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Janáček: Katya Kabanova RecommendedAmanda Majeski (Katya), Katarina Dalayman (Kabanicha), Simon O'Neill (Boris), Andrew Staples (Tichon), Magdalena Kozená (Varvara), Ladislav Elgr (Kudrjas), Pavlo Hunka (Dikój)
London Symphony Orchestra & Chorus, Sir Simon Rattle
The LSO are on tremendous form throughout, and what follows is an unflinching journey into both beauty and darkness, as sensuousness repeatedly collides with incipient violence. — More…
Awards:
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Presto Recording of the Week, 23rd February 2024
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Gramophone Magazine, March 2024, Recording of the Month
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Janáček: The Cunning Little Vixen, Sinfonietta
RecommendedLucy Crowe (Vixen), Gerald Finley (Forester), Sophia Burgos (Fox), Jan Martiník (Badger/Parson), Peter Hoare (Mosquito/Rooster/Schoolmaster), Hanno Müller-Brachmann (Harašta)
London Symphony Orchestra, London Symphony Chorus, Sir Simon Rattle
If this Vixen is good, the Sinfonietta is outstanding – arguably the best on disc, though you need to experience the work in a concert hall with the nine trumpets blazing. They’re supremely sophisticated... — More…
Awards:
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Presto Recording of the Week, 4th September 2020
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Gramophone Magazine, October 2020, Editor's Choice
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Presto Recordings of the Year, Finalist 2020
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Gramophone Magazine, Critics' Choice 2020
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The Times Records of the Year, 2020
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Grammy Awards, 64th Awards (2022), Nominee - Best Opera Recording
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Bernstein: Candide
RecommendedLeonardo Capalbo (Candide), Jane Archibald (Cunegonde), Anne Sofie von Otter (Old Lady), Thomas Allen (Dr Pangloss/Narrator)
London Symphony Orchestra & Chorus, Marin Alsop
In the title role, Leonardo Capalbo offers charm, delicacy and a touch of melancholy. Jane Archibald makes an amiable Cunegonde, though her showpiece ‘Glitter and be gay’ doesn’t sparkle enough.... — More…
Awards:
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Record Review, 9th October 2021, Record of the Week
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Presto Recording of the Week, 15th October 2021
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Presto Recordings of the Year, Finalist 2021
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International Classical Music Awards, 2022, Nominated - Opera
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Weber: Der Freischütz
RecommendedChristine Brewer (Agathe), Sally Matthews (Ännchen), Lars Woldt (Kaspar), Simon O’Neill (Max), Stephan Loges (Ottokar/Zamiel), Martin Snell (Kuno), Gidon Saks (A Hermit), Marcus Farnsworth (Kilian), Lucy Hall (Bridesmaids)
London Symphony Orchestra & Chorus, Sir Colin Davis
This is a sincere reading of the work, but sincerity should not be confused with a lack of sophistication. The orchestral textures are pristine, the tempos and colours bracing and plaintive,... — More…
Awards:
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Presto Recording of the Week, 6th May 2013
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Debussy: Pelléas et Mélisande
RecommendedChristian Gerhaher (Pelléas), Magdalena Kožená (Mélisande), Bernarda Fink (Geneviève), Franz-Josef Selig (Arkel), Gerald Finley (Golaud), Elias Mädler (Yniold), Joshua Bloom ((Shepherd/Doctor)
London Symphony Orchestra, Sir Simon Rattle
Kožená’s Melisande has a firm streak of red-blooded coquettish defiance that is effective, even if it belies the character’s customary blanched fragility. Christian Gerhaher’s Pélleas is similarly... — More…
Awards:
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Presto Recording of the Week, 13th October 2017
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Presto Recordings of the Year, Finalist 2017
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Gramophone Magazine, December 2017, Editor's Choice
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Gramophone Awards, 2018, Finalist - Opera
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Opus Klassik Awards, 2018, Winner - Opera Recording (20th/21st century)
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Limelight Magazine Recordings of the Year, 2018, Nominated - Opera
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Strauss, R: Elektra
RecommendedJeanne-Michèle Charbonnet (Elektra), Angela Denoke (Chrysothemis), Dame Felicity Palmer (Clytemnestra), Matthias Goerne (Orestes), Ian Storey (Aegisthus)
London Symphony Orchestra, Valery Gergiev
[Gergiev] conveys passions and tensions with compelling, sometimes deafening power...[Charbonnet is] strongly involved without, thankfully, overplaying the weirdness...[Palmer's Klytaemnestra... — More…
Awards:
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Presto Recording of the Week, 9th July 2012
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Stravinsky: Oedipus Rex & Apollon Musagète
RecommendedJennifer Johnston (Jocasta), Stuart Skelton (Oedipus), Gidon Saks (Creon) & Fanny Ardant (narrator)
Gentlemen of the Monteverdi Choir & London Symphony Orchestra, Sir John Eliot Gardiner
Johnston's superb interpretation lifts the whole performance up a couple of notches...But John Eliot Gardiner's conducting somehow misses the work's elusive power. — More…
Awards:
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Presto Recording of the Week, 7th April 2014
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Building a Library, May 2018, Recommended Recording
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Offer,
Britten: The Turn of the Screw Andrew Kennedy (Prologue, Peter Quint), Sally Matthews (Governess), Michael Clayton-Jolly (Miles), Lucy Hall (Flora), Catherine Wyn-Rogers (Mrs Grose) & Katherine Broderick (Miss Jessel)
London Symphony Orchestra, Richard Farnes
Britten's opera makes its usual harrowing impact...Broderick's darker-toned Miss Jessel contrasts well with [Matthews]...while Catherine Wyn-Rogers's Mrs Grose is faultlessly secure and vivid.... — More…
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