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Isabelle Faust (violin), Alexander Melnikov (piano)
gut strings and an Erard piano from around 1885 help to create the welcome impression that we are in a Parisian salon, listening up close. The Erard has a rich, woody depth of tone; play no louder... — More…
Arthur Rubinstein (piano)
RCA Victor Orchestra, London Philharmonic Orchestra, New Symphony Orchestra of London, Symphony of the Air, Boston Symphony Orchestra, Philadelphia Orchestra, Chicago Symphony Orchestra, Los Angeles Philharmonic, Alfred Wallenstein, Josef Krips, Daniel Barenboim, Stanislaw...
Vadim Repin (violin) & Nikolai Lugansky (piano)
The obvious empathy that exists between these two artists...brings enormous dividends to this warmly recorded programme. It's so easy to become complacent in such a well-worn work as the Franck.... — More…
Edgar Moreau (cello) & David Kadouch (piano)
Fervent and passionate, [the Strohl] proves tremendously listenable; and here Moreau and Kadouch give it all they’ve got…[In the Franck] they seem at times too get up…The Poulenc, however, flowers... — More…