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Mahler: Das Lied von der Erde
RecommendedSarah Connolly (mezzo-soprano), Robert Dean Smith (tenor)
Berlin Radio Symphony Orchestra, Vladimir Jurowski
[Connolly] makes the perfect case for pulling the lustrous stops out at each death-transcending release in the ‘Farewell’; Mahler may mark the dynamics at a lower level, but the emotion is irresistible.... — More…
Awards:
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Gramophone Magazine, September 2020, Recording of the Month
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Presto Recordings of the Year, Finalist 2020
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Gramophone Magazine, Critics' Choice 2020
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BBC Music Magazine Awards, 2021, Shortlisted - Vocal
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Gramophone Awards, 2021, Shortlisted - Voice & Ensemble
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Imaginative, sensitive programming has been a constant feature of Ruby Hughes’s collaborations; and this latest with the perennially adventurous Manchester Collective is no exception...A disc... — More…
Awards:
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BBC Music Magazine, March 2024, Choral & Song Choice
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Mahler: Song Cycles
RecommendedAlice Coote (mezzo-soprano)
Netherlands Philharmonic Orchestra, Marc Albrecht
A mezzo can bring so many colours to the expression, and in that respect Alice Coote matches the previously unsurpassable challenge of Janet Baker with Barbirolli. There’s even a plus: the height,... — More…
Awards:
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Presto Editor's Choice, July 2017
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Presto Recordings of the Year, Finalist 2017
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Record Review, 12th August 2017, Recording of the Week
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Lost Is My Quiet Carolyn Sampson (soprano), Iestyn Davies (countertenor), Joseph Middleton (piano)
The art of vocal duetting is exemplified at its best in this recital by two of today’s finest British singers, working with an accompanist of equal merit…each singer has solo items…Yet the most... — More…
Awards:
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BBC Music Magazine, Choral & Song Choice
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Gramophone Magazine, November 2017, Editor's Choice
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Gramophone Awards, 2018, Shortlisted - Solo Vocal
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This fine duo has evidently done extensive research to assemble this innovative and attractive programme...Grimaldi’s sweet-toned voice is often hugely appealing, and she’s excellently matched... — More…
Awards:
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Presto Editor's Choice, February 2022
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This is a big voice with a warm Italianate tone and a fitting sense of the legato required for this repertoire. Verismo sobbing is kept to a minimum. Beczala knows exactly how to build the drama... — More…
Awards:
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Presto Recording of the Week, 15th May 2020
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Gramophone Magazine, June 2020, Recording of the Month
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Opera, July 2020, Disc of the Month
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Presto Recordings of the Year, Finalist 2020
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Opus Klassik, 2021, Male Singer of the Year
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Vaughan Williams: Sinfonia Antartica, Concerto for Two Pianos & Four Last Songs RecommendedMari Eriksmoen (soprano), Louis Lortie, Hélène Mercier (pianos), Roderick Williams (baritone)
Bergen Philharmonic Orchestra, Sir Andrew Davis
Either [Lortie] or Hélène Mercier could probably polish off the original [Concerto] by themselves, but their partnership develops its intensity without strain, particularly attractive in rich... — More…
Awards:
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Presto Recording of the Week, 29th September 2017
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Presto Recordings of the Year, Finalist 2017
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Diapason d’Or, December 2017, Nouveauté
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Sounds and Sweet Airs - A Shakespeare Songbook
Carolyn Sampson (soprano), Roderick Williams (baritone), Joseph Middleton (piano)
Sampson’s vocal security throughout the registers, clear diction, and patrician phrasing all testify to a complete artist. And Sampson proves every bit as much at home in the modernist works... — More…
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Bliss: Mary of Magdala, The Enchantress & Meditations of a Theme by John Blow RecommendedDame Sarah Connolly (mezzo-soprano), James Platt (bass)
BBC Symphony Orchestra, BBC Symphony Chorus, Sir Andrew Davis
There is an immolatory vehemence to her [connolly’s] performance, securely buttressed by Davis and his BBC forces...Bliss adherents will need to add this to their roster of necessary discs. — More…
Awards:
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Presto Recording of the Week, 8th November 2019
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Presto Recordings of the Year, Finalist 2019
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Mephistopheles And Other Bad Guys
Kevin Short (bass-baritone)
Orchestre Philharmonique de Marseille, Lawrence Foster
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