Browse: DVD Video, Strauss, R (composer)
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Strauss, R: Salome
RecommendedTeresa Stratas (Salome), Bernd Weikl (Jochanaan), Astrid Varnay (Herodias), Hans Beirer (Herodes), Wieslaw Ochman (Narraboth), Hanna Schwarz (Ein Page)
Wiener Philharmoniker, Karl Böhm
Stratas's sinuous child-woman comes close to the ideal in Friedrich's glitzy but unnerving film, strongly cast throughout and superbly conducted. — More…
Awards:
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Penguin Guide, Rosette
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Offer,
Strauss, R: Elektra RecommendedEvelyn Herlitzius (Elektra), Waltraud Meier (Klytämnestra), Adrianne Pieczonka (Chrysothemis), Mikhail Petrenko (Orest), Tom Randle (Aegisth), Franz Mazura (Der Pfleger des Orest)
Coro Gulbenkian & Orchestre de Paris, Esa-Pekka Salonen
Herlitzius as the vengeful daughter is vocally tireless...Chereau exacts similarity intense, realistic performance from Adrianne Pieczonka as Chrysothemis...Other crucial elements in a total... — More…
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BBC Music Magazine, September 2014, Opera Choice
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Gramophone Awards, 2015, Winner - Opera
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Diapason d’Or de l’Année, 2014, Winner - Opéra
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Bruckner: Symphony No. 7 & Wolf: Lieder
Recorded live at Semperoper Dresden, September 2012
Renée Fleming (soprano)
Staatskapelle Dresden, Christian Thielemann
Thielemann's interpretation of Bruckner's Seventh Symphony is majestic and clean, as expected, though it falls just short of the cumulative power that the audience's warm reception suggests.... — More…
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Gramophone Magazine, September 2013, DVD of the Month
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Strauss: Salome
Asmik Grigorian (Salome), John Daszak (Herod), Anna Maria Chiuri (Herodias), Gábor Bretz (Jokanaan), Julian Prégardien (Narraboth)
Wiener Philharmoniker, Franz Welser-Möst
Grigorian’s voice is on the lighter side of dramatic soprano, but it gleams from the mid-range to the top with a bright timbre that doesn’t grow shrill as it ascends. She uses her voice fearlessly—as... — More…
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Gramophone Magazine, October 2019, DVD/Blu-ray of the Month
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International Classical Music Awards, 2020, Winner - Video Performance
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Gramophone Awards, 2020, Shortlisted - Opera
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Strauss: Elektra
Aušrinė Stundytė (Elektra), Asmik Grigorian (Chrysothemis), Tanja Ariane Baumgartner (Klytemnaestra), Michael Laurenz (Aegisth), Derek Welton (Orest)
Wiener Staatsoper, Franz Welser-Möst, Krzysztof Warlikowski
The playing, as one might expect, is matchless. Despite its eccentricities, I found the whole thing utterly compelling. Highly recommended. — More…
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Gramophone Magazine, September 2021, DVD/Blu-ray of the Month
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International Classical Music Awards, 2022, Nominated - Video Performance
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In War & Peace - Harmony Through Music
Live from Gran Teatre del Liceu, Barcelona, June 2017
Joyce DiDonato (mezzo-soprano)
Il Pomo d'Oro, Maxim Emelyanychev
DiDonato sings with poise and elegance, a few pitchy notes above the stave notwithstanding; her sorrow and passion are clear to see and appreciate – it is an incredibly giving performance. Conductor... — More…
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Renée Fleming and Christian Thielemann in Concert
Renée Fleming (soprano)
Vienna Philharmonic, Staatskapelle Dresden, Christian Thielemann
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Richard Strauss: Ariadne auf Naxos
Krassimira Stoyanova (Ariadne/Prima Donna), Sophie Koch (Komponist), Jessica Pratt (Zerbinetta), AJ Glueckert (Bacchus), Markus Werba (Ein Musiklehrer), Orchestra del Maggio Musicale Fiorentino, Daniele Gatti, Matthias Hartmann
Gatti conducts the score with evident affection, his account unrushed and expansive, moving in the Opera’s overture and achieving a noble sense of grandeur in the final minutes. — More…
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Strauss, R: Die Frau ohne Schatten
Avgust Amonov (Emperor), Mlada Khudoley (Empress), Olga Savova (Nurse), Edem Umerov (Barak), Olga Sergeyeva (Barak's Wife)
Mariinsky Orchestra, Valery Gergiev (conductor) & Jonathan Kent (stage director)
Gergiev coaxes some magnificent playing from his Mariinsky orchestra...But it's [his] attention to detail that really counts with nothing smudged or generalised in his reading of the score...Best... — More…
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Renée Fleming In Concert
Recorded live at the Salzburg Festival, August 2011
Renée Fleming (soprano)
Vienna Philharmonic, Christian Thielemann
You can immediately hear the classiness of the orchestral support...Thielemann's journey up the mountain is more a question of inner feeling than outward tone-painting...But the summit sequence... — More…
Awards:
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BBC Music Magazine, August 2012, DVD Choice
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