios, London Geoffrey Parsons (piano) Immer leiser wird mein Schlummer, Op. 105 No. 2 Recorded: 31 March – 3 April 1969, Abbey Road Studios, London Geoffrey Parsons (piano) Ständchen, Op. 106 No. 1 Recorded: 31 March – 3 April 1969, Abbey Road Studios, London Geoffrey Parsons (piano) Two songs for contralto with viola obbligato, Op. 91 Recorded: November 1965 & March 1966, Abbey Road Studios, London Geoffrey Parsons (piano) & Herbert Downes (viola) Alto Rhapsody, Op. 53 Recorded: March 1962, Kingsway Hall, London Philharmonia Chorus & Orchestra, Otto Klemperer | Handel: | Es blaut die Nacht (Julius Caesar) Recorded: 19 March, 1962, Berlin-Grünewald, Grünewaldkirche Berliner Symphoniker, Horst Stein | Mahler: | Der Abschied (Das Lied von der Erde) Recorded: 19-22 February, 1964, Kingsway Hall, London & 7-8 November 1966, Abbey Road Studos, London Philharmonia Orchestra & New Philharmonia Orchestra, Otto Klemperer Ich ging mit Lust (Lieder und Gesänge aus der Jugendzeit) Hans und Grete (Lieder und Gesänge aus der Jugendzeit) Frühlingsmorgen (Lieder und Gesänge aus der Jugendzeit) Wo die schönen Trompeten blasen (Des Knaben Wunderhorn) Der Schildwache Nachtlied (Des Knaben Wunderhorn) Um schlimme Kinder artig zu machen (Lieder und Gesänge aus der Jugendzeit) Ich atmet' einen linden Duft (Rückert-Lieder) Liebst Du um Schönheit (Rückert-Lieder) Um Mitternacht (Rückert-Lieder) Das irdische Leben (Des Knaben Wunderhorn) Wer hat dies' Liedlein Erdacht? (Des Knaben Wunderhorn) Lob des hohen Verstandes (Des Knaben Wunderhorn) Ich bin der Welt abhanden gekommen (Rückert-Lieder) Rheinlegendchen (Des Knaben Wunderhorn) Des Antonius von Padua Fischpredigt (Des Knaben Wunderhorn) Recorded: 3-5 May, 1957, Abbey Road Studios, London Gerald Moore (piano) | Mozart: | In quali eccessi ... Mi tradì quell'alma ingrate (from Don Giovanni) Recorded: June/July 1966, Abbey Road Studios, London New Philharmonia Orchestra, Otto Klemperer E amore un ladroncello (from Così fan tutte) Recorded: September 1962, Kingsway Hall,, London Philharmonia Orchestra, Karl Böhm | Rachmaninov: | Sing not, O lovely one (Ne poi, krasavitsa, pri mne), Op. 4 No. 4 Recorded: November 1965 & March 1966, Abbey Road Studios, London Geoffrey Parsons (piano) Oh, my field, Op. 4 No. 5 Recorded: November 1965 & March 1966, Abbey Road Studios, London Geoffrey Parsons (piano) | Ravel: | Trois chansons madécasses Recorded: November 1965 & March 1966, Abbey Road Studios, London Geoffrey Parsons (piano) | Reger: | Der Brief, Op. 76, No. 8 Recorded: 29 November & 1 December, 1965, Bürgerbräu, Munich Gerald Moore (piano) Volkslied aus Franken – Waldeinsamkeit, Op. 76, No. 3 Recorded: 29 November & 1 December, 1965, Bürgerbräu, Munich Gerald Moore (piano) | Rossini: | La regata veneziana Recorded: 29 November & 1 December, 1965, Munich Bürgerbräu Gerald Moore (piano) | Saint-Saëns: | Une flûte invisible Recorded: November 1965 & March 1966, Abbey Road Studios, London Geoffrey Parsons (piano) | Schubert: | Die Allmacht, D852 Recorded: 11, 13, 14, 17 & 20 November, 1957, Abbey Road Studios, London Gerald Moore (piano) Fischerweise, D881 (Schlechta) Recorded: 11, 13, 14, 17 & 20 November, 1957, Abbey Road Studios, London Gerald Moore (piano) An die Musik D547 Recorded: 28-30 November, 1961, Abbey Road Studios, London Geoffrey Parsons (piano) Der Musensohn, D764 (Goethe) Recorded: 28-30 November, 1961, Abbey Road Studios, London Geoffrey Parsons (piano) Ganymed, D544 (Goethe) Recorded: 28-30 November, 1961, Abbey Road Studios, London Geoffrey Parsons (piano) Auf dem Wasser zu singen, D774 Recorded: 28-30 November, 1961, Abbey Road Studios, London Geoffrey Parsons (piano) Ave Maria, D839 Recorded: 28-30 November, 1961, Abbey Road Studios, London Geoffrey Parsons (piano) Die Forelle, D550 Recorded: 28-30 November, 1961, Abbey Road Studios, London Geoffrey Parsons (piano) Gretchen am Spinnrade, D118 Recorded: 28-30 November, 1961, Abbey Road Studios, London Geoffrey Parsons (piano) Frühlingsglaube, D686 Recorded: 28-30 November, 1961, Abbey Road Studios, London Geoffrey Parsons (piano) Der Tod und das Mädchen, D531 Recorded: 28-30 November, 1961, Abbey Road Studios, London Geoffrey Parsons (piano) Lachen und Weinen, D777 Recorded: 28-30 November, 1961, Abbey Road Studios, London Geoffrey Parsons (piano) Litanei auf das Fest Allerseelen, D343 Recorded: 28-30 November, 1961, Abbey Road Studios, London Geoffrey Parsons (piano) Erlkönig, D328 Recorded: 28-30 November, 1961, Abbey Road Studios, London Geoffrey Parsons (piano) Der Hirt auf dem Felsen, D965 (Von Chezy / Muller) Recorded: 8 November, 1965, Abbey Road Studios, London Geoffrey Parsons (piano) | Schumann: | Frauenliebe und -leben, Op. 42 Recorded: 3, 4, 6 May & 25 June, 1959, Abbey Road Studios, London Gerald Moore (piano) | Strauss, R: | Die Nacht, Op. 10 No. 3 Recorded: 11, 13, 14, 17 & 20 November, 1957, Abbey Road Studios, London Gerald Moore (piano) Allerseelen, Op. 10 No. 8 Recorded: 11, 13, 14, 17 & 20 November, 1957, Abbey Road Studios, London Gerald Moore (piano) Schlechtes Wetter, Op. 69 No. 5 Recorded: 29 November & 1 December, 1965, Bürgerbräu, Munich Gerald Moore (piano) Der Rosenkavalier, Act 3 – conclusion Recorded: 10-15 & 17-22 December 1956, Kingsway Hall,, London Teresa Stich-Randall, Elisabeth Schwarzkopf, Eberhard Wächter Philharmonia Orchestra, Herbert von Karajan | Verdi: | Quid sum miser (from Requiem) Recorded: 16-21, 23-27 September 1963 & 7 April 1964, Kingsway Hall, London Philharmonia Chorus & Orchestra, Carlo Maria Giulini Liber scriptus (from Requiem) Recordare (from Requiem) | Wagner: | Wesendonck-Lieder (5) orch. Mottl Philharmonia Orchestra, Otto Klemperer Mild und leise 'Isolde's Liebestod' (from Tristan und Isolde) Recorded: 21-23 March 1962, Kingsway Hall, London Philharmonia Orchestra, Otto Klemperer | Wolf, H: | Gesang Weylas (No. 46 from Mörike-Lieder) Recorded: 11, 13, 14, 17 & 20 November, 1957, Abbey Road Studios, London Gerald Moore (piano) Auf einer Wanderung (No. 15 from Mörike-Lieder) Recorded: 11, 13, 14, 17 & 20 November, 1957, Abbey Road Studios, London Gerald Moore (piano) |
“Her voice took naturally to the microphone, so this four-disc set is another source of infinite musical pleasure to be snapped up quickly before it disappears.” Penguin Guide, 2011 edition | | | In stock - usually despatched within 1 working day. |
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