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Mstislav Rostropovich (cello), Peter Pears (tenor)
English Chamber Orchestra, The Aldeburgh Fesitval Singers, Benjamin Britten
it is a joy to see the two musicians in partnership. Britten sympathetically accompanying with the ECO...The 'bonus' is a real treat: Britten conducting excerpts from Gloriana...both chorus and... — More…
Igor Oistrakh (violin) & David Oistrakh (violin), Igor Oistrakh (violin) & David Oistrakh (viola), David Oistrakh (violin)
English Chamber Orchestra, Moscow Philharmonic, Colin Davis, Yehudi Menuhin, Kirill Kondrashin
you'd be hard-pressed to find a more unanimous pair of soloists [in the Bach] than the Oistrakhs. The camerawork allows us to see them in action with little distraction, and phrasing, dynamics... — More…
Benjamin Britten, Peter Pears, Leonard Bernstein, Sviatoslav Richter, Janet Baker, Julian Bream, Heather Harper, Imogen Holst, John Shirley-Quirk, Rudolf Bing & Henry Moore
English Chamber Orchestra, Steuart Bedford
Malcolm Frager (Steinway piano), Christian Zacharias (Steinway piano), Dezsö Ránki (Steinway piano w/o lid), Aleksandar Madzar (Bösendorfer piano)
Orchestra della Radiodiffusione della Svizzera Italiana, Radio-Sinfonieorchester Stuttgart, English Chamber Orchestra, Royal Philharmonic Orchestra,...
With: Benjamin Britten, Peter Pears, Imogen Holst, John Culshaw, Sviatoslav Richter, Julian Bream, Margaret Price, Henry Moore, Colin Graham, James Bowman, Owen Brannigan, Robert Tear, Heather Harper, Sir William Walton, Joyce Grenfell, E. M. Forster & Osian Ellis
The Vienna Boys Choir...
Live concerts from London, Lucerne & Zurich
Güher & Süher Pekinel (piano)
English Chamber Orchestra & Zurich Chamber Orchestra, Muhai Tang & Sir Colin Davis
Turkish identical twins who never glance at each other, yet play as though governed by a single brain. Their Mozart is serene, their Milhaud unfettered, their Brahms majestic. — More…
Fairfield Halls, Croydon, London, 20th December 1964
Peter Pears (tenor)
English Chamber Orchestra
from the very opening bars of the Mozart it's evident that the conductor is absolutely in control, delivering wonderfully instinctive melodic phrasing, and inspiring the English Chamber Orchestra... — More…