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Rachel Podger (violin)

Brecon Baroque

Part of the freshness stems from the interaction between Podger and her one-to-a-part ensemble. She’s first among equals and the dynamic couldn’t be further removed from the usual notion of the... More…

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Ann-Helen Moen (soprano), Roxana Constantinescu (mezzo-soprano), James Gilchrist (tenor) & Benjamin Bevan (baritone)

Bach Collegium Japan, Masaaki Suzuki

The orchestra and chorus are comparatively small under Suzuki, the tempos slightly on the fast side, the soloists able to cope with the appalling difficulties of their music, but not outstandingly... More…

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SACD

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Orchestral Works

Royal Liverpool Philharmonic Orchestra, Christian Lindberg

They’re completely on fire, chiselling hot rhythms out of the percussion, melting their lips on ritzy brass cascades. They also obviously relish the tenderness of those rare moments when Bernstein... More…

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SACD

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James Ehnes (viola)

BBC Symphony Orchestra, Edward Gardner

Ehnes, long established as one of the world’s leading violinists, doesn’t offer the same hefty, almost cello-like weight of tone on the viola as some of his specialist colleagues. Then again,... More…

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SACD

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Michael Collins (clarinet/conductor)

Swedish Chamber Orchestra

Michael Collins thrills and charms in these characterful concertos, which deserve to be as well known as those by Mozart and Weber. More…

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SACD

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Few are better acquainted [with the Catalogue] than Pierre-Laurent Aimard, and this set is clearly a long-pondered act of love…Needless to say, Aimard possesses the necessary dazzling virtuosity,... More…

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3 SACDs

($38.25) $34.50

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Early Horn Concertos

Alec Frank-Gemmill (horn)

Swedish Chamber Orchestra, Nicholas McGegan

This is an outstanding collection, in which Frank-Gemmill’s stratospheric virtuosity, on three different instruments, is elegantly counterpointed by Nicholas McGegan’s buoyantly sympathetic direction…a... More…

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Minnesota Orchestra, Osmo Vänskä

By keeping a firm grip on the first three movements, Osmo Vänskä ensures that the cast and increasingly frantic finale, with its hammer-blows of Fate, really does come over as climactic, culminating... More…

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Elgar’s epigraph to his Second Symphony, from Shelley, “Rarely, rarely comest thou, Spirit of Delight!”, can be taken two ways: with the emphasis on “rarely”, or in the sense “yet it does come”.... More…

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Louis Lortie (piano), Carla Huhtanen (soprano), Emily D’Angelo (mezzo-soprano), Lawrence Wiliford (tenor) & Tyler Duncan (baritone), Sarah Jeffrey (oboe), Teng Li (viola)

Toronto Symphony Orchestra, Elmer Iseler Singers, Peter Oundjian

The Serenade is given in the version for four soloists and chorus. The original for 16 solo voices is preferable, but Oundjian’s forces make a strong case, as do his soloists in the concertos,... More…

SACD

($14.75) $13.25

In stock

Usually despatched within 1 working day

This release includes a digital booklet