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Misha Didyk, Alexey Markov, Vladimir Stoyanov, Svetlana Aksenova, Larissa Diadkova
Chorus of Dutch National Opera, Royal Concertgebouw Orchestra, Mariss Jansons
It’s certainly wacky. But it’s followed through with rigorous brilliance…musically all is superb; this is the equal of Mariss Jansons’s first-rate Bavarian CD recording, with some of the same... — More…
Marlis Petersen (soprano), Elisabeth Kulman (contralto), Werner Güra (tenor) & Gerald Finley (bass)
Royal Concertgebouw Orchestra & Netherlands Radio Choir, Nikolaus Harnoncourt
This is exceptional. There are certainly many different valid ways to perform the Missa solemnis, but it's hard to imagine they will surpass this outstanding version...The Royal Concertgebouw... — More…
Royal Concertgebouw Orchestra, Daniele Gatti
this repertoire clearly plays to their strengths, the Debussy in particular. ...the recorded sound is fabulous. Emily Benyon’s flute contributions are a continual joy. La mer is, if anything,... — More…
64 CDs + 2 DVD Videos
Please note: This set weighs around 2.5kg, so we need to charge extra postage for delivery outside of the UK. Please contact us for further details.
Concertgebouw Orchestra, Andris Nelsons
It's an oddly balanced programme, but Nelson's passionate engagement and facial expressiveness in every facet, always balanced by his discipline with or without a baton, hold the spell...the... — More…
A portrait of Mariss Jansons
Ricarda Merbeth (soprano) & Bernarda Fink (mezzo-soprano)
Concertgebouw Orchestra & Netherlands Radio Choir, Mariss Jansons
Most valuable is the footage of his father, conductor Arvid Jansons, and of his own early days as a Herbert von Karajan protege...Of Jansons's humanity and penetrating gifts as a conductor we... — More…
Rolando Villazón (Don Carlo), Robert Lloyd (King Philip), Amanda Roocroft (Elisabeth), Violeta Urmana (Eboli), Dwayne Croft (Posa), Jaakko Ryhänen (Grand Inquisitor), Giorgio Giuseppini (Monk)
Royal Concertgebouw Orchestra & De Nederlandse Opera Chorus, Riccardo Chailly, stage direction...
Decker's direction of the principals provides both intelligent insights into relationships along with many bêtises that surely go against the composer's intentions. …he certainly manages to... — More…